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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Personal
Non classifié
796
Piano & claviers
Piano seul
647
Piano, Voix et Guitare
420
Piano, Voix
293
Piano Facile
245
Instruments en Do
85
Accompagnement Piano
79
Orgue
21
Piano Trio: piano, violon, violoncelle
15
1 Piano, 4 mains
11
2 Pianos, 4 mains
6
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Accordéon
1
Ligne De Mélodie, Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare
37
Guitare notes et tablatures
37
Ligne De Mélodie, (Paroles) et Accords
17
2 Guitares (duo)
6
Basse electrique
4
Mandoline
4
Banjo
3
Paroles et Accords
2
Ukulele
2
Dulcimer
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
171
Chorale 3 parties
63
Chorale SSAA
22
Chorale 2 parties
22
Chorale TTBB
22
Voix Tenor, Piano
21
Chorale Unison
16
Voix Soprano, Piano
15
Voix Alto, Piano
7
Voix Baryton, Piano
6
Voix Tenor
5
Voix duo, Piano
3
Chorale SSAATTBB
3
Soli, choeur mixte et accompagnement
2
Voix moyenne, Piano
2
Voix haute
2
Voix seule
2
Voix duo
2
Voix, Guitare
1
Voix Soprano
1
Chorale
1
+ 16 instrumentations
Retracter
Vents
Clarinette
140
Clarinette et Piano
117
Flûte traversière
101
Flûte traversière et Piano
100
Saxophone Alto
96
Hautbois, Piano (duo)
95
Saxophone Alto et Piano
75
Quatuor de Saxophones: 4 saxophones
74
2 Saxophones (duo)
68
Saxophone Tenor
66
Saxophone Tenor et Piano
64
Saxophone Soprano et Piano
62
Saxophone (partie séparée)
55
Flûte, Hautbois, Clarinette, Basson
51
Hautbois (partie séparée)
50
Saxophone Baryton, Piano
47
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
45
Hautbois
41
2 Flûtes traversières (duo)
37
Saxophone Soprano
35
Saxophone Baryton
26
Quintette de Saxophone: 5 saxophones
26
2 Clarinettes (duo)
21
2 Hautbois (duo)
17
Quatuor de Clarinettes: 4 clarinettes
17
Flûte, Clarinette (duo)
14
Hautbois, Basson (duo)
14
Clarinette, Violon (duo)
13
Clarinette, Violoncelle (duo)
11
Clarinette, Basson (duo)
11
Hautbois, Violoncelle
10
Clarinette et Alto
9
Flûte, Violoncelle
9
Flûte, Violon
8
Cor Anglais
8
Saxophone, Clarinette (duo)
7
Hautbois et alto (duo)
6
Flûte, Alto (duo)
6
Clarinette, Trompette (duo)
6
Hautbois, Clarinette (duo)
6
Flûte à bec Soprano
6
Flûte à bec Alto
6
Flûte, Violoncelle, Piano (trio)
5
Quatuor de Flûtes : 4 flûtes
5
Flûte, Basson et Piano
5
Cor anglais, Piano
5
Flûte et Guitare
5
Clarinette Basse
4
Flûte, Trompette (duo)
4
Ocarina
4
Hautbois, violon (duo)
4
Flûte, Saxophone (duo)
4
Flûte, Violon, Piano
4
2 Flûte à bec (duo)
4
Clarinette, Violoncelle, Piano (trio)
3
Hautbois, Basson et Piano
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Clarinette, Piano (trio)
3
Clarinette, Alto et Piano (trio)
3
Clarinette Basse, Piano
3
Clarinette, Guitare (duo)
3
Clarinette, Basson, Piano (trio)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Hautbois, Violoncelle et Piano
3
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Hautbois (duo)
2
Ensemble de Flûtes
2
Flute (partie séparée)
2
3 Saxophones (trio)
2
Hautbois, Clarinette et Piano (Trio)
2
Clarinette, Harpe (duo)
2
Clarinette, Contrebasse (duo)
2
Flûte à bec Tenor
2
Flûte à bec Alto, Piano
2
Hautbois, Flûte
2
Flûte à bec Soprano, Piano
2
Flûte, Violon, Violoncelle et Piano
2
Flûte, Alto et Piano
2
Hautbois, Violon, Piano
1
Flûte, Clarinette et Basson
1
Saxophone et Guitare
1
Trio de Flûtes: 3 flûtes
1
Quatuor de Flûtes à bec
1
Flûte à Bec
1
2 Cors Anglais Et Pianoforte
1
Quintette de Flûte : 5 flûtes
1
Saxophone
1
Cor anglais, Guitare (duo)
1
Flûte, Trombone (duo)
1
2 Saxophones, Piano
1
Hautbois, trombone (duo)
1
Ensemble de Clarinettes
1
+ 88 instrumentations
Retracter
Cuivres
Trombone et Piano
89
Trombone
82
Cor
81
Tuba
78
Trompette
78
Trompette, Piano
72
Cor et Piano
70
Tuba et Piano
47
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
37
Quatuor de Cuivres: 2 trompettes, Cor, trombone
34
2 Trompettes (duo)
20
2 Trombones (duo)
17
2 Cors (duo)
15
Trompette, Trombone (duo)
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Cor Anglais
8
Trompette, Saxophone (duo)
