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19
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18
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18
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15
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14
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10
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8
2 Trombones (duo)
8
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7
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7
2 Trompettes (duo)
6
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6
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6
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4
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3
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2
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2 Euphoniums et 2 Tubas
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96
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69
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65
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41
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39
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21
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20
2 Violons (duo)
14
Violon (partie séparée)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Violon, Alto (duo)
8
2 Violoncelles (duo)
7
Trio à Cordes: violon, alto, violoncelle
7
2 Altos (duo)
6
Trio à cordes: 3 violins
5
Contrebasse (partie séparée)
5
2 Harpes (duo)
5
Alto (partie séparée)
5
Contrebasse, Piano (duo)
5
Violon, Violoncelle (duo)
4
Harpe, Flûte (duo)
4
Violoncelle, Contrebasse (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
Ensemble de Violons
2
Harpe, Violon (duo)
2
Harpe, Voix
2
Quatuor à cordes : 4 altos
2
Quatuor à cordes: 4 violons
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Violoncelle (duo)
1
4 Violoncelles
1
Trio à Cordes: 2 violons, alto
1
Trio à Cordes: 3 violoncelles
1
2 Violoncelles, Piano
1
Violon, Basse continue
1
Alto, Violoncelle (duo)
1
4 Contrebasses
1
Violon, Violoncelle, Clarinette
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PERCUSSIONS & ORCHESTRES
Orchestre
210
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129
Batterie
110
Orchestre à Cordes
50
Percussion
31
Ensemble de cuivres
23
Cloches
20
Orchestre de chambre
20
Percussion (partie séparée)
11
Caisse Claire
10
Ensemble Jazz
6
Ensemble de Percussions
4
Batterie (partie séparée)
3
Jazz combo
2
Quintette de Cuivres: autres combinaisons
1
Fanfare
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Timbales
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AUTRES
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Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
9.31 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holidays
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Thomas Oboe Lee
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SheetMusicPlus
In The Air
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.734854 Composed by Joseph Haspe…
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Full Orchestra - Level 4 - Digital Download SKU: A0.734854 Composed by Joseph Hasper. 20th Century,Contemporary. Score and parts. 109 pages. Joseph Hasper #3620119. Published by Joseph Hasper (A0.734854). A short movement for orchestra in an energetic and tuneful style. In The Air is the fourth movement of Joseph Hasper's Symphony No. 1, composed in 2012.Scored for orchestra 2.2.2.2, 4.3.2.1, timpani, 2 perc, and strings.The item contains a full score and complete set of parts. A score alone may be purchased separately at SMP Press https://www.sheetmusicplus.com/title/in-the-air-orchestra-score-only-digital-sheet-music/20795783?ac....
$39.00
36.35 €
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Orchestre
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Joseph Hasper
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In The Air
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Joseph Hasper
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SheetMusicPlus
Marche Militaire no 1, - school orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.851547 Composed by Franz Schube…
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Full Orchestra - Level 3 - Digital Download SKU: A0.851547 Composed by Franz Schubert. Arranged by Brett Thompson. Romantic Period. Score and parts. 32 pages. Brett Thompson #3503535. Published by Brett Thompson (A0.851547). Marche Militaire no 1 is one of Schubert’s best known melodies. It was originally published in 1826 as a piano duet and has since been arranged in numerous ways. This (level 2) arrangement is suited for a school orchestra and includes an alto saxophone and third trumpet alternative for the French Horn Part.
