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FLUTE DE PA…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
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Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
10505
PIANO & CLAVIERS
Piano seul
7798
Accordéon
964
Piano, Voix et Guitare
637
Accompagnement Piano
586
Piano (partie séparée)
363
Piano, Voix
271
Piano Facile
132
Instruments en Do
102
Orgue
58
2 Pianos, 4 mains
55
1 Piano, 4 mains
43
Ensemble d'Accordéons
30
Piano grosses notes
30
Piano Trio: piano, violon, violoncelle
24
Piano Quatuor: piano, violon, alto, violoncelle
11
Accordéon et Orchestre
7
Orgue, Trompette (duo)
5
Orgue et Orchestre
5
Orgue, Piano (duo)
5
Clavecin
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Ligne De Mélodie, Piano
3
Piano Quintette: piano, violon, alto, violoncelle, contre basse
2
Clavier
2
2 Pianos, 8 mains
1
2 Accordéons
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Accordéon, Corde(s)
1
Instrumentations suivantes
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GUITARES
Guitare
677
Guitare notes et tablatures
525
Ligne De Mélodie, (Paroles) et Accords
143
Guitare (partie séparée)
41
Ukulele
29
Basse electrique
21
Piano, Guitare (duo)
18
2 Guitares (duo)
16
4 Guitares (Quatuor)
16
Paroles et Accords
15
Orchestre à Plectres
14
Guitare, Orchestre
13
Ensemble de guitares
10
Mandoline
9
Basse électrique (partie séparée)
8
Ensemble de Ukulélés
6
2 Guitares et Orchestre
4
Guitare, Violon, Violoncelle (trio)
3
Mandoline, Guitare (duo)
3
3 Guitares (trio)
3
Banjo
2
Guitare, Quatuor à cordes
2
Luth
1
Partitions De Groupes
1
Dulcimer
1
Instrumentations suivantes
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VOIX
Chorale SATB
1614
Chorale 3 parties
256
Chorale TTBB
150
Voix seule
115
Chorale 2 parties
68
Chorale SSAA
67
Chorale Unison
62
Soli, choeur mixte et accompagnement
32
Chorale
23
Voix duo, Piano
20
Chorale SSATB
15
Voix duo
13
Voix Soprano, Orchestre
9
Voix haute
9
Voix Soprano, Piano
8
Chorale SSAATTBB
6
Chorale SSATTB
4
Voix moyenne, Piano
3
Chorale SSAATB
2
Voix basse, Piano
2
Voix Mezzo-Soprano, Piano
2
Voix Soprano
2
Chorale SSAB, Piano
1
Chorale SATTBB A Cappella
1
Voix Tenor
1
Instrumentations suivantes
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VENTS
Clarinette (partie séparée)
1821
Flute (partie séparée)
954
Hautbois (partie séparée)
603
Saxophone (partie séparée)
530
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
197
Hautbois
191
Flûte traversière
187
Flûte traversière et Piano
126
Clarinette
122
Quintette de Saxophone: 5 saxophones
107
Quatuor de Saxophones: 4 saxophones
89
Saxophone Alto et Piano
79
Hautbois, Piano (duo)
73
Clarinette et Piano
70
Quatuor de Clarinettes: 4 clarinettes
67
Ensemble de saxophones
64
Flûte, Hautbois, Clarinette, Basson
62
Ensemble de Clarinettes
61
Saxophone Tenor
52
2 Saxophones (duo)
51
Saxophone
48
Saxophone Alto
44
Saxophone Soprano et Piano
40
2 Flûtes traversières (duo)
37
Saxophone Tenor et Piano
36
2 Clarinettes (duo)
34
Quatuor de Flûtes : 4 flûtes
33
Piccolo
32
Flûte traversière, Orchestre
32
Quatuor de Flûtes à bec
30
5 Flûtes à bec
29
Clarinette, Orchestre
24
Ensemble de Flûtes
22
Ensemble De Flûte à bec
21
Quintette de Clarinettes: 5 clarinettes
20
Saxophone Baryton, Piano
16
Quintette de Flûte : 5 flûtes
16
Saxophone et Orchestre
15
Quintette de Clarinette: Clarinette, Quatuor à Cordes
14
3 Saxophones (trio)
14
2 Flûte à bec (duo)
14
Saxophone, Clarinette (duo)
14
2 Hautbois (duo)
13
Cor Anglais
12
Clarinette Basse
12
Flûte, Clarinette (duo)
11
Cor anglais, Piano
11
Flûte et Guitare
10
Flûte, Violon
10
Ensemble à vent
10
Flûte à Bec
10
Clarinette Basse, Piano
10
Hautbois, Basson (duo)
9
3 Clarinettes (trio)
9
Clarinette, Trompette (duo)
9
Saxophone Soprano
8
Clarinette, Violon (duo)
8
Hautbois et Orchestre
7
2 Cors Anglais Et Pianoforte
6
Trio de Flûtes: 3 flûtes
6
Instruments en Mib
6
Hautbois, Flûte
6
Clarinette, Guitare (duo)
5
Flûte, Saxophone (duo)
5
Hautbois, Clarinette (duo)
5
Flûte à bec Soprano
4
Flûte, Trompette (duo)
4
Clarinette, Basson (duo)
4
Clarinette et Alto
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Clarinette et Basson
3
