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TRI ET FILTRES
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13
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12
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8
Ukulele
5
4 Guitares (Quatuor)
4
Dulcimer
4
Banjo
3
Mandoline, Guitare (duo)
2
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1
3 Guitares (trio)
1
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1
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VOIX
Chorale SATB
221
Chorale 2 parties
145
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79
Voix duo, Piano
40
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32
Chorale TTBB
30
Chorale SSAA
28
Voix seule
18
Voix Soprano, Piano
11
Voix duo
7
Voix Alto, Piano
3
Voix Tenor, Piano
3
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3
Voix Baryton, Piano
3
Voix Tenor
2
Voix basse
1
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1
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1
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1
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1
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VENTS
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139
Saxophone
124
2 Saxophones (duo)
115
Clarinette et Piano
110
Clarinette
97
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78
Flûte traversière
76
Hautbois, Piano (duo)
73
Saxophone Alto et Piano
73
Quintette de Saxophone: 5 saxophones
70
Quatuor de Saxophones: 4 saxophones
67
Saxophone Tenor et Piano
56
2 Flûtes traversières (duo)
52
Saxophone Alto
50
Flûte, Hautbois, Clarinette, Basson
49
Ensemble de saxophones
47
Saxophone Soprano et Piano
43
2 Clarinettes (duo)
41
Quatuor de Clarinettes: 4 clarinettes
39
Saxophone Baryton, Piano
33
3 Saxophones (trio)
32
Hautbois (partie séparée)
28
Ensemble de Clarinettes
25
Saxophone Tenor
23
Cor anglais, Piano
23
Saxophone (partie séparée)
22
Saxophone, Clarinette (duo)
22
Quatuor de Flûtes : 4 flûtes
20
Ensemble De Flûte à bec
19
Flûte, Clarinette (duo)
18
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17
Clarinette, Violon (duo)
15
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15
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15
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14
Flûte à Bec
13
Clarinette, Trompette (duo)
13
Flûte et Guitare
13
Trio de Flûtes: 3 flûtes
12
3 Clarinettes (trio)
11
Ensemble de Flûtes
11
Hautbois
11
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9
Flûte, Saxophone (duo)
9
2 Flûte à bec (duo)
9
Clarinette et Alto
7
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7
Flûte à bec Alto
7
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7
3 Flûtes à bec (trio)
7
Flûte, Alto (duo)
6
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6
Hautbois, Clarinette (duo)
6
Hautbois, Flûte
6
5 Flûtes à bec
5
Hautbois, Basson (duo)
5
Quatuor de Flûtes à bec
5
Flûte, Trompette (duo)
5
Flûte à bec Alto, Piano
4
Clarinette, Guitare (duo)
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Hautbois, Basson
3
Flûte, Violoncelle, Piano (trio)
3
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3
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Saxophone Baryton
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Flûte, Clarinette et Basson
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Flûte traversière, Basse continue
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Flûte, Clarinette, Piano (trio)
2
Flûte à bec Tenor
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Ensemble de Hautbois
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Saxophone et Guitare
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Flûte à bec Soprano, Piano
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Hautbois, Guitare (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
4 Hautbois
1
3 Hautbois
1
Flûte irlandaise
1
Cor anglais et Harpe (duo)
1
Flûte à Bec, Piano
1
Saxophone et Orgue
1
Clarinette Basse
1
Piccolo, Piano
1
2 Flûtes traversières, Piano
1
Cor anglais, Guitare (duo)
1
Flûte, Violoncelle
1
Cor Anglais