$34.95
32.58 €
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Orchestre
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Franz Schubert
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Brett Thompson
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Marche Militaire no 1, - school orchestra
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Brett Thompson
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SheetMusicPlus
Air - Henry Purcell
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.924792 Composed by Henry Purcel…
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Full Orchestra - Level 2 - Digital Download SKU: A0.924792 Composed by Henry Purcell. Arranged by Stenio Caixeta. Baroque,Christmas,Graduation,Standards. Score and parts. 24 pages. Stênio Caixeta #6103615. Published by Stênio Caixeta (A0.924792). Arranjo de orquestra desta melodia clássica do compositor britânico Henry Purcell. Estou à disposição no email: stenio_sc@hotmail.com
$9.99
9.31 €
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Orchestre
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Henry Purcell
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Stenio Caixeta
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Air - Henry Purcell
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Stênio Caixeta
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SheetMusicPlus
Irish Prelude No.3 (Anthem)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.731873 Composed by Thomas Quigl…
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Full Orchestra - Level 4 - Digital Download SKU: A0.731873 Composed by Thomas Quigley. Celtic,Concert,Holiday. Score and parts. 99 pages. Thomas Quigley #3408003. Published by Thomas Quigley (A0.731873). A patriotic air in an Irish traditional style, with the fervor and enthusiasm of an anthem, evokes a strong feeling of national pride. This stirring melody, contrasted with a vivacious and energetic slip jig, Irish melodic elements and a dynamic ending, combine to create an exhilarating orchestral prelude. It is suitable for an ambitious college or amateur orchestra needing a new rewarding challenge. In performance it is possible to play all three preludes in succession.
$75.00
69.9 €
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Orchestre
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Thomas Quigley
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Irish Prelude No.3
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Thomas Quigley
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
29.36 €
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Orchestre
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.64 €
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Orchestre
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Opussax No. 1
Orchestre
Full Orchestra - Digital Download SKU: A0.1007900 Composed by Guido Alfonso Medina …
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Full Orchestra - Digital Download SKU: A0.1007900 Composed by Guido Alfonso Medina Rivera. Arranged by Guido Alfonso Medina Rivera. Blues,Concert,Contemporary,Jazz. Score and parts. 222 pages. SGAE #3918689. Published by SGAE (A0.1007900). This is my first concert for Alto Saxophone and Symphony Orchestra. It consists of three movements, I. Allegro, II. Slow with a cadence and III, Allegro Vivacce. It is a trip through several locations in the world: Buenos Aires, Broadway, Chinatown, New Orleans, Hollywood, the Sahara, Hispania and the Celtic region. Very descriptive of the environment of each place, has as backup a Simplified Symphony Orchestra (to two) in most woods and metals.
$40.00
37.28 €
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Orchestre
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Guido Alfonso Medina Rivera
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Guido Alfonso Medina Rivera
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Opussax No. 1
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SGAE
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SheetMusicPlus
L'Arlésienne Suite No. 2
Orchestre
Orchestra - Digital Download SKU: S9.Q21191 Composed by Georges Bizet. This edition…
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Orchestra - Digital Download SKU: S9.Q21191 Composed by Georges Bizet. This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Downloadable, study score. Ernst Eulenburg & Co. GmbH - Digital #Q21191. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21191). The première of Daudet's play, L'Arlésienne, with incidental music by Bizet, given at the Théâtre du Vaudeville on 30 September 1872, was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber, however, was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion, for the première of the first Arlésienne suite took place only six weeks later at the Concerts populaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Bizet, however, did not turn to preparing a second suite from L'Arlésienne. Some four years after Bizet's death, the success of the first suite may have prompted his original publisher to commission the arrangement of more excerpts from the Arlésienne MS from Bizet's good friend Ernest Guiraud who had earlier written recitatives and put together a ballet for Carmen.In 1872 Bizet wrote the incidental music to Daudet’s famous tragedy ‘L’Arlésienne’. He had to tailor his composition to an orchestra of only 26 players, but these limited forces turned out to pose a stimulating challenge rather than an obstacle. Shortly after the premiere, he arranged four of the movements and formed them into the Suite No. 1 for large orchestra. The Suite No. 2 was arranged by Ernest Guiraud four years after Bizet’s death.
