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Vous avez sélectionné:
Old French Song
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Partitions à imprimer
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The Little Old Lady (from Pasadena)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1171508 By Jan and Dean. By Don…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1171508 By Jan and Dean. By Don Altfeld, Jan Berry, and Roger Christian. Arranged by Jan Berry and George Tipton. 20th Century,Historic,Pop,Rock. Score and Parts. 41 pages. Fiji Printing #771829. Published by Fiji Printing (A0.1171508). POP SYMPHONY: The Little Old Lady (from Pasadena). Jan Berry and George Tipton's original music score, used by the Wrecking Crew to record Jan & Dean's 'Pop Symphony' album in 1965. Transcribed by Mark A. Moore in association with Jan Berry's estate. Perfect for college, state, and local orchestras who want to tackle this classic '60s hit, re-imagined as a sophisticated Viennese Waltz. Full score and individual charts. WOODWINDS: Flute, Oboe, Clarinet 1 (Clarinet & Flute); Clarinet 2 (Clarinet & Bass Clarinet); BRASS: French Horn 1-2, Trumpet 1-2, Trombone; STRINGS: Harp, Violin 1-8, Viola 1-2, Cello 1-2, Contrabass; RHYTHM: Guitar, Danelectro 6-String Bass Guitar, Drums, Percussion. Publication includes: (1) Illustrated cover page; (2) Introductory text with commentary on the 'Pop Symphony' album and the musicians who performed on it; (3) Song chronology with recording session details; (4) Full music score; (5) Individual charts for each part in the music score; and (6) Illustrations, including images from Jan Berry’s music archive.
$49.99
45.9 €
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Orchestre
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Jan and Dean
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Jan Berry and George Tipton
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The Little Old Lady
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Fiji Printing
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÅ
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
35.77 €
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Orchestre
#
Thierry Pélicant
#
Thierry Pélicant: Concerto for contrabass and orchestra, score only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÅ
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.5 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
The Huron Carol ('Twas in the Moon of Wintertime) - Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.750851 Composed by Jean de BrÃ…
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Full Orchestra - Level 3 - Digital Download SKU: A0.750851 Composed by Jean de Brébeuf 1642. Arranged by Brendan Elliget MAGA 537. Christmas. Score and parts. 39 pages. BJE Music #3908951. Published by BJE Music (A0.750851). The Huron Carol (or Twas in the Moon of Wintertime) is a Canadian Christmas hymn (Canada's oldest Christmas song), written probably in 1642 by Jean de Brébeuf, a Jesuit missionary at Sainte-Marie among the Hurons in Canada. Brébeuf wrote the lyrics in the native language of the Huron/Wendat people; the song's original Huron title is Jesous Ahatonhia (Jesus, He is born). The song's melody is based on a traditional French folk song, Une Jeune Pucelle (A Young Maid).[Wikipedia]This is an arrangement for full Orchestra Band with an optional piano part included. A descant part can be played on Flute/Piccolo and Clarinet in the 2nd Verse and the on Trumpet, Flute/Piccolo and Clarinet in the 4th Verse. There is also an optional 4th Clarinet part - Mostly covered on the Viola 2 (optional Part)…The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration - 3:50 mins.
$25.00
22.96 €
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Orchestre
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Jean de Brébeuf 1642
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Brendan Elliget MAGA 537
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The Huron Carol
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BJE Music
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SheetMusicPlus
Lucky
Orchestre
Full Orchestra - Digital Download SKU: A0.1301488 By Sheffield. By Amphibia Cultura…
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Full Orchestra - Digital Download SKU: A0.1301488 By Sheffield. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. Classical,Contemporary,Folk,Ska,Soul. 7 pages. Amphibia Cultural Legacy #891116. Published by Amphibia Cultural Legacy (A0.1301488). The orchestral arrangement used for Lucky by Sheffield incorporates a rich and lush sound, enhancing the emotional depth of the song. The section features instruments, all working together to create a layered and dynamic musical landscape.The strings section plays a prominent role in the arrangement, providing a lush and sweeping backdrop and adding warmth and depth to the overall sound. The violins, violas, cellos, and double basses create a sense of grandeur and elegance, with the melodies soaring and cascading across the composition. The brass section adds power and intensity to the arrangement.Trombones and French horns contribute bold and majestic tones, building a climactic group and providing a sense of grandiosity. The brass also brings a touch of nobility and strength to the composition, further enhancing the emotional impact of the music.The orchestral arrangement for Lucky by Sheffield showcases the skilled craftsmanship and attention to detail in creating a cohesive and evocative musical experience. The strings and brass have a dynamic and captivating orchestral arrangement that complements the song's heartfelt lyrics and powerful vocals.
$30.00
27.55 €
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Orchestre
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Sheffield
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Amphibia Cultural Legacy
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Lucky
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Amphibia Cultural Legacy
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SheetMusicPlus
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