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
85
Trompette
81
Trombone
62
Trombone et Piano
54
Trompette, Piano
53
Quatuor de Cuivres : 2 trompettes, trombone, tuba
51
Cor et Piano
42
Cor
25
Tuba et Piano
25
Tuba
24
Cor anglais, Piano
23
2 Trombones (duo)
22
2 Trompettes (duo)
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Ensemble de Trompettes
18
Euphonium, Piano (duo)
18
Ensemble de Trombones
14
Trompette, Trombone (duo)
14
Ensemble de Cors
13
Trompette, Saxophone (duo)
13
2 Cors (duo)
13
Quatuor de Cuivres
12
2 Tubas (duo)
8
Quatuor de cuivres: 4 trompettes
7
Quatuor de cuivres: 4 cors
6
4 Tubas
6
Quatuor de cuivres: 4 trombones
6
Euphonium
4
3 Trombones (trio)
3
Trombone, Cor (duo)
3
Trompette, Cor (duo)
3
Trompette (partie séparée)
3
3 Tubas (trio)
3
Cor, Violoncelle (duo)
2
Cor (partie séparée)
2
Cor et Basson (duo)
2
Trombone basse
2
Trombone basse et Piano
2
3 Cors (trio)
2
Instruments en Sib
1
2 Euphoniums et 2 Tubas
1
Bass Clef Instruments
1
Cor anglais et Harpe (duo)
1
Trombone (partie séparée)
1
Tuba et Orgue
1
Euphonium, Tuba (duo)
1
3 Euphoniums
1
Cor anglais, Guitare (duo)
1
2 Cors, Piano
1
Cor Anglais
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
259
Violon et Piano
147
Alto, Piano
125
Violoncelle, Piano
120
Violon, Violoncelle (duo)
111
Violon
94
Trio à Cordes: violon, alto, violoncelle
78
Violoncelle
76
Harpe
55
2 Violons (duo)
51
Alto seul
48
Quintette à cordes: 2 violons, alto, violoncelle, basse
30
2 Violoncelles (duo)
24
Violon, Alto (duo)
24
2 Altos (duo)
23
Contrebasse, Piano (duo)
15
Trio à Cordes: 2 violons, violoncelle
15
4 Violoncelles
14
Contre Basse
13
Alto, Violoncelle (duo)
13
Quatuor à cordes : 4 altos
9
Trio à Cordes: 3 violoncelles
9
Alto (partie séparée)
9
Trio à cordes: 3 violins
8
Ensemble de Violons
8
Quatuor à cordes: 4 violons
7
Harpe, Flûte (duo)
7
Trio à cordes: 3 altos
6
2 Contrebasses (duo)
5
Ensemble d'Altos
5
2 Harpes (duo)
4
Harpe, Violon, Violoncelle
4
Harpe, Violon (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violoncelle , Guitare (duo)
3
2 Violons, Piano
2
Violon (partie séparée)
2
Alto et Basson
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Trio à Cordes: 2 violons, alto
2
Trio à cordes
2
Ensemble de Violoncelles
2
Autoharp
1
Violoncelle, Basse continue
1
4 Harpes
1
Harpe, Voix
1
Violon, Guitare (duo)
1
Contrebasse (partie séparée)
1
Violoncelle, Orchestre
1
Piano Trio: Violon, Alto, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
329
Orchestre
146
Orchestre à Cordes
108
Cloches
85
Ensemble Jazz
52
Ensemble de cuivres
42
Orchestre de chambre
37
Batterie
21
Ensemble de Percussions
15
Fanfare
12
Jazz combo
10
Marimba
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Ensemble d'École
3
2 Xylophones
2
Vibraphone
2
Piano et Orchestre
1
Percussion
1
Xylophone, Piano
1
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Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
35.47 €
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Orchestre
#
Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, score only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Aires Nacionales Mexicanos, Op. 558 (Potpourri) - 8-1/2"x11" ORCHESTRAL PARTS ONLY
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios …
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Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.
$65.00
59.19 €
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Orchestre
#
Mexican law and custom
#
Miguel Rios Toledano
#
Joel Jacklich (ASCAP)
#
Aires Nacionales Mexicanos, Op. 558
#
Joel Jacklich
#
SheetMusicPlus
Aires Nacionales Mexicanos, Op. 558 (Potpourri) 11"x17" SCORE ONLY
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios …
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Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 48 pages. Joel Jacklich #2075453. Published by Joel Jacklich (A0.723122). NOTE: Full Score is formatted for 11x17. Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The score is formatted for 11x17 paper. The parts (found separately) are in standard letter page format (8-1/2x11).
