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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Off beat - piano
Non classifié
246
Piano & claviers
Instruments en Do
48
Accordéon, Voix
8
Orgue
6
Accordéon
6
Ligne De Mélodie, Piano
3
Instrument seul et Orgue
1
+ 1 instrumentations
Retracter
Guitares
Guitare notes et tablatures
278
Ligne De Mélodie, (Paroles) et Accords
214
Ukulele
138
Basse electrique
62
Guitare
31
Guitare (partie séparée)
4
Dulcimer
4
2 Guitares (duo)
2
Paroles et Accords
1
3 Guitares (trio)
1
Mandoline
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
64
Chorale 3 parties
33
Chorale SSAA
15
Chorale TTBB
14
Chorale 2 parties
14
Chorale Unison
5
Chorale SATTBB, Clavier
2
Chorale SAATB A Cappella
2
Voix et basse continue
1
Chorale SSATBB
1
+ 5 instrumentations
Retracter
Vents
Saxophone Alto
114
Saxophone Tenor
106
Clarinette
106
Flûte traversière
85
2 Saxophones (duo)
18
Saxophone (partie séparée)
15
Saxophone, Clarinette (duo)
12
Flûte, Hautbois, Clarinette, Basson
11
2 Flûtes traversières (duo)
11
2 Flûte à bec (duo)
9
Quatuor de Clarinettes: 4 clarinettes
9
Hautbois (partie séparée)
8
Clarinette, Violon (duo)
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
2 Clarinettes (duo)
7
Ensemble de Flûtes
6
Quatuor de Saxophones: 4 saxophones
6
Instruments en Mib
5
Clarinette, Trompette (duo)
4
Flûte, Violon
4
Flûte, Trompette (duo)
4
Flûte, Saxophone (duo)
4
Hautbois, Clarinette (duo)
4
Flûte, Clarinette (duo)
4
Clarinette et Alto
4
Hautbois, Flûte
4
Hautbois, Basson (duo)
4
2 Hautbois (duo)
4
Ensemble de Clarinettes
4
Flute (partie séparée)
3
Saxophone Soprano
3
Quintette de Saxophone: 5 saxophones
3
Saxophone Baryton
2
Hautbois
2
Flûte, Violon et Violoncelle
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Alto (duo)
2
Clarinette, Orgue
1
Flûte et Trio à cordes
1
Flûte, Clarinette et Basson
1
Quintette de Flûte : 5 flûtes
1
3 Saxophones (trio)
1
3 Clarinettes (trio)
1
Trio de Flûtes: 3 flûtes
1
+ 39 instrumentations
Retracter
Cuivres
Trompette
114
Trombone
107
Cor
104
2 Trombones (duo)
22
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Tuba
10
Trombone (partie séparée)
9
Trompette, Saxophone (duo)
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Bass Clef Instruments
6
2 Trompettes (duo)
6
Trompette, Trombone (duo)
5
Instruments en Sib
5
Trompette (partie séparée)
4
Instruments en Fa
3
Quatuor de Cuivres
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Tuba (partie séparée)
2
Quatuor de cuivres: 4 cors
1
Trio de Cuivres
1
Cor (partie séparée)
1
Trombone, Violon (duo)
1
4 Tubas
1
+ 18 instrumentations
Retracter
Cordes
Violon
124
Violoncelle
110
Alto seul
110
Quatuor à cordes: 2 violons, alto, violoncelle
64
2 Violons (duo)
34
2 Violoncelles (duo)
23
Violon, Violoncelle (duo)
18
Trio à Cordes: violon, alto, violoncelle
13
2 Harpes (duo)
11
Contre Basse
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Violon (partie séparée)
6
Violon, Alto (duo)
6
Alto (partie séparée)
5
2 Altos (duo)
4
Contrebasse (partie séparée)
4
Harpe
3
Violon, Guitare (duo)
3
Violoncelle (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle , Guitare (duo)
1
Trio à cordes
1
Trio à cordes: 3 violins
1
Ensemble de Violoncelles
1
Alto, Guitare (duo)
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
87
Orchestre à Cordes
28
Fanfare
16
Ensemble Jazz
15
Batterie
11
Orchestre
10
Cloches
8
Ensemble de cuivres
8
Ensemble de Percussions
7
Jazz combo
3
Percussion
2
Xylophone
2
Vibraphone
2
Marimba
1
Batterie (partie séparée)
1
Orchestre de chambre
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
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VIOLON
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COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Off beat - piano
Orchestre
Partitions à imprimer
10 partitions trouvées
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1
Bramshill Concert Rondo
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Stephen Lines
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Bramshill Concert Rondo
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Stephen Lines
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.957733 Composed by Stephen Lines. Contemporary. Score and parts. 99 pages. Stephen Lines #26285. Published by Stephen...
