English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
1
Partitions
Numériques
7
Librairie
Musicale
30
Matériel
de Musique
88
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
197
PIANO & CLAVIERS
Piano Facile
120
Piano, Voix
106
Piano seul
98
Instruments en Do
26
Piano, Voix et Guitare
21
Piano grosses notes
8
Orgue
4
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Piano (partie séparée)
2
2 Pianos, 4 mains
1
Clavier
1
Ligne De Mélodie, Piano
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
26
Ligne De Mélodie, (Paroles) et Accords
18
Guitare
10
Ukulele
6
Guitare (partie séparée)
5
Banjo
2
2 Guitares (duo)
1
Piano, Guitare (duo)
1
Mandoline
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
18
Voix Soprano, Piano
16
Chorale 3 parties
7
Chorale 2 parties
4
Voix Tenor, Piano
4
Chorale TTBB
3
Chorale
3
Chorale SSAA
2
Chorale Unison
2
Chorale SSATB
1
Voix Alto, Piano
1
Voix seule
1
Voix haute
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière
32
2 Saxophones (duo)
25
Saxophone (partie séparée)
20
Clarinette et Piano
19
Clarinette
19
Saxophone Tenor et Piano
18
Hautbois (partie séparée)
17
Hautbois, Piano (duo)
16
Saxophone Alto et Piano
16
Flûte traversière et Piano
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Flûte, Hautbois, Clarinette, Basson
11
Saxophone Alto
11
Saxophone Soprano et Piano
10
2 Flûtes traversières (duo)
10
2 Clarinettes (duo)
10
Flûte, Clarinette (duo)
9
Hautbois
9
Quatuor de Saxophones: 4 saxophones
9
Saxophone Baryton, Piano
9
Quintette de Saxophone: 5 saxophones
8
Quatuor de Clarinettes: 4 clarinettes
7
Saxophone Tenor
6
Saxophone Baryton
6
Saxophone Soprano
5
2 Hautbois (duo)
4
Flûte, Violon, Piano
4
Clarinette, Violoncelle (duo)
4
Saxophone, Clarinette (duo)
3
Quatuor de Flûtes à bec
3
2 Flûtes traversières, Piano
3
Hautbois, Violoncelle
3
3 Clarinettes (trio)
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette, Basson (duo)
2
Flûte à bec Soprano
2
Flûte, Hautbois (duo)
2
Clarinette, Violon (duo)
2
Flûte, Saxophone (duo)
1
Clarinette, Trompette (duo)
1
Cor anglais, Piano
1
Trio de Flûtes: 3 flûtes
1
2 Flûte à bec (duo)
1
Hautbois, Flûte
1
Flûte, Violoncelle
1
Hautbois, Basson (duo)
1
Ensemble de Clarinettes
1
Ensemble de Flûtes
1
Flute (partie séparée)
1
Hautbois, Clarinette (duo)
1
Clarinette Basse, Piano
1
Flûte, Violon
1
Flûte et Guitare
1
Clarinette et Alto
1
Flûte, Violoncelle, Piano (trio)
1
Ensemble de saxophones
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
15
Cor et Piano
15
Trombone et Piano
15
Trompette, Piano
14
Tuba et Piano
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Trombone
12
Tuba
11
2 Trompettes (duo)
11
Trombone (partie séparée)
10
Trompette (partie séparée)
9
Cor
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Quatuor de Cuivres
8
Quatuor de cuivres: 4 trombones
7
2 Trombones (duo)
7
2 Cors (duo)
5
Trio de Cuivres
3
Euphonium, Piano (duo)
3
2 Tubas (duo)
2
Trompette, Violoncelle (duo)
2
Trompette, Saxophone (duo)
2
Trompette, Trombone (duo)
2
Euphonium, Tuba (duo)
2
Cor anglais, Piano
1
Trompette, Harpe
1
Quatuor de cuivres: 4 cors
1
Ensemble de Trombones
1
Clarinette, Cor (duo)
1
Trompette, Cor (duo)
1
Trompette, Basson (duo)
1
Ensemble de Trompettes
1
Cor (partie séparée)
1
Tuba (partie séparée)
1
Bass Clef Instruments
1
Instrumentations suivantes
Retracter
CORDES
Violon
52
Alto seul
43
Violon et Piano
30
Quatuor à cordes: 2 violons, alto, violoncelle
29
Contre Basse
25
Alto, Piano
23
Violoncelle, Piano
21
Violoncelle (partie séparée)
21
2 Harpes (duo)
20
2 Violons (duo)
14
Violoncelle
13
Contrebasse, Piano (duo)
11
2 Altos (duo)
10