$25.00
22.76 €
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Orchestre
#
Mexican law and custom
#
Miguel Rios Toledano
#
Joel Jacklich (ASCAP)
#
Aires Nacionales Mexicanos, Op. 558
#
Joel Jacklich
#
SheetMusicPlus
Times Square per 4 Percussionisti Solisti ed Orchestra di Fiati
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.737480 By Giuseppe Mazzamuto. B…
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Full Orchestra - Level 3 - Digital Download SKU: A0.737480 By Giuseppe Mazzamuto. By Giuseppe Mazzamuto. Arranged by Giuseppe Mazzamuto. Classical,Contemporary,Film/TV,Traditional. Score and parts. 22 pages. Giuseppe Mazzamuto #345634. Published by Giuseppe Mazzamuto (A0.737480). Times Square is an original composition by Giuseppe Mazzamuto vibraphonist and composer from Palermo. The composition premiered for the Summer Season of the Sicilian Symphonic Orchestra Foundation on 5, 6 and 7 July 2019, takes inspiration from typical American sounds similar to the Marching Band albeit with a totally new organic, in fact in addition to the 4 solo percussionists, of which one drummer, part of the orchestral ensemble of wind only: 1 piccolo, 2 flutes, 2 oboes, 1 English horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones and 1 bass tuba. From a formal point of view it is composed of 5 musical paintings in a single time, it is in fact an imaginary journey that takes the four solo percussionists through the 5 districts of New York: Queens, Staten Island, the Bronx, Brookyn up to the center. of Manhattan, Times Square precisely.
$15.00
13.66 €
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Orchestre
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Giuseppe Mazzamuto
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Giuseppe Mazzamuto
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Times Square per 4 Percussionisti Solisti ed Orchestra di Fiati
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Giuseppe Mazzamuto
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SheetMusicPlus
E. Satie - "Le Fils des Étoiles", Act 1, Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1455589 Composed by E. Satie. A…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1455589 Composed by E. Satie. Arranged by A. Leytush. 20th Century. 53 pages. Arkady Leytush #1034683. Published by Arkady Leytush (A0.1455589).
$75.00
68.29 €
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Orchestre
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E
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A
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E. Satie - "Le Fils des Étoiles", Act 1, Orchestrated by A. Leytush - Score Only
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Arkady Leytush
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SheetMusicPlus
E. Satie - "Le Fils des Étoiles", Preludes I,II,III, Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Digital Download SKU: A0.1455596 Composed by E. Satie. Arranged by…
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Full Orchestra - Digital Download SKU: A0.1455596 Composed by E. Satie. Arranged by A. Leytush. 20th Century. 36 pages. Arkady Leytush #1034690. Published by Arkady Leytush (A0.1455596).
$50.00
45.53 €
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Orchestre
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E
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A
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E. Satie - "Le Fils des Étoiles", Preludes I,II,III, Orchestrated by A. Leytush - Score Only
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Arkady Leytush
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SheetMusicPlus
Franz Liszt - "Funerailles", S.173/7 , Orchestrated by Arkady Leytush - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1471489 Composed by Franz Liszt…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1471489 Composed by Franz Liszt. Arranged by Arkady Leytush. 19th Century. 48 pages. Arkady Leytush #1049262. Published by Arkady Leytush (A0.1471489). Funérailles, #7 from Liszt’s « Poetic and Religious Harmonies», one of the greatest works of his late period. This impressionistic elegy is strikingly beautiful. Its deep tragedy sometimes reaches the greatest heights, magnetically involving listeners and forcing them to empathize. In my transcription, I tried to use all possible means of a large orchestra to emphasize the features of this music, the changes in the nature of the three main themes, and also to build the overall dramaturgy of the entire work. Liszt’s orchestral thinking underlying this work makes it possible to organically transfer this work to the orchestra. I must admit that despite my experience in such work, I was so captivated by the content and character of this music that at times I was forced to stop due to a sharp increase in my pulse up to 130 beats!