Flûte, Violoncelle, Piano (trio)
3
3 Hautbois
2
Flûte et Trio à cordes
2
Flûte à bec Soprano, Piano
2
Flute, harpe et violon
2
4 Hautbois
2
Harmonica, Piano
2
Flûte, Alto (duo)
2
Flûte, Violoncelle
2
Flûte, Hautbois, Clarinette (trio)
2
2 Saxophones, Piano
2
Hautbois, Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Saxophone et Orgue
1
Cornemuse
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec Alto, Piano
1
Flûte à bec, Guitare (duo)
1
Flûte à bec Alto
1
Saxophone Baryton
1
Ensemble de Hautbois
1
Saxophone et Guitare
1
2 Flûtes, Basse continue
1
Hautbois, violon (duo)
1
Flûte, Hautbois, Piano (trio)
1
3 Flûtes à bec (trio)
1
Flûte à bec Tenor
1
Clarinette, Violoncelle (duo)
1
Hautbois, Basson et Piano
1
Flûte traversière, Orgue (duo)
1
Flûte, Hautbois, Basson
1
Saxophone et Harpe
1
Clarinette, Basson, Piano (trio)
1
Flûte, Clarinette, Violon (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Violoncelle, Piano (trio)
1
Piccolo, Piano
1
Cor anglais et Harpe (duo)
1
Instrumentations suivantes
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CUIVRES
Trombone (partie séparée)
1930
Trompette (partie séparée)
1401
Cor (partie séparée)
1179
Tuba (partie séparée)
488
Cor
152
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
144
Quatuor de Cuivres : 2 trompettes, trombone, tuba
137
Trompette
95
Trombone
72
Trombone et Piano
67
Trompette, Piano
52
Tuba
44
Cor et Piano
37
Ensemble de Trombones
26
Quatuor de Cuivres: 2 trompettes, Cor, trombone
26
Ensemble de Trompettes
23
Trompette, Orchestre
18
Euphonium, Piano (duo)
17
Quatuor de Cuivres
15
Tuba et Piano
13
2 Trombones (duo)
13
2 Trompettes (duo)
13
Cor Anglais
12
Quatuor de cuivres: 4 trombones
11
Cor anglais, Piano
11
Cor, Orchestre
10
Trompette, Saxophone (duo)
9
Bass Clef Instruments
8
Trombone et orchestre
8
Trompette, Trombone (duo)
8
2 Euphoniums et 2 Tubas
7
Instruments en Sib
6
2 Cors Anglais Et Pianoforte
6
Ensemble de Cors
6
Quatuor de cuivres: 4 cors
6
3 Euphoniums
5
Euphonium
5
Trombone basse et Piano
3
Trompette, violon (duo)
3
2 Tubas (duo)
3
3 Trompettes (trio)
3
3 Cors (trio)
2
3 Trombones (trio)
2
2 Trompettes, Clavier (piano ou orgue)
2
2 Cors (duo)
2
Trombone basse
2
4 Tubas
2
Cornet et orchestre
2
Instruments en Fa
2
Trombone, Orgue
1
Quatuor de cuivres: 4 trompettes
1
Cor et Harpe
1
Ensemble de Tubas
1
Clarinette, Cor (duo)
1
Trompette, Cor (duo)
1
Trio de Cuivres
1
2 Euphoniums (duo)
1
3 Tubas (trio)
1
Cor anglais et Harpe (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Instrumentations suivantes
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CORDES
Violon (partie séparée)
7194
Violoncelle (partie séparée)
2468
Contrebasse (partie séparée)
2207
Alto seul
1373
Quatuor à cordes: 2 violons, alto, violoncelle
1220
Alto (partie séparée)
1146
Violon
304
Violon et Piano
287
Quintette à cordes: 2 violons, alto, violoncelle, basse
265
Violoncelle
225
Contre Basse
204
Harpe
201
Violon, Violoncelle (duo)
139
Violoncelle, Piano
127
Harpe (partie séparée)
87
Alto, Piano
83
Trio à Cordes: violon, alto, violoncelle
75
Trio à Cordes: 2 violons, violoncelle
72
Violoncelle, Orchestre
68
Violon, Alto (duo)
43
2 Violons (duo)
39
2 Violoncelles (duo)
30
Violon, Guitare (duo)
28
4 Violoncelles
24
Contrebasse, Piano (duo)
22
2 Altos (duo)
21
Alto et orchestre
19
2 Harpes (duo)
18
Ensemble de Violons
13
Ensemble d'Altos
13
Alto, Violoncelle (duo)
10
Harpe, Orchestre
9
Harpe, Violon (duo)
9
Trio à cordes: 3 violins
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Violoncelle, Contrebasse (duo)
7
Violoncelle , Guitare (duo)
6
Trio à cordes
5
Trio à Cordes: 3 violoncelles
5
Flûte, Contrebasse (duo)
4
Piano Trio: Violon, Alto, Piano
4
Alto, Guitare (duo)
4
Harpe, Flûte (duo)
4
Harpe, Quatuor à cordes
4
Violoncelle, Orgue
4
Trio à Cordes: 2 violons, alto
3
Violoncelle, Basse continue
3
Quatuor à cordes: 4 violons
3
Violon, Basse continue
3
Harpe, Violoncelle (duo)
2
Quatuor à cordes : 4 altos
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violon, Basson (duo)
1
Trio à cordes: 3 altos
1
3 Harpes
1
2 Violons et Basse continue
1
Harpe et Piano
1
Violon, Clarinette, Piano (trio)
1
4 Contrebasses
1
4 Harpes
1
Violon, Orgue