Violon, Violoncelle (duo)
9
2 Violoncelles (duo)
9
Violon, Alto (duo)
7
Alto (partie séparée)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violoncelle, Contrebasse (duo)
6
2 Contrebasses (duo)
5
Alto, Violoncelle (duo)
4
Harpe, Violoncelle (duo)
3
Contrebasse (partie séparée)
3
Trio à cordes
2
Trio à Cordes: violon, alto, violoncelle
2
Harpe, Flûte (duo)
2
Alto et Harpe
2
Harpe, Violon (duo)
2
Harpe
2
Harpe, Voix
1
Violon, Basson (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
33
Orchestre à Cordes
9
Orchestre
7
Ensemble Jazz
5
Batterie
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Orchestre de chambre
4
Fanfare
4
Batterie (partie séparée)
3
Ensemble de cuivres
3
Ensemble de Percussions
2
2 Marimbas
1
Percussion
1
Piano et Orchestre
1
Cloches
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
On a Clear Day
Orchestre
Partitions à imprimer
7 partitions trouvées
<
1
TAPS A Rembrance
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1226101 Composed by Traditional…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 28 pages. Artist of Note, Inc. #822125. Published by Artist of Note, Inc. (A0.1226101). TAPS  A Remembrance   Bb Solo Trumpet, Narrator, Piano/Organ/Orchestra, optional SATB Choir  > 2:00TAPS - A Remembrance is ideal for the kinds of brief but important Memorial Day and/or Independence Day observances so often called for in our time.The poignant narration recalls the story of United States Army Sergeant Keith Clark playing the bugle call know today as Taps for the interment of President John F. Kennedy (November of 1963). As author William Manchester later wrote, “The 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†that the whole world heard, and that remains part of our national heritage.The background arrangement (optionally with chorus) heightens the emotion of the story until both give way to a regulation trumpet solo version that includes the grace note error and fades at the end. The orchestration is done in a 4 Part + format that lends itself to optional performance by any section of the orchestra (originally for brass alone).The choral octavo carries the complete narration (also see below) with accompaniment (playable by/adaptable to organ) and the solo trumpet part (all that’s really needed to perform the piece) along with permission to reproduce the octavo for optional choir/ensemble.The choral writing involves divisi only at two easily sung cadence points.And, it can be performed by just the brass and the narrator.For those who may not know the story:CBS News video of A Bugle Call Remembered Gathering 11/16/2013  [01:15]  https://www.youtube.com/watch?v=E3u2qKWQ8io----NARRATOR:  Since the mid 1800s the bugle call known today as Taps has heralded rest for the weary, as well as comfort and encouragement in times of deep personal and collective grief.** music beginsAt about 3:00 p.m. on November 24th 1963, as the nation mourned the assassination of President John F. Kennedy, United States Army Sergeant Keith Clark raised his bugle at Arlington National Cemetery [†with thoughts of I Corinthians 15:51 in mind, “The trumpet shall soundâ€].Clearly broadcast throughout the country and around the world, the 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†as author William Manchester put it. But, as another observer** noted: “Like the crack in the Liberty Bell, it remains part of our national heritage.â€(Taps solo Trumpet with intentional error at m.14 continues)________† Optional text** Ed Hunter for www.TapsForever.com.
$29.99
27.44 €
#
Orchestre
#
Traditional
#
Ken Litton
#
TAPS A Rembrance
#
Artist of Note, Inc.
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Orchestre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann St…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
10.05 €
#
Orchestre
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Te Deum and Jubilate Deo in D
Orchestre
Digital Download SKU: OX.9780193702875 Composed by Henry Purcell. Edited by Robert …
(+)
Digital Download SKU: OX.9780193702875 Composed by Henry Purcell. Edited by Robert King. Classic Choral Works. Score. 39 pages. Oxford University Press Digital #9780193702875. Published by Oxford University Press Digital (OX.9780193702875). ISBN 9780193702875.For SSATB soloists, SSATB choir, 2 trumpets, strings and continuo. Written for St Cecilia's Day 1694, Purcell's Te Deum and Jubilate in D was the first work of its kind to be scored for orchestra, and it became the model for future settings of the text by Blow, Croft, and Handel. Orchestral material is available on hire/rental. About Classic Choral WorksThese truly versatile and user-friendly editions offer a practical approach for performers, informed by the very highest standard of scholarship. - Fresh editions by the very best scholars in their field - Clean and clear page layout - Compositions spanning the fourteenth to nineteenth centuries - Choral works with a wide range of scorings, from small chamber group to full orchestra - Informative prefaces included in most of the vocal scores - Playable keyboard reductions for rehearsal
$11.50
10.52 €
#
Orchestre
#
Henry Purcell
#
Te Deum and Jubilate Deo in D
#
Oxford University Press Digital
#
SheetMusicPlus
Divinum Mysterium
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
68.62 €
#
Orchestre
#
12th Century Plainchant
#
Robert Myers
#
Oboe 1,2
#
Divinum Mysterium
#
WheatMyer Music
#
SheetMusicPlus
CONJUNCTION: The Christmas Star of 2020
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
86.92 €
#
Orchestre
#
Robert Myers
#
He will show His favor again
#
CONJUNCTION: The Christmas Star of 2020
#
WheatMyer Music
#
SheetMusicPlus
John Paul Jones - Symphonic Overture (instrumental parts)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.971716 Composed by WAGSTAFF, Ju…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.971716 Composed by WAGSTAFF, Julian. 20th Century,Contemporary,Holiday,Musical/Show,Patriotic. Score and parts. 201 pages. Julian Wagstaff #3421021. Published by Julian Wagstaff (A0.971716). The Symphonic Overture (for orchestra) has its roots in Julian Wagstaff's stage musical John Paul Jones, which premiered in Edinburgh, Scotland in 2001 and was revived professionally with the Scottish Chamber Orchestra in 2010. Essentially a tragedy of ambition, the musical tells the story of the son of a Scottish gardener who became a hero of the American Revolution as the father of the American navy.The work is in three clearly discernible sections: The first interlaces the Scots jig in 6/8 (which opens the musical) with the anthemic 'Freedom Arise' theme in 4/4 (which closes it), by means of metric modulation. The second, slower section is essentially a canon and variation on the 'Home Again' ballad from Act I of the show, while the third and final section is a radical development of the 'Battle of Flamborough Head' sequence from Act I of the musical. For more information visit www.julianwagstaff.com or www.johnpauljonesmusical.com.
$69.99
64.03 €
#
Orchestre
#
WAGSTAFF, Julian
#
John Paul Jones - Symphonic Overture
#
Julian Wagstaff
#
SheetMusicPlus
John Paul Jones - Symphonic Overture (score)
Orchestre
Full Orchestra - Digital Download SKU: A0.971701 Composed by WAGSTAFF, Julian. 20th…
(+)
Full Orchestra - Digital Download SKU: A0.971701 Composed by WAGSTAFF, Julian. 20th Century,Contemporary,Holiday,Musical/Show,Patriotic. Score and parts. 58 pages. Julian Wagstaff #14603. Published by Julian Wagstaff (A0.971701). The Symphonic Overture (for orchestra) has its roots in Julian Wagstaff's stage musical John Paul Jones, which premiered in Edinburgh, Scotland in 2001 and was revived professionally with the Scottish Chamber Orchestra in 2010. Essentially a tragedy of ambition, the musical tells the story of the son of a Scottish gardener who became a hero of the American Revolution as the father of the American navy.The work is in three clearly discernible sections: The first interlaces the Scots jig in 6/8 (which opens the musical) with the anthemic 'Freedom Arise' theme in 4/4 (which closes it), by means of metric modulation. The second, slower section is essentially a canon and variation on the 'Home Again' ballad from Act I of the show, while the third and final section is a radical development of the 'Battle of Flamborough Head' sequence from Act I of the musical. For more information visit www.julianwagstaff.com or www.johnpauljonesmusical.com.
$14.99
13.71 €
#
Orchestre
#
WAGSTAFF, Julian
#
John Paul Jones - Symphonic Overture
#
Julian Wagstaff
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
