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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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CHORALE - CHAN…
CITHARE
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Non classifié
550
PIANO & CLAVIERS
Piano, Voix
515
Piano seul
434
Piano Facile
282
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118
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7
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7
1 Piano, 4 mains
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1
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1
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GUITARES
Guitare notes et tablatures
42
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29
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15
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11
Ligne De Mélodie, (Paroles) et Accords
11
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3
Mandoline
2
Paroles et Accords
2
Dulcimer
2
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1
Banjo
1
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1
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VOIX
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199
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92
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57
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49
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38
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32
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16
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6
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5
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4
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3
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2
Voix haute
2
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1
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1
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1
Chorale
1
Pack Instrumental pour Chorale
1
Voix Moyenne
1
Voix basse, Piano
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
86
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60
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52
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44
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41
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38
Saxophone Alto et Piano
37
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36
Clarinette et Piano
32
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30
Flûte traversière
23
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21
Saxophone Tenor et Piano
20
Saxophone Alto
20
Clarinette
18
Saxophone Tenor
17
2 Flûtes traversières (duo)
16
2 Clarinettes (duo)
16
Saxophone Soprano et Piano
12
2 Saxophones (duo)
12
Clarinette (partie séparée)
8
Ensemble de Clarinettes
7
Ensemble de Flûtes
6
Ensemble de saxophones
6
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6
Trio de Flûtes: 3 flûtes
5
Flûte, Clarinette (duo)
5
Quatuor de Flûtes : 4 flûtes
5
3 Clarinettes (trio)
4
Clarinette Basse, Piano
4
Flute (partie séparée)
4
Quintette de Flûte : 5 flûtes
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Flûte et Guitare
3
Hautbois
3
Saxophone Baryton, Piano
3
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3
Flûte, Violon, Piano
3
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2
Hautbois, Clarinette (duo)
2
Flûte, Hautbois (duo)
2
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2
Quatuor de Flûtes à bec
2
Clarinette, Violon (duo)
2
Cor anglais, Piano
2
3 Saxophones (trio)
2
Clarinette Basse
2
Flûte à bec Alto
2
Flûte, Hautbois, Clarinette (trio)
2
Harmonica
2
Flûte, Clarinette, Piano (trio)
1
Hautbois, Basson (duo)
1
Saxophone
1
Clarinette, Violoncelle (duo)
1
Clarinette, Guitare (duo)
1
2 Flûte à bec (duo)
1
Hautbois, violon (duo)
1
Clarinette et Alto
1
Cornemuse
1
Flûte, Saxophone (duo)
1
Flute, harpe et violon
1
Cor Anglais
1
Clarinette, Harpe (duo)
1
Flûte irlandaise
1
Flûte, Alto (duo)
1
Clarinette, Trompette (duo)
1
Saxophone et Guitare
1
Clarinette, Basson (duo)
1
Flûte à bec Soprano
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
82
Quatuor de Cuivres : 2 trompettes, trombone, tuba
53
Trompette
36
Trompette, Piano
29
Cor et Piano
27
Trombone et Piano
24
Quatuor de Cuivres
18
Trombone
17
Tuba et Piano
15
Trombone (partie séparée)
10
Tuba
8
Trompette (partie séparée)
8
Ensemble de Trombones
6
Tuba (partie séparée)
5
2 Trombones (duo)
4
2 Euphoniums et 2 Tubas
4
Quatuor de cuivres: 4 cors
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor
4
2 Trompettes (duo)
3
Cor (partie séparée)
3
Ensemble de Trompettes
2
3 Trombones (trio)
2
Cor anglais, Piano
2
3 Trompettes (trio)
2
Quatuor de cuivres: 4 trombones
2
Ensemble de Tubas
1
Euphonium, Piano (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Cors (duo)
1
Trompette et Guitare
1
Trompette, Saxophone (duo)
1
Trompette, Tuba (duo)
1
Trompette, Trombone (duo)
1
Trompette, Euphonium (duo)
1
Cor Anglais
1
Trombone basse
1
2 Trombones, Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
112
Violon et Piano
67
Violoncelle, Piano
47
Harpe
44
Alto, Piano
38
Violon
34
Violon, Violoncelle (duo)
25
Violoncelle
19
Contrebasse, Piano (duo)
19
2 Violons (duo)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Alto (partie séparée)
13
Alto seul
13
Trio à Cordes: 2 violons, violoncelle
9
Trio à cordes
9
Trio à Cordes: violon, alto, violoncelle
8
Contre Basse
7
2 Violoncelles (duo)
7
Contrebasse (partie séparée)
7
2 Altos (duo)
6
Violon, Alto (duo)
6
Violon (partie séparée)
5
Harpe, Flûte (duo)
5
Piano Trio: Violon, Alto, Piano
5
Ensemble de Violons
4
Ensemble d'Altos
4
Violon, Guitare (duo)
4
