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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Piano Mass
Non classifié
366
Piano & claviers
Piano seul
526
Piano, Voix
338
Piano, Voix et Guitare
246
Piano Facile
129
Instruments en Do
27
Accompagnement Piano
7
1 Piano, 4 mains
6
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano grosses notes
3
2 Pianos, 4 mains
3
Piano (partie séparée)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
1
Orgue
1
+ 11 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
5
Guitare notes et tablatures
2
Paroles et Accords
1
Mandoline, Piano (duo)
1
2 Guitares (duo)
1
Piano, Guitare (duo)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
231
Chorale 3 parties
66
Voix seule
42
Chorale Unison
36
Chorale 2 parties
27
Chorale
15
Chorale SSAA
12
Voix duo, Piano
12
Chorale TTBB
9
Voix Soprano, Piano
7
Voix moyenne, Piano
3
Voix haute
3
Voix Baryton, Piano
2
Voix Alto, Piano
2
Voix Tenor
1
+ 10 instrumentations
Retracter
Vents
Flûte traversière et Piano
79
Clarinette et Piano
62
Saxophone Alto et Piano
54
Hautbois, Piano (duo)
47
Saxophone Tenor et Piano
33
Saxophone Soprano et Piano
24
Clarinette
12
Saxophone Baryton, Piano
11
Cor anglais, Piano
11
Clarinette Basse, Piano
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Flûte traversière
5
2 Saxophones (duo)
4
2 Clarinettes (duo)
4
Flûte, Violon, Piano
3
Saxophone Alto
2
Quatuor de Saxophones: 4 saxophones
2
Ensemble à vent
2
Saxophone Tenor
2
Flûte, Basson et Piano
2
Ensemble de Clarinettes
2
2 Hautbois (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte et Guitare
1
Flûte, Violoncelle, Piano (trio)
1
2 Flûtes traversières (duo)
1
Ensemble de Flûtes
1
Flûte, Clarinette (duo)
1
Hautbois
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte à bec Soprano
1
Piccolo, Piano
1
Hautbois, Harpe
1
Flûte à Bec, Piano
1
Quatuor de Flûtes : 4 flûtes
1
+ 31 instrumentations
Retracter
Cuivres
Trompette, Piano
36
Trombone et Piano
35
Cor et Piano
22
Euphonium, Piano (duo)
15
Trompette
12
Tuba et Piano
11
Cor anglais, Piano
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
2 Trombones (duo)
1
Trompette, Cor (duo)
1
2 Tubas (duo)
1
Trombone
1
Tuba
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone basse et Piano
1
2 Trompettes (duo)
1
Euphonium
1
+ 14 instrumentations
Retracter
Cordes
Violon et Piano
98
Violoncelle, Piano
67
Alto, Piano
51
Violon
14
Quatuor à cordes: 2 violons, alto, violoncelle
10
Violoncelle
7
Contrebasse, Piano (duo)
5
Alto seul
5
Contre Basse
3
Piano Trio: Violon, Alto, Piano
3
2 Violons (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: 3 violoncelles
1
Violon, Violoncelle (duo)
1
Alto et Basson
1
Harpe, Violon (duo)
1
Harpe, Flûte (duo)
1
4 Violoncelles
1
Trio à cordes: 3 violins
1
2 Violoncelles (duo)
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre
22
Orchestre d'harmonie
13
Ensemble Jazz
9
Orchestre à Cordes
5
Orchestre de chambre
4
Ensemble de Percussions
3
Jazz combo
2
Ensemble de cuivres
2
Ensemble d'École
2
Cloches
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Vous avez sélectionné:
Piano Mass
Orchestre
Partitions à imprimer
22 partitions trouvées
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1
MASSive - A Mass in Rock (Instrumental Pack Minus Score)
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Orchestre
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INTERMÉDIAIRE
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Paul Barker Music
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MASSive - A Mass in Rock
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Paul Barker Music
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SheetMusicPlus
Strings B-Flat Clarinet,B-Flat Trumpet,Bass Drum,Bass Guitar,Choir,Cymbals,Drum Set,Electric Guitar,Flute,Glockenspiel,Horn,Oboe,Piano,Piccolo,Soprano voice,Tim...