1
Ensemble de Violoncelles
1
Alto, Orgue
1
2 Violons, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre
19248
Orchestre à Cordes
18136
Orchestre de chambre
3342
Percussion (partie séparée)
1658
Orchestre d'harmonie
1492
Timbales (partie séparée)
352
Ensemble Jazz
349
Percussion
260
Batterie (partie séparée)
171
Ensemble de cuivres
117
Piano et Orchestre
106
Timbales
97
Ensemble de Percussions
71
Orchestre, Violon
57
Jazz combo
56
Cloches
35
Fanfare
28
Batterie
23
Big band
8
Voix et Orchestre
8
Instrumentation Flexible
8
Ensemble d'École
7
Vibraphone
4
Orchestre Symphonique
3
Xylophone, Piano
3
Marimba
3
Vibraphone (partie séparée)
2
Voix Mezzo-Soprano, Orchestre
2
Xylophone
1
2 Xylophones
1
Vibraphone et Marimba
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Instrumentations suivantes
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AUTRES
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BASIC CONCEPTS OF ARRANGING AND ORCHESTRATING MUSIC
Orchestre
Orchestra - Beginning - Digital Download Arranging. E-book. 173 pages. Mel Bay Public…
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Orchestra - Beginning - Digital Download Arranging. E-book. 173 pages. Mel Bay Publications - Digital Sheet Music #93970EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459868. 8.75x11.75 inches.<br> <br> Mel Bay proudly endorses Tom Bruner's beginning text on arranging and orchestrating music. This is a hands-on approach designed to impart essential information to the serious student!
$19.99
18.66 €
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Orchestre
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BASIC CONCEPTS OF ARRANGING AND ORCHESTRATING MUSIC
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
36.41 €
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Orchestre
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Manuel de Espinosa de los Monteros (1730-1810)
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Keith Terrett
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Chinese National Anthem for Symphony Orchestra (KT Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Nie Er (1912- 1935). Arrange…
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Full Orchestra - Intermediate - Digital Download Composed by Nie Er (1912- 1935). Arranged by Keith Terrett. 20th Century, Asian, Patriotic. Score, Set of Parts. 26 pages. Published by Music for all Occasions
An arrangement of the national anthem of China arranged for Symphony Orchestra. There are alternative versions for Symphony and Brass Quintet in my stores The "March of the Volunteers"[5][6] is the national anthem of the People's Republic of China, including its special administrative regions of Hong Kong and Macau. Unlike most previous Chinese state anthems, it is written entirely in the vernacular, rather than in Classical Chinese. Its lyrics were composed as a dramatic poem by the poet and playwright, the Japan-educated Tian Han in 1934 and set to music by Nie Er from Yunnan Province the next year for the film Children of Troubled Times. It was adopted as the PRC's provisional anthem in 1949 in place of the "Three Principles of the People" of the Republic of China and the Communist "Internationale". When Tian Han was imprisoned during the Cultural Revolution in the 1960s, the march was briefly and unofficially replaced by "The East Is Red", then played without words, then played with altered words. Restored to its original version, the "March of the Volunteers" was raised to official status in 1982, adopted by Hong Kong and Macau upon their restorations to China in 1997 and 1999, respectively, and included in the Chinese Constitution's Article 136 in 2004 (Article 141 in 2018). For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1http://www.sheetmusicplus.com/search?Ntt=keith terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. Love national anthems, then join me on twitter, facebook, instagram and soundcloud for frequent updates and news on my Olympic bid! Need anthems for your next event, e-mail me your requirements. I can supply high quality MP3's of any of my national anthem arrangements.