Trio à Cordes: 2 violons, alto
3
Harpe, Voix
2
Violoncelle , Guitare (duo)
2
Trio à cordes: 3 violins
2
2 Violons, Piano
1
Harpe, Violon (duo)
1
Alto, Guitare (duo)
1
4 Violoncelles
1
Violoncelle, Orgue
1
Quatuor à cordes: 4 violons
1
2 Harpes (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
183
Orchestre
57
Orchestre à Cordes
45
Cloches
34
Ensemble de cuivres
19
Orchestre de chambre
14
Ensemble Jazz
11
Fanfare
11
Percussion (partie séparée)
9
Batterie
7
Ensemble de Percussions
5
Marimba
2
Jazz combo
1
Vibraphone
1
Timbales (partie séparée)
1
Vibraphone et Marimba
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
1
Vous avez sélectionné:
Pat's Song
Orchestre
Partitions à imprimer
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Come, Sing a Song of Joy! - Orchestral Score and Parts
Orchestre
Conductor's Score, Full Orchestra - Digital Download SKU: LX.30-3011SF Composed by …
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Conductor's Score, Full Orchestra - Digital Download SKU: LX.30-3011SF Composed by Patti Drennan. Sacred Anthem, Festival Sundays, General. Orchestral Score and Parts. 59 pages. SoundForth - Digital #e30/3011SF. Published by SoundForth - Digital (LX.30-3011SF). Patti's setting of this J. Paul Williams text abounds with excitement! With an optional full orchestration and fantastic opportunities for choir and piano, this piece practically sings itself off the page. Come, Sing a Song of Joy! is perfect as a worship service opener or a special service addition.
$69.95
63.95 €
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Orchestre
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Patti Drennan
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Come, Sing a Song of Joy! - Orchestral Score and Parts
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SoundForth - Digital
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SheetMusicPlus
A Song of Peace - Orchestral Score and Parts
Orchestre
Orchestra - Digital Download SKU: C7.CGOR1249 Composed by Johnnie Carl. G. Score an…
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Orchestra - Digital Download SKU: C7.CGOR1249 Composed by Johnnie Carl. G. Score and parts. 63 pages. Chorister's Guild - Digital #CGOR1249. Published by Chorister's Guild - Digital (C7.CGOR1249). UPC: 749193016879.Prior to his death, Johnnie Carl was the orchestra conductor, arranger, and orchestrator for the Crystal Cathedral Television Ministries of Robert Schuller. A Song of Peace is one of Carl's most triumphant achievements. Based on Jean Sibelius's symphonic poem Finlandia, A Song of Peace speaks of the glory of God's creation and the hope that God's work may abound throughout the nation. Written for SATB choir with organ accompaniment, brass and percussion, or full orchestra, this piece will be an outstanding addition to church services, festival choirs, school concerts, or patriotic events. Instrumentation: 3 Fl, 2 Ob, 3 Cl, 2 Bsn, 3 Tpt, 4 Hn, 3 Tbn, Tuba, Harp, Organ or Pno, Timp, Perc, Strings.
$149.95
137.09 €
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Orchestre
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Johnnie Carl
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A Song of Peace - Orchestral Score and Parts
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Chorister's Guild - Digital
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SheetMusicPlus
Warrior's Song
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1032526 Composed by Carlos Orti…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1032526 Composed by Carlos Ortiz. 20th Century,Film/TV,Patriotic,Video Game. Score and parts. 8 pages. Rebel Sounds Desing #4895201. Published by Rebel Sounds Desing (A0.1032526). The musical language used tries to evoke the spirit of war with marching melodies and rhythms.
$5.00
4.57 €
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Orchestre
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Carlos Ortiz
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Warrior's Song
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Rebel Sounds Desing
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SheetMusicPlus
MÄ›síÄku na nebi hlubokém (Song to the moon) for reduced wind section
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1286544 Composed by Antonin Dvo…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1286544 Composed by Antonin Dvorak. Arranged by Patricio Cueto. Classical,Opera. Score and Parts. 43 pages. Patricio Cueto #877604. Published by Patricio Cueto (A0.1286544). The aria MÄ›sÃÄku na nebi hlubokém (Song to the moon) from Dvorak's opera Rusalka in a concert version with a simplified orchestration with optional English horn, without bass clarinet and only two horns. 2.2.2.2.  2.2.0.0.  Harp, Timp. Triang. Cymb. Strings.
$45.00
41.14 €
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Orchestre
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Antonin Dvorak
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Patricio Cueto
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MÄ›síÄku na nebi hlubokém
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Patricio Cueto
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SheetMusicPlus
Fantasie on Ukrainian Folk Songs for Soprano Soloist, Choir and Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1265227 Composed by David Cundy…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1265227 Composed by David Cundy. 21st Century,Classical,Folk,Multicultural,Patriotic,World. Score and Parts. 132 pages. David Cundy #858063. Published by David Cundy (A0.1265227). Four Ukrainian Folk Songs, translated into English, arranged for soprano soloist, women's chorus, men' chorus and orchestra.