$13.99
13.04 €
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Orchestre
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Georges Bizet
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L'Arlésienne Suite No. 2
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Mozart - Symphony No. 25 in G minor - transposed parts for Horn in F (Hn. 1, 2, 3, 4)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1205869 By Brian Harris. By Wol…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1205869 By Brian Harris. By Wolfgang Amadeus Mozart. Arranged by Brian Harris. Classical,Traditional. Score and Parts. 10 pages. Bandroom.com Publications #804059. Published by Bandroom.com Publications (A0.1205869). ___________________________________________________ Symphony No. 25 in G minor - transposed parts for Horn in F (Hn. 1, 2, 3, 4) Sinfonie in g K. 183 (K.6: 173 dB)Works with Barenreiter and other editions.These transposed parts have prevalent measure numbers, but the rehearsal letters (taken from the Barenreiter Urtext) might be in different locations in other editions. These are not edited parts, but are simply transposed into F from the publisher's original printing.Recently performed in concert, the parts have been highly proofed and edited for clarity and accuracy.Comment: Having both paired parts on a single staff (1st/2nd Horn; 3rd/4th Horn) can help with balance issues by allowing certain notes to be played by only one player; this is especially true for certain high notes in the 1st/2nd parts..Original keys:Mov. 1 - Horn 1 & 2 in B (B-flat); Horn 3 & 4 in GMov. 2 - Horn 1 & 2 in Es (E-flat); Horn 3 & 4 - tacetMov. 3 - Horn 1 & 2 in B (B-flat); Horn 3 & 4 in GMov. 4 - Horn 1 & 2 in B (B-flat); Horn 3 & 4 in G_______________________________________________.
$5.00
4.66 €
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Orchestre
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Brian Harris
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Brian Harris
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Mozart - Symphony No. 25 in G minor - transposed parts for Horn in F
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Bandroom.com Publications
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SheetMusicPlus
L'Arlésienne Suite No. 1
Orchestre
Orchestra - Digital Download SKU: S9.Q12512 Composed by Georges Bizet. This edition…
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Orchestra - Digital Download SKU: S9.Q12512 Composed by Georges Bizet. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. New URTEXT Edition. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q12512. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q12512). The première of Daudet's play, L'Arlésienne, with incidental music by Bizet, at the Théâtre du Vaudeville on 30 September 1872, was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber, however, was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion, for the première of the first Arlésienne suite took place only six weeks later at the Concerts populaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Thus, before his death in June 1875, Bizet had the satisfaction that his suite from L'Arlésienne was played by all the major concert societies in Paris and it has remained firmly in the concert and recorded repertoire ever since.
$13.99
13.04 €
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Orchestre
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Georges Bizet
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L'Arlésienne Suite No. 1
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
E. Satie – Heures Séculaires et Instantanées, 1914
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1074008 By Arkady Leytush. By E…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1074008 By Arkady Leytush. By Erik Satie. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady Leytush #678276. Published by Arkady Leytush (A0.1074008). E. Satie – Heures Séculaires et Instantanées, 1914, Orchestra suite 1. Obstacles venimeux 2. Crepuscule matinal 3. Affolments granitiques Duration about 4 minutes. Heures Séculaires et Instantanées (Hallowed by Time and Instant Hours), one of his humorous keyboard suites from the 1910s, contains Satie's famous warning to pianists against reading aloud the fanciful texts that adorned his score. Sati warns against reading aloud the texts written on his scores. This is the secret between the performer and the composer. “There are as many words as there are notes!†says the French composer-critic Guy Sacré. Biographer Rollo H. Myers saw Heures as an omen of surrealism (ten years before the fact) and a new phase in the relationship between text and music. “... For the first time, individual verbal witticisms and witticisms are replaced by something like a recitation or monologue, which is an integral part of the work: this is no longer a cursory comment, arbitrarily superimposed and often not related to the music that it accompanies, but a certain narrative, grotesque inspiration, which the music serves as an illustration. In addition to what has been said, I would like to add that being one of the first minimalists in modern music, Sati opens a new page in the combination of musical images and examples of abstract vision and imagination inspired by music with his illustrative texts in this humorous suite. This approach to composition soon led to the emergence of striking examples of the combination of music and animation. This short suite, full of humor and ingenuity, moved me when arranging to also emphasize this feature by choosing the full composition of the orchestra, where in each number of this suite the musicians of the orchestra play only a few notes in turn. On the one hand, this should bring great variety and contrast, on the other hand, a huge orchestra and a 4-minute suite in themselves cause a smile of inconsistency...