6
Euphonium, Piano (duo)
6
2 Tubas (duo)
6
Cor anglais, Piano
5
Quatuor de Cuivres
4
Trompette (partie séparée)
4
Trompette, Cor (duo)
4
Euphonium
4
Trompette, Trombone, Piano
3
Ensemble de Trombones
3
Cor, Violoncelle (duo)
3
Tuba et Orgue
2
Euphonium, Tuba (duo)
1
2 Euphoniums (duo)
1
Trombone (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 trompettes
1
2 Cors Anglais Et Pianoforte
1
Cor anglais, Guitare (duo)
1
Trompette, Violoncelle (duo)
1
Trombone, Tuba (duo)
1
Trombone basse et Piano
1
+ 33 instrumentations
Retracter
Cordes
Violon et Piano
139
Violoncelle
125
Violoncelle, Piano
115
Quatuor à cordes: 2 violons, alto, violoncelle
108
Violon
108
Alto, Piano
85
Alto seul
85
Contre Basse
68
Contrebasse, Piano (duo)
60
Violon, Violoncelle (duo)
41
2 Violons (duo)
34
Quintette à cordes: 2 violons, alto, violoncelle, basse
24
2 Violoncelles (duo)
22
Violon, Alto (duo)
19
2 Altos (duo)
19
Harpe
18
Trio à Cordes: violon, alto, violoncelle
16
Piano Trio: Violon, Alto, Piano
11
Violon, Basson (duo)
9
Alto (partie séparée)
9
Alto, Violoncelle (duo)
8
2 Contrebasses (duo)
6
Trio à Cordes: 2 violons, violoncelle
5
Violon, Clarinette, Piano (trio)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Alto et Basson
4
Violon, Guitare (duo)
4
Violoncelle, Contrebasse (duo)
4
Violoncelle , Guitare (duo)
3
2 Violons, Piano
3
Harpe, Flûte (duo)
2
Harpe, Violoncelle (duo)
2
Flûte, Contrebasse (duo)
2
Harpe, Violon (duo)
2
Alto, Guitare (duo)
1
4 Harpes
1
4 Violoncelles
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
2 Violoncelles, Piano
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
76
Orchestre
37
Orchestre à Cordes
25
Ensemble de cuivres
14
Orchestre de chambre
14
Marimba
12
Batterie
9
Fanfare
9
Ensemble Jazz
8
Jazz combo
7
Xylophone
7
Xylophone, Piano
4
Ensemble de Percussions
4
Cloches
3
Vibraphone
2
2 Xylophones
1
Caisse Claire
1
+ 12 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
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Matériel de musique
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Librairie Musicale
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663
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Nouveautes
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Vous avez sélectionné:
Personal
Orchestre
Partitions à imprimer
37 partitions trouvées
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1
26
Cathedral Symphony - Score Only
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Orchestre
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INTERMÉDIAIRE
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Dominic McGonigal
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Cathedral Symphony - Score Onl
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C8 Music
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1518514 Composed by Dominic McGonigal. 21st Century,Classical,Contemporary. 48 pages. C8 Music #1092617. Published by...
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Full Orchestra - Level 3 - SKU: A0.1518514 Composed by Dominic McGonigal. 21st Century,Classical,Contemporary. 48 pages. C8 Music #1092617. Published by C8 Music (A0.1518514). When the London Medical Orchestra commissioned me to write something for their 70th anniversary, neither of us expected a symphony. The inspiration came from cathedral architecture, the grand entrance of the West Door, the Nave that draws the eye from arch to arch, the serenity and peace of the Choir and the magnificence of the Tower. The ideas grew from sketches in my notebook to great arching structures, linking the movements and developing with each iteration. My personal favourite is the 3rd movement, The Choir, with its extraordinary sense of space and intimacy, recalling the peace in the choir of Beauvais Cathedral (still the tallest in the world). It's a great piece to play as well as listen to. Duration 22'. Scored for orchestra (2222 4331 tp pc str, plus optional extras). More at www.dominicmcgonigal.com or search McGonigal on www.SheetMusicDirect.com.