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Strings B-Flat Clarinet,B-Flat Trumpet,Bass Drum,Bass Guitar,Choir,Cymbals,Drum Set,Electric Guitar,Flute,Glockenspiel,Horn,Oboe,Piano,Piccolo,Soprano voice,Timpani,Triangle,Trombone/Baritone B.C. - Level 3 - SKU: A0.725224 By Paul Barker Music. By Paul Barker. 21st Century,Classical,Contemporary,Contest,Festival,Rock. 179 pages. Paul Barker Music #6249409. Published by Paul Barker Music (A0.725224). MASSive is a new and dynamic concert piece composed for Soprano Solo, SAB Choir, Lead Guitar, Rhythm Section and Orchestra and sets selected elements of the traditional Mass to an exciting array of contemporary music. Built on its hugely successful predecessor RoQuiem, available from Starshine Music, MASSive is guaranteed to make your musical event an electrifying experience. You can easily perform this ‘choral explosion’ with just piano or add a rhythm section for that big rock feel. Full orchestration is also available for that electrifying sound everyone enjoys. Suitable for schools, youth choirs and professional performers alike. This product is for the Instrumental Pack - Conductor Score and Vocal Scores are available separately on this site and from www.paulbarkermusic.com. Accompaniment MP3s are available for Choir with and without Lead Guitar on this site and from www.paulbarkermusic.com ​Duration: 20:00 Level: Intermediate/Advanced (UK Grade 6+ & USA 3+) Occasion: Large Concert/Main Event - Formal/Informal - Celebration - Finale Orchestration: Full Orchestra - Rock Band Feat. Lead Guitar Instrumental Pack (Minus Conductor Score)
$29.95
MASSive - A Mass in Rock (Performance Recording)
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Orchestre
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Paul Barker Music
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MASSive - A Mass in Rock
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Paul Barker Music
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SheetMusicPlus
Bass Guitar,Choir,Drum Set,Electric Guitar - SKU: A0.1067077 By Paul Barker Music. By Paul Barker. Classical,Contemporary,Contest,Festival,Praise & Wors...
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Bass Guitar,Choir,Drum Set,Electric Guitar - SKU: A0.1067077 By Paul Barker Music. By Paul Barker. Classical,Contemporary,Contest,Festival,Praise & Worship,Rock. Full Performance. Duration 689. Paul Barker Music #6249417. Published by Paul Barker Music (A0.1067077). This dynamic concert spectacular is scored for Soprano Solo, SAB Choir, Lead Guitar, Rhythm Section and Orchestra and sets selected elements of the traditional Mass to an exciting array of contemporary music. Built on its hugely successful predecessor, RoQuiem, it's guaranteed to make your musical performance an electrifying experience! Choirs can easily perform this ‘choral explosion’ with just piano or add a rhythm section for that big rock feel. Full orchestration is also available for that electrifying, epic sound everyone enjoys. Suitable for schools, youth choirs and professional performers alike.Professional Accompaniment MP3 and Full Orchestration available on this site and from www.paulbarkermusic.com for Rehearsals and Performances. ​Duration: 20:00 Level: Intermediate/Advanced (UK Grade 6+ & USA 3+) Occasion: Large Concert/Main Event - Formal/Informal - Celebration - Finale Orchestration: SAB Choir - Soprano Soloist - Full Orchestra - Rock Band Feat. Lead Guitar Solos
$4.95
The Black Mass
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Orchestre
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AVANCÉ
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Contemporain
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Piano Sonata No
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Blake P
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The Black Mass
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Blake P. McCabe
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1143117 Composed by Piano Sonata No. 9 Op. 68 Alexander Scriabin. Arranged by Blake P. McCabe. 20th Century,New Age. ...