$40.00
37.28 €
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Orchestre
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Arkady Leytush
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Arkady Leytush
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E. Satie – Heures Séculaires et Instantanées, 1914
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Arkady Leytush
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SheetMusicPlus
Symphony No. 5 ... Utopia Parkway (2003) full score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869677 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
$9.99
9.31 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 5 ... Utopia Parkway
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Thomas Oboe Lee
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SheetMusicPlus
Symphony no.1 in A minor Final movement by R. Hutter
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1454350 By Rosie Hutter. By Ros…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1454350 By Rosie Hutter. By Rosie Hutter. Arranged by Rosie Hutter. Classical,Romantic Period. 59 pages. Rosie Hutter #1033452. Published by Rosie Hutter (A0.1454350). A fairly simple final movement of a symphony, created using an original piano piece of mine.
$5.50
5.13 €
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Orchestre
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Rosie Hutter
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Rosie Hutter
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Symphony no.1 in A minor Final movement by R. Hutter
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Rosie Hutter
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SheetMusicPlus
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
46.56 €
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Orchestre
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Adrian Gagiu
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Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Adrian Gagiu
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SheetMusicPlus
Johann Sebastian Bach: Orchestral Suite No.3 BWV 1068 (parts) for orchestra
Orchestre
Instantly downloadable sheet music by Johann Sebastian Bach for orchestra of MEDIUM skill …
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Instantly downloadable sheet music by Johann Sebastian Bach for orchestra of MEDIUM skill level. Contents: bwv1068, suite No. 3, air on g, air in d major / classical
$9.99
9.31 €
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Orchestre
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Johann Sebastian Bach
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Virtualsheetmusic
Johann Sebastian Bach: Orchestral Suite No.3 BWV 1068 (f.score) for orchestra
Orchestre
Instantly downloadable sheet music by Johann Sebastian Bach for orchestra of MEDIUM skill …
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Instantly downloadable sheet music by Johann Sebastian Bach for orchestra of MEDIUM skill level. Contents: bwv1068, suite No. 3, air on g, air in d major / classical
$6.75
6.29 €
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Orchestre
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Johann Sebastian Bach
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Virtualsheetmusic
Johann Sebastian Bach: Orchestral Suite No.3 BWV 1068 (COMPLETE) for orchestra
Orchestre
Instantly downloadable sheet music by Johann Sebastian Bach for orchestra of MEDIUM skill …
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Instantly downloadable sheet music by Johann Sebastian Bach for orchestra of MEDIUM skill level. Contents: bwv1068, suite No. 3, air on g, air in d major / classical
$11.99
11.18 €
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Orchestre
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Johann Sebastian Bach
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Virtualsheetmusic
Mozart - Symphony No. 25 in G minor - transposed parts for Horn in F (Hn. 1, 2, 3, 4)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1428234 By Brian Harris. By Wol…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1428234 By Brian Harris. By Wolfgang Amadeus Mozart. Arranged by Brian Harris. Classical. 10 pages. HMS Music #1009025. Published by HMS Music (A0.1428234). ___________________________________________________Symphony No. 25 in G minor - transposed parts for Horn in F (Hn. 1, 2, 3, 4)Sinfonie in g K. 183 (K.6: 173 dB)These parts may be used with Barenreiter and other original editions.These transposed parts have prevalent measure numbers, but the rehearsal letters (taken from the Barenreiter Urtext) might be in different locations in other editions. These are not edited parts, but are simply transposed into F from the publisher's original printing.Recently performed in concert, the parts have been highly proofed and edited for clarity and accuracy.Comment: Having both paired parts on a single staff (1st/2nd Horn; 3rd/4th Horn) can help with balance issues by allowing certain notes to be played by only one player; this is especially true for certain high notes in the 1st/2nd parts.Original keys:Mov. 1 - Horn 1 & 2 in B (B-flat); Horn 3 & 4 in GMov. 2 - Horn 1 & 2 in Es (E-flat); Horn 3 & 4 - tacetMov. 3 - Horn 1 & 2 in B (B-flat); Horn 3 & 4 in GMov. 4 - Horn 1 & 2 in B (B-flat); Horn 3 & 4 in G_______________________________________________.