$38.00
35.47 €
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Orchestre
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Nie Er
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Keith Terrett
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Chinese National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Second Son (For Stephen) - Orchestra Score and Parts PDF
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Brendan Elliget MAGA 537…
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Full Orchestra - Intermediate - Digital Download Composed by Brendan Elliget MAGA 537. Contemporary Classical. Score. 38 pages. Published by Brendan Elliget
Second Son (For Stephen) - Orchestra Score and Parts PDF<br> This lovely tune is dedicated to my second oldest son, Stephen, who is very creative especially in the area of animation. <br> <br> It has been scored for full orchestra with additional parts for Piano, Harp, and Vibraphone or Glockenspiel. There is also 2-part voice part (No lyrics - only Ahs!) Different instruments get to play the melody, which gets repeated 9 times, with various accompaniments and counter melodies, especially in the Horn line. Let me know what you think of this composition. The MP3 was recorded with NotePerformer.<br> <br> The original arrangement was done in 2011 but revised in June 2016<br> <br> Grade = 3 Duration = 3:25 mins
$15.00
14 €
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Orchestre
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Brendan Elliget MAGA 537
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Second Son
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Brendan Elliget
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SheetMusicPlus
United States of America National Anthem for Symphony Orchestra (KT Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by John Stafford Smith (30 …
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Full Orchestra - Intermediate - Digital Download Composed by John Stafford Smith (30 March 1750 – 21 September 1836). Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 28 pages. Published by Music for all Occasions
The national anthem of the USA arranged for full orchestra. There are also versions for Brass Quintet & String Orchestra in my stores.<br> <br> <br> "The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the Defence of Fort M'Henry, a poem written on September 14, 1814, by the then 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory.<br> <br> The poem was set to the tune of a popular British song written by John Stafford Smith for the Anacreontic Society, a men's social club in London. "To Anacreon in Heaven" (or "The Anacreontic Song"), with various lyrics, was already popular in the United States. Set to Key's poem and renamed "The Star-Spangled Banner", it soon became a well-known U.S. patriotic song. With a range of 19 semitones, it is known for being very difficult to sing. Although the poem has four stanzas, only the first is commonly sung today.<br> <br> "The Star-Spangled Banner" was recognized for official use by the United States Navy in 1889, and by U.S. President Woodrow Wilson in 1916, and was made the national anthem by a congressional resolution on March 3, 1931 (46 Stat. 1508, codified at 36 U.S.C. § 301), which was signed by President Herbert Hoover.<br> <br> Before 1931, other songs served as the hymns of U.S. officialdom. "Hail, Columbia" served this purpose at official functions for most of the 19th century. "My Country, 'Tis of Thee", whose melody is identical to "God Save the Queen", the United Kingdom's national anthem, also served as a de facto national anthem. Following the War of 1812 and subsequent U.S. wars, other songs emerged to compete for popularity at public events, among them "America the Beautiful", which itself was being considered before 1931, as a candidate to become the national anthem of the United States.<br> <br> John Stafford Smith (30 March 1750 – 21 September 1836) was a British composer, church organist, and early musicologist. He was one of the first serious collectors of manuscripts of works by Johann Sebastian Bach.<br> <br> Stafford Smith is best known for writing the music for "The Anacreontic Song", which became the tune for the US patriotic song "The Star-Spangled Banner" following the War of 1812, and in 1931 was adopted as the national anthem of the United States.<br> <br> Love anthems, then join me on twitter, instagram, facebook & soundcloud for updates.