$4.99
Journey to Grace (Elegy on "Amazing Grace")
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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John Newton
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L
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Journey to Grace
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LCH Music
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1494054 Composed by John Newton. Arranged by L.C. Harnsberger. Classical,Contemporary,Contest,Festival,Holiday,Spirit...
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Full Orchestra - Level 4 - SKU: A0.1494054 Composed by John Newton. Arranged by L.C. Harnsberger. Classical,Contemporary,Contest,Festival,Holiday,Spiritual. 40 pages. LCH Music #1070663. Published by LCH Music (A0.1494054). Few hymn tunes are as popular and moving as “Amazing Grace.” This timeless melody known as “New Britain” was adapted in 1835 to include the inspiring words written by John Newton in 1772. This arrangement holds personal significance, as it was written when my father was very ill—it was his favorite song, especially near the end of his life. The piece starts quietly with an introduction that gradually builds with brass fanfares and woodwind flourishes, emulating both the calm and struggles of youth. The somber mood continues as sustained drones support the iconic melody, echoing in the distance and symbolizing the complex journey of finding one’s path in life. A flowing, calm chromatic section represents a joyous period, which then abruptly shifts to a tumultuous descent. This resolves into a quiet and peaceful conclusion, reflecting ultimate resolution and acceptance. This touching piece will engage audiences and will be a welcome addition to any performance. (duration 4:15)
$69.99
Overture to "The Grand Duke"
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Orchestre
#
AVANCÉ
#
Classique
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Sir Arthur Seymour Sullivan
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Overture to "The Grand Du
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Trevor Denyer
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1475994 Composed by Sir Arthur Seymour Sullivan. Arranged by Typeset by Susan & Trevor Denyer. 19th Century,Romantic ...
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Full Orchestra - Level 5 - SKU: A0.1475994 Composed by Sir Arthur Seymour Sullivan. Arranged by Typeset by Susan & Trevor Denyer. 19th Century,Romantic Period. 91 pages. Trevor Denyer #1053560. Published by Trevor Denyer (A0.1475994). Sullivan is so often overlooked as a composer of pretty tunes, whereas his skill was in producing music that fitted perfectly with the libretto of (mainly) W.S. Gilbert. When taken on its own, his music shows much of the artistry of Guiseppi Verdi; whose scores he edited, but with his own personal style!This overture is rarely played, but has a fabulous selection of themes and orchestral colour so typical of Sullivan - it deserves to be performed more often. The score has been edited to co-ordinate articulations and dynamics which have been missed in the hand-written parts.Print the parts double-sided, including title pages where present, and the page turns will work.Enjoy!
$40.00
Tribute
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Orchestre
#
AVANCÉ
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Yanni
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Tribute
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Charles Effiong Otok
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1431279 Composed by Yanni. Arranged by Charles Effiong Otok (C violin). 21st Century,Classical,Contemporary,Jazz,Oper...
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Full Orchestra - Level 5 - SKU: A0.1431279 Composed by Yanni. Arranged by Charles Effiong Otok (C violin). 21st Century,Classical,Contemporary,Jazz,Opera. 89 pages. Charles Effiong Otok (C violin). #1011738. Published by Charles Effiong Otok (C violin). (A0.1431279). A Carefully Mastered Sheet Music Score for Orchestral Performance and Personal practice pleasure, with all vocal and instrument parts here-in separately embeded. Born from the necessity for a Standard Orchestral Score so as to play this lovely piece by Yanni. Hence the Sleepless nights for months to get this done and finally mastered for the enjoyment and pleasure of Professional/ Beginner Musicians who wish to have in their hands a Standard Sheet Music Score to the various instrument parts of Yanni's Tribute. This is also a great Opportunity for Music Students also to share in the pleasure of finally being able to learn to play the lines and phrases to this piece from a printable Sheet Music Score. See YouTube video above to preview content.
$49.99
Santorini
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Orchestre
#
AVANCÉ
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Yanni
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Santorini
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Charles Effiong Otok
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1431284 By Yanni. By John Christopher. Arranged by Charles Effiong Otok (C violin). 21st Century,Classical,Contest,Fe...