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Full Orchestra - Level 5 - SKU: A0.1143117 Composed by Piano Sonata No. 9 Op. 68 Alexander Scriabin. Arranged by Blake P. McCabe. 20th Century,New Age. Score and parts. 43 pages. Blake P. McCabe #743479. Published by Blake P. McCabe (A0.1143117). This composition is an arrangement of Scriabin’s Piano Sonata No. 9 Op 68. This piece has traditionally been nicknamed The Black Mass and was written for piano. Scriabin himself accepted this nickname for the piece and earlier on wrote a piece that would be nicknamed The White Mass. The Black mass was completed in 1913, a mere 2 years before his untimely death. The piece is built upon his ‘mystic chord, a hexachord built on fourths. Scriabin described this chord of embodying the divine and having a smoky tonal color, stemming from his own perception of sound as color. This piece moves from haunting sounds in its first motif to a chilling climax, returning to a mysterious murmur, and moves through multiple tempos to drag the listener along its march through its gothic vision, until finally returning to its first motif and leaving the listener haunted by the dark, colorful visions it invokes. To date of publication of this arrangement, I have yet to find an arrangement of The Black Mass for orchestra, band, nor symphony. The piece has many layers within it and includes complex polyrhythms typical of his music. The dark uncurrent, along with the form and choice of lack of direct key signature pose a unique challenge in the arrangement of this piece. I have deigned to maintain the feel of the original piano version, including his choice of time signatures and rhythmic choices while bringing it to life through the sounds of a modified symphony orchestra. This arrangement relies on the timbres of the instrument families to portray the emotional colors of the piece and particularly highlights the woodwind section of the symphony orchestra, along with the angelic sounds of the harp. Percussion is added through timpani, xylophone, glockenspiel, and multi-percussion to heighten the emotional experience of the arrangement.
$35.00
Tuba Mirum / Rex Tremendae Majestatis (from "Requiem Mass" - Full Score)
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Orchestre
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FACILE
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Stephen DeCesare
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Tuba Mirum / Rex Tremendae Maj
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Exultet Music
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.612026 Composed by Stephen DeCesare. Christian,Contemporary,Film/TV,Sacred. Score and parts. 40 pages. Exultet Music ...
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Full Orchestra - Level 2 - SKU: A0.612026 Composed by Stephen DeCesare. Christian,Contemporary,Film/TV,Sacred. Score and parts. 40 pages. Exultet Music #3417544. Published by Exultet Music (A0.612026). Featured in REQUIEM that is available on this site. Scored for Soprano, Mezzo, Tenor, Bass Solos, Keyboard (2), Flute, Oboe, Bb-Clarinet, English Horn, Bassoon, Bb-Trumpet, French Horn, Trombone, and Chimes. A Piano/Vocal Score is also available. (If you wish to include an SATB choir or have an SATB choir sing the Rex Tremendae section strictly on their own - that can be left to conductor's discretion.).
$12.99
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik ...
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Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
Sagittarius A*
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Orchestre
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AVANCÉ
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Contemporain
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A
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ForteTwo
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Sagittarius A*
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ForteTwo Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.942811 Composed by A. Scriabin. Arranged by ForteTwo. 20th Century. Score and parts. 382 pages. ForteTwo Music #63552...
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Full Orchestra - Level 5 - SKU: A0.942811 Composed by A. Scriabin. Arranged by ForteTwo. 20th Century. Score and parts. 382 pages. ForteTwo Music #6355275. Published by ForteTwo Music (A0.942811). This is an orchestrated suite of Scriabin's Ninth Black Mass, Sixth, and Seventh White Mass Piano Sonatas. This work represents both my appreciation of Scriabin's music and my love of astronomy, and is dedicated to the efforts to image the supermassive black hole at the center of our galaxy. For full orchestra and 2 SSA choruses. See preview for instrumentation.
$42.42
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Pittsburgh Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Pu...
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Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
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Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
E. Satie - "Le Fils des Étoiles", Act 1, Orchestrated by A. Leytush - Score Only
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Orchestre
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FACILE
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Contemporain
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E
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A
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E. Satie - "Le Fils des &
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1455589 Composed by E. Satie. Arranged by A. Leytush. 20th Century. 53 pages. Arkady Leytush #1034683. Published by A...
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Full Orchestra - Level 2 - SKU: A0.1455589 Composed by E. Satie. Arranged by A. Leytush. 20th Century. 53 pages. Arkady Leytush #1034683. Published by Arkady Leytush (A0.1455589).
$75.00
E. Satie - "Le Fils des Étoiles", Preludes I,II,III, Orchestrated by A. Leytush - Score Only
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Orchestre
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Contemporain
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E
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A
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E. Satie - "Le Fils des &
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1455596 Composed by E. Satie. Arranged by A. Leytush. 20th Century. 36 pages. Arkady Leytush #1034690. Published by Arkady Leyt...
