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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
On A Roll
Non classifié
351
Piano & claviers
Piano seul
217
Piano, Voix et Guitare
100
Piano, Voix
44
Piano Facile
36
Orgue
25
Instruments en Do
24
Piano grosses notes
22
Piano (partie séparée)
8
1 Piano, 4 mains
4
Accompagnement Piano
4
Accordéon
4
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 8 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
40
Guitare
23
Guitare (partie séparée)
16
Ligne De Mélodie, (Paroles) et Accords
12
2 Guitares (duo)
12
Ukulele
10
Basse electrique
9
Banjo
3
Paroles et Accords
3
2 Dulcimers (duo)
2
Mandoline
2
Ensemble de guitares
1
4 Guitares (Quatuor)
1
Piano, Guitare (duo)
1
Dulcimer
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
60
Chorale 3 parties
20
Chorale 2 parties
15
Chorale TTBB
13
Chorale Unison
11
Chorale SSAA
4
Voix haute
3
Voix duo, Piano
3
Voix basse, Piano
2
Voix Alto, Piano
2
Voix Baryton, Piano
2
Voix Tenor
1
Voix seule
1
Chorale
1
+ 9 instrumentations
Retracter
Vents
2 Saxophones (duo)
54
Saxophone (partie séparée)
50
2 Clarinettes (duo)
31
Saxophone, Clarinette (duo)
27
2 Flûtes traversières (duo)
26
Clarinette, Violon (duo)
21
Clarinette, Trompette (duo)
19
Quatuor de Saxophones: 4 saxophones
18
Flûte traversière
15
Flûte, Clarinette (duo)
14
Saxophone Tenor
14
Hautbois, Basson (duo)
13
Quatuor de Clarinettes: 4 clarinettes
13
2 Hautbois (duo)
13
Hautbois, Clarinette (duo)
12
Flûte traversière et Piano
12
Flûte et Guitare
12
Clarinette et Piano
11
Flûte, Alto (duo)
11
Clarinette
11
Flûte, Hautbois, Clarinette, Basson
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Clarinette et Alto
10
Hautbois, Flûte
10
Saxophone Alto
10
Flûte, Saxophone (duo)
10
Quatuor de Flûtes : 4 flûtes
10
Flûte, Violon
9
Hautbois, Piano (duo)
8
Clarinette, Guitare (duo)
8
Flûte, Trompette (duo)
8
Saxophone Alto et Piano
8
Cor anglais, Piano
6
Hautbois, Guitare (duo)
5
Saxophone Soprano et Piano
5
Quintette de Saxophone: 5 saxophones
5
Saxophone Tenor et Piano
4
Quintette de Clarinettes: 5 clarinettes
4
3 Clarinettes (trio)
4
Saxophone Baryton, Piano
4
Hautbois
4
Clarinette, Basson (duo)
3
Saxophone Soprano
3
Ensemble de saxophones
3
Flûte irlandaise
2
Clarinette, Violoncelle (duo)
2
Flûte à bec Alto, Piano
2
Ocarina
2
Harmonica
2
Ensemble de Flûtes
2
Flûte, Hautbois (duo)
2
Flute (partie séparée)
2
Flûte à bec Soprano, Piano
2
Ensemble de Clarinettes
2
Clarinette, Violoncelle, Piano (trio)
1
3 Saxophones (trio)
1
Quintette de Flûte : 5 flûtes
1
Clarinette Basse, Piano
1
Flute, harpe et violon
1
Hautbois (partie séparée)
1
Flûte à Bec
1
Trio de Flûtes: 3 flûtes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone
1
+ 59 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
40
Trompette (partie séparée)
30
Trompette, Saxophone (duo)
22
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Trompette
16
Trombone et Piano
13
Trompette, Trombone (duo)
13
2 Trombones (duo)
13
2 Trompettes (duo)
11
Trompette, Piano
7
Trombone
6
Euphonium, Piano (duo)
6
Cor anglais, Piano
6
Cor
5
Tuba
4
Cor et Piano
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Tuba et Piano
3
Trompette, Basson (duo)
3
2 Tubas (duo)
2
Cor, Tuba (duo)
2
Tuba (partie séparée)
2
Ensemble de Trombones
2
Cor (partie séparée)
2
2 Cors (duo)
2
Trompette, Tuba (duo)
2
Trompette, Cor (duo)
2
Trombone, Cor (duo)
2
Trombone, Tuba (duo)
2
Quatuor de Cuivres
1
Cor et Basson (duo)
1
3 Trombones (trio)
1
Cor, Violoncelle (duo)
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 trombones
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
62
Harpe
41
Violon, Violoncelle (duo)
25
Violon
25
Violon et Piano
20
Violon, Alto (duo)
18
Violoncelle
15
2 Violons (duo)
15
2 Violoncelles (duo)
15
Violoncelle, Piano
12
Contrebasse (partie séparée)
12
Alto, Piano
12
Violoncelle , Guitare (duo)
10
2 Altos (duo)
10
Alto, Guitare (duo)
9
Alto seul
7
Trio à Cordes: violon, alto, violoncelle
7
Trio à Cordes: 2 violons, violoncelle
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Contrebasse, Piano (duo)
4
4 Violoncelles
3
Contre Basse
3
Violon (partie séparée)
3
2 Contrebasses (duo)
2
2 Harpes (duo)
2
Alto, Violoncelle (duo)
2
Harpe, Flûte (duo)
2
Violon, Guitare (duo)
1
Violoncelle (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Harpe et Piano
1
Alto (partie séparée)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
205
Ensemble Jazz
50
Batterie
47
Orchestre à Cordes
47
Fanfare
27
Orchestre
27
Cloches
15
Ensemble de Percussions
13
Batterie (partie séparée)
8
Ensemble de cuivres
7
Marimba
6
Orchestre de chambre
5
Percussion (partie séparée)
4
Jazz combo
3
Bodhran
1
Ensemble d'École
1
+ 11 instrumentations
Retracter
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Instruments
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CORNEMUSE
CORNET
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DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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VIOLON
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