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Full Orchestra - Level 5 - SKU: A0.1431284 By Yanni. By John Christopher. Arranged by Charles Effiong Otok (C violin). 21st Century,Classical,Contest,Festival,Jazz,Opera. 67 pages. Charles Effiong Otok (C violin). #1011750. Published by Charles Effiong Otok (C violin). (A0.1431284). A Carefully Mastered Sheet Music Score for Orchestral Performance and Personal practice pleasure. Born from the necessity for a Standard Orchestral Score so as to play this lovely piece by Yanni. Well prepared with all instrument parts separately embeded for the enjoyment and pleasure of Professional/ Beginner Musicians who wish to have in their hands a Standard Sheet Music Score to the various instrument parts of Yanni's Santorini. This is also a great Opportunity for Music Students also to share in the pleasure of finally being able to learn to play the lines and phrases to this piece from a printable Sheet Music Score.See Youtube Video above to preview content.
$49.99
The Magic Flute - Ach Ich Fuhls (Mozart)
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Orchestre
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AVANCÉ
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Parry Library
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The Magic Flute - Ach Ich Fuhl
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Charles Effiong Otok
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1431909 By Parry Library. By Wolfgang Amadeus (Dp) Mozart. Arranged by Charles Effiong Otok (C violin). 19th Century,...
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Full Orchestra - Level 5 - SKU: A0.1431909 By Parry Library. By Wolfgang Amadeus (Dp) Mozart. Arranged by Charles Effiong Otok (C violin). 19th Century,Classical,Multicultural,Opera,Standards,World. 25 pages. Charles Effiong Otok (C violin). #1007921. Published by Charles Effiong Otok (C violin). (A0.1431909). A Professional Sheet Music Score for Voice and Strings Orchestral with all Instrument parts extracts embeded for Performance and Personal practice pleasure. From the necessity for a Standard Strings Orchestral Score arrangement with German Libretto to Sing and play this lovely Aria by Wolfgang Amadeus Mozart. Finally mastered for the enjoyment and pleasure of Professional/ Beginner Opera Singers /Musicians who wish to have in their hands a Standard Sheet Music Score to the Voice and Various Instrument parts of this Aria. This is also a great Opportunity for Opera / Strings Instrument Students to also share in the pleasure of finally being able to learn to play the lines and phrases to this piece a printable Sheet Music Score. See YouTube video below for preview of content.
$49.99
The Song of the Earth
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Orchestre
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Classique
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Gustav Mahler
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The Song of the Earth
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q46740 Composed by Gustav Mahler. This edition: study score. Ernst eulenburg - orchestra - score. Eulenburg Miniature Scores. Downlo...
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Orchestra - SKU: S9.Q46740 Composed by Gustav Mahler. This edition: study score. Ernst eulenburg - orchestra - score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q46740. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q46740). German • English.Mahler once said about his most successful work that it is probably the most personal composition I have created thus far. After suffering several blows of fate, he created a music which virtually reflects the whole world between the poles of life and death.
$17.99
SSRI
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Orchestre
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AVANCÉ
#
Jonathan Worsley
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SSRI
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Jonathan Worsley
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1147835 Composed by Jonathan Worsley. 20th Century,Classical,Contemporary. Score and parts. 164 pages. Jonathan Worsl...
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Full Orchestra - Level 5 - SKU: A0.1147835 Composed by Jonathan Worsley. 20th Century,Classical,Contemporary. Score and parts. 164 pages. Jonathan Worsley #748033. Published by Jonathan Worsley (A0.1147835). 2(1.2/pic).2(1.2/ca).2.2(1.cbsn) | 4.2.3(1.2.btbn).1 | T | 2P | Hp | Str A deeply personal piece that deals with antidepressants, and the fluctuations in mood that they can bring about. Score, parts, and percussion score.
$20.00
Lily Park - II. Goblin Lights
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Orchestre
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Yoonjee Kim
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Lily Park - II. Goblin Lights
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Yoonjee Kim
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SheetMusicPlus
Full Orchestra - SKU: A0.1022809 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 16 pages. Yoonjee Kim #3417625. Published by Yoonjee Kim ...