$5.99
5.48 €
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Orchestre
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David Cundy
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Fantasie on Ukrainian Folk Songs for Soprano Soloist, Choir and Orchestra
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David Cundy
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SheetMusicPlus
Alabama State Song - Orchestra
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.765576 Composed by Edna Grockel…
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Full Orchestra - Level 2 - Digital Download SKU: A0.765576 Composed by Edna Grockel-Gussen. Arranged by Michael Myrick. Folk,Graduation,Holiday,Patriotic. Score and parts. 85 pages. MICHAEL MYRICK #3379147. Published by MICHAEL MYRICK (A0.765576). Treat your audience to an incredible salute to the state of Alabama! Written for the celebration of the state's bicentennial, this arrangement pays tribute to the rich history of Alabama. A warm opening introduces this selection with the main thematic material stated by the woodwinds. Thematic material is developed throughout culminating in the singing of the official state song of Alabama. This arrangement is easily edited to fit your performance needs. SATB choir part sold separately.Available for Orchestra, Concert Band, SATB Choir, SSA Choir, and TTBB Choirhttps://youtu.be/aM6x9KvAgGI
$49.95
45.67 €
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Orchestre
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Edna Grockel-Gussen
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Michael Myrick
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Alabama State Song - Orchestra
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MICHAEL MYRICK
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SheetMusicPlus
David Foster: America's Song (complete set of parts) - orchestra/band
Orchestre
Instantly printable sheet music by David Foster for orchestra/band of MEDIUM skill level. …
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Instantly printable sheet music by David Foster for orchestra/band of MEDIUM skill level. / inspirational,patriotic,concert,festival,american
$32.99
30.16 €
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Orchestre
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David Foster
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Virtualsheetmusic
Contagion (Full Album Score)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1121448 By Franco Esteve. By Fr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1121448 By Franco Esteve. By Franco Esteve. Arranged by Franco Esteve. Classical,Contemporary,Film/TV. Score and parts. 68 pages. Franco Esteve #722619. Published by Franco Esteve (A0.1121448). About Contagion, the music From quarantine life, something painful this way comes, a new, pandemic inspired, life soundtrack… Contagion is a moment, an interruption, signifying an expression of feelings and music that the Covid-19 coronavirus pandemic and quarantine brought to light. It’s a contemporary classical life-track, serving as a soundtrack to the contagion, to its spread, to its mystery, its attack on the body, to our losses during the Covid-19 pandemic and to our future beyond them. As the virus flooded every news outlet, Contagion became an interruption, a mysterious invader, taking over everything, needing to be expressed. It’s a “lifetrack†or “life soundtrack†with its contemporary classical orchestral sounds expressing the feelings and experiences of those first few months of dread and quarantine, through which many of us felt the fear of it all and the actual loss of loved ones. Original Album Release date: May 14th, 2020 Genre: Contemporary Classical / Life Soundtrack • The album length is 9 minutes and 33 seconds About the Score This version of the score includes ALL 5 songs in the album and the instrument selection varies in accordance with the specific composition of each of the songs. The instruments used are: Horn Section, Soprano Trumpet, Bass Drum, Piano, Harp, Tuba, Wine Glasses, Cabasa, Triangle, Violins I, Violins II, Horn, Trumpet, Trombone, Timpani, Crash Cymbals, Cello Section, Trumpet Section, Gong, Cello Solo. I can imagine the songs can work adapted in a number of ways by different groups or a very advanced group of students. It'll be fun to hear how others interpret them. Music included In the package, I've included the full album's music score with each of the individual songs and their instrument parts and the original published songs as a single HQ MP3 (320 kbps), so players can get a feel for my intentions when composing each one. (You can listen to them free at https://francoesteve.com or on your favorite streaming service - links on my website’s album page linked below). The MP3 also includes a cello solo version of Death Is Not the End. Track list 1. Contagion (2:15) 2. The Spread (2:24) 3. Patient Zero (1:26) 4. Infected (1:26) 5. Death Is Not the End (2:02) Composer: Franco Esteve Genres: Contemporary Classical, Modern Classical, 21st Century Level: Advanced The Package includes 1. PDF with the Score The full score for each of the 5 songs in the album. All the individual parts for each song as written. 2. All 5 songs in a single MP3 HQ (320 kbps) format file including the Bonus Cello Only Version of Death is Not the End. Find out more about this album on Contagion's page on the Franco Esteve website here: https://www.francoesteve.com/music/contagion-music-album/ Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it. Don’t forget to keep up to date with everything Franco Esteve: Website: http://www.francoesteve.com/ Patreon: https://patreon.com/FrancoEsteve Facebook: https://www.facebook.com/seefrancoesteve Twitter: https://www.twitter.com/FrancoEsteve Instagram: https://www.instagram.com/seefrancoesteve My music is also available on all major, online music stores and streaming services. I'm a BMI affiliated artist and you can contact me using the contact form at: http://www.francoesteve.com or through Facebook and Twitter. Thank you again and enjoy! :).