$40.00
36.42 €
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Orchestre
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Franz Liszt
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Arkady Leytush
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Franz Liszt - "Funerailles", S.173/7 , Orchestrated by Arkady Leytush - Score Only
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Arkady Leytush
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SheetMusicPlus
Piano Concerto No. 5, for Full Orchestra and Piano Soloist, Full Score - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1287200 Composed by James Natha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1287200 Composed by James Nathaniel Holland. 21st Century,Contemporary. 108 pages. James Nathaniel Holland #878210. Published by James Nathaniel Holland (A0.1287200). FULL SCORE (in Concert Pictch) Only. The fifth of 21st century, American composer James Nathaniel Holland’s Piano Concertos.  This colorful piece evokes moonlight and the sea. Movement one evokes a tempestuous storm with crashing and churning waves against the rocky coast.  Movement is maritime serenity and three returns to tempestuous emotions. (License or permission to perform may apply.)Instrumentation:  Fl 1.2., Ob, EH, Cl Bb 1.2., Bsn 1.2., Hrn 1.2.3., Tpt 1.2.3., Trom 1.2., Tba, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal,Snare, Bass Drum, Glockenspiel ) PIANO SOLOIST, Hrp., StringsTwo Pianos/Four Hands, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration:  Approximately 30 minutes.
$15.23
13.87 €
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Orchestre
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James Nathaniel Holland
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Piano Concerto No. 5, for Full Orchestra and Piano Soloist, Full Score - Score Only
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James Nathaniel Holland
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SheetMusicPlus
Con Te Partiro (time To Say Goodbye) - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1138797 By Andrea Bocelli. By F…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1138797 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha. 20th Century,Christmas,Film/TV,Opera,Wedding. Score and parts. 16 pages. FRC Music #739100. Published by FRC Music (A0.1138797). Time To Say Goodbye (FULL SCORE) Con te partiro for Soprano, Tenor and Orchestra. Andrea Bocelli and Sarah Brightman: Time To Say Goodbye. Live From Teatro Del Silenzio, Italy / 2007 Artist Andrea Bocelli & Sarah Brightman Composers Frank Peterson, Lucio Quarantotto, Francesco Sartori Complete version of TIME TO SAY GOODBYE from Andrea Bocelli & Sarah Brightman for Soprano, Tenor, Choir and Orchestra. Orchestration: FLUTE 1, FLUTE 2, OBOE 1, OBOE 2, CLARINET 1 IN Bb, CLARINET 2 IN Bb, BASSOON 1, BASSOON 2 , HORN 1 IN F, HORN 2 IN F, HORN 3 IN F, TRUMPET 1 IN Bb, TRUMPET 2 IN Bb, TROMBONE 1, TROMBONE 2, BASS TROMBONE, TUBA, PERCUSSION (Timpani, Snare Drum, Bass Drum, Cymbals) - 4 players, HARP, PIANO, CHOIR (SATB), VIOLIN 1, VIOLIN 2, VIOLA, VIOLONCELLO, DOUBLE BASS. Sheet music download, complete score FOR REFERENCE ONLY. Advanced Intermediate.Format: Concert, 9 x 12 inches.16 pages.