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Full Orchestra - SKU: A0.1022809 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 16 pages. Yoonjee Kim #3417625. Published by Yoonjee Kim (A0.1022809). Lily Park consists of three movements entitled Wind Bell, Goblin Lights, and Rock of Ages. The three movements are based on my personal impression of the cemetery, Lily Park, where all my grandparents are buried. The first movement, the shortest in duration, is slow and calm. It is introductory in quality, and expresses the pictorial impression of the cemetery by using various tone colors. This movement utilizes mixed instrumental consorts to project the concept of moderation and serenity. There is a close connection between the first movement and the last movement, as both features a wind-bell sound, a variety of percussion instruments, and slow tempi. The first movement focuses on the external appearance of the cemetery such as the quiet atmosphere, the wind, and the sound of bell ringing. The third movement represents the mental and emotional aspects of grief, memory of the funerals and reminiscent of my grandparents. The second movement is an imaginary night scene. For thousands of years, Korean have believed that goblins roam the tombs at night and are visible as blue and red lights. The movement is fast, busy and somewhat bizarre and whimsical, depicting the motion of the goblin lights. This contrasts with other two movements, thus the overall form becomes an arch shape. In addition, only the second movement is sectionalized by three different musical ideas while the first and the last movements are through composed with a single idea.II. Goblin Lights
$17.00
Lily Park - I. Wind Bell
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Orchestre
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INTERMÉDIAIRE
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Yoonjee Kim
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Lily Park - I. Wind Bell
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Yoonjee Kim
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1022807 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 4 pages. Yoonjee Kim #3417623. Published by Yoo...
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Full Orchestra - Level 3 - SKU: A0.1022807 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 4 pages. Yoonjee Kim #3417623. Published by Yoonjee Kim (A0.1022807). Lily Park consists of three movements entitled Wind Bell, Goblin Lights, and Rock of Ages. The three movements are based on my personal impression of the cemetery, Lily Park, where all my grandparents are buried. The first movement, the shortest in duration, is slow and calm. It is introductory in quality, and expresses the pictorial impression of the cemetery by using various tone colors. This movement utilizes mixed instrumental consorts to project the concept of moderation and serenity. There is a close connection between the first movement and the last movement, as both features a wind-bell sound, a variety of percussion instruments, and slow tempi. The first movement focuses on the external appearance of the cemetery such as the quiet atmosphere, the wind, and the sound of bell ringing. The third movement represents the mental and emotional aspects of grief, memory of the funerals and reminiscent of my grandparents. The second movement is an imaginary night scene. For thousands of years, Korean have believed that goblins roam the tombs at night and are visible as blue and red lights. The movement is fast, busy and somewhat bizarre and whimsical, depicting the motion of the goblin lights. This contrasts with other two movements, thus the overall form becomes an arch shape. In addition, only the second movement is sectionalized by three different musical ideas while the first and the last movements are through composed with a single idea.I. Wind BellThe first movement expresses the general images of the cemetery; calm atmosphere, blowing wind, clean air, and a wide green field. The place is so quiet that the only the wind-bell ringing as the wind blows can be heard. In order to depict the wind-bell sound along with other optic and aural images, I create various tone colors by using various instrumental combinations in different transpositions and registrations.
$17.00
THE GERMAN NATIONAL ANTHEM
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Orchestre
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AVANCÉ
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Patriotique
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DON MARCELLINO
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MARCEL
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THE GERMAN NATIONAL ANTHEM
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DON MARCELLINO
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1300362 By DON MARCELLINO. By Germany. Arranged by MARCEL. NWOLISA. 21st Century,Chamber,Classical,Contemporary,Count...
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Full Orchestra - Level 5 - SKU: A0.1300362 By DON MARCELLINO. By Germany. Arranged by MARCEL. NWOLISA. 21st Century,Chamber,Classical,Contemporary,Country. Score and Parts. 11 pages. DON MARCELLINO #890088. Published by DON MARCELLINO (A0.1300362). This is my personal arrangement and orchestration of the German's national anthem. It is in four segments. Happy playing and Happy Listening.
$2.00
Paris Without You
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Orchestre
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Phil Sims
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Paris Without You
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Imagine Music - Digital
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SheetMusicPlus
Tenor Saxophone Solo with Orchestra - SKU: IZ.OMW223 Composed by Phil Sims. Score and Parts. 268 pages. Imagine Music - Digital #OMW223. Published by Im...