$25.00
22.86 €
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Orchestre
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Franco Esteve
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Franco Esteve
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Contagion
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Franco Esteve
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SheetMusicPlus
O Christmas Tree [Chicago] (full score & set of parts)
Orchestre
Rock Band - Advanced - Digital Download Composed by Ernst Anschutz, Silesian folk son…
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Rock Band - Advanced - Digital Download Composed by Ernst Anschutz, Silesian folk song. Arranged by Patrick Sheehan. 20th Century, Christian, Christmas, Children's Music. Score, Set of Parts. 100 pages. Published by Patrick Sheehan
Transcriptionas recorded by CHICAGO for the album “O Christmas Three”, released in 2011.<br> <br> INSTRUMENTATION:Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, AltoSaxophone (Eb), Trumpet (C), Trombone, Keyboard I (Hammond B-3 Organ), KeyboardII (Fender Rhodes Electric Piano), Electric Guitar I (solo), Electric Guitar II(rhythm), Electric Bass, ChimeTree, Sleigh Bells, Tambourine, Drumset.<br> <br> ABOUT THE ARRANGER: Patrick Sheehan has served as a professionalmusic arranger, transcriptionist and copyist since 1999, and has over 1,000works in his catalog spanning various genres: wind band, orchestra, chambermusic, along with pop & rock selections. His modus operandi centers around creating arrangements andtranscriptions that are true to the original definitive versions and strives toproduce clean and easy-to-read music. For questions or more information, please contact the arranger atPatrickSheehanMusic@GMail.com.Transcriptionas recorded by CHICAGO for the album “O Christmas Three”, released in 2011.<br> <br> INSTRUMENTATION:Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, AltoSaxophone (Eb), Trumpet (C), Trombone, Keyboard I (Hammond B-3 Organ), KeyboardII (Fender Rhodes Electric Piano), Electric Guitar I (solo), Electric Guitar II(rhythm), Electric Bass, ChimeTree, Sleigh Bells, Tambourine, Drumset.<br> <br> ABOUT THE ARRANGER: Patrick Sheehan has served as a professionalmusic arranger, transcriptionist and copyist since 1999, and has over 1,000works in his catalog spanning various genres: wind band, orchestra, chambermusic, along with pop & rock selections. His modus operandi centers around creating arrangements andtranscriptions that are true to the original definitive versions and strives toproduce clean and easy-to-read music. For questions or more information, please contact the arranger atPatrickSheehanMusic@GMail.com.
$25.00
22.86 €
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Orchestre
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Ernst Anschutz, Silesian folk song
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O Christmas Tree [Chicago]
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Patrick Sheehan
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SheetMusicPlus
United States of America National Anthem for Symphony Orchestra (KT Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by John Stafford Smith (30 …
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Full Orchestra - Intermediate - Digital Download Composed by John Stafford Smith (30 March 1750 – 21 September 1836). Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 28 pages. Published by Music for all Occasions
The national anthem of the USA arranged for full orchestra. There are also versions for Brass Quintet & String Orchestra in my stores.<br> <br> <br> "The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the Defence of Fort M'Henry, a poem written on September 14, 1814, by the then 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory.<br> <br> The poem was set to the tune of a popular British song written by John Stafford Smith for the Anacreontic Society, a men's social club in London. "To Anacreon in Heaven" (or "The Anacreontic Song"), with various lyrics, was already popular in the United States. Set to Key's poem and renamed "The Star-Spangled Banner", it soon became a well-known U.S. patriotic song. With a range of 19 semitones, it is known for being very difficult to sing. Although the poem has four stanzas, only the first is commonly sung today.<br> <br> "The Star-Spangled Banner" was recognized for official use by the United States Navy in 1889, and by U.S. President Woodrow Wilson in 1916, and was made the national anthem by a congressional resolution on March 3, 1931 (46 Stat. 1508, codified at 36 U.S.C. § 301), which was signed by President Herbert Hoover.<br> <br> Before 1931, other songs served as the hymns of U.S. officialdom. "Hail, Columbia" served this purpose at official functions for most of the 19th century. "My Country, 'Tis of Thee", whose melody is identical to "God Save the Queen", the United Kingdom's national anthem, also served as a de facto national anthem. Following the War of 1812 and subsequent U.S. wars, other songs emerged to compete for popularity at public events, among them "America the Beautiful", which itself was being considered before 1931, as a candidate to become the national anthem of the United States.