$39.00
36.41 €
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Orchestre
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John Stafford Smith
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Keith Terrett
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United States of America National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Forgotten Moments for Symphony Orchestra (Keith Terrett Hollywood Film Cue Series)
Orchestre
Full Orchestra - Digital Download Composed by Keith Terrett. 21st Century, Movies, …
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Full Orchestra - Digital Download Composed by Keith Terrett. 21st Century, Movies, European. Score, Set of Parts. 36 pages. Published by Music for all Occasions
A little original reflective/melancholic work entitled ''Forgotten Moments'' for Symphony Orchestra. Part of my Hollywood Film Music Cue series.<br> <br> If there are any film producer's/director's out there looking for music for a film, I have many more examples. E-mail me your requirements:keithterrett@gmail.com<br> <br> Some of my favourite film composers include:<br> <br> Bernard Herrmann, John Barry, Vangelis, John Williams, Ennio Morricone, Hans Zimmer, Jerry Goldsmith, John Carpenter and of course James Horner Franz Waxman & Erich Korngold!<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$30.00
28.01 €
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Orchestre
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Keith Terrett
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Forgotten Moments for Symphony Orchestra
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SheetMusicPlus
ELEGY for 2020 (Full Orchestra)
Orchestre
Full Orchestra - Digital Download Composed by Ronald E. Stitt. Contemporary Classical…
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Full Orchestra - Digital Download Composed by Ronald E. Stitt. Contemporary Classical. Score, Set of Parts. 31 pages. Published by Ronald E. Stitt
ELEGY for 2020 is a work for full orchestra. It is a reflective piece that allows the listener to reflect on the events of 2020.
$25.00
23.34 €
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Orchestre
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Ronald E
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ELEGY for 2020
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Ronald E. Stitt
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SheetMusicPlus
The Queen's Gambit (Main Title) - For Full Orchestra (Full Score and Parts)
Orchestre
Full Orchestra - Intermediate - Digital Download By Carlos Rafael Rivera. Arranged by…
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Full Orchestra - Intermediate - Digital Download By Carlos Rafael Rivera. Arranged by Daniel de la Rosa Oliva. Lead Sheet, Score, Set of Parts. 37 pages. Published by Daniel de la Rosa Oliva
For Full Orchestra.
$49.99
46.67 €
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Orchestre
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Carlos Rafael Rivera
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Daniel de la Rosa Oliva
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The Queen's Gambit
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SheetMusicPlus
Jingle Bells for full children orchestra. SCORE; SECTIONS' SCORES PARTS.
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.805490 Composed by James Pierpon…
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Full Orchestra - Level 2 - Digital Download SKU: A0.805490 Composed by James Pierpont. Arranged by Laura C. Quijada Ortíz. Christmas,Standards. Score and parts. 58 pages. Laura Quijada #6563425. Published by Laura Quijada
A classic Christmas song that everybody enjoys! This is arrangement for early-intermediate children symphony orchestra will be loved by students and by the audience!<br> Easy to work and can be played in no time!<br> This st includes: conductor's score, sections' scores (brass, woodwinds, percussion, strings) and parts.
$38.00
35.47 €
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Orchestre
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James Pierpont
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Laura C
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Jingle Bells for full children orchestra. SCORE; SECTIONS' SCORES PARTS.
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Laura Quijada
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SheetMusicPlus
Orchestraining No. 01 [Orchestra]
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1224099 Composed by Juan MarÃ…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1224099 Composed by Juan MarÃa Solare. 19th Century,20th Century,21st Century,Classical,Instructional. Score and Parts. 20 pages. Juan Maria Solare #820190. Published by Juan Maria Solare (A0.1224099). Orchestraining is a cycle of orchestral studies, each of which focuses on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The particular study Orchestraining Nr. 01 focuses on the subject of simultaneous attacks, presenting a series of staccato chords in different parts of the bar. The piece will be played twice, with different dynamics and (partly) different performing techniques (particularly in the strings: pizzicato vs. arco).Orchestraining No. 01 - simultaneous attacks*Orchestraining es un ciclo de estudios orquestales, cada uno de los cuales tematiza diferentes aspectos de la ejecución. Estos estudios están concebidos especÃficamente para orquestas no profesionales; sin embargo, cualquier orquesta mejorará si toca alguna de estas piezas durante los ensayos. Siempre es necesario cuidar la afinación y muchos otros aspectos de la ejecución orquestal.Adicionalmente, estos estudios son también útiles para estudiantes de dirección orquestal. Por ejemplo, es imprescindible saber cómo dirigir un ataque simultáneo de un acorde que no comienza en el uno, sino una corchea después del tercer tiempo.Comencé a escribir estos estudios hacia 2013, cuando asumà la dirección de la Bremer Orchestergemeinschaft y noté la ausencia total de repertorio de este tipo. Como pianista estoy acostumbrado a los estudios de Carl Czerny o a tocar escalas. Cada instrumentista, individualmente, conoce sobradamente estudios de técnica para su instrumento. Sin embargo no existen, o no conozco, estudios similares para la técnica de ejecución orquestal y las dificultades especÃficas de ensamblaje que ésta requiere. El ciclo Orchestraining intenta cubrir esta laguna.El estudio Orchestraining Nr. 01 en particular trata el tema de los ataques simultáneos, presentando una serie de acordes staccato en distintas partes del compás. La obra se tocará dos veces, con distintas dinámicas y (en parte) con distintas técnicas de ejecución (particularmente en las cuerdas: pizzicato vs. arco).