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FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
On A Roll
Orchestre
Partitions à imprimer
27 partitions trouvées
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1
26
Concerto in A Minor for Double Bass and Orchestra
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Orchestre
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AVANCÉ
#
Contemporain
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Robert E
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Concerto in A Minor for Double
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.809759 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 148 pages. R. E. Proctor #2897651. ...
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Full Orchestra - Level 5 - SKU: A0.809759 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 148 pages. R. E. Proctor #2897651. Published by R. E. Proctor (A0.809759). A more challenging work for the double bass and orchestra than the Concerto in Bb Major. Rhythmic with interesting melodies and harmonies the Concerto in A Minor gives the soloist an opportunity to display his / her facility on the double bass while remaining interesting to a wide cross-section of listeners. The harp plays a major roll in this work setting the harmonic background on which the bass plays over. Set in the standard fast / slow / fast arrangement of movements in the traditional concerto format. The approximate performance length is 15 minutes and 44 seconds. The full range of the standard double bass is explored. Piano reduction available separately. See my publisher page on this website. Email to: musicbyrobertproctor@hotmail.com.
$19.95
You Really Know How To Hurt A Guy
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Orchestre
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AVANCÉ
#
Jan Berry, Jill Gibson, and Ro
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Jan Berry and George Tipton
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You Really Know How To Hurt A
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Fiji Printing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1406759 Composed by Jan Berry, Jill Gibson, and Roger Christian. Arranged by Jan Berry and George Tipton. 20th Centur...
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Full Orchestra - Level 5 - SKU: A0.1406759 Composed by Jan Berry, Jill Gibson, and Roger Christian. Arranged by Jan Berry and George Tipton. 20th Century,Pop,Rock. 48 pages. Fiji Printing #989513. Published by Fiji Printing (A0.1406759). You Really Know How to Hurt a Guy — Orchestral Arrangement.Jan Berry and George Tipton's original music score, used by Wrecking Crew studio musicians to record Jan & Dean's Pop Symphony album in 1965.Transcribed by Mark A. Moore from Jan Berry's music archive, in association with his estate. Moore is the author of Dead Man's Curve: The Rock 'n' Roll Life of Jan Berry (McFarland 2021) and The Jan & Dean Record (McFarland 2016).Fiji Printing #13. Distributed by ArrangeMe and the Hal Leonard Corporation.Perfect for college, state, and local orchestras who want to tackle this classic track from 1965.Full Music Score and Individual Charts.WOODWINDS: Flute; Oboe; English Horn; Clarinet; Bass Clarinet; Bassoon; Contrabassoon.BRASS: French Horn 1-2; Trumpet 1-3; Trombone.STRINGS: Violin 1-8; Viola 1-2; Cello 1-2; Contrabass.RHYTHM: Timpani; Percussion (Wind Chimes, Vibraphone, Glockenspiel, Marimba, Xylophone, Chimes); Drums; Piano; Celeste; Guitar 1; Guitar 2; Bass.Publication includes: (1) Illustrated cover page; (2) Introductory text with commentary on the Pop Symphony album and the musicians who performed on it; (3) Song chronology with recording session details; (4) Full music score; (5) Individual charts for each part in the music score; and (6) Illustrations, including images from Jan Berry’s music archive.40 distinct chords.48 Pages.; 11 x 17.Learn more about Jan Berry and Jan & Dean: https://jananddean-janberry.com/
$49.99
The American Seasons (violin solo part – violin and string orchestra)
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Orchestre
#
AVANCÉ
#
Mark O'Connor
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The American Seasons
#
Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$22.50
The American Seasons (2nd violins part – violin and string orchestra)
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Orchestre
#
AVANCÉ
#
Mark O'Connor
#
The American Seasons
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Mark O'Connor Musik International
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
$15.00
Eleanor Rigby
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rock
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David Cook
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Kevin Riley
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Eleanor Rigby
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1041526 By David Cook. By John Lennon and Paul McCartney. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score an...