<br> <br> John Stafford Smith (30 March 1750 – 21 September 1836) was a British composer, church organist, and early musicologist. He was one of the first serious collectors of manuscripts of works by Johann Sebastian Bach.<br> <br> Stafford Smith is best known for writing the music for "The Anacreontic Song", which became the tune for the US patriotic song "The Star-Spangled Banner" following the War of 1812, and in 1931 was adopted as the national anthem of the United States.<br> <br> Love anthems, then join me on twitter, instagram, facebook & soundcloud for updates.The national anthem of the USA arranged for full orchestra. There are also versions for Brass Quintet & String Orchestra in my stores.<br> <br> <br> "The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the Defence of Fort M'Henry, a poem written on September 14, 1814, by the then 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory.<br> <br> The poem was set to the tune of a popular British song written by John Stafford Smith for the Anacreontic Society, a men's social club in London. "To Anacreon in Heaven" (or "The Anacreontic Song"), with various lyrics, was already popular in the United States. Set to Key's poem and renamed "The Star-Spangled Banner", it soon became a well-known U.S. patriotic song. With a range of 19 semitones, it is known for being very difficult to sing. Although the poem has four stanzas, only the first is commonly sung today.<br> <br> "The Star-Spangled Banner" was recognized for official use by the United States Navy in 1889, and by U.S. President Woodrow Wilson in 1916, and was made the national anthem by a congressional resolution on March 3, 1931 (46 Stat. 1508, codified at 36 U.S.C. § 301), which was signed by President Herbert Hoover.<br> <br> Before 1931, other songs served as the hymns of U.S. officialdom. "Hail, Columbia" served this purpose at official functions for most of the 19th century. "My Country, 'Tis of Thee", whose melody is identical to "God Save the Queen", the United Kingdom's national anthem, also served as a de facto national anthem. Following the War of 1812 and subsequent U.S. wars, other songs emerged to compete for popularity at public events, among them "America the Beautiful", which itself was being considered before 1931, as a candidate to become the national anthem of the United States.<br> <br> John Stafford Smith (30 March 1750 – 21 September 1836) was a British composer, church organist, and early musicologist. He was one of the first serious collectors of manuscripts of works by Johann Sebastian Bach.<br> <br> Stafford Smith is best known for writing the music for "The Anacreontic Song", which became the tune for the US patriotic song "The Star-Spangled Banner" following the War of 1812, and in 1931 was adopted as the national anthem of the United States.<br> <br> Love anthems, then join me on twitter, instagram, facebook & soundcloud for updates.
$39.00
35.66 €
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Orchestre
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John Stafford Smith
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Keith Terrett
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United States of America National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.86 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.86 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.86 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Be Thou My Vision - Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.750756 Composed by Traditional …
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Full Orchestra - Level 3 - Digital Download SKU: A0.750756 Composed by Traditional Irish Melody: Slane. Arranged by Brendan Elliget MAGA 537. Christian,Praise & Worship,Sacred. Score and parts. 35 pages. BJE Music #3543435. Published by BJE Music (A0.750756). Be Thou my Vision, O Lord of my heart; Naught be all else to me, save that Thou art. Thou my best Thought, by day or by night, Waking or sleeping, Thy presence my lightBe Thou My Vision is a traditional Christian hymn, which can be traced to Ireland but is now sung in English-speaking churches around the world and is often sung around St. Patrick’s Day.​The music is the Irish folk song, Slane referring to Slane Hill. Slane Hill is about ten miles from Tara in County Meath. It was on Slane Hill around 433 AD that St. Patrick defied a royal edict by lighting candles on Easter Eve. High King Logaire of Tara had decreed that no one could light a fire before Logaire began the pagan spring festival by lighting a fire on Tara Hill. Logaire was so impressed by Patrick’s devotion that, despite his defiance (or perhaps because of it), he let him continue his missionary work. The rest is history.​This arrangement is for full orchestra with two changes of key. Also available for Concert Band as well.The MP3 was recorded with NotePerformerGrade = 3 Duration = 2:22 mins.
