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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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CHORALE - CHAN…
CITHARE
CLAIRON
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CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
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FORMATION MUSI…
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Outside World
Non classifié
47
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26
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12
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11
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10
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4
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1
Orgue
1
Piano grosses notes
1
+ 3 instrumentations
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Guitares
Guitare
6
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2
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1
Mandoline
1
Basse electrique
1
Voix
Chorale SATB
12
Voix duo, Piano
2
Chorale 2 parties
2
Chorale Unison
2
Chorale TTBB
1
Chorale 3 parties
1
+ 1 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
2 Saxophones (duo)
5
Quatuor de Saxophones: 4 saxophones
4
2 Flûtes traversières (duo)
3
Ensemble de Flûtes
3
Saxophone, Clarinette (duo)
3
Flûte à bec Tenor
2
2 Clarinettes (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
3 Saxophones (trio)
2
Clarinette, Trompette (duo)
2
Flûte traversière
2
Quatuor de Clarinettes: 4 clarinettes
2
Clarinette, Violon (duo)
2
2 Hautbois (duo)
1
Hautbois, Clarinette (duo)
1
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1
Flûte, Violon
1
Clarinette Basse, Piano
1
Clarinette et Alto
1
Flûte, Alto (duo)
1
Hautbois, Flûte
1
Flûte traversière et Piano
1
Hautbois, Basson (duo)
1
Flûte, Trompette (duo)
1
Saxophone Alto et Piano
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette (duo)
1
+ 23 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trompette, Saxophone (duo)
2
Cor et Piano
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trombone et Piano
1
2 Trompettes (duo)
1
2 Tubas (duo)
1
2 Trombones (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette, Trombone (duo)
1
Trompette
1
+ 6 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
5
Violon
2
Violoncelle
2
Violon, Violoncelle (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Violon, Alto (duo)
1
Violoncelle, Piano
1
2 Violoncelles (duo)
1
Violoncelle (partie séparée)
1
2 Violons (duo)
1
Violon et Piano
1
2 Altos (duo)
1
+ 7 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
27
Orchestre à Cordes
8
Orchestre
4
Ensemble de cuivres
2
Cloches
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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SYNTHETISEUR
TROMBONE
TROMPETTE
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Vous avez sélectionné:
Outside World
Orchestre
Partitions à imprimer
4 partitions trouvées
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1
Inner True - Score Only
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Orchestre
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INTERMÉDIAIRE
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Zane Kuchera
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Zane Kuchera
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Inner True - Score Only
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Zane Kuchera Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1098132 By Zane Kuchera. By Music by Zane Kuchera and Words by Katie Sage. Arranged by Zane Kuchera. Broadway,Contemp...
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Full Orchestra - Level 3 - SKU: A0.1098132 By Zane Kuchera. By Music by Zane Kuchera and Words by Katie Sage. Arranged by Zane Kuchera. Broadway,Contemporary,Film/TV,Jazz,Musical/Show,Singer/Songwriter. 8 pages. Zane Kuchera Music #702004. Published by Zane Kuchera Music (A0.1098132). â€Inner True†- Finding the meaning in one’s own life despite the buzz of the outside world. Lyrics: Katie Sage, music & performance: Zane Kuchera. ©2021 Zane Kuchera Music (ASCAP) All Rights Reserved Worldwide https://album.link/dsrs4hpgnpbxt.
$4.99
Aires Nacionales Mexicanos, Op. 558 (Potpourri) - 8-1/2"x11" ORCHESTRAL PARTS ONLY
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Mexican law and custom
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Miguel Rios Toledano
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Joel Jacklich (ASCAP)
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Aires Nacionales Mexicanos, Op
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Joel Jacklich
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score a...
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Full Orchestra - Level 4 - SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.
$65.00
Aires Nacionales Mexicanos, Op. 558 (Potpourri) 11"x17" SCORE ONLY
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
#
Mexican law and custom
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Miguel Rios Toledano
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Joel Jacklich (ASCAP)
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Aires Nacionales Mexicanos, Op
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Joel Jacklich
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score a...
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Full Orchestra - Level 4 - SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 48 pages. Joel Jacklich #2075453. Published by Joel Jacklich (A0.723122). NOTE: Full Score is formatted for 11x17. Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The score is formatted for 11x17 paper. The parts (found separately) are in standard letter page format (8-1/2x11).
$25.00
Dove
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Sebastian Yradier and Shan Zha
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Javier MartÃnez Maya
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Dove
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.742596 Composed by Sebastian Yradier and Shan Zhang. Arranged by Javier MartÃnez Maya. Contemporary. Score and par...
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Full Orchestra - Level 3 - SKU: A0.742596 Composed by Sebastian Yradier and Shan Zhang. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 59 pages. Arte Nova Music Lab #6432131. Published by Arte Nova Music Lab (A0.742596). La Paloma, The Dove in English, is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) in the 1850s. In 1879, it was registered at the copyright office in Madrid as a Canción Americana con acompañamiento de Piano. Iradier was to die in obscurity within few years, never to learn how popular his song would become.Very quickly, La Paloma became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Cuba, Colombia, Hawaii, the Philippines, Germany, Romania, Venezuela, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years, the popularity of La Paloma has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds. There are more than one thousand versions of this song, and together with Yesterday by The Beatles, is one of the most-recorded songs in the history of music; it is certainly the most-recorded Spanish song.Taken from https://en.wikipedia.org/wiki/La_Paloma
$60.00
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