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Full Orchestra - SKU: A0.1455596 Composed by E. Satie. Arranged by A. Leytush. 20th Century. 36 pages. Arkady Leytush #1034690. Published by Arkady Leytush (A0.1455596).
$50.00
C. Debussy - IMAGES, Book I, #3. Mouvement, Orchestra Suite, Orchestrated by A. Leytush
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Orchestre
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Classique
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Claude Debussy
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A
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C. Debussy - IMAGES, Book I, #
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008373 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 30 pages. Arkady Leytush #4847875. P...
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Full Orchestra - SKU: A0.1008373 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 30 pages. Arkady Leytush #4847875. Published by Arkady Leytush (A0.1008373). After completing his orchestral work La Mer, Debussy returned to the piano with Images Book 1. His fresh, orchestral perspective gleaned from the massive symphonic work guided his hand in composing Images, and this piano work showcases his creative and unique com-positional style. Each individual movement uses subtlety in melody, harmony, and rhythm to create an expressive sound world.Images Book 1 consists of three movements: Reflets dans l’eau, Hommage à Rameau, and Mouvement. As it known, Images Book 1, was originally composed for the piano and never got orchestrated by the composer. This gave me an idea to do the transcription for the orchestra to make the full version of this spectacular piece, along with Book II and Book III, complete.
$25.00
C. Debussy - IMAGES, Book I, #2. Hommage à Rameau, Orchestra Suite, Orchestrated by A. Leytush
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Orchestre
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Classique
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Claude Debussy
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A
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C. Debussy - IMAGES, Book I, #
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008371 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 20 pages. Arkady Leytush #4847873. P...
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Full Orchestra - SKU: A0.1008371 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 20 pages. Arkady Leytush #4847873. Published by Arkady Leytush (A0.1008371). After completing his orchestral work La Mer, Debussy returned to the piano with Images Book 1. His fresh, orchestral perspective gleaned from the massive symphonic work guided his hand in composing Images, and this piano work showcases his creative and unique com-positional style. Each individual movement uses subtlety in melody, harmony, and rhythm to create an expressive sound world.Images Book 1 consists of three movements: Reflets dans l’eau, Hommage à Rameau, and Mouvement. As it known, Images Book 1, was originally composed for the piano and never got orchestrated by the composer. This gave me an idea to do the transcription for the orchestra to make the full version of this spectacular piece, along with Book II and Book III, complete.
$25.00
C. Debussy - IMAGES, Book I, #1.Reflets dans l'eau, Orchestra Suite, Orchestrated by A. Leytush
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Orchestre
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Classique
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Claude Debussy
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A
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C. Debussy - IMAGES, Book I, #
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008370 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 29 pages. Arkady Leytush #4847871. P...
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Full Orchestra - SKU: A0.1008370 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 29 pages. Arkady Leytush #4847871. Published by Arkady Leytush (A0.1008370). After completing his orchestral work La Mer, Debussy returned to the piano with Images Book 1. His fresh, orchestral perspective gleaned from the massive symphonic work guided his hand in composing Images, and this piano work showcases his creative and unique com-positional style. Each individual movement uses subtlety in melody, harmony, and rhythm to create an expressive sound world.Images Book 1 consists of three movements: Reflets dans l’eau, Hommage à Rameau, and Mouvement. As it known, Images Book 1, was originally composed for the piano and never got orchestrated by the composer. This gave me an idea to do the transcription for the orchestra to make the full version of this spectacular piece, along with Book II and Book III, complete.
$25.00
Saving All My Love For You
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Orchestre
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INTERMÉDIAIRE
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Rock
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Whitney Houston
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Sam Shoup
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Saving All My Love For You
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Sam Shoup
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1496851 By Whitney Houston. By Gerry Goffin and Michael Masser. Arranged by Sam Shoup. Rock. 74 pages. Sam Shoup #107...
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Full Orchestra - Level 3 - SKU: A0.1496851 By Whitney Houston. By Gerry Goffin and Michael Masser. Arranged by Sam Shoup. Rock. 74 pages. Sam Shoup #1073336. Published by Sam Shoup (A0.1496851). The rock/pop ballad by Whitney Houston, arranged for full orchestra, rhythm section, and solo vocalist. Instrumentation is 2-2-2-2, 4-3-3-1, Alto Sax (opt.), Tenor Sax (opt.) T+1, glockenspiel, electric piano, electric guitar, electric bass, drumset and strings. Intermediate difficulty. Score is 11 x 17, parts are 8 1/2 x 11.
$90.00
The Greatest Love Of All
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Whitney Houston
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Matt Amy
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The Greatest Love Of All
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Matt Amy Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1414254 By Whitney Houston. By Linda Creed and Michael Masser. Arranged by Matt Amy. Contemporary,Film/TV,Pop. 69 pag...
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Full Orchestra - Level 4 - SKU: A0.1414254 By Whitney Houston. By Linda Creed and Michael Masser. Arranged by Matt Amy. Contemporary,Film/TV,Pop. 69 pages. Matt Amy Music #996028. Published by Matt Amy Music (A0.1414254). Key: A majorBPM: 66Style: BalladDuration: 4:41â?? Ensemble type: Pops Orchestra (reduced)Full Recording (MIDI): Greatest Love of All (MIDI)Instrumentation- Horn 1, 2- Trombone- Voice- Piano- Guitar- Electric Bass (Rhythm Section)- Drums- Percussion- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$75.00
Carson Cooman: Flute Concerto (2006) for flute and orchestra, score and solo part
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Orchestre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Flute Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3...
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Full Orchestra - Level 5 - SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3043953. Published by Musik Fabrik Music Publishing (A0.533762). Flute Concerto (2006) was commissioned by flutist Judith von Hopf and theKiev Philharmonic and premiered by them under the direction of GuidoLamell. The work is in two movements: Chanson and Fantasy Variations.The first movement, Chanson, is an extended “song†that develops through avariety of textures. The opening song material is centered around G#. In turn,this G# is revealed to be a quasi-dominant of a D centered sonority. (A briefcoda returns to G#, in preparation for the D center of the second movement.)The second movement, Fantasy Variations, is cast as two presentations ofthe theme surrounding five free variations, plus a coda. The theme serves asthe basis of the musical material for each variation as well as the structuraltemplate for each. Also, each variation contains material referring backspecifically to the previous variation.The opening theme is declamatory and massive. The first variation is fastand limber. The second variation is introspective and stratified. The thirdvariation is fleeting. The fourth variation is distant and spare. The fifthvariation is fast and driving. The final theme begins whispered and slowlyregains its declamatory nature before a brief and intense coda ends the workin a blaze.This item is the score and the solo part only. The orchestral parts are on rental from the publisher. The piano reduction is for sale as a seperate item.Instrumentation2 Flutes (2nd dbl. Picc.)2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 Bassoons4 Horns in F/Bb2 Trumpets in C2 TrombonesTubaPercussion (2 players)I: tubular bells, crotales, bass drum, whip/slapstickII: vibraphone (motor off), snare drum(Percussion I needs one rosined bow.Percussion II needs one rosined bow.)PianoSolo Flute(If necessary, discreet amplification of the soloist is acceptable.)Violin IViolin IIViolaCelloContrabass(at least two players [ideally more] must have machine extension to low C)
$25.95
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik...
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Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
Chevalier De Sangreal
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Orchestre
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AVANCÉ
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Hans Zimmer
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Chevalier De Sangreal
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Rel...