$20.00
18.28 €
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Orchestre
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Traditional Irish Melody: Slane
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Brendan Elliget MAGA 537
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Be Thou My Vision - Orchestra
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BJE Music
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SheetMusicPlus
Tears from My Eyes: Remember Your Feelings (For Orchestra)
Orchestre
Full Orchestra - Digital Download SKU: A0.984527 Composed by Tito Abeleda. 20th Cen…
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Full Orchestra - Digital Download SKU: A0.984527 Composed by Tito Abeleda. 20th Century,Contemporary. Score and parts. 88 pages. Visionary Quest Records #4312371. Published by Visionary Quest Records (A0.984527). Tears from My Eyes: Remember Your Feelings expresses the pathos experienced when overcome with sadness or sorrow and the reflection or contemplation attached to such grief. I wrote this score with the hope and intention this will be a supportive enhancement to another creator's visual production to help others tell their stories.Free your mind. Relax. Feel & reflect on memories past & those who have been a part of your life journey... those paths that have crossed yours and those paths that have merged with yours. Ponder the significance of how you have been shaped & touched by each of them in their own special way.Solo Cello, Solo Oboe, Cello & Oboe Duet, Orchestra (2 Violins, 2 Violas, 2 Cellos (non-solo), 1 Flute, 1 Piccolo, 1 Oboe (non-solo), 1 Clarinet, 2 Bassoons, 2 French horns, 2 Euphoniums, 2 Trumpets, 2 Trombones, 2 Double Bass, 3 Tubas) Great feature for cello and oboe soloists. Composed by Tito Abeleda (1964 - ). Full Score plus Parts 96 pages. Duration: 8:26License on Songtradr - bit.ly/RememberYourFeelings_SongtradrSpotify: spoti.fi/2CwHt8KDeezer: bit.ly/TearsAlbum_DeezerTidal: bit.ly/TearsAlbum_TidaliTunes/Apple Music: bit.ly/TearsAlbum_iTunesGoogle Play: bit.ly/TearsAlbum_GooglePlayAmazon Music: amzn.to/2tG2hFZiHeartRadio: ihr.fm/2Toc5ijNapster: bit.ly/TearsAlbum_NapsterFor Non U.S. fans:JioSaavn: bit.ly/TearsAlbum_JioSaavnSpecial thanks for Jhonis Martins Photography for sheet music / album cover.Email: tito@visionaryquestrecords.comPRO: BMI.comFollow Tito on Social Media:Facebook: www.facebook.com/titoabeledaTwitter: twitter.com/titoabeledaInstagram: www.instagram.com/tabeledaYouTube: www.youtube.com/c/titoabeledaSpotify: bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: bit.ly/TitoAbeleda_iTunes
$55.00
50.28 €
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Orchestre
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Tito Abeleda
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Tears from My Eyes: Remember Your Feelings
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Visionary Quest Records
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SheetMusicPlus
Ukrainian National Anthem for Full Orchestra
Orchestre
Full Orchestra - Level 1 - Digital Download SKU: A0.1122492 Composed by Mykhailo Ve…
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Full Orchestra - Level 1 - Digital Download SKU: A0.1122492 Composed by Mykhailo Verbytsky, 1863. Arranged by James M. Guthrie. Folk,Multicultural,Patriotic,World. Score and parts. 27 pages. Jmsgu3 #723576. Published by jmsgu3 (A0.1122492). Ukrainian National Anthem for Full Orchestra гімн України!The Ukrainian National Anthem is an anthem that was adopted by the Ukrainian government in 2003. It is based on the song “Shche ne vmerla Ukrayina†which was written by Pavlo Chubynsky in 1862. The song was written as a response to the Russian occupation of Ukraine. The song was very popular in Ukraine and is considered to be one of the most important symbols of Ukrainian identity.The lyrics of the anthem call for Ukraine to remain strong and united. The song speaks of the Ukrainian people's courage, resilience and patriotism. It also speaks of the beauty of the Ukrainian land and its people. The anthem is a call to action and a reminder of the importance of standing together to protect the freedom and independence of Ukraine. The anthem is a symbol of hope and strength for the Ukrainian people.
$24.95
22.81 €
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Orchestre
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Mykhailo Verbytsky, 1863
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James M
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Ukrainian National Anthem for Full Orchestra
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jmsgu3
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SheetMusicPlus
Poor Unfortunate Souls
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1393686 Composed by Alan Menken…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1393686 Composed by Alan Menken and Howard Ashman. Arranged by Harry Walker. Broadway,Children,Film/TV,Musical/Show,Singer/Songwriter. 104 pages. SCORE EDITIONS #977151. Published by SCORE EDITIONS (A0.1393686). Poor Unfortunate Souls is a song from the Walt Disney Pictures animated film The Little Mermaid. Written by Howard Ashman and Alan Menken and performed by Pat Carroll, Poor Unfortunate Souls is sung to Ariel by Ursula the Sea Witch (the film's villainess). In a style that combines Broadway theatre with Burlesque, Ursula uses the song to seduce Ariel into trading her voice for the chance to temporarily become human.In this version, the composition was arranged for Symphonic Orchestra and Solo Voice by Harry Walker.