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Tenor Saxophone Solo with Orchestra - SKU: IZ.OMW223 Composed by Phil Sims. Score and Parts. 268 pages. Imagine Music - Digital #OMW223. Published by Imagine Music - Digital (IZ.OMW223). 8.5 x 11 inches.The Waking, by Theodore Roethke, is an enigmatic villanelle written in 1953, a year after he got married. In it the poet puts forward various ideas about life and how to live it. A villanelle is based on repeated lines (a refrain) that connects each stanza as the poem progresses.Theodore Roethke's poetry is known for its exploration of the self through reflection on family and nature; there is plenty of depth and technical skill. His mental illness also caused him to look into the darkness from time to time, recording his inner life in personal poems.Growing up, he spent lots of time in his father's garden and greenhouses and soil and plants and roots and things often turn up in his work. In fact the greenhouse, for Roethke, was a symbol 'for the whole of life, a womb, a heaven-on-earth.'The Waking doesn't contain a greenhouse but it does have symbolism and takes the reader into unexpected places. It is both introspective and positive in its outlook.
$120.00
Xiao Xin Di Hua
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Orchestre
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Mc Cheung Tin Fu
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Kwok Man Ho Marco
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Xiao Xin Di Hua
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Kwok Man Ho Marco
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SheetMusicPlus
Full Orchestra - SKU: A0.1284503 By Mc Cheung Tin Fu. By Hao Xu and Wyman Wong. Arranged by Kwok Man Ho Marco. 21st Century,Multicultural,New Age,Pop,Ro...
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Full Orchestra - SKU: A0.1284503 By Mc Cheung Tin Fu. By Hao Xu and Wyman Wong. Arranged by Kwok Man Ho Marco. 21st Century,Multicultural,New Age,Pop,Rock,World. Score and Parts. 92 pages. Kwok Man Ho Marco #875675. Published by Kwok Man Ho Marco (A0.1284503). Caution Wet Floor å°å¿ƒåœ°æ»‘arranged for full orchestra by Kwok Man Ho MarcoScore and PartsFor any inquiry, please visit my personal website:https://kwokmanhomarco.wordpress.com
$199.99
The Western New York Trombone Concerto
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Orchestre
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William Pagan-Perez
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The Western New York Trombone
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William Pagan-Perez
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SheetMusicPlus
Full Orchestra - SKU: A0.933829 Composed by William Pagan-Perez. Contemporary,Standards. Score and Parts. 272 pages. William Pagan-Perez #4736067. Publi...
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Full Orchestra - SKU: A0.933829 Composed by William Pagan-Perez. Contemporary,Standards. Score and Parts. 272 pages. William Pagan-Perez #4736067. Published by William Pagan-Perez (A0.933829). The Western New York Trombone Concerto (For Trombone and Symphony Orchestra)  I. Arriving to Cheektowaga on 2017 II. The Lights of the Niagara Falls III. Tonawanda’s Rhapsody 2018 The Western New York Trombone Concerto was inspired in real life experiences, in the smell, the food, the scenic views, and the great personal relationships of the composer during his first year living in the City of the Good Neighbors (Buffalo, NY). More than have a traditional virtuoso solo music featuring fast and extreme technical phrases, this concerto wants to introduce the trombone as a melodic instrument for those beginner listeners that are discovering the trombone for the first time. The concerto has colorful sticky melodies and exciting rhythmic patterns to produces a great experience to the listener.
$125.00
The Nirvana of Phoenix 鳳凰涅ç£
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Orchestre
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AVANCÉ
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ending their lives, they bring
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Kwok Man Ho Marco
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The Nirvana of Phoenix é³³
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Kwok Man Ho Marco
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1284327 Composed by Kwok Man Ho Marco. 21st Century,Contemporary,Multicultural,New Age,Spiritual,World. Score and Par...
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Full Orchestra - Level 5 - SKU: A0.1284327 Composed by Kwok Man Ho Marco. 21st Century,Contemporary,Multicultural,New Age,Spiritual,World. Score and Parts. 133 pages. Kwok Man Ho Marco #875499. Published by Kwok Man Ho Marco (A0.1284327). The Nirvana of Phoenix 鳳凰涅ç£Composed for full orchestra by Kwok Man Ho MarcoScore and PartsThe piece The Nirvana of Phoenix《鳳凰涅ç£ã€‹for a full orchestra is inspired by the story of phoenix rebirths in Greek mythology. The word Nirvana literally means blown off. Additionally, it is a term associated with Buddhism, representing the ultimate state of soteriological release and liberation from rebirths in Samsara.The Chinese title of this piece first appeared in the modern poem with the same title, written by Guo Mo-ruo (éƒæ²«è‹¥). His long poem mentions that phoenixes are envoys of happiness in our world. They carry all the sadness and hatred and fly into the flame every five hundred years. By ending their lives, they bring happiness and peace to the world. After the ordeal, they can be reborn from the ashes with even stronger bodies.In Buddhism, pain in life is inevitable, but suffering is optional. The deaths of the phoenixes are not the end of their lives; instead, they mark a new beginning of the story of happiness and peace.For any inquiry, please visit my personal website:https://kwokmanhomarco.wordpress.com
$99.99
CONJUNCTION: The Christmas Star of 2020
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Orchestre
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INTERMÉDIAIRE
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Noël
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Sta
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #649...