$49.99
45.52 €
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Orchestre
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Andrea Bocelli
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Flavio Regis Cunha
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Con Te Partiro
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FRC Music
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SheetMusicPlus
Only from Blood Does Freedom Grow (Full Score and Parts)
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M H…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00
61.92 €
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Orchestre
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom Grow
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stanleymhoffman.com
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SheetMusicPlus
The Most Wonderful Time Of The Year - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1298087 Composed by Eddie Pola …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1298087 Composed by Eddie Pola and George Wyle. Arranged by Bryan Kidd. Christmas,Holiday,Standards. 18 pages. BryanKiddMusic.com #888034. Published by BryanKiddMusic.com (A0.1298087). Tabloid-size (11x17) score only (orchestra) for The Most Wonderful Time of the Year arranged by Bryan Kidd For a complete letter-size (8.5x11) set of parts and score, click here Please visit BryanKiddMusic.com
$10.00
9.11 €
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Orchestre
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Eddie Pola and George Wyle
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Bryan Kidd
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The Most Wonderful Time Of The Year - Score Only
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BryanKiddMusic.com
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SheetMusicPlus
All Time High
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1393788 By Rita Coolidge. By Jo…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrations. Contemporary,Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977260. Published by www.studio-orchestrations.com (A0.1393788). IMPORTANT: Please see note below about the key of this versionThis classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days.  Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. This score and parts are a semitone/half-step higher (starting in F major) which might suit some female performers slightly better for range.  The original Rita Coolidge performancxe key (starting in E major) is dusky and mellow (ie. quite low) but is also available on this website.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00
109.27 €
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Orchestre
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Rita Coolidge
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All Time High
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www.studio-orchestrations.com
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SheetMusicPlus
All Time High
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1393785 By Rita Coolidge. By Jo…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrations). Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977256. Published by www.studio-orchestrations.com (A0.1393785). This classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days. Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. In this version we have the original Rita Coolidge performancxe key (starting in E major) which is dusky and mellow but is also available on this website a semitone/half-step higher (strarting in F major) which might suit some female performers ranges better.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00
109.27 €
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Orchestre
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Rita Coolidge
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All Time High
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www.studio-orchestrations.com
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SheetMusicPlus
Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1317490 Composed by Johann Simo…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317490 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio & Michele Galvagno. 19th Century,Instructional,Opera,Romantic Period. 110 pages. Artistic Score Engraving di Galvagno Michele #906154. Published by Artistic Score Engraving di Galvagno Michele (A0.1317490). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible.A reduction for two pianos is available under Catalogue N° ASE 0051, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$45.00
40.98 €
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Orchestre
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Johann Simon Mayr
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Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
La Passion, from Le Martyr de St. Sébastien for orchestra, score only - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1086964 Composed by Claude Debu…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1086964 Composed by Claude Debussy/Robert Orledge. Classical,Contemporary,Opera. Score and parts. 17 pages. Musik Fabrik Music Publishing #691154. Published by Musik Fabrik Music Publishing (A0.1086964). Scored for Pic31CA2clbs2/4121/timp/hp/strings. This piece is an unused movement, probably a first draft of ‘La Passion’, the third of the ‘Fragments symphoniques’ in Le Martyre de Saint Sébastien (1911). This anguished but beautiful piece was never performed during Debussy’s lifetime. This item is the score only. The parts are on rental from the publisher.
$13.95
12.7 €
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Orchestre
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Claude Debussy/Robert Orledge
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La Passion, from Le Martyr de St. Sébastien for orchestra, score only - Score Only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thunderbirds - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1515188 Composed by Barry Gray.…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1515188 Composed by Barry Gray. Arranged by Chris Siddall. Film/TV. 114 pages. Chris Siddall Music Publishing #1089680. Published by Chris Siddall Music Publishing (A0.1515188). 30th September 1965 saw the first airing of creator Gerry Anderson’s iconic Supermarionation” series Thunderbirds. Set in the 2060s, the series follows the exploits of International Rescue, an organisation that uses technologically-advanced rescue vehicles to save human life. The series was notable for using marionette puppets but being filmed in the style of a feature film, incorporating dynamic shooting and lighting, and three-dimensional sets and extensive use of model miniatures. Special effects were directed by Derek Meddings, who later became known for his work on the James Bond (from Live and Let Die to GoldenEye), Superman and Batman (1989) movies. During his time working on Thunderbirds and Gerry Anderson’s other Supermarionation series, Meddings and his team developed a number of innovations in the filming of miniature models and landscapes which have since become standard in the industry.Having collaborated with Anderson on six previous TV series, composer Barry Gray was the obvious choice to provide music for Thunderbirds. Employing a large orchestra which dwarfed other TV productions of the time, he made extensive use of leitmotif, which each of the Thunderbird machines having its own theme, as well as notable characters such as Lady Penelope and the Tracy family’s arch nemesis The Hood.Now musicians, music students, conductors – any music lover – can study the complete score from Thunderbirds: Trapped in the Sky in this high-quality edition, carefully reproduced and edited from the original handwritten manuscript.