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Full Orchestra - Level 4 - SKU: A0.1041526 By David Cook. By John Lennon and Paul McCartney. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and parts. 43 pages. Kevin Riley #646280. Published by Kevin Riley (A0.1041526). Eleanor Rigby is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with Yellow Submarine. The song was written primarily by Paul McCartney and credited to Lennon–McCartney. Eleanor Rigby continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness, it broke sharply with popular music conventions, both musically and lyrically. The song topped singles charts in Australia, Belgium, Canada and New Zealand. This version has parts for Saxophones but any important phrases have been cued in other instruments.
$65.00
CC115ORC - Laisse-moi être ce jour dans ta vie
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Orchestre
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INTERMÉDIAIRE
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Carl Van Pevenage
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Carl Van Pevenage
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CC115ORC - Laisse-moi êt
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Carl Van Pevenage
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1167924 By Carl Van Pevenage. By Carl Van Pevenage. Arranged by Carl Van Pevenage. 20th Century,Broadway,Film/TV,Mult...
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Full Orchestra - Level 3 - SKU: A0.1167924 By Carl Van Pevenage. By Carl Van Pevenage. Arranged by Carl Van Pevenage. 20th Century,Broadway,Film/TV,Multicultural,Musical/Show,Romantic Period,World. Score and parts. 95 pages. Carl Van Pevenage #768280. Published by Carl Van Pevenage (A0.1167924). After 15 years finally the Orchestra version is ready. A relief! I hope you enjoy it. The verses and the intermezzo are made based on a poem by Yoan Letend which with a few changes fits on the notes. The chorus has no lyrics.  **************************************** Ce jour dans ta vie Lorsque le jour se lève, doucementTu t’éveilles de ton long sommeilTu ouvres ta fenêtre en regardantLe monde se réveiller grâce à l’éclat du soleilAlors, c’est un nouveau matin pour toiEt tu espères que tes rêves vont se réaliserEn préparant ton cartable, tu penses déjà À tout ce qui te fait vivre et aimerPuis peut être, tu perds un peu de tempsÀ écouter dehors le chants des fleurs et des oiseauxEt à cet instant tu réalises que tout est importantMême si ce ne sont que des reflets dans l’eauLe monde bascule trop vers la violenceQue les gens ne savent plus vivre en paixIls enchaînent à des fers l’enfanceMais toi tu ne dois avoir aucun regretDu fond de mon esprit, j’écris ces motsJ’espère qu’ils résonneront plus vite que le sonJ’ai demandé sa plume à mon pierrotPour écrire un hymne que l’on chante à l’unissonC’est un peu de moi qui s’envoleAvec un zeste de folie et surtout de magieAlors comme la fleur a sa corolleLaisse moi être ce jour dans ta vieYoan Letend
$19.99
Australia Our Land - Orchestra with SATB Choir and Piano
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Orchestre
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INTERMÉDIAIRE
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Brendan James Elliget NotePerf
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Australia Our Land - Orchestra
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1033685 By Brendan James Elliget NotePerformer 3. By Brendan James Elliget MAGA 537. Arranged by Brendan James Ellige...