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Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
Trumbull Sketches
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Kyle Wernke
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Trumbull Sketches
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Kyle Wernke Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1023992 Composed by Kyle Wernke. Contemporary,Folk,Holiday,Patriotic. Score and parts. 109 pages. Kyle Wernke Publish...
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Full Orchestra - Level 4 - SKU: A0.1023992 Composed by Kyle Wernke. Contemporary,Folk,Holiday,Patriotic. Score and parts. 109 pages. Kyle Wernke Publishing #2121501. Published by Kyle Wernke Publishing (A0.1023992). Commissioned by the Fort Smith Symphony - John Jeter, Conductor John Trumbull (June 6, 1756 - November 10, 1843) is perhaps the most overlooked of the Founding Fathers of The United States. Born and raised in Connecticut, John Trumbull was the son of Jonathan Trumbull (October 12, 1710 - August 17, 1785), Governor of Connecticut from 1769 to 1784, the only Royal Governor to side with the Americans during the Revolutionary War. Trumbull fought in the revolution, witnessing Bunker Hill and using his artistic abilities to sketch the British Works at Boston. Later, he was appointed second personal aide to General Washington, and in June 1776 he served as deputy adjutant-general to General Horatio Gates. Trumbull resigned from the army in 1777 over a dispute about the dating of his commission. In 1780 Trumbull traveled to London to study under Benjamin West: It was West who urged Trumbull to paint small pictures of the War of Independence, the works which would make him famous (he painted around 250 during his lifetime). In September of 1780, Continental troops captured British agent Major John Andre, after news of this reached Great Britain, Trumbull was arrested in retaliation. He was imprisoned for seven months. After the War, Trumbull again traveled to London, and then to Paris. It was here that Trumbull began work on two of the works depicted in this piece. He made sketches for the Surrender of Lord Cornwallis and, with the help of Thomas Jefferson, the US minister to France, he began working on The Declaration of Independence. In addition to paintings depicting the revolution, Trumbull painted numerous portraits, including those of George Washington, George Clinton (Governor of New York), Alexander Hamilton (the source of the $10 bill), and John Adams. I was tasked with composing a piece which would be educational for the students in attendance. I ended up writing a piece that would have educational material both in its musical construction and its subject matter. Trumbull's use of color, especially darker hues, and the structure of his paintings informed the construction of the piece. Three specific paintings influenced the work: The Capture of the Hessisans at the Battle of Trenton, The Declaration of Independence, and The Surrender of Lord Cornwallis. A recurring theme in the work of Trumbull is how the central act is always depicted at the center, with opposing groups on either side. The piece derives its form from this trait, casting the two large battle sections on the outsides, with the central act of the Revolutionary War in the center (The Declaration of Independence). The only percussion in the piece are drums, lending a certain militaristic feeling to the work, and evoking images of marching armies. Extended techniques are used repeatedly, casting a shade of uncertainty around the military campaigns (Washington's famous crossing of the Delaware and the seige at Yorktown), while The Declaration of Independence is scored in strict time and with more traditional harmonies, solidifying the event as the central moment of American history.
$60.00
THE GREAT WALL CONCERTO For Piano & Orchestra
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Orchestre
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AVANCÉ
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ROBERT VAN HORNE
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THE GREAT WALL CONCERTO For Pi
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White Piano International Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1316174 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World....
