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--INSTRUMENTS--
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26
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8
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2
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2
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1
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1
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1
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4
Ukulele
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7
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2
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2
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1
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9
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10
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1
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1
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12
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Cloches
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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Vous avez sélectionné:
Phenomenal
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4 partitions trouvées
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Echelon (Solo Euphonium with Orchestra)
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Orchestre
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AVANCÉ
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Contemporain
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Geritt W
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Echelon
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T.U.X. People's Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1077936 Composed by Geritt W. Davenport. Classical,Contemporary. Score and Parts. 192 pages. T.U.X. People's Music #6...
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Full Orchestra - Level 5 - SKU: A0.1077936 Composed by Geritt W. Davenport. Classical,Contemporary. Score and Parts. 192 pages. T.U.X. People's Music #682131. Published by T.U.X. People's Music (A0.1077936). Davenport’s orchestral debut is nothing short of phenomenal! This triptych for euphonium and orchestra is technically and lyrically challenging while showcasing new sounds for soloist and ensemble alike!
$150.00
John Field, Sonata II (Movement I) - orchestra by Scott Fields Davis
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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John Field
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Scott Fields Davis
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John Field, Sonata II
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Scott Fields Davis
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.998491 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 88 pages. Scott Fiel...
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Full Orchestra - Level 4 - SKU: A0.998491 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 88 pages. Scott Fields Davis #6190351. Published by Scott Fields Davis (A0.998491). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was a phenomenal pianist and a highly skilled composer. This is an orchestral arrangement of the first movement of the second of four piano sonatas written by John Field arranged for orchestra by Scott Fields Davis. This download contains the conductor's score and all the parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Horns in F, Violin I, Violin II, Viola, Cello, Double Bass. Approximate duration is 6 minutes and 30 seconds. To download the other movement, click the following link: John Field, Sonata II (Movement II) arranged for orchestra by Scott Fields Davis. Â
$15.00
John Field, Sonata I (Movement I) - orchestra by Scott Fields Davis
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Orchestre
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INTERMÉDIAIRE
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Classique
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John Field
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Scott Fields Davis
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John Field, Sonata I
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Scott Fields Davis
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.998472 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. 66 pages. Scott Fields Davis #6097787...
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Full Orchestra - Level 3 - SKU: A0.998472 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. 66 pages. Scott Fields Davis #6097787. Published by Scott Fields Davis (A0.998472). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was not only a phenomenal pianist, but a highly skilled composer. This is an orchestral arrangement of the first of four piano sonatas written by John Field. This download contains the first of the two movements of Field's first piano sonata.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. Approximate duration is 5 minutes and 59 seconds. This download contains the conductor’s score and all of the parts. To download the other movement, please click on the following link. John Field, Sonata I (Movement II) arranged for orchestra by Scott Fields Davis  More music and contact information can be found at: compositionsbyscottfieldsdavis.com.
$15.00
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pag...
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Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
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