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Full Orchestra - Level 3 - SKU: A0.1033685 By Brendan James Elliget NotePerformer 3. By Brendan James Elliget MAGA 537. Arranged by Brendan James Elliget MAGA 537. Classical,Contemporary,Patriotic. Score and parts. 41 pages. BJE Music #638998. Published by BJE Music (A0.1033685). The words for this song were written as a poem by my late mother-in-law Olivia Morgan (94) about the love of her adopted country Australia. She originally came from her ancestral home in England when she was 14. She spent her early years in Australia on a cattle station. Many years later she wrote a poem. Olivia asked me to set her poem to music, which I did in 1990 in the style of an anthem. It has since been performed by the local symphony orchestra and full choir. This setting is for SATB Choir and Orchestra with or without piano accompaniment. The MP3 was recorded with NotePerformer… Grade = 3 Duration = 2:35 mins Full lyrics: Australia Our Land Australia great and fair Contained in azure sea Her beauty lies 'neath southern skies Enchanted wide and free From oceans pounded shore Through outback's silent space O'er desert sands and city strands She shows her varied face. Where high the eagle flies And mighty rivers run There rolling plains of golden grain Reflect the west'ring sun In bushland's shaded scene By mountain's dreaming haze There bird-land calls cascading falls Combine their songs of praise. Our country's bounteous gifts Extend from shore to shore In history's place, Her pride and grace Will live forever more This land that keeps our heart Afar though we may roam On land or sea Yet still to be Australia our dear home. (Repeat last two lines) Sung by Christine Neaves (Daughter of Brendan and Glenys Elliget) Words by Olivia Morgan (Mother of Glenys Elliget) Music by Brendan Elliget Copyright © 1996 BJE Music You can listen to the Vocal version at: https://www.bjemusic.com/store/p149/Australia%2C_Our_Land_-_SATB_Choir_or_Solo_Voice_with_Piano_PDF.html.
$28.00
Rosary Sonatas: The Resurrection
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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for it was very large
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Rosary Sonatas: The Resurrecti
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081705 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score a...
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Full Orchestra - Level 4 - SKU: A0.1081705 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 151 pages. JMJ Arrangements #685830. Published by JMJ Arrangements (A0.1081705). [W]hen the sabbath was past, Mary Magdalene, and Mary the mother of James, and Salome, bought spices, so that they might go and anoint him. And very early on the first day of the week they went to the tomb when the sun had risen. And they were saying to one another, 'Who will roll away the stone for us from the door of the tomb?' And looking up, they saw that the stone was rolled back; for it was very large. And entering the tomb, they saw a young man sitting on the right side, dressed in a white robe; and they were amazed. And he said to them, 'Do not be amazed; you seek Jesus of Nazareth, who was crucified. He has risen, he is not here; see the place where they laid him. But go, tell his disciples and Peter that he is going before you to Galilee; there you will see him, as he told you.' And they went out and fled from the tomb; for trembling and astonishment had come upon them; and they said nothing to any one, for they were afraid. Now when [Christ] rose early on the first day of the week, he appeared first to Mary Magdalene, from whom he had cast out seven demons. She went out and told those who had been with him, as they mourned and wept. But when they heard that he was alive and had been seen by her, they would not believe it.Mark 16:1-11 (RSV-CE).
$39.99
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
RAGING FURIES - Goettinnen der Rache
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der
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Fajora Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,...
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Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
Double Concerto in B Minor for Double Bass and Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Robert E
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Double Concerto in B Minor for
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.809761 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 185 pages. R. E. Proctor #2898967. ...
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Full Orchestra - Level 5 - SKU: A0.809761 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 185 pages. R. E. Proctor #2898967. Published by R. E. Proctor (A0.809761). A concerto for two double basses. Approximately 19 minutes and 36 seconds in length. This work explores the full range of the bass. As in the other two concertos for bass, the harp plays a significant roll throughout the work providing a harmonic backdrop on which the basses play. Conceived as a conversation between the two soloists, their parts interweave, calling and answering each other. The orchestra is interwoven with the basses to add contrast and color. The Double Concerto in B Minor should be interesting to both performer and audience.
$19.95
Main Title - Apollo 13
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Orchestre
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Film/TV
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James Horner
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Kevin Riley
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Main Title - Apollo 13
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Kevin Riley
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SheetMusicPlus
Full Orchestra - SKU: A0.480315 Composed by James Horner. Arranged by Kevin Riley. 20th Century,Film/TV,Patriotic. Score and parts. 32 pages. Published ...