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Full Orchestra - Level 3 - SKU: A0.957733 Composed by Stephen Lines. Contemporary. Score and parts. 99 pages. Stephen Lines #26285. Published by Stephen Lines (A0.957733). Bramshill was written to commemorate the 50th anniversary of the police staff college and was premiered by the British Police Symphony Orchestra in 2008. In 2011 it undertook some quite serious revision. Bramshill House was until recently the home of the Police Staff College. In 1953 the Home Office purchased Bramshill from Lord Brocket. There is evidence that the site has been inhabited since the time of Domesday and the Norman Conquest. The present building was constructed principally by Edward Zouche, 11th Baron Zouche of Harringworth, between c. 1605-1625. The music is written in large ternary form as a concert rondo. There are features within which depict and draw together various facets of the early history of Bramshill House as a Jacobean structure with that of its current role as the police staff college. After a declamatory eighteen bar opening in the key of C minor the piece leads towards the principal theme - it is introduced by the horn, quietly accompanied by chords from the clarinets dipping in and out of the chalumeau register - a haunting, ethereal theme that depicts the mystery of the ancient building and its numerous reported wraiths. The theme develops and is pronounced giacoso in the strings with light accompaniment in the higher woodwinds. A restatement of the main theme is followed by a section, fugato; this depicts a police officer on the beat in the early hours of a cold, wet, winter’s night. This theme transmutes into a quasi-stately dance such as may have been performed in Bramshill’s great withdrawing room or the long gallery in the 1600’s. A series of 6/3 chords then develop into what sounds akin to a police siren; the section culminates in a wash of sound with police theme, stately dance and siren sounding simultaneously. In the final section, the principal theme is reiterated in various guises and sub-themes are further explored.
$22.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951...
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Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943...
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Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
THREE ANIMAL SAYINGS 2--THE TORTOISE AND THE HARE--orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Alan Edgar
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THREE ANIMAL SAYINGS 2--THE TO
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Alan Edgar Ted Moon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.903754 Composed by Alan Edgar. 20th Century,Children. Score and parts. 10 pages. Alan Edgar Ted Moon #3054071. Publis...
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Full Orchestra - Level 4 - SKU: A0.903754 Composed by Alan Edgar. 20th Century,Children. Score and parts. 10 pages. Alan Edgar Ted Moon #3054071. Published by Alan Edgar Ted Moon (A0.903754). Second in a set of 3 animal tales for orchestra. Play in the children's concert or any time. The plodding tortoise beats the silly hare in the race. I use one of my well-known octatonic scales and some 12-tone serial, but it's all for fun--don't be put off by that! First performance was by the York Guildhall Orchestra under Simon Wright at York St John University.
$10.00
Here Comes The Sun
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Orchestre
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AVANCÉ
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Rock
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The Beatles
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Brian Strohmetz
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Here Comes The Sun
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Brian Strohmetz
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1020747 By The Beatles. By George Harrison. Arranged by Brian Strohmetz. Rock. Score and parts. 56 pages. Brian Stroh...
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Full Orchestra - Level 5 - SKU: A0.1020747 By The Beatles. By George Harrison. Arranged by Brian Strohmetz. Rock. Score and parts. 56 pages. Brian Strohmetz #6736305. Published by Brian Strohmetz (A0.1020747). This arrangement features a String Quartet with the Full Orchestra. A great way to show off a guest quartet or your strongest students!Here Comes the Sun is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by George Harrison and is one of his best-known compositions. Harrison wrote the song in early 1969 at the country house of his friend Eric Clapton, where Harrison had chosen to play truant for the day to avoid attending a meeting at the Beatles' Apple Corps organisation. The lyrics reflect his relief at the arrival of spring and the temporary respite he was experiencing from the band's business affairs.
$74.99
Can-Can (Score & Parts)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Jacques Offenbach
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Steven Klaus
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Can-Can
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NiceChart
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.931977 Composed by Jacques Offenbach. Arranged by Steven Klaus. Opera,Romantic Period. Score and parts. 75 pages. Nic...
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Full Orchestra - Level 4 - SKU: A0.931977 Composed by Jacques Offenbach. Arranged by Steven Klaus. Opera,Romantic Period. Score and parts. 75 pages. NiceChart #4762839. Published by NiceChart (A0.931977). This upbeat Offenbach classic never disappoints! Scored for full orchestra, this arrangement is challenging when performed at the intended Allegro tempo, but can be tailored to meet your ensemble’s level by taking the tempo down a few notches.
$65.00
Get Back
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Beatles
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Michael Hankinson
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Get Back
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Vista Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.899057 By The Beatles. By John Lennon and Paul McCartney. Arranged by Michael Hankinson. Rock. Score and parts. 69 pa...
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Full Orchestra - Level 4 - SKU: A0.899057 By The Beatles. By John Lennon and Paul McCartney. Arranged by Michael Hankinson. Rock. Score and parts. 69 pages. Vista Music #6527515. Published by Vista Music (A0.899057). Symphonic arrangement of Get Back for full orchestra. Ideal if you want to show off your horns and trumpets. A lively opener for a symphonic pops concert.
$49.99
Easter Medley
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Orchestre
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INTERMÉDIAIRE
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Gospel Spirituel
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Musique Sacrée
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Horatius Bonar, Elizabeth Clep
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Laird Halling
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Easter Medley
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Laird Halling
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1363303 Composed by Horatius Bonar, Elizabeth Clephane, African-American spiritual, Robert Lowry. Arranged by Laird H...
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Full Orchestra - Level 3 - SKU: A0.1363303 Composed by Horatius Bonar, Elizabeth Clephane, African-American spiritual, Robert Lowry. Arranged by Laird Halling. Christian,Easter,March,Spiritual. 54 pages. Laird Halling #947811. Published by Laird Halling (A0.1363303). This is an upbeat medley of popular Easter hymns arranged for full orchestra. This makes a great prelude, offertory or special feature for the Easter season. The hymns included are Hallelujah For The Cross, Beneath the Cross of Jesus, Were You There and Christ Arose. Flexible instrumentation and cued parts makes this playable by various instrumental group sizes.
$74.99
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Off beat - piano