$11.00
10.27 €
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Orchestre
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Juan MarÃa Solare
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Orchestraining No. 01 [Orchestra]
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Juan Maria Solare
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SheetMusicPlus
Mini Concerto For Alex (School Orchestra Arrangement)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1297997 Composed by Geraldine (…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1297997 Composed by Geraldine (Denny) Green. 21st Century,Children,Classical. Score and Parts. 71 pages. Geraldine (Denny) Green at Oakmountmusic #887901. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297997). ALL PURCHASES COME WITH SCORE AND PARTS1992 – The Mini Concerto For Alex, for solo cello (about grade 6 or 7) and school orchestra was commissioned in 1992 by Ibstock Place School for a talented young cellist, Alex Hunt, who was a student at the school at the time.  The Head of the school’s music department was Chris Artley, who was a marvelous support to me, throwing my way many wonderful opportunities or orchestrate for the Ibstock Place orchestra. The Mini Concerto For Alex is just one example. Chris is now a very successful composer living and working in New Zealand!Duration: approx. 10 minutes.In one movement, this piece is light in character and great fun for a school orchestra with a young, aspiring cellist.There are two Arrangements;No.1 – For Solo Cello and School Orchestra. Instrumentation as follows: 1st Flute2nd Flute1st Bflat Clarinet2nd Bflat Clarinet3rd Bflat Clarinet1st Alto Saxophone2nd Alto Saxophone1 Trumpet in Bflat2 TimpaniSide Drum(brushes and sticks)Sleigh BellsTambourineMaraccasCymbals(crash and suspended)TriangleWind ChimesGlockenspeilPianoKeyboard(strings and celesta sounds)*Solo CelloViolin 1Violin 2Violin 3ViolasCellosDoubles BassesNo.2 – For Solo Cello and PianoThere is a choice of 2 cadenzas: The first one is fairly easy and the second one is for the more advanced soloist. The one you hear below is the second, more advanced one. Both Cadenzas come with all arrangements.
$40.00
37.34 €
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Orchestre
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Geraldine
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Mini Concerto For Alex
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Geraldine
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SheetMusicPlus
Easter Hymn 'Regina coeli' - (from Cavalleria rusticana) for ORCHESTRA
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.597309 Composed by Pietro Masca…
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Full Orchestra - Level 3 - Digital Download SKU: A0.597309 Composed by Pietro Mascagni. Arranged by Flavio Regis Cunha. Christian,Concert,Easter,Romantic Period,Sacred. Score and parts. 46 pages. Flavio Regis Cunha #5310589. Published by Flavio Regis Cunha (A0.597309). This is a music of great beauty and exuberance. In this new arrangement, based on the Berlin edition: Bote & Bock, and the Kalmus edition, the arranger Flavio Regis Cunha sought to follow Mascagni's intentions when orchestrating his Easter Hymn for full orchestra. There is nothing like this original orchestration, where there are creative and powerful passages for brasses and woodwinds and a string background during the middle section. The work ends in a majestic and grandiose way with the woods and strings in the high register, together with the beauty, the brightness and the impact of the Timpani and the brasses. This score is certainly a great addition for your orchestra. You and your orchestra will love playing this piece. Your audience will be delighted. The work will be well received and can be used in the Easter period or in services.Orchestration 2.2.2.2 - 2.2.3.1 - Timp - Choir SSATTB - Org - Str INSTRUMENTATION 2 Flutes, 2 Oboes, 2 Clarinets in Bb,2 Bassoons, 2 Horns in F, 2 Trumpets in C, 2 Trombones, Bass Trombone, Tuba, Timpani SSATTB Choir, Organ, Strings.
