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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Please enjoy!
Non classifié
1 077
Piano & claviers
Piano seul
506
Piano Facile
136
Piano, Voix et Guitare
38
Piano, Voix
37
1 Piano, 4 mains
17
Accompagnement Piano
12
Instruments en Do
7
2 Pianos, 4 mains
6
Orgue
3
Piano Trio: piano, violon, violoncelle
2
Orgue, Piano (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavecin
1
2 Pianos, 8 mains
1
+ 9 instrumentations
Retracter
Guitares
Ukulele
39
Guitare notes et tablatures
35
Guitare
14
4 Guitares (Quatuor)
10
2 Guitares (duo)
8
3 Guitares (trio)
4
Basse electrique
2
Ligne De Mélodie, (Paroles) et Accords
2
Ensemble de guitares
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
184
Chorale TTBB
86
Chorale 3 parties
51
Chorale Unison
12
Chorale SSAA
10
Chorale 2 parties
10
Voix Soprano, Piano
8
Voix Alto, Piano
2
Voix Baryton, Piano
2
Voix Tenor, Piano
1
Voix duo
1
+ 6 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
125
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
120
Ensemble de saxophones
64
Quatuor de Saxophones: 4 saxophones
63
Flûte, Hautbois, Clarinette, Basson
48
Ensemble de Clarinettes
45
Quatuor de Clarinettes: 4 clarinettes
38
Flûte traversière
29
Flûte traversière et Piano
27
Clarinette
25
Clarinette et Piano
18
Hautbois, Piano (duo)
17
Quintette de Flûte : 5 flûtes
16
Quintette de Clarinettes: 5 clarinettes
15
Quatuor de Flûtes : 4 flûtes
13
2 Flûtes traversières (duo)
13
Ensemble de Flûtes
12
Saxophone Tenor et Piano
12
Saxophone Alto et Piano
11
Trio de Flûtes: 3 flûtes
10
Hautbois (partie séparée)
9
Flûte, Clarinette (duo)
9
2 Clarinettes (duo)
9
Flûte, Violoncelle
8
2 Saxophones (duo)
7
Flûte, Violon
7
Flûte, Alto (duo)
6
Flûte et Guitare
6
Flûte, Clarinette et Basson
6
3 Clarinettes (trio)
5
Saxophone (partie séparée)
5
3 Saxophones (trio)
5
Saxophone Soprano et Piano
5
Saxophone Alto
5
Hautbois, Basson (duo)
4
Saxophone Tenor
4
Clarinette, Basson (duo)
3
Clarinette et Alto
3
Clarinette, Violoncelle (duo)
3
Cor anglais, Piano
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Hautbois, Violoncelle
3
Clarinette, Violon (duo)
3
Saxophone Baryton, Piano
2
Flûte à bec Alto
2
Flûte à bec Tenor
2
Hautbois
2
Ocarina
2
2 Hautbois (duo)
2
Hautbois, Clarinette (duo)
2
Flûte et Trio à cordes
2
Clarinette Basse, Piano
2
Hautbois, violon (duo)
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec Soprano
1
Flûte, Violon et Violoncelle
1
Flûte, Tuba (duo)
1
Quatuor de Flûtes à bec
1
Flûte à Bec
1
Cor Anglais
1
Flûte, Hautbois (duo)
1
Hautbois et alto (duo)
1
+ 57 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
89
Ensemble de Trompettes
78
Quatuor de Cuivres : 2 trompettes, trombone, tuba
75
Ensemble de Trombones
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Trompette
19
Trombone
16
Quatuor de Cuivres
12
Trombone et Piano
12
Trompette, Piano
11
Euphonium, Piano (duo)
7
Cor
6
Tuba
6
Tuba et Piano
6
Cor et Piano
6
Quatuor de cuivres: 4 trombones
5
Trompette (partie séparée)
5
Quatuor de cuivres: 4 cors
5
Ensemble de Cors
4
Cor anglais, Piano
3
Quatuor de cuivres: 4 trompettes
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trio de Cuivres
3
2 Trompettes (duo)
2
2 Trombones (duo)
2
Euphonium
2
3 Trompettes (trio)
2
2 Cors (duo)
1
2 Tubas (duo)
1
Trompette, Basson (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Trombone (duo)
1
Cor Anglais
1
Trompette, Tuba (duo)
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
119
Violon
95
Trio à Cordes: violon, alto, violoncelle
44
Violon et Piano
30
Violoncelle
23
Ensemble de Violons
18
Ensemble d'Altos
18
Alto, Piano
18
Violoncelle, Piano
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
2 Violons (duo)
14
Alto seul
14
Violon, Alto (duo)
10
Violon, Violoncelle (duo)
9
2 Altos (duo)
9
2 Violoncelles (duo)
7
Alto, Violoncelle (duo)
7
Trio à cordes: 3 violins
5
Trio à Cordes: 3 violoncelles
5
Alto (partie séparée)
5
Harpe
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Trio à Cordes: 2 violons, alto
3
Contrebasse, Piano (duo)
3
Contre Basse
3
Quatuor à cordes: 4 violons
3
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 altos
2
Quatuor à cordes : 4 altos
2
Violon, Basson (duo)
2
4 Violoncelles
2
Violon (partie séparée)
2
2 Harpes (duo)
1
Harpe et Piano
1
Flûte, Contrebasse (duo)
1
Contrebasse (partie séparée)
1
Ensemble de Violoncelles
1
Violon, Tuba (duo)
1
Alto et Basson
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
121
Orchestre à Cordes
95
Ensemble de cuivres
50
Orchestre d'harmonie
37
Fanfare
26
Ensemble de Percussions
26
Jazz combo
22
Orchestre
21
Orchestre de chambre
10
Batterie
7
Marimba
6
Cloches
6
Big band
2
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
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Nouveautes
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Vous avez sélectionné:
Please enjoy!
Orchestre
Partitions à imprimer
21 partitions trouvées
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1
Homura
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Orchestre
#
INTERMÉDIAIRE
#
Lisa Oribe and Yuki Kajiura
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CosmoPianist
#
Homura
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CosmoPianist
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1094887 Composed by Lisa Oribe and Yuki Kajiura. Arranged by CosmoPianist. Classical,Film/TV. Score and parts. 20 pag...
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Full Orchestra - Level 3 - SKU: A0.1094887 Composed by Lisa Oribe and Yuki Kajiura. Arranged by CosmoPianist. Classical,Film/TV. Score and parts. 20 pages. CosmoPianist #698956. Published by CosmoPianist (A0.1094887). This sheet is theme song from the movie Demon Slayer Mugen train (Kimetsu no Yaiba Mugen Ressya) arranged for classical orchestra or programming. Please enjoy the world of Demon Slayer and the magnificent orchestral sound.
$59.99
Today I Choose (Choir Orch)
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Orchestre
#
FACILE
#
Musique Sacrée
#
Chris Blanton
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Today I Choose
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Chris Blanton Music
#
SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.903875 Composed by Chris Blanton. Contemporary,Praise & Worship,Sacred. Score and Parts. 120 pages. Chris Blanton Mus...