$64.99
59.42 €
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Orchestre
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Alan Menken and Howard Ashman
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Harry Walker
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Poor Unfortunate Souls
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SCORE EDITIONS
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SheetMusicPlus
Les oiseaux dans la charmille (La chanson d'Olympia)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1162762 Composed by Jacques Off…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1162762 Composed by Jacques Offenbach. Arranged by Patricio Cueto. Classical,Opera. Score and parts. 28 pages. Patricio Cueto #763129. Published by Patricio Cueto (A0.1162762). Jacques Offenbach's aria Les oiseaux dans la charmille (Chanson d'Olympia) The Doll song in a concert version with reduced orchestration, only two horns and no trombones.
$35.00
32 €
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Orchestre
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Jacques Offenbach
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Patricio Cueto
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Les oiseaux dans la charmille
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Patricio Cueto
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SheetMusicPlus
Montenegrin National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.746971 Composed by Montenegrin …
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Full Orchestra - Level 3 - Digital Download SKU: A0.746971 Composed by Montenegrin folk song. Arranged by Keith Terrett. 20th Century,Multicultural,Patriotic,Praise & Worship,Traditional,World. 27 pages. Keith Terrett #5205655. Published by Keith Terrett (A0.746971). The National Anthem of Montenegro arranged for Symphony Orchestra. There are versions for Brass Quintet & String Orchestra in my on-line stores.Oj, svijetla majska zoro (Montenegrin Cyrillic: „Ој, Ñвијетла мајÑка зоро, trans. Oh, Bright Dawn of May) is the official National anthem of Montenegro adopted in 2004. Before becoming the anthem, it was a popular folk song of the Montenegrins, with many variations of its text. The oldest one is dated to the 2nd half of the 19th century, known as Oh, Bright Dawn of Heroism, oh!, a popular Montenegrin folk song.It was played in public for the first time in 1863 in the national theater in Belgrade. It was a component song of the Battle of Grahovo or blood feud in Montenegro (Бој на Грахову или крвна оÑвета у Црној Гори) heroic play in three parts. It is unknown if the text’s authors are also the play’s, namely the following Montenegrin composer/writers: the father of Marko Car Jovan Car and an unknown Obrad Vitković. The play and the Montenegrin folk song was also played/sung in the National Theater again in 1870 and 1876. Its first record in Montenegro itself dates to 1887, when it was included into the regular school program of Montenegrin national songs for pupils in the 3rd grade. It was reconfirmed in the teacher’s plan for Montenegrin schools of 1888, which speculates that it must have been an established folk song for decades by then.Sekule Drljević, party strongman of a minor political party which was active in the Yugoslavian Kingdom in Montenegro known as the Montenegrin Federalist Party, rewrote the text and published it in 1937 in the book of then’s Croatian writer of Montenegrin origins Savić Marković Å tedimlija known as Crvena Hrvatska (Red Croatia), which confounded the thesis not of a Serb ethnic origin of the Montenegrins, which was the dominant one back then, but rather from the Croats. Its name was Eternal Ours… (VjeÄna naÅ¡a). When Nikola Hercigonja wrote down Oh, Bright Dawn of May shortly after WWII ended after 1945, he erroneously concluded that Drljević was the original wholesale author of this song, which also led to its considerable decline in popularity as a Montenegrin folk song altogether.The song survived until today under various names as a popular Montenegrin folk song under the name Oh, Bright Dawn of May (Oj svijetla majska zoro). This version of the song has been one of the several versions proposed in 1993 during the first discussion on the official anthem, however, on which there was no consensus because of the disputed melodic value.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates on my Olympic anthems!
$36.00
32.91 €
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Orchestre
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Montenegrin folk song
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Keith Terrett
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Montenegrin National Anthem for Symphony Orchestra
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Keith Terrett
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SheetMusicPlus
Brazil
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1270201 By The Ritchie Family. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1270201 By The Ritchie Family. By Ary Barroso and S.K. Russell. Arranged by Matthew Naughtin. 20th Century,Latin,Multicultural,Pop,World. Score and Parts. 117 pages. Matthew Naughtin #862632. Published by Matthew Naughtin (A0.1270201). On a stormy night in early 1939 Ary Barroso looked at a watercolor painting of a rainy landscape in his Rio de Janiero home and decided to stay home an write a song--in fact, he wrote two songs. The first, inspired by the painting, was Aquarela do Brasil ('Watercolor of Brazil'). He also wrote Três lágrimas ('Three Teardrops') that same night, before the rain ended. Aquarela do Brasil gained international fame after it was included in Walt Disney's 1942 cartoon Saludos Amigos, and became the first Brazilian song to be played over a million times on American radio in an English version by songwriter Bob Russell. The song's celebration of Brazil's great qualities marked the creation of a new patriotic genre within samba, known as samba-exaltação (exaltation samba). This rhythmically vibrant arrangement presents the song in all its joyous exhilaration. Score and all parts are included. The instrumentation: 2 Flutes (Fl. 2 d. Piccolo), 2 Oboes, 2 Clarinets in Bb (Cl. 2 d. Bass Clarinet), 2 Bassoons, 4 Horns, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, 3 Percussion, Harp, Strings.
