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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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AUTRES
Vous avez sélectionné:
On Christmas night all Christians Sing
SheetMusicPlus
Partitions à imprimer
4 partitions trouvées
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The Sussex Carol (On Christmas Night All Christians Sing)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1206144 By Nigel Simmons. By Tr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1206144 By Nigel Simmons. By Traditional. Arranged by Nigel Simmons. Christmas,Praise & Worship,Religious,Traditional. Score and Parts. 78 pages. Hepplewhite Music #804340. Published by Hepplewhite Music (A0.1206144). An arrangement of the popular Christmas Carol for SATB Choir and Symphony OrchestraOrchestration:Woodwind:Â 2 / 2 (+ Cor Anglais) / 2 / 2Brass:Â Â Â Â Â Â 4 / 2/ 3/ 1Timpani, Snare Drum, GlockenspielFull Score and set of Parts, including 1 each of Strings and Choir Part (including Piano for rehearsal)Please print as many string and choir parts as necessary.
$50.00
44.9 €
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Orchestre
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Nigel Simmons
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Nigel Simmons
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The Sussex Carol
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Hepplewhite Music
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SheetMusicPlus
Silent Night For Full Orchestra And Chorus
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1153104 By Christian Paulson. B…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1153104 By Christian Paulson. By Franz Xaver Gruber. Arranged by Christian Paulson. 19th Century,Christmas,Holiday. Score and Parts. 28 pages. Christian Paulson #753348. Published by Christian Paulson (A0.1153104). This arrangement began as a piece I arranged as a finale for our first combined band, orchestra, and choir concert. It was a big hit! Silent Night has always been a piece that everyone seems to hold dearly. The chorus has a traditional harmony right out of the green hymnal. This piece can also be done with a small group of singers or as a solo. The instruments parts are very accessible and the scoring makes every group sound full. One of the theatrical moments happens right after the climax of the second verse. Choke the cymbal and chimes on beat one of measure 55 and let the natural reverberance of the hall ring on. Slow the tempo, lower the volume and invite the audience to hum along to the last verse. Nothing brings musicians and audiences together like Silent Night.
$45.00
40.41 €
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Orchestre
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Christian Paulson
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Christian Paulson
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Silent Night For Full Orchestra And Chorus
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Christian Paulson
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SheetMusicPlus
A Child Is Born - Orchestral Score and Parts
Orchestre
Full Orchestra - Intermediate - Digital Download SKU: LX.PP367 Composed by John Pur…
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Full Orchestra - Intermediate - Digital Download SKU: LX.PP367 Composed by John Purifoy. Choral Cantatas. Christmas. Orchestral Score and Parts. 219 pages. Triune Music Inc #ePP367. Published by Triune Music Inc (LX.PP367). UPC: 000308087338.Traditional carols in an SATB cantata with orchestra or keyboard. A complete worship service for Christmas...with memorable new music and traditional carols for choir and congregation, including GOOD CHRISTIAN MEN, REJOICE!; HARK! THE HERALD ANGELS SING; ANGELS WE HAVE HEARD ON HIGH; SILENTNIGHT ; and JOY TO THE WORLD. Solos are included for soprano, alto, and baritone, and an enchanting duet is provided for medium voices. The work also features a call to worship, processional, and the lighting of the Christmas candles...all woven together by narration and readings.
$125.00
112.26 €
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Orchestre
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John Purifoy
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HARK! THE HERALD ANGELS SING
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A Child Is Born - Orchestral Score and Parts
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Triune Music Inc
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SheetMusicPlus
Divinum Mysterium
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century…
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
67.36 €
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Orchestre
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
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