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Full Orchestra - SKU: A0.480315 Composed by James Horner. Arranged by Kevin Riley. 20th Century,Film/TV,Patriotic. Score and parts. 32 pages. Published by Kevin Riley (A0.480315). Apollo 13 is a 1995 American space docudrama film directed by Ron Howard and starring Tom Hanks, Kevin Bacon, Bill Paxton, Ed Harris and Gary Sinise. The screenplay by William Broyles Jr. and Al Reinert dramatizes the aborted 1970 Apollo 13 lunar mission and is an adaptation of the 1994 book Lost Moon: The Perilous Voyage of Apollo 13, by astronaut Jim Lovell and Jeffrey Kluger. The film depicts astronauts Lovell, Jack Swigert and Fred Haise aboard Apollo 13 for America's fifth crewed mission to the Moon, which was intended to be the third to land. En route, an on-board explosion deprives their spacecraft of much of its oxygen supply and electrical power, which forces NASA's flight controllers to abort the Moon landing and turns the mission into one of seeking scientific and mechanical solutions to get the three men home safely. Howard went to great lengths to create a technically accurate movie, employing NASA's assistance in astronaut and flight-controller training for his cast and obtaining permission to film scenes aboard a reduced gravity aircraft for realistic depiction of the weightlessness experienced by the astronauts in space. Released to cinemas in the United States on June 30, 1995, Apollo 13 received critical acclaim and was nominated for nine Academy Awards, including Best Picture (winning for Best Film Editing and Best Sound). The film also won the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture, as well as two British Academy Film Awards. In total, the film grossed over $355 million worldwide during its theatrical releases.
$60.00
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik...
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Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik ...
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Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
E. Satie – Heures Séculaires et Instantanées, 1914
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Classique
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Arkady Leytush
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Arkady Leytush
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E. Satie – Heures S&eacu
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1074008 By Arkady Leytush. By Erik Satie. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady...
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Full Orchestra - Level 3 - SKU: A0.1074008 By Arkady Leytush. By Erik Satie. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady Leytush #678276. Published by Arkady Leytush (A0.1074008). E. Satie – Heures Séculaires et Instantanées, 1914, Orchestra suite 1. Obstacles venimeux 2. Crepuscule matinal 3. Affolments granitiques Duration about 4 minutes. Heures Séculaires et Instantanées (Hallowed by Time and Instant Hours), one of his humorous keyboard suites from the 1910s, contains Satie's famous warning to pianists against reading aloud the fanciful texts that adorned his score. Sati warns against reading aloud the texts written on his scores. This is the secret between the performer and the composer. “There are as many words as there are notes!†says the French composer-critic Guy Sacré. Biographer Rollo H. Myers saw Heures as an omen of surrealism (ten years before the fact) and a new phase in the relationship between text and music. “... For the first time, individual verbal witticisms and witticisms are replaced by something like a recitation or monologue, which is an integral part of the work: this is no longer a cursory comment, arbitrarily superimposed and often not related to the music that it accompanies, but a certain narrative, grotesque inspiration, which the music serves as an illustration. In addition to what has been said, I would like to add that being one of the first minimalists in modern music, Sati opens a new page in the combination of musical images and examples of abstract vision and imagination inspired by music with his illustrative texts in this humorous suite. This approach to composition soon led to the emergence of striking examples of the combination of music and animation. This short suite, full of humor and ingenuity, moved me when arranging to also emphasize this feature by choosing the full composition of the orchestra, where in each number of this suite the musicians of the orchestra play only a few notes in turn. On the one hand, this should bring great variety and contrast, on the other hand, a huge orchestra and a 4-minute suite in themselves cause a smile of inconsistency...
$40.00
Carson Cooman: Flying Machine (2008) for orchestra , score
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Flying Machine
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533576 Composed by Carson Cooman. Contemporary. Score and parts. 53 pages. Musik Fabrik Music Publishing #3024993. Pu...
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Full Orchestra - Level 5 - SKU: A0.533576 Composed by Carson Cooman. Contemporary. Score and parts. 53 pages. Musik Fabrik Music Publishing #3024993. Published by Musik Fabrik Music Publishing (A0.533576). Flying Machine (2008) for orchestra was commissioned by the Harvard-Radcliffe Orchestra incelebration of two anniversaries: the orchestra’s 200th season and James Yannatos’s 45th anniversaryas conductor. The work is dedicated to James Yannatos in celebration of his 80th birthday and hisyears of distinguished activity as conductor, composer, and mentor.The music is joyous in spirit, inspired by a sense of discovery and fulfillment—the exhilaration thatcomes from knowledge well-used. The poetic image is taken from the age of the invention of flight.The piece’s opening section is “workshop/construction†music—filled with a sense of unfolding,building, and assembly. The musical material is presented in a series of overlapping guises; the restof the work unfolds from these ideas. As the music gathers energy, the barn door is finally opened,and the behemoth is rolled out. After a pregnant pause, the music of flight begins—soaring andenergetic.The parts are available on rental from the publisher.