$150.00
137.14 €
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Orchestre
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The Ritchie Family
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Matthew Naughtin
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Brazil
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Matthew Naughtin
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SheetMusicPlus
The Most Wonderful Time Of The Year
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1298071 Composed by Eddie Pola …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1298071 Composed by Eddie Pola and George Wyle. Arranged by Bryan Kidd. Christmas,Holiday,Standards. 112 pages. BryanKiddMusic.com #888023. Published by BryanKiddMusic.com (A0.1298071). A dazzling and most wonderful Holiday Season opener for full orchestra in Viennese-styled three-quarter time.The Most Wonderful Time of the Year was first introduced in 1963 by singer Andy Williams as the opening song for his second Christmas TV special. It was composed by the shows vocal director, George Wyle, along with Edward Pola. Apropos to Williams show, the song describes joyous family and friends seasonal activities that include scary ghost stories (a Victorian Christmas tradition think 'Dickens'). Â Among the artists who have covered the song are Pentatonix, Johnny Mathis, Garth Brooks, Amy Grant, Pattie LaBelle, and Harry Connick, Jr. A letter-size (8.5x11) score and complete set of instrumental parts are included with the set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED). For the Tabloid-size (11x17) score, click here. Please visit BryanKiddMusic.com With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C. Â Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.
$75.00
68.57 €
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Orchestre
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Eddie Pola and George Wyle
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Bryan Kidd
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The Most Wonderful Time Of The Year
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BryanKiddMusic.com
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SheetMusicPlus
"When will you open the doors before God"
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1210573 By Dennis Patsiuk. By D…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1210573 By Dennis Patsiuk. By Dennis Patsiuk. Arranged by Dennis Patsiuk. Christian,Contemporary,Jazz,Multicultural,Praise & Worship,World. Score and Parts. 10 pages. Dennis Patsiuk #808358. Published by Dennis Patsiuk (A0.1210573). The song, based on the lyrics of the Christian poet Galina Krasnenkova, was written by the author in Minsk, Belarus in 2007. The lyrics are in Russian. The first performer was the author himself. Today, this song is performed in various countries, mainly in evangelical churches. The main message of the song's lyrics is that the love of God is an unearthly power that transforms the stony hearts of people, and all that is required for this is for a person to believe in Jesus Christ and open the door of their heart.
$80.00
73.14 €
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Orchestre
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Dennis Patsiuk
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Dennis Patsiuk
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"When will you open the doors before God"
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Dennis Patsiuk
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SheetMusicPlus
Australia Our Land - Orchestra with SATB Choir and Piano
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1033685 By Brendan James Ellige…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1033685 By Brendan James Elliget NotePerformer 3. By Brendan James Elliget MAGA 537. Arranged by Brendan James Elliget MAGA 537. Classical,Contemporary,Patriotic. Score and parts. 41 pages. BJE Music #638998. Published by BJE Music (A0.1033685). The words for this song were written as a poem by my late mother-in-law Olivia Morgan (94) about the love of her adopted country Australia. She originally came from her ancestral home in England when she was 14. She spent her early years in Australia on a cattle station. Many years later she wrote a poem. Olivia asked me to set her poem to music, which I did in 1990 in the style of an anthem. It has since been performed by the local symphony orchestra and full choir. This setting is for SATB Choir and Orchestra with or without piano accompaniment. The MP3 was recorded with NotePerformer… Grade = 3 Duration = 2:35 mins Full lyrics: Australia Our Land Australia great and fair Contained in azure sea Her beauty lies 'neath southern skies Enchanted wide and free From oceans pounded shore Through outback's silent space O'er desert sands and city strands She shows her varied face. Where high the eagle flies And mighty rivers run There rolling plains of golden grain Reflect the west'ring sun In bushland's shaded scene By mountain's dreaming haze There bird-land calls cascading falls Combine their songs of praise. Our country's bounteous gifts Extend from shore to shore In history's place, Her pride and grace Will live forever more This land that keeps our heart Afar though we may roam On land or sea Yet still to be Australia our dear home. (Repeat last two lines) Sung by Christine Neaves (Daughter of Brendan and Glenys Elliget) Words by Olivia Morgan (Mother of Glenys Elliget) Music by Brendan Elliget Copyright © 1996 BJE Music You can listen to the Vocal version at: https://www.bjemusic.com/store/p149/Australia%2C_Our_Land_-_SATB_Choir_or_Solo_Voice_with_Piano_PDF.html.
$28.00
25.6 €
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Orchestre
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Brendan James Elliget NotePerformer 3
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Australia Our Land - Orchestra with SATB Choir and Piano
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BJE Music
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SheetMusicPlus
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