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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Once Upon A Time...
Non classifié
186
Piano & claviers
Piano seul
172
Piano, Voix
54
Piano, Voix et Guitare
42
Piano Facile
22
Accordéon
19
Orgue
3
Instruments en Do
3
Accompagnement Piano
1
1 Piano, 4 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 4 mains
1
Piano grosses notes
1
+ 7 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
23
Guitare notes et tablatures
10
Guitare
6
Ukulele
3
Paroles et Accords
2
2 Guitares (duo)
1
3 Guitares (trio)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
35
Chorale 3 parties
8
Chorale 2 parties
8
Chorale SSAA
5
Voix duo
4
Voix Baryton, Piano
3
Chorale TTBB
3
Voix haute
2
Voix Tenor, Piano
2
Voix seule
1
Chorale
1
Chorale Unison
1
Voix moyenne, Piano
1
Voix Tenor
1
+ 9 instrumentations
Retracter
Vents
Ensemble de saxophones
24
Flûte traversière et Piano
16
Quintette de Saxophone: 5 saxophones
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Clarinette
11
Flûte traversière
10
Saxophone
9
Saxophone Alto et Piano
8
Hautbois, Piano (duo)
8
Ensemble de Clarinettes
8
Clarinette et Piano
7
Saxophone Tenor et Piano
6
Quatuor de Saxophones: 4 saxophones
5
Saxophone (partie séparée)
5
Saxophone Baryton, Piano
5
Hautbois (partie séparée)
5
Ensemble de Flûtes
5
Saxophone Soprano et Piano
5
Clarinette Basse, Piano
5
Quatuor de Clarinettes: 4 clarinettes
5
Flute (partie séparée)
4
Cor anglais, Piano
4
Quintette de Flûte : 5 flûtes
3
Quatuor de Flûtes : 4 flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
3 Clarinettes (trio)
2
3 Hautbois
2
Trio de Flûtes: 3 flûtes
2
Saxophone Alto
2
Flûte, Violon
1
Saxophone Tenor
1
Flûte à bec Soprano
1
Flûte, alto et harpe
1
Hautbois, Flûte
1
Clarinette (partie séparée)
1
2 Clarinettes, Basson
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Clarinettes (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone et Orgue
1
2 Flûtes traversières (duo)
1
Flûte, Hautbois, Basson
1
+ 37 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Quatuor de Cuivres
11
Cor et Piano
8
Trompette
8
Trombone et Piano
7
Ensemble de Trompettes
6
Euphonium, Piano (duo)
6
Ensemble de Trombones
6
Trompette, Piano
5
Trompette (partie séparée)
4
Ensemble de Cors
4
Cor
4
Cor anglais, Piano
4
Trombone
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone (partie séparée)
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trombones
1
2 Trompettes (duo)
1
3 Trombones (trio)
1
+ 16 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
26
Trio à Cordes: violon, alto, violoncelle
11
Violon
11
Violon et Piano
10
Alto, Piano
7
Violoncelle, Piano
7
Violon, Violoncelle (duo)
6
Harpe
6
Alto seul
6
Violon (partie séparée)
5
Violoncelle
5
2 Violoncelles (duo)
4
Trio à cordes: 3 violins
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Ensemble de Violons
3
Trio à cordes: 3 altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Contrebasse (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
Contre Basse
2
4 Violoncelles
1
2 Altos (duo)
1
2 Violons (duo)
1
Harpe, Violon, Violoncelle
1
Violoncelle (partie séparée)
1
Alto (partie séparée)
1
Ensemble d'Altos
1
Violon, Alto (duo)
1
Harpe, Voix
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
98
Orchestre à Cordes
33
Orchestre
19
Jazz combo
7
Ensemble de cuivres
6
Orchestre de chambre
6
Ensemble Jazz
2
Quintette à Vent
1
Cloches
1
+ 4 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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Vous avez sélectionné:
Once Upon A Time...
Orchestre
Partitions à imprimer
19 partitions trouvées
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1
Once Upon A Time In The West
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Ennio Morricone
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Demetrio Bonvecchio
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Once Upon A Time In The West
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Demetrio Bonvecchio
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1236970 Composed by Ennio Morricone. Arranged by Demetrio Bonvecchio. 20th Century,Classical,Film/TV. Score and Parts...