$50.00
45.53 €
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Orchestre
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Barry Gray
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Chris Siddall
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Thunderbirds - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Yetzer Hara, for orchestra - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1454805 Composed by Daniel Desp…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1454805 Composed by Daniel Despins. 21st Century,Classical,Contemporary,Jewish. 20 pages. Daniel Despins #1033873. Published by Daniel Despins (A0.1454805). Powerful, moving, and dramatic, Yetzer Hara by Daniel Despins is a perfect concert opener for any program!A note from the composer:In Jewish mysticism, the “yetzer hara” refers to one’s “evil inclination,” or the desire to commit acts that are considered evil or immoral. The yetzer hara is controlled and restrained by the “yetzer hatov,” or the inclination to do good things and commit acts of kindness. Rabbinic teachings emphasize the importance of both inclinations – without the yetzer hara, people would have no sense of motivation or purpose to their actions, but the yetzer hatov is necessary to ensure that those actions do not harm others. Thus, the two inclinations depend on each other for balance.This teaching resonates with me very personally, as someone who was prone to fits of anger while I was growing up. My adolescent years tested me as I struggled to keep my yetzer hara in check. Even at the time of this piece’s creation, I was struggling with the evil inclination, which was feeding feelings of animosity I had towards people that I believed had wronged me. This is a battle I will fight for the rest of my life, but I believe that balance will come with time and patience. We must all fight to keep our inclinations balanced, so that we are able to mature emotionally as human beings..
$20.00
18.21 €
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Orchestre
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Daniel Despins
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Yetzer Hara, for orchestra - Score Only
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Daniel Despins
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SheetMusicPlus
Symphony No. 17 (score only) - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1186216 By Alan Beggerow. By Al…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1186216 By Alan Beggerow. By Alan Beggerow. Arranged by Alan Beggerow. 20th Century. Score and parts. 72 pages. Alan Beggerow #785872. Published by Alan Beggerow (A0.1186216). Symphony for full orchestra in 3 movements. Performance time of ca. 38 minutes.
$19.95
18.17 €
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Orchestre
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Alan Beggerow
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Alan Beggerow
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Symphony No. 17
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Alan Beggerow
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
91.06 €
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Orchestre
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Carson Cooman: Remembering Tomorrow: Trombone Concerto - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533654 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533654 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3035625. Published by Musik Fabrik Music Publishing (A0.533654). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$25.95
23.63 €
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Orchestre
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Carson Cooman
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Carson Cooman: Remembering Tomorrow: Trombone Concerto - Score Only
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Musik Fabrik Music Publishing
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SheetMusicPlus
General's Suite Macarthur Patton - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1450384 Composed by Jerrald K G…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1450384 Composed by Jerrald K Goldsmith. Arranged by Chris Siddall. Film/TV. 39 pages. Chris Siddall Music Publishing #1030115. Published by Chris Siddall Music Publishing (A0.1450384). When composer Jerry Goldsmith was asked to write the score for MacArthur, people were surprised that he accepted the project because they wondered what he would have left to say, musically, after Patton. Jerry‘s feeling was that MacArthur was a totally different person, and it would be a real challenge to write about another military figure but do it in a different manner. He said “it‘s much more flamboyant in a different sort of way, and it was an interesting task“. Patton enjoyed resounding critical praise and has since been elevated to the designation of a classic. The film won Academy Awards for nearly all of its major players, with composer Jerry Goldsmith being an unfortunate exception. Goldsmith had already written many scores for World War II topics in his short mainstream career, but none would prove as memorable in any part as the march from Patton, a concert hall staple for the composer throughout his career. Despite the dominance of this theme and the fact that only roughly thirty minutes of music was employed in such a long picture, the effect of his score on the film is far more complicated than many people may realize. While the famous march, with all its bravado from brass, flutes, and snare, easily represents the identity of the character and war, Goldsmith’s work for the film actually spends more time dwelling on the deeper meanings of life that the general himself explored.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$19.99