$25.95
Alice In Wonderland
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Orchestre
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Film Walt Disney
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Jud Conlon Chorus
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Amphibia Cultural Legacy
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Alice In Wonderland
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Amphibia Cultural Legacy
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SheetMusicPlus
Full Orchestra - SKU: A0.1209483 By Jud Conlon Chorus. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. 19th Century,20th Century,Broa...
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Full Orchestra - SKU: A0.1209483 By Jud Conlon Chorus. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. 19th Century,20th Century,Broadway,Classical,Film/TV,Musical/Show. Score and Parts. 5 pages. Amphibia Cultural Legacy #807612. Published by Amphibia Cultural Legacy (A0.1209483). Amphibia Cultural Legacy, a musical group known for their instrumental covers of classic Disney songs, has released a new remix of Alice In Wonderland from the 1951 movie of the same name. The original song was sung by the Jud Conlon Chorus, and Amphibia Cultural Legacy has added additional instruments to create a unique spin on this beloved tune. This new version is sure to delight both fans of the original film and music enthusiasts alike.The addition of extra instruments adds depth to an already catchy melody, making it perfect for dancing or just enjoying as background music. The group's attention to detail shines through in every note played, perfectly capturing the whimsical feel of Walt Disney's Alice in Wonderland. Those who are familiar with Amphibia Cultural Legacy's previous works will not be disappointed with this latest release, which is sure to become a fan favorite among their extensive discography.Amphibia Cultural Legacy is proud to present its orchestral cover of Alice In Wonderland, the central theme in the 1951 animated movie. Initially written by the Jud Conlon Chorus for Walt Disney's Alice In Wonderland, this piece has stood the test of time and remains a beloved classic. Amphibia Cultural Legacy has taken this iconic tune and given it new life with its unique arrangement.The Jud Conlon Chorus version of Alice In Wonderland intends initially as a fun and whimsical introduction to the fantastical world that awaited viewers in the film. The song features playful lyrics and an upbeat melody that perfectly captures the adventure spirit permeating Alice's journey. Amphibia Cultural Legacy's version pays homage to these themes while adding their flair through orchestral instruments.Amphibia Cultural Legacy has done it again with their latest release, an orchestral cover of Alice In Wonderland. Initially written by the Jud Conlon Chorus in Walt Disney's Alice In Wonderland, this classic song has been given a fresh new sound thanks to the fantastic talent and creativity of Amphibia Cultural Legacy.Listening to this cover is like going down the rabbit hole into a magical world filled with wonder and imagination. Various instruments help create a whimsical atmosphere that perfectly captures the essence of Lewis Carroll's timeless tale. The music builds up gradually, taking listeners through different emotions and moods before finally reaching its climax at the end.The attention to detail in this cover is truly remarkable, with every instrument perfectly timed and synchronized throughout the entire piece.
$70.00
Chai
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Orchestre
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AVANCÉ
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Juan Gomez-Sanchez
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Chai
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Juan Gomez-Sanchez
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.944278 Composed by Juan Gomez-Sanchez. Contemporary,Jazz. Score and parts. 29 pages. Juan Gomez-Sanchez #5991259. Pub...
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Full Orchestra - Level 5 - SKU: A0.944278 Composed by Juan Gomez-Sanchez. Contemporary,Jazz. Score and parts. 29 pages. Juan Gomez-Sanchez #5991259. Published by Juan Gomez-Sanchez (A0.944278). Chai is a blend between contemporary jazz and orchestral space age electronic music. This piece was made during one of my low points during the quarantine, where finding ways to be productive was a monumental task. I spent about a month working on this song, changing it where I saw fit, and this is the final product, which I am incredibly proud of. I wish to submit this piece for SMP Press' 2020 Composition Competition, for contemporary music. I am currently studying to become a film composer, and winning this competition would completely change the course of my career. With the reward, I plan to spend it on new musical equipment, notably enhanced software, a microphone, a new snare drum, as well as tuition so that I can continue my education. If you are interested in my work, I implore you to check out my social media, as well as my Musescore and Fiverr accounts below:Instagram: https://www.instagram.com/juaangs_/Fiverr: https://www.fiverr.com/juanpgs_?up_rollout=trueMusescore: https://musescore.com/user/13432216Thank you,-Juan
$4.99
Eleanor Rigby - Beatles for Orchestra
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Orchestre
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INTERMÉDIAIRE
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Rock
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David Cook, The Beatles
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Javier Martínez Maya
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Eleanor Rigby - Beatles for Or
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Intermediate - By David Cook, The Beatles. Arranged by Javier Martínez Maya. Score, Set of Parts. 40 pages. Published by Arte ...