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Full Orchestra - Level 4 - SKU: A0.1236970 Composed by Ennio Morricone. Arranged by Demetrio Bonvecchio. 20th Century,Classical,Film/TV. Score and Parts. 66 pages. Demetrio Bonvecchio (Db Music) #832506. Published by Demetrio Bonvecchio (Db Music) (A0.1236970). This arrangement starts with a brief introduction (the harmonica theme) and develops later in the magnificent theme that everybody knows.The choir only vocalizes as in the original version (there is no solo soprano part included but it could be created from the soprano line if needed).I loved creating this arrangement, I hope you will enjoy the performance too!Have fun![Score + Set of Parts included].
$100.00
Man With The Harmonica (from The Motion Picture "ONCE UPON A TIME IN THE WEST")
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Orchestre
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INTERMÉDIAIRE
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Film/TV
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Ennio Morricone
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Man With The Harmonica
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Flavio Regis Cunha
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SheetMusicPlus
By Ennio Morricone. Arranged by Flavio Regis Cunha. Score, Set of Parts. 45 pages. Published by Flavio Regis Cunha...
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By Ennio Morricone. Arranged by Flavio Regis Cunha. Score, Set of Parts. 45 pages. Published by Flavio Regis Cunha
Once Upon a Time in the West is a soundtrack composed by Ennio Morricone, from the 1968 western film of the same name directed by Sergio Leone, released in 1972. The film score sold about 10 million copies worldwide.
The soundtrack features leitmotifs that relate to each of the main characters of the movie (each with their own theme music), as well as to the spirit of the American West. The theme music for the Claudia Cardinale character has wordless vocals by Italian singer Edda Dell'Orso.
It was Leone's desire to have the music available and played during filming. Leone had Morricone composed the score before shooting started and would play the music in the background for the actors on set.
$69.99
Once Upon A December
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Lynn Ahrens and Stephen Flaher
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Once Upon A December
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www.studio-orchestrations.com
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1294475 Composed by Lynn Ahrens and Stephen Flaherty. Arranged by John Langley (for Studio Orchestrations). Broadway,...
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Full Orchestra - Level 4 - SKU: A0.1294475 Composed by Lynn Ahrens and Stephen Flaherty. Arranged by John Langley (for Studio Orchestrations). Broadway,Christmas,Film/TV,Historic,Musical/Show. Score and Parts. 110 pages. Www.studio-orchestrations.com #884842. Published by www.studio-orchestrations.com (A0.1294475). This beautiful haunting vocal ballad waltz is a much loved classic from the world of animated movies, featured in truly star-studded film ANASTASIA (voiced by Meg Ryan, John Cusack, Kelsey Grammer Hank Azaria & Kirsetn Dunst among many others). Written by Lynn Ahrens Stephen Flaherty, the writing team behind Tony award winning Broadway musical RAGTIME, this beautifully crafted song would fit any concert evening of music from animated classics, film, musicals and Christmas events.This arrangement is written for soprano soloist, full orchestra and optional choir. The orchestration is flexible and can be perfoirmed with smaller wind and brass forces if required.Instrumentation:2 FlutesOboeCor Anglais2 Clarinets2 Bassoons4 French Horns3 Trumpets3 TrombonesTubaTimpani2 PercussionHarpPianoSoprano soloistSATB Chorus [Optional]StringsOther related titles written by John Langley (Studio Orchestrations) which maybe of interest include:A Million Dreams (The Greatest Showman) https://www.sheetmusicdirect.com/en-US/se/ID_No/1305770/Product.aspxWhen you believe (The Prince of Egypt) https://www.sheetmusicdirect.com/en-US/se/ID_No/1369099/Product.aspxCome what may (Moulin Rouge)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1346777/Product.aspxEl Tango de Roxanne (Moulin Rouge) https://www.sheetmusicdirect.com/en-US/se/ID_No/1346335/Product.aspxMaadowlark (The Baker's Wife)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1372145/Product.aspxDiamonds are forever (Title song)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1372605/Product.aspxBarcelona [Freddie Mercury/Montserrat Caballe)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1305928/Product.aspxSummer Wine [Lee Hazelwood/Nancy Sinatra]  https://www.sheetmusicdirect.com/en-US/se/ID_No/1151500/Product.aspxMalone's death (The Untoucahables) https://www.sheetmusicdirect.com/en-US/se/ID_No/1380919/Product.aspx.