$5.99
5.58 €
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Orchestre
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Brian Harris
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Brian Harris
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Mozart - Symphony No. 25 in G minor - transposed parts for Horn in F
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HMS Music
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SheetMusicPlus
I. Stravinsky – Serenade in A, Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1374158 Composed by Igor Stravi…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1374158 Composed by Igor Stravinsky. Arranged by A. Leytush. 20th Century. 94 pages. Arkady Leytush #958734. Published by Arkady Leytush (A0.1374158). This 4-part suite is called Serenade in A. This name, chosen by its author, completely exhausts the content of this music and emphasizes the main idea of the composition, as well as the tonality of all parts. Each part provides comprehensive details in this series and has its own title. I emphasize that this is by no means a programmatic essay. The nature of each part and their internal content pushed me to follow my interpretation of each part in the orchestral transcription. 1. Hymne is essentially nothing more than a Hymn of love! His character, sublime above the everyday, is, as it were, raised to the surface and presented in bright, broad strokes as an irrefutable truth. 2. Romanza - I perceive it as a kind of parody of a love romance with the main sentiments and elements inherent in this genre. This is by no means a refutation of love, but only some irony over the false, pretentious way of expressing this feeling. The grotesque character is emphasized whenever possible by the orchestration. 3. Rondoletto - this part, from the very beginning in my orchestration, resembles the multi-voiced play of musicians preparing to play, testing the sound of their instruments, tuning them and playing out. 4. Cadenza Finala - the nature of the music is the union and rapture of love. In my orchestration there can be traced duets of various instruments and orchestra groups such as: a pair of Flutes, a pair of Oboes, Clarinets, Trumpets, Trombones, 1st and 2nd Violins. This feature of the pairs I have chosen should emphasize their relationship and relatedness.
$60.00
55.92 €
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Orchestre
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Igor Stravinsky
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A
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I. Stravinsky – Serenade in A, Orchestrated by A. Leytush - Score Only
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Arkady Leytush
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SheetMusicPlus
Live And Let Die
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1284109 By Wings. By Linda McCa…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1284109 By Wings. By Linda McCartney and Paul McCartney. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and Parts. 60 pages. Kevin Riley #875342. Published by Kevin Riley (A0.1284109). Live and Let Die is the theme song of the 1973 James Bond film of the same name, performed by the British–American rock band Wings. Written by English musician Paul McCartney and his wife Linda McCartney, it reunited McCartney with former Beatlesproducer George Martin, who produced the song and arranged the orchestra. McCartney was contacted to write the song by the film's producers Harry Saltzman and Albert R. Broccoli before the screenplay was finished. Wings recorded Live and Let Die during the sessions for Red Rose Speedway in October 1972 at AIR Studios. It was also the first rock song to open a Bond film. Another version by B. J. Arnau also appears in the film.Upon release, Live and Let Die was the most successful Bond theme up to that point, reaching No. 1 on two of the three major US charts (though it only reached No. 2 on the Billboard Hot 100) and No. 9 on the UK Singles Chart. The song also received positive reviews from music critics and continues to be praised as one of McCartney's best songs. It became the first Bond theme song to be nominated for the Academy Award for Best Original Song, but ultimately lost the award to Barbra Streisand's The Way We Were. It won the Best Arrangement Accompanying Vocalist(s) at the 16th Annual Grammy Awardsin 1974.Wings performed Live and Let Die live during their concert tours and McCartney continues to play it on his solo tours, often using pyrotechnics during the instrumental breaks. It has been covered by several bands, including Guns N' Roses, whose version appears on their 1991 album Use Your Illusion I. One of the more popular covers of the song, their version was nominated for the Grammy Award for Best Hard Rock Performanceat the 35th Annual Grammy Awards in 1993. In 2012, McCartney was awarded the Million-Air Award from Broadcast Music, Inc. (BMI), for more than 4 million performances of the song in the US.