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Full Orchestra - Level 5 - SKU: A0.1316174 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World. 175 pages. White Piano International Publishing #904561. Published by White Piano International Publishing (A0.1316174). THE GREAT WALL CONCERTO for Piano & Orchestra by ROBERT VAN HORNE175 PagesPiano & Full Orchestra – AdvancedConductor Score & All Instrumental Parts IncludedApprox. Duration 13 minutes; 30 secondsComposing THE GREAT WALL CONCERTO for Piano & Orchestra was a journey of inspiration, passion, and deep personal connection for me. Having traveled to China, I was most impressed with seeing the Great Wall. Years later, I composed a musical work for piano and orchestra - a creative and classic concerto that captures the Great Wall's grandeur and majestic attraction.My first visit to the Great Wall of China was in 1983 while engaged as a pianist onboard a cruise ship that sailed the waters of Asia. My first impression seeing the Great Wall and the scenic landscape surrounding it, was one of awe and amazement.At that time, I did not realize the lasting effect this memorable attraction would have on me. Inspired and motivated by several cherished Chinese excursions to the Great Wall during my cruise ship engagement, I began the monumental task of scoring music for piano and orchestra several years later. An excerpt from 2008 Music Teacher of California Magazine review states “…The Great Wall Concerto is pleasant to listen to and has a retro 1940’s movie soundtrack mood about it - Rachmaninoff style chords against melodies in the strings...Listening to this piece, I imagined a film starring Joan Fontaine and Claude Rains as star crossed lovers fleeing their respective spouses on a visit to China.â€After many years of offering the score directly to Music Directors around the world, I am now publishing THE GREAT WALL CONCERTO with Sheet Music Plus and Sheet Music Direct.THE GREAT WALL CONCERTO is an ideal work for professional, semi-professional, pops, college and university orchestras as well as community orchestras. It can be added to any concert program featuring a guest piano soloist, and a violinist or erhu soloist.The Conductor’s Score and all Instrumental Parts are legibly notated with phrasing, dynamics, accents, and musical word descriptions. All the individual instrument parts have easy page turns with large readable scores.This 2006 recording of THE GREAT WALL CONCERTO is for demo purposes only. Except for the piano, all other instruments are digital samples. This recording does not include all the instrumental parts being heard. THE GREAT WALL CONCERTO arrangement for Two Pianos, Four Hands is also available and published by White Piano International Publishing. Robert Van Horne is a member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$59.99
Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807...
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Full Orchestra - Level 4 - SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807. Published by Benjamin Sajo (A0.1018920). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
TAPS A Rembrance
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Orchestre
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INTERMÉDIAIRE
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Traditional
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Ken Litton
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TAPS A Rembrance
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Artist of Note, Inc.
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 2...
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Full Orchestra - Level 3 - SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 28 pages. Artist of Note, Inc. #822125. Published by Artist of Note, Inc. (A0.1226101). TAPS  A Remembrance   Bb Solo Trumpet, Narrator, Piano/Organ/Orchestra, optional SATB Choir  > 2:00TAPS - A Remembrance is ideal for the kinds of brief but important Memorial Day and/or Independence Day observances so often called for in our time.The poignant narration recalls the story of United States Army Sergeant Keith Clark playing the bugle call know today as Taps for the interment of President John F. Kennedy (November of 1963). As author William Manchester later wrote, “The 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†that the whole world heard, and that remains part of our national heritage.The background arrangement (optionally with chorus) heightens the emotion of the story until both give way to a regulation trumpet solo version that includes the grace note error and fades at the end. The orchestration is done in a 4 Part + format that lends itself to optional performance by any section of the orchestra (originally for brass alone).The choral octavo carries the complete narration (also see below) with accompaniment (playable by/adaptable to organ) and the solo trumpet part (all that’s really needed to perform the piece) along with permission to reproduce the octavo for optional choir/ensemble.The choral writing involves divisi only at two easily sung cadence points.And, it can be performed by just the brass and the narrator.For those who may not know the story:CBS News video of A Bugle Call Remembered Gathering 11/16/2013  [01:15]  https://www.youtube.com/watch?v=E3u2qKWQ8io----NARRATOR:  Since the mid 1800s the bugle call known today as Taps has heralded rest for the weary, as well as comfort and encouragement in times of deep personal and collective grief.** music beginsAt about 3:00 p.m. on November 24th 1963, as the nation mourned the assassination of President John F. Kennedy, United States Army Sergeant Keith Clark raised his bugle at Arlington National Cemetery [†with thoughts of I Corinthians 15:51 in mind, “The trumpet shall soundâ€].Clearly broadcast throughout the country and around the world, the 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†as author William Manchester put it. But, as another observer** noted: “Like the crack in the Liberty Bell, it remains part of our national heritage.â€(Taps solo Trumpet with intentional error at m.14 continues)________† Optional text** Ed Hunter for www.TapsForever.com.
$29.99
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
The American Seasons (violin solo part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$22.50
Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731...
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Full Orchestra - Level 4 - SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731. Published by Benjamin Sajo (A0.1018901). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
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