$110.00
All Time High
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
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Rita Coolidge
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All Time High
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrations. Contemporar...
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Full Orchestra - Level 4 - SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrations. Contemporary,Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977260. Published by www.studio-orchestrations.com (A0.1393788). IMPORTANT: Please see note below about the key of this versionThis classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days.  Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. This score and parts are a semitone/half-step higher (starting in F major) which might suit some female performers slightly better for range.  The original Rita Coolidge performancxe key (starting in E major) is dusky and mellow (ie. quite low) but is also available on this website.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00
All Time High
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Rita Coolidge
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All Time High
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www.studio-orchestrations.com
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrations). Film/TV,P...
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Full Orchestra - Level 4 - SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrations). Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977256. Published by www.studio-orchestrations.com (A0.1393785). This classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days. Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. In this version we have the original Rita Coolidge performancxe key (starting in E major) which is dusky and mellow but is also available on this website a semitone/half-step higher (strarting in F major) which might suit some female performers ranges better.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00
ONCE UPON A TIME
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Creative Horizons Music Publis
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ONCE UPON A TIME
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Creative Horizons Music Publishers
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.991718 Composed by Creative Horizons Music Publishers (ASCAP). Broadway,Children,Musical/Show. Score and parts. 9 pag...
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Full Orchestra - Level 4 - SKU: A0.991718 Composed by Creative Horizons Music Publishers (ASCAP). Broadway,Children,Musical/Show. Score and parts. 9 pages. Creative Horizons Music Publishers (ASCAP) #3065049. Published by Creative Horizons Music Publishers (ASCAP) (A0.991718). FROM THE BROADWAY BOUND MUSICAL THE TRAVELING COMPANION THIS IS THE LAST SONG IN THE SCORE AND IS SUNG BY THE CHARACTER OF HANS CHRISTIAN ANDERSEN WHOSE ORIGINAL MID 1800'S FAIRY TALE IS THE BASIS OF OUR MUSICAL STORY. ORCHESTRATED TRACK INCLUDED WITH SHEET MUSIC. FOR TENOR VOICE. RECORDED AND SUNG BY DISNEYLAND SINGING STAR BILL LEWIS.
$3.59
Once Upon A Time In The West
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Ennio Morricone
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Flavio Regis Cunha
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Once Upon A Time In The West
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Flavio Regis Cunha
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SheetMusicPlus
Full Orchestra - Level 4 - Composed by Ennio Morricone (1928-). Arranged by Flavio Regis Cunha. 20th Century, Contest, Festival, Film/TV, Instructio...
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Full Orchestra - Level 4 - Composed by Ennio Morricone (1928-). Arranged by Flavio Regis Cunha. 20th Century, Contest, Festival, Film/TV, Instructional, Standards. 8 pages. Flavio Regis Cunha #859295. Published by Flavio Regis Cunha
$69.99
Once Upon A Time In The West
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Ennio Morricone
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Pasquale Tassone
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Once Upon A Time In The West
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Pasquale Tassone
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SheetMusicPlus
Composed by Ennio Morricone (1928-). Arranged by Pasquale Tassone. Contemporary. Score and parts. 37 pages. Pasquale Tassone #6569513. Published by Pa...
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Composed by Ennio Morricone (1928-). Arranged by Pasquale Tassone. Contemporary. Score and parts. 37 pages. Pasquale Tassone #6569513. Published by Pasquale Tassone
$60.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951...
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Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943...
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Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Concerto for Double Bass & Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Malcolm D Robertson
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July 2020 &
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Concerto for Double Bass &
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Mr Malcolm D Robertson
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.927995 Composed by Malcolm D Robertson. Contemporary. 53 pages. Mr Malcolm D Robertson #6037979. Published by Mr Malc...