$18.99
17.73 €
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Orchestre
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Pietro Mascagni
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Flavio Regis Cunha
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Easter Hymn 'Regina coeli' -
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Flavio Regis Cunha
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SheetMusicPlus
Homage to Bach - Variation 6 - Molto Cantabile - Version for Harpsichord and String Orchestra
Orchestre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1281940 Composed by Johann S…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1281940 Composed by Johann Sebastian Bach. Arranged by Stanley M Hoffman. 21st Century,Baroque,Classical. Score and Parts. 14 pages. Stanleymhoffman.com #873294. Published by stanleymhoffman.com (A0.1281940). See YouTube video for Homage to Bach. https://youtu.be/6StWk5pXVrs---Homage to Bach7 Variations for Harpsichord and Chamber Orchestraafter Prelude in C Minor (BWV 999) - ca. 12 minutesPrelude (Harpsichord Solo)1. Theme and Variation 1 (Chamber Orchestra)2.  Variation 2 - Maggiore (Harpsichord Solo)3. Variation 3 - Tempestoso (Chamber Orchestra)4. Variation 4 - In 5 (Harpsichord Solo)5. Variation 5 - Waltz - (Tutti)6. Variation 6 - Molto Cantabile (Harpsichord Solo)7. Variation 7 - Tango in which BWV 999 Meets BWV 846, No. 1 - (Tutti)Music by Johann Sebastian Bach (1680–1750)Variations by Stanley M. Hoffman (b. 1959) (BMI)Music by Johann Sebastian Bach: Public Domain. Melody, variations, and engraving: © Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com  All rights reserved.The sheet music is available from Stanley M. Hoffman and from Sheet Music Plus.#Bach #JSBach #JohannSebastianBach #homages #music #newmusic #harpsichord #ChamberOrchestra #variations #Baroque #BaroqueMusic.
$7.00
6.53 €
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Orchestre
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Johann Sebastian Bach
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Stanley M Hoffman
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Homage to Bach - Variation 6 - Molto Cantabile - Version for Harpsichord and String Orchestra
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stanleymhoffman.com
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SheetMusicPlus
N. Leontovych - Carol of the Bells, "Щедрiк", For Children Chorus (S/A) and Symphony Orchestra
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1297046 By Arkady Leytush. By N…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1297046 By Arkady Leytush. By N. Leontovych. Arranged by Arkady Leytush. 20th Century. Score and Parts. 43 pages. Arkady Leytush #887169. Published by Arkady Leytush (A0.1297046).
$300.00
280.06 €
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Orchestre
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Arkady Leytush
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Arkady Leytush
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N. Leontovych - Carol of the Bells, "Щедрiк", For Children Chorus
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Arkady Leytush
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SheetMusicPlus
Fritz Kreisler - Prelude and Allegro in the style of Pugnani, for Violin, Cello and Full Orchestra,
Orchestre
Full Orchestra - Digital Download SKU: A0.1008430 Composed by Fritz Kreisler. Arran…
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Full Orchestra - Digital Download SKU: A0.1008430 Composed by Fritz Kreisler. Arranged by Arkady Leytush. 20th Century. Score and parts. 35 pages. Arkady Leytush #6694177. Published by Arkady Leytush (A0.1008430). Arranging and orchestrating this opus, I exclusively prepared a kind of birthday cake for a full symphony orchestra, generously seasoned with virtuoso passages of violin and cello.A treat for musicians and listeners:).
$100.00
93.35 €
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Orchestre
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Fritz Kreisler
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Arkady Leytush
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Fritz Kreisler - Prelude and Allegro in the style of Pugnani, for Violin, Cello and Full Orchestra,
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Arkady Leytush
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SheetMusicPlus
Latvian National Anthem for Symphony Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By K…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By KÄrlis Baumanis. Arranged by Keith Terrett. 20th Century,Patriotic,Praise & Worship,Traditional. 26 pages. Keith Terrett #906430. Published by Keith Terrett (A0.1317749). He national anthem of Latvia arranged for SymphonyOrchestra.The music and lyrics were written in 1873 by KÄrlis Baumanis, a teacher, who was part of the Young Latvian nationalist movement. It has been speculated that Baumanis may have borrowed part of the lyrics from a popular song which was sung to tune of God Save the Queen, modified them and set them to music of his own. Baumanis's lyrics were different from the modern ones: he used the term Baltics synonymously and interchangeably with Latvia and Latvians, so Latvia was actually mentioned only at the beginning of the first verse. Later the term Latvia was removed and replaced with Baltics to avoid a ban on the song. This has led to the misapprehension that the term Latvia was not part of the song until 1920, when it was chosen as national anthem and the word Baltics was replaced with Latvia.During the annexation of Latvia by the Soviet Union, the singing of Dievs, svÄ“tÄ« Latviju! was banned. The Soviet republic of Latvia had its own anthem. Dievs, svÄ“tÄ« Latviju! was restored as the state anthem of Latvia on 15 February 1990, a very short period before Latvian independence was restored.The anthem's tune was modernized with a new F major version that is used since 2014, formerly a G major version was used on LTV's sign-on and sign-offs daily from 2011 up to 2013.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.Love anthems, join me on twitter, sound cloud and facebook for updates.
$39.99
37.33 €
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Orchestre
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Keith Terrett
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Keith Terrett
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Latvian National Anthem for Symphony Orchestra
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Keith Terrett
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SheetMusicPlus
Satie - “Bilingual Satie”, Orchestra suite complete and orchestrated by Arkady Leytush
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1050215 Composed by Erik Satie.…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1050215 Composed by Erik Satie. Arranged by A. Leytush. Contemporary. Score and parts. 138 pages. Arkady Leytush #654592. Published by Arkady Leytush (A0.1050215). This combination of Satie's compositions consists of opuses destined exclusively for piano, which moved me to compose and orchestrate a kind of suite that demonstrates 2 different writing styles of their author, traditional and modern.
$100.00
93.35 €
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Orchestre
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Erik Satie
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A
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Satie - “Bilingual Satie”, Orchestra suite complete and orchestrated by Arkady Leytush
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Arkady Leytush
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SheetMusicPlus
Rondo in A minor for Viola and Orchestra
Orchestre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.723062 Composed by Joel Jack…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.723062 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 154 pages. Joel Jacklich #2075161. Published by Joel Jacklich (A0.723062). This is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Viola and Orchestra. There is also a version arranged for Cello and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C.
$65.00
60.68 €
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Orchestre
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Joel Jacklich
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Joel Jacklich (ASCAP)
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Rondo in A minor for Viola and Orchestra
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Joel Jacklich
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SheetMusicPlus
TRIBUTUM: FOR CELTIC BAGBPIPES AND FULL SYMPHONIC ORCHESTRA
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.976183 Composed by Nan Avant. C…
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Full Orchestra - Level 4 - Digital Download SKU: A0.976183 Composed by Nan Avant. Celtic,Contemporary,World. Score and parts. 156 pages. Nan Avant #3218165. Published by Nan Avant (A0.976183). TRIBUTUM for Celtic Bagpipes and Full Orchestra is an award winning concert work. The original composition which is also listed on Sheet Music Plus, was commissioned for Celtic Bagpipes and Chamber Orchestra. Tributum pays homage to the great music of Ireland and Scotland, with lyrical and memorable themes throughout creating a dialogue between the chamber orchestra and the traditional pipes of Ireland, the Uilleann Pipes and the Great Highland Bagpipes. In ‘Tributum,’ Avant masterfully blends ethnic Celtic instruments with symphony orchestra to create a wonderfully moving work. Her majestic melodies and lush orchestrations transport the listener to the British Isles – it is an aural voyage worth taking.~ Hummie Mann, two time Emmy Award -winning composerUS Premier: March 24, 2013, NW Sinfonia Orchestra David Sabee conducting produced by Burmer Music LLC International Premier Canada: January 23, 2016 Edmonton Symphony Orchestra with the Royal Canadian Artillery Pipes and Drums and Brass Quintet conducted by Lucas Waldin. PRO: ASCAPThe MP3 and YouTube video are both from the Chamber Orchestra performance by the NW Sinfonia Orchestra under the direction of David Sabee, a production by Burmer Music LLC https://burmermusic.com/ and performed in Seattle at Benaroya, Nordstrom Hall, 2013. Contact: Nan Avant http://www.nanavant.net/Email: njavant@gmail.comPlease notify the composer when Tributum is to be performed and she will aim to attend the performance.
$152.00
141.9 €
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Orchestre
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Nan Avant
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performance.
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TRIBUTUM: FOR CELTIC BAGBPIPES AND FULL SYMPHONIC ORCHESTRA
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Nan Avant
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
36.36 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.96 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (violin solo part – violin and symph
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861954 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861954 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 30 pages. Mark O'Connor Musik International #6209339. Published by Mark O'Connor Musik International (A0.861954). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (violin solo part – violin and symphony orchestra) MO152BViolin Solo Part (score and parts available)Music by Mark O’Connor26 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152BCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00
18.67 €
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Orchestre
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Mark O'Connor
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2nd Mvnt
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Three Pieces For Violin and Orchestra "Violin Concerto No. 2"
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Mark O'Connor Musik International
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SheetMusicPlus
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (wind parts – violin and symphony or
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861955 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861955 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 183 pages. Mark O'Connor Musik International #6209345. Published by Mark O'Connor Musik International (A0.861955). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (wind parts – violin and symphony orchestra) MO152C-JWind Parts (score and parts available)Music by Mark O’Connor151 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152C-JCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$80.00
74.68 €
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Orchestre
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Mark O'Connor
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2nd Mvnt
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Three Pieces For Violin and Orchestra "Violin Concerto No. 2"
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Mark O'Connor Musik International
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SheetMusicPlus
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