$70.00
65.24 €
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Orchestre
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Wings
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Kevin Riley
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Live And Let Die
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Kevin Riley
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SheetMusicPlus
That's The Way (i Like It)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.546779 By K.C. And The Sunshine…
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Full Orchestra - Level 3 - Digital Download SKU: A0.546779 By K.C. And The Sunshine Band. By Harry Wayne Casey and Richard Finch. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 35 pages. Kevin Riley #156712. Published by Kevin Riley (A0.546779). That's the Way (I Like It) is a song by the American group KC and the Sunshine Band from their self-titled second studio album. The single became the band's second No. 1 hit in the Billboard Hot 100, and it is one of the few chart-toppers in history to hit No. 1 on more than one occasion during a one-month period, as it did between November and December 1975. It topped the American pop chart for one week, and then was replaced by another disco song, Fly, Robin, Fly by Silver Convention. That's the Way (I Like It) returned to No. 1 for one more week after Fly, Robin, Fly completed three weeks at the top. That's the Way (I Like It) also spent one week at No. 1 in the soul singles chart. The song is in natural minor. The song was also an international chart hit, reaching No. 1 in Canada[4] and the Netherlands and charting in Australia (No. 5), Belgium (No. 2), Germany (No. 20), Ireland (No. 17), New Zealand (No. 12), Norway (No. 5) and the United Kingdom (No. 4). For release as a single and radio airplay, the song was toned down from the original recording, which would have jeopardized it receiving getting radio airplay at the time. However the sexual overtones may have improved the record's reception at discos, increasing its overall popularity in the charts.
$50.00
46.6 €
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Orchestre
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K
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Kevin Riley
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That's The Way
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Kevin Riley
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SheetMusicPlus
Without You
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.515586 By Air Supply. By Peter …
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Full Orchestra - Level 3 - Digital Download SKU: A0.515586 By Air Supply. By Peter Ham and Thomas Evans. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 42 pages. Kevin Riley #126331. Published by Kevin Riley (A0.515586). Without You Song by Badfinger from the album No Dice Released 9 November 1970 Recorded 15 & 29 July 1970 Studio Abbey Road, London Length 4:43 Label Apple Songwriter(s) Pete Ham, Tom Evans Producer(s) Geoff Emerick Without You is a song written by Pete Ham and Tom Evans of British rock group Badfinger, and first released on their 1970 album No Dice. The power ballad has been recorded by over 180 artists, and versions released as singles by Harry Nilsson (1971), T. G. Sheppard (1983) and Mariah Carey (1994) became international best-sellers. The Nilsson version was included in 2021's Rolling Stone'}s 500 Greatest Songs of All Time.Paul McCartney once described the ballad as the killer song of all time. In 1972, writers Ham and Evans received the British Academy's Ivor Novello Award for Best Song Musically and Lyrically.
$60.00
55.92 €
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Orchestre
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Air Supply
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Kevin Riley
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Without You
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Kevin Riley
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SheetMusicPlus
Homage to O'Keeffe for Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. …
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Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
37.27 €
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Orchestre
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Sy Brandon
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Homage to O'Keeffe for Orchestra
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Sy Brandon
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SheetMusicPlus
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