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Full Orchestra - Level 5 - SKU: A0.927995 Composed by Malcolm D Robertson. Contemporary. 53 pages. Mr Malcolm D Robertson #6037979. Published by Mr Malcolm D Robertson (A0.927995). Composed in June & July 2020 & completed on the 19th July 2020. As a former Double Bass player, I thought it was about time a composed a concerto for my former instrument. The Concerto uses a relatively small orchestra (Flute, Oboe, Cor Anglais, 2 Clarinets, Bassoon, 2 Horns, Timpani, Harp & Strings), the string section should not be too large, 8,8,6,6,3, would be a preferable size. The solo Double Bass doesn't have a large amount of carrying power & so the dynamics for the soloist are marked up, as the MIDI playback isn't great for a solo Bass, the soloist's dynamics have been notched up still further in places for MIDI playback purposes, but can be adjusted down in concert performance. The bass clef has largely been used for the solo purely because the tenor clef option sounds an octave too high on the Musescore program. The Concerto is in 3 movements and about 17 minutes in duration.Parts are available upon request.
$12.99
Concerto in Bb Major for Double Bass and Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Robert E
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Concerto in Bb Major for Doubl
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102...
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Full Orchestra - Level 4 - SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102129. Published by R. E. Proctor (A0.809714). A concerto for Double Bass and orchestra in the traditional fast - slow – fast concerto format. While not overly challenging for the bass soloist, it does explore, to a degree, the upper reaches of the instrument as well as sounding the beautiful low range. The first movement is that might be called Neo – Classical, opening with an 8-measure solo in a Largo or slow tempo. The tempo then changes to Allegro (fast) for the balance of the movement. The movement ends as it began with the double bass playing alone. The second movement is a jazz waltz. In 9/8, it opens with the soloist playing pizzicato against a rhythmic cord progression. The bass and cello sections pick this up to provide a ground upon which the balance of the movement is played over. The second movement is in the relative minor of Bb which is G minor. A haunting melody is introduced by the bass and doubled by the strings. This melody is replayed by various instruments as the Bass Soloist plays variations on this theme. The harp and the bass solo end the movement. The third movement leans toward French Impressionism. This movement is Andantino; however, it is a spirited. Written in cut time, where the half note equals 92 beats per minute. The melody is introduced by the woodwinds with the harp accompanying. The strings and brass join in as the woodwinds repeat the melody. Finally, the bass solo takes charge of the melody using it as a theme and variation. The harp is used extensively in this concerto providing harmonic, melodic, and rhythmic support for the bass. Written in 2015, the concerto is a new work, however, it is not experimental music. It uses the standard orchestral instruments playing in the standard fashion. It is replete with modern harmonic sounds and chord progressions. As concerto's go, this one is not overly difficult providing the bassist with a starting point as a soloist. It does require the soloist to have some mastery over the instrument as the music traverses most of the instrument’s range. Performance time is approximately 13 minutes and 10 seconds.
$19.95
Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807...
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Full Orchestra - Level 4 - SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807. Published by Benjamin Sajo (A0.1018920). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731...
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Full Orchestra - Level 4 - SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731. Published by Benjamin Sajo (A0.1018901). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Man With The Harmonica
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Orchestre
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INTERMÉDIAIRE
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Ennio Morricone
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Flavio Regis Cunha
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Man With The Harmonica
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FRC Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1153612 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. 20th Century,Contemporary,Contest,Festival,Film/...
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Full Orchestra - Level 3 - SKU: A0.1153612 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. 20th Century,Contemporary,Contest,Festival,Film/TV,Instructional. Score and parts. 45 pages. FRC Music #753877. Published by FRC Music (A0.1153612). Once Upon a Time in the West is a soundtrack composed by Ennio Morricone, from the 1968 western film of the same name directed by Sergio Leone, released in 1972. The film score sold about 10 million copies worldwide.The soundtrack features leitmotifs that relate to each of the main characters of the movie (each with their own theme music), as well as to the spirit of the American West. The theme music for the Claudia Cardinale character has wordless vocals by Italian singer Edda Dell'Orso.It was Leone's desire to have the music available and played during filming. Leone had Morricone composed the score before shooting started and would play the music in the background for the actors on set. Arranged for Orchestra Intermediate Level Fomat: Concert 9 x 12 inches. 45 pages.
$49.99
E Più Ti Penso (Deborah's Theme) - Andrea Bocelli, Ariana Grande Version
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Orchestre
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Film/TV
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Andrea Bocelli And Ariana Gr
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E Più Ti Penso
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Flavio Regis Cunha
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SheetMusicPlus
By Andrea Bocelli And Ariana Grande. Arranged by Ennio Morricone - Transcribed by Flavio Regis Cunha. Score, Set of Parts. 58 pages. Published by Flav...
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By Andrea Bocelli And Ariana Grande. Arranged by Ennio Morricone - Transcribed by Flavio Regis Cunha. Score, Set of Parts. 58 pages. Published by Flavio Regis Cunha
"E Pi Ti Penso" ("The more I think of you" in English), alternatively titled "E Pi Ti Penso (from Once Upon a Time in America)" is an Italian song originally written by Ennio Morricone, Mogol, and Tony Renis for the movie Once Upon a Time in America. This is a song recorded by the Italian operatic-pop trio Il Volo in 2010 in their first CD Il Volo in 2010. Later this song was recorded by Italian singer Andrea Bocelli and American singer Ariana Grande. The song was released on 1 October 2015, and served as the lead single from Bocelli's album, Cinema (2015).
$69.99
Once Upon A Time (Accompaniment Track)
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Orchestre
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Stephen DeCesare
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Once Upon A Time
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Exultet Music
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SheetMusicPlus
Composed by Stephen DeCesare. Movies, TV, Children's Music, Children's Musicals, Fairy Tales. Accompaniment. Published by Exultet Music (S0.30245). - Accompanim...
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Composed by Stephen DeCesare. Movies, TV, Children's Music, Children's Musicals, Fairy Tales. Accompaniment. Published by Exultet Music (S0.30245). - Accompaniment - Movies,TV,Children's Music,Children's Musicals,Fairy Tales - Exultet Music
$3.99
The Last Supper
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Orchestre
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AVANCÉ
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Contemporain
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Kevin Longley
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The Last Supper
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Kevin Longley
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1019350 Composed by Kevin Longley. Contemporary. Score and parts. 105 pages. Kevin Longley #3248395. Published by Kev...
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Full Orchestra - Level 5 - SKU: A0.1019350 Composed by Kevin Longley. Contemporary. Score and parts. 105 pages. Kevin Longley #3248395. Published by Kevin Longley (A0.1019350). The Last Supper, scored for Symphony Orchestra was conceived in 1984, completed in 1986 and later revised in 2017. The work is built around the idea of a visitor who is transported back in time to the events of the Last Supper. This visitor is only an observer to the event; having no effect upon what he sees. The piece opens with a dark theme, signifying the visitor walking through the shadowy streets of Jerusalem. As the theme comes to an end an oboe, high above, signals the visitors first view of the Last Supper. The music takes the listener from the Passover Meal to the Mount of Olives and finally to the Betrayal of Lord Jesus. Throughout the score are written biblical passages, meant to inspire the performer and give context to the music. They may optionally be spoken as part of the performance. Orchestra (1 piccolo, 2 flutes, 2 oboes, 1 english horn, 2 clarinets, 1 bass clarinet, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba, timpani, bass drum, suspended cymbal, tam-tam, snare drum, triangle, harp, strings) Composed by Kevin Longley (1958-). Full score. 55 pages. Duration 15 minutes.
$15.50
The Dark Glass Sinfonia (Parts)
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Orchestre
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AVANCÉ
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Contemporain
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Sarah Wallin Huff
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The Dark Glass Sinfonia
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Novel Soundtrax
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1294001 Composed by Sarah Wallin Huff. Classical,Contemporary. Score and Parts. 61 pages. Novel Soundtrax #884482. Pu...
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Full Orchestra - Level 5 - SKU: A0.1294001 Composed by Sarah Wallin Huff. Classical,Contemporary. Score and Parts. 61 pages. Novel Soundtrax #884482. Published by Novel Soundtrax (A0.1294001). “We See Through A Glass Darkly…â€The Dark Glass Sinfonia is Wallin-Huff’s 2017 composition for symphony orchestra. Built upon an integrated set of hexachordal formulae – blending the concepts of free atonality with modal harmony – this work represents the enigmatic and ongoing, emotional flux of the Soul. Running time: approx. 6 minutes.â€Next comes Dark Glass Sinfonia by Sarah Wallin Huff, in which crumpled dissonances flower into exuberant tonality, capitalizing on the full dynamic range of the orchestra.†(PARMA Recordings).
$100.00
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Once Upon A Time...
