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--INSTRUMENTS--
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Over the Waves
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Nationalhymne von Rheinbergen (National Anthem of Rheinbergen) baritone and orchestra (with PARTS)
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Orchestre
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INTERMÉDIAIRE
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Patriotique
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David Warin Solomons
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Nationalhymne von Rheinbergen
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David Warin Solomons
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Horn,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Level 3 - SKU: A0.576336 Composed by David Warin Solomons. 20th Centu...
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Large Ensemble Cello,Double Bass,Horn,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Level 3 - SKU: A0.576336 Composed by David Warin Solomons. 20th Century,A Cappella,Contemporary,Multicultural,Patriotic,World. Score and parts. 20 pages. David Warin Solomons #17607. Published by David Warin Solomons (A0.576336). Video: https://youtu.be/ivz-fm1VpU8National anthem for the micronation of Rheinbergen (the length of the river Rhine). Words originally by the crown prince of Rheinbergen Gerard Conielje and tweaked by the composer. Very grand and rousing music. The pdf file contains score and parts and I have also added an optional baritone saxophone part which can stand in place of the vocal line.  The words are:  Die Quelle von Rheinbergen Liegt in den Alpen hoch Der Prinz von Fluß und Wellen Stammt aus dem Delta-Schoß Das Licht auf uns'ren Wässern leuchtet hell und klar So strahlen uns're Augen aus Herzens Stolz fürwahr. Lass den Gesang dem Fluss zulieb in allen Ländern wehen Zusammen sind wir wie der Strom dem keine widerstehen.  === ​Translation into English:  The source of Rheinbergen Lies high up in the alps The Prince of river and waves Stems from the lap of the Delta.  The lights on our waters shine bright and clear Like our eyes shine from Our proud hearts.  Let songs of love for our river wave over all nations Together we are like a stream ​That none can resist. The sound sample is the world premiere performed by Budapest Scoring and baritone Róbert RezsnyákThere are other versions available:Baritone and orchestra - Score onlyKaraoke (music minus one version (mp3) Unison choir and orchestraUnison Choir a cappellaHarmonized choir and orchestraHarmonized choir a cappella
$18.00
Divinum Mysterium
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score ...
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Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
West Coast Suite
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Orchestre
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AVANCÉ
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Contemporain
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Jim Hopson
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West Coast Suite
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Phonos Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.932391 Composed by Jim Hopson. 20th Century,Contemporary. Score and parts. 154 pages. Phonos Music #5375681. Publishe...
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Full Orchestra - Level 5 - SKU: A0.932391 Composed by Jim Hopson. 20th Century,Contemporary. Score and parts. 154 pages. Phonos Music #5375681. Published by Phonos Music (A0.932391). For standard large orchestra: 2, 2, 2, 2 - 4, 3, 3, 1, timp, strDuration: ~11 minutes, 3 contiguous movementsJim Hopson's 'West Coast Suite' is a new, exciting orchestral piece inspired by the majestic geography of the Pacific Northwest. Featuring beautiful melodies that soar over driving, syncopated rhythms, this piece makes for an exciting overture for any Pops, Classics, or Canadian Content programme.From the composer: This Suite is written in three contiguous movements, named for Vancouver, BC’s most iconic features: ‘City’, ‘Sea’, and ‘Mountains’. ‘City’ opens with a flourish of harmonic architecture which morphs into a decidedly cosmopolitan syncopated groove, reflecting the city’s bustling energy. ‘Sea’ features a simple, plaintive melody supported by gently undulating waves of harmony which slowly build to a tempestuous climax and then recede into calmness. ‘Mountains’ begins as a gentle stroll through the North Shore’s idyllic peaks. The final movement gradually builds velocity, culminating in a breakneck sprint up North Vancouver’s infamous ‘Grouse Grind’.For more information about the composer: www.phonosmusic.com
$55.00
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