18.2 €
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Orchestre
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Jerrald K Goldsmith
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Chris Siddall
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General's Suite Macarthur Patton - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Messiah, HWV 56 (arranged for Full Symphony Orchestra by Sir Eugene Goossens) - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1281547 By George Frideric Hand…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1281547 By George Frideric Handel. By George Frideric Handel. Arranged by Sir Eugene Goossens. Baroque,Christmas,Classical,Easter. 304 pages. Paladino Editions #872887. Published by Paladino Editions (A0.1281547). Sir Eugene Goossens' orchestration of Handel's Messiah was composed in 1959. The orchestral material is available for hire here.Sir Eugene Goossens’ monumental full symphony-sized orchestration of Handel’s Messiah from 1959 is now available in print for the first time. Formerly parts were falsely claimed by Sir Thomas Beecham and combined with other people’s work. However, this edition presents only Goossens’ version, which mysteriously appeared in the 1990s in England. This is the perfect version for playing the work in the context of a Romantic symphony orchestra.Orchestration: 3 Flauti (il 3o. anche piccolo) 4 Oboi (il 3o. anche corno inglese) 2 Clarinetti in Bb & A (il 2o. anche basso) 2 Fagotti 1 Contrafagotto 4 Corni 2 Trombe 3 Tromboni 1 Tuba Timpani Percossa (3 suonatori): Tamburo rullante, Triangolo, Piatti, Piatto sospeso, Gran Cassa Arpa Archi
$69.95
63.7 €
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Orchestre
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George Frideric Handel
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Sir Eugene Goossens
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A (il 2o
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Messiah, HWV 56
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Paladino Editions
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SheetMusicPlus
O Holy Art, A Tragic Opera in One Act, Individual Instrument Parts Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730451 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730451 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 269 pages. James Nathaniel Holland #3538241. Published by James Nathaniel Holland (A0.730451). INDIVIDUAL INSTRUMENT PARTS Only (Full Score, Vocal Piano Score sold separately). Does not include vocal parts. O HOLY ART A Tragic Opera in One Act (Opera in English) (Opera duration: 1 hour and 20 minutes) Libretto and Music by James Nathaniel Holland  Combine with Holland operas called A New York Triptych The Discontented Housewife (Farce) and The One Upstairs (comedy) (both sold separately) for a full length evening of fun and accessible American contemporary opera.  Instrumentation: Picc, Fl12, Ob12, Cl12, Bsn, Hrn12, Trp, Trom, Tim, Perc (or Drm set), glock, piano, strings  Singers: Baritone Lead, 2 Sopranos, Bass, 2 Broadway Altos (could double roles), 1 Actor Speaking part, SATB Chorus  BRIEF SYNOPSIS: What happens when a struggling, unknown composer attends a friend's New Year's Eve Party and meets a famous composer who offers to show the work to his agent? Never famous enough, Djeno (baritone), is always rejected and the meeting with the famous composer's agent proves the same. Telling them to do whatever with the piece, it is appropriated by the famous composer and is a hit.  Hearing the piece on the radio and sung by his soprano best friend, Djeno can take no more and commits suicide. His friend must deal with the aftermath of her betrayal.  Musical theater/opera hybrid. Perfect opera university or young voices. Poignant commentary on our time and the superficial, over-importance fame plays in it. Beautiful, accessible music.
$60.95
55.5 €
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Orchestre
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James Nathaniel Holland
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O Holy Art, A Tragic Opera in One Act, Individual Instrument Parts Only
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James Nathaniel Holland
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SheetMusicPlus
Suite Gothique: Chorale & Toccata (Score Only)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.961186 Composed by Leon Boellma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.961186 Composed by Leon Boellmann. Arranged by Brendan Moir. Concert,Contemporary,Romantic Period,Sacred,World. Score and parts. 18 pages. Bemuse #6252901. Published by Bemuse (A0.961186). FOR REDUCED PRICES (and to better support the composer), visithttps://bemuse.bandcamp.com/merch/suite-gothique-chorale-toccata-for-symphonic-orchestra-score-only-...For more music by Brendan Moir, visit http://www.bemusearts.comA classical guitar piece inspired by the winds of Spain. This time for two guitars!
$10.00
9.11 €
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Orchestre
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Leon Boellmann
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Brendan Moir
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Suite Gothique: Chorale & Toccata
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Bemuse
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SheetMusicPlus
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