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Full Orchestra - Intermediate - By David Cook, The Beatles. Arranged by Javier Martínez Maya. Score, Set of Parts. 40 pages. Published by Arte Nova Music Lab
"Eleanor Rigby" is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with "Yellow Submarine". The song was written primarily by Paul McCartney and credited to Lennon?McCartney.
The song continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness, "Eleanor Rigby" broke sharply with popular music conventions, both musically and lyrically. Richie Unterberger of AllMusic cites the band's "singing about the neglected concerns and fates of the elderly" on the song as "just one example of why the Beatles' appeal reached so far beyond the traditional rock audience".
Taken from https://en.wikipedia.org/wiki/Eleanor_Rigby
$60.00
Yesterday
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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En Vogue
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Javier MartÃnez Maya
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Yesterday
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.742588 By En Vogue. By Caroline Riddick, Issac Phillips, John Lennon, and Paul McCartney. Arranged by Javier MartÃ...
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Full Orchestra - Level 3 - SKU: A0.742588 By En Vogue. By Caroline Riddick, Issac Phillips, John Lennon, and Paul McCartney. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 36 pages. Arte Nova Music Lab #6431889. Published by Arte Nova Music Lab (A0.742588). Yesterday is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon–McCartney. It was first released on the album Help! in August 1965, except in the United States, where it was issued as a single in September. The song reached number one on the US charts. It subsequently appeared on the UK EP Yesterday in March 1966 and made its US album debut on Yesterday and Today, in June 1966.McCartney's vocal and acoustic guitar, together with a string quartet, essentially made for the first solo performance of the band. It remains popular today and, with more than 2,200 cover versions, is one of the most covered songs in the history of recorded music. Yesterday was voted the best song of the 20th century in a 1999 BBC Radio 2 poll of music experts and listeners and was also voted the No. 1 pop song of all time by MTV and Rolling Stone magazine the following year. In 1997, the song was inducted into the Grammy Hall of Fame. Broadcast Music Incorporated (BMI) asserts that it was performed over seven million times in the 20th century.Taken from https://en.wikipedia.org/wiki/Yesterday_(Beatles_song)
$60.00
Song of the Moorland
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Orchestre
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FACILE
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W
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Song of the Moorland
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W. Luke Kelly
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1178931 By W. Luke Kelly. By W. Luke Kelly. 20th Century,Contest,Festival,Traditional. Score and parts. 28 pages. W. ...
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Full Orchestra - Level 2 - SKU: A0.1178931 By W. Luke Kelly. By W. Luke Kelly. 20th Century,Contest,Festival,Traditional. Score and parts. 28 pages. W. Luke Kelly #778901. Published by W. Luke Kelly (A0.1178931). On the Moors is a free form, free tempo piece, meant to evoke a walk through green hills and a cool breeze. Begin the piece with confidence, but calmly.The piano player should be the highlight of the piece, but give room for some spotlights to the woodwinds and strings at times. Observe the fermatta at m. 14 with a great amount of anticipation, perhaps even a few beats of silence. Allow the audience to lean in as they reach for the next note, then bring in the new key at m. 15 with purposeful steps into the next motif. Observe molto rit and poco rit sections to take as much time as the Director wishes, and consider the entire piece espressivo with overtones of warmth, as in sunlit rolling hills during an early Spring afternoon.Composer's Note:This piece is dedicated to the beauty of the State of Ohio, whose open fields, beautiful rolling hills, and warm sun have become my home, and to it's people, who are as warm and welcoming as any American community could ever be.
$30.00
We Will Rock You
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Queen
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Javier MartÃnez Maya
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We Will Rock You
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.742580 By Queen. By Brian May. Arranged by Javier MartÃnez Maya. A Cappella,Rock. Score and parts. 65 pages. Arte ...