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Full Orchestra - Level 5 - SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Religious,Thriller. 102 pages. Www.studio-orchestrations.com #1010904. Published by www.studio-orchestrations.com (A0.1430275). From the 2006 Ron Howard film adaptation of Dan Brown's The Da Vinci Code, this track is taken from the soundtrack which underscores the final late night walk by Robert Langdon (played by Tom Hanks) through the streets of Paris to (possibly and hopefully) conclude his long and testing quest to seek the Holy Grail. No spoilers however. If you've not seen it, then add it to your playlist!The film's soundtrack evokes great emotion throughout and whatever criticisms there may have been over the years about the book, the story, the film etc.. this is definitely one of Hans Zimmer's finest emotional and thought provoking soundtrack scores, drawing from a huge range of musical influences, from the big symphonic oceanic sounscapes to the intimate vocal solo and choral plainchant that are peppered throughout the score. It is an example of how a soundtrack can really make a massive difference to what some might describe glibly as a popcorn movie.Very much like Time in Inception Zimmer takes a relatively simple harmonic and melodic trope and adds layers of melodic counter melody and rhythmic building to create an awe inspiring and (let's face it BIG!) climax, supporting the narrative of the film and story but also creating music that can be taken away from the cinematic experience and enjoyed for its own sake.This orchestration emulkates as closely as possible the soundtrack. Some licence has been taken with the addition of 2 Trumpets which build the climax with the upper strings. SATB choir is also scored as per the original soundtrack but optional as it is mostly covered by orchestral instruments and is also a very brief appearance but - at least for the sopranos - extremely challenging for anyone apart from a professional specialist choral ensemble. The synth section of the keyboard part in the opening pages can also be optional, adding some background sounds that Zimmer is so renowned for (this may be beyond the budget of some performing groups we appeciate). However the piano cues later in the piece are highly desirable as they add a percussive support to the strings.We commend this score to anyone buidling a program of film music for their orchestral event, particularly if you are wishing to include some more modern concert ideas, and in particular a Hans Zimmer classic.INSTRUMENTATON:2 Flutes2 Oboes2 Clarinets2 Bassoons1 Contra-Bassoon (Optional)4 Horns2 Trumpets3 Trombones1 TubaTimpani2 Percussion[Cymbals/Suspp.Cymbal/Bass Drum/Tubular Bells]KeyboardSATB Choir [Optional]Strings.
$150.00
All Creatures of Our God and King - instrumental for orchestra
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Orchestre
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Musique Sacrée
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Gospel Spirituel
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Public Domain
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Jeff D
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All Creatures of Our God and K
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AnderKamp Music
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SheetMusicPlus
Full Orchestra - SKU: A0.742700 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 102 ...
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Full Orchestra - SKU: A0.742700 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 102 pages. AnderKamp Music #3639389. Published by AnderKamp Music (A0.742700). This powerful arrangement of this majestic and well known hymn will be a welcome addition to your orchestral library. Jeff arranged this with a more modern cinematic approach to orchestra. This means that although the arrangement may sound big and bombastic, it is not extremely difficult to play and does not require a huge group for a successful performance. A lot of the brass are in unison or octaves so you don’t have to have four french horns to play this piece. Though four horns would be NICE. The flexibility in this arrangement is that this modern film score approach means you can play this arrangement when you only have a couple trumpets and a horn BUT you can absolutely play this piece with four horns, tons of trumpets and a huge low brass section and it will be gigantic! Most of the giant action films you hear today record with 6-8 (French) horns and they are often playing in unison or octaves. That is part of the massive sound. So, this arrangement can absolutely grow with your group. And if you’ve got extra folks that want to play, this is the PERFECT opportunity to feature a large group.Instrumentation is: Flute 1 & 2 Oboe Clarinet 1 & 2 Bassoon Horn Trumpets 1-3 (these parts are in octaves) Trombone 1-3 Bass Trombone/Tuba Violin 1 & 2 Viola Cello Bass Timpani Percussion 1-3 Harp Piano Supplemental Parts: Bass Clarinet for Bassoon Alto Sax for Horn Tenor Sax 1 & 2 for Trombone 1 & 2 String Synth 1 String Synth 2 String Synth 3 String Synth 4
$69.95
One Sows for the Benefit of Another Age - Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteF...
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Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
Thais Meditation
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Orchestre
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DÉBUTANT
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Classique
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Jules Massenet
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Thais Meditation
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SheetmusicLAB
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SheetMusicPlus
Orchestra (Flute, Violin, Violin, Viola, Cello, Piano) - Primer Level - SKU: P5.CL-ROM-3570 Composed by Jules Massenet. Romantic Period. Score and Parts...
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Orchestra (Flute, Violin, Violin, Viola, Cello, Piano) - Primer Level - SKU: P5.CL-ROM-3570 Composed by Jules Massenet. Romantic Period. Score and Parts. 23 pages. SheetmusicLAB #CL-ROM-3570. Published by SheetmusicLAB (P5.CL-ROM-3570). 8.3 x 11.7 inches.
$26.67
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Piano Mass