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Full Orchestra - Level 4 - SKU: A0.742580 By Queen. By Brian May. Arranged by Javier MartÃnez Maya. A Cappella,Rock. Score and parts. 65 pages. Arte Nova Music Lab #6431861. Published by Arte Nova Music Lab (A0.742580). We Will Rock You is a song written by Brian May and recorded by British rock band Queen for their 1977 album News of the World. Rolling Stone ranked it number 330 of The 500 Greatest Songs of All Time in 2004, and it placed at number 146 on the Songs of the Century list in 2001. In 2009, We Will Rock You was inducted into the Grammy Hall of Fame.Other than the last 30 seconds, which contains a guitar solo by May, the song is generally set in a cappella form, using only stomping and clapping as a rhythmic body percussion beat. In 1977, We Will Rock You and We Are the Champions were issued together as a worldwide top 10 single. Soon after the album was released, many radio stations began playing the songs consecutively and without interruption.Since its release, We Will Rock You has been covered, remixed, sampled, parodied, referred to, and used by multiple recording artists, TV shows, films and other media worldwide. It has also become a popular stadium anthem at sports events around the world, due mostly to its simple rhythm. On 7 October 2017, Queen released a Raw Sessions version of the track to celebrate the 40th anniversary of the release of News of the World. It features a radically different approach to the guitar solo and includes May's count-in immediately prior to the recording.Taken from https://en.wikipedia.org/wiki/We_Will_Rock_You
$60.00
Paranoid
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Orchestre
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INTERMÉDIAIRE
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Black Sabbath
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Kevin Riley
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Paranoid
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1470911 By Black Sabbath. By John Osbourne, Terence Butler, Tony Iommi, and William Ward. Arranged by Kevin Riley. 20...
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Full Orchestra - Level 3 - SKU: A0.1470911 By Black Sabbath. By John Osbourne, Terence Butler, Tony Iommi, and William Ward. Arranged by Kevin Riley. 20th Century,Rock. 39 pages. Kevin Riley #1048530. Published by Kevin Riley (A0.1470911). Paranoid is taken from the second studio album by English rock band Black Sabbath, released on 18 September 1970 by Vertigo Records in the United Kingdom and on 7 January 1971 by Warner Bros. Recordsin the United States. The album contains several of the band's signature songs, including Iron Man, War Pigs and the title track, which was the band's only Top 20 hit, reaching number 4 on the UK charts.Paranoid is widely regarded as one of the greatest and most influential heavy metal albums of all time, often cited as a key influence for the development of the genre as well as one of its earliest albums.[4][5][6] Paranoid was ranked number one on Rolling Stone‘s list of the 100 Greatest Metal Albums of All Time in 2017 and number 139 on its “The 500 Greatest Albums of All Time” list in 2020. Paranoid was the band's only album to top the UK Albums Chart until the release of 13 in 2013.
$60.00
Bridge Over Troubled Water
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Orchestre
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INTERMÉDIAIRE
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Simon And Garfunkel
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Kevin Riley
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Bridge Over Troubled Water
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1102019 By Simon And Garfunkel. By Paul Simon. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 58 pages. ...
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Full Orchestra - Level 3 - SKU: A0.1102019 By Simon And Garfunkel. By Paul Simon. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 58 pages. Kevin Riley #705412. Published by Kevin Riley (A0.1102019). Bridge over Troubled Water is a song by the American folk duo Simon & Garfunkel, released in January 1970 as the second single from their fifth studio album, Bridge over Troubled Water (1970). It was composed by Paul Simon and produced by Simon & Garfunkel and Roy Halee. Bridge over Troubled Water features lead vocals by Art Garfunkel and a piano accompaniment influenced by gospel music, with a Wall of Sound-style production. It was the last song recorded for the album, but the first completed.[5] The instrumentation, provided by the Wrecking Crew, was recorded in California, while Simon and Garfunkel's vocals were recorded in New York. Simon felt Garfunkel should sing solo, an invitation Garfunkel initially declined.Session musician Larry Knechtel performs piano, with Joe Osborn playing bass guitar and Hal Blaine on drums. The song won five awards at the 13th Annual Grammy Awards in 1971, including Grammy Award for Record of the Year and Song of the Year. It is Simon & Garfunkel's most successful single, and it is often considered their signature song; it topped the US Billboard Hot 100 chart for six weeks, and also reached number one in the United Kingdom, Canada, France and New Zealand. It reached the top five in eight other countries, eventually selling over six million copies worldwide. It became one of the most performed songs of the 20th century, covered by over 50 artists, including Elvis Presley, Aretha Franklin and Johnny Cash. It is ranked number 66 on Rolling Stone's 500 Greatest Songs of All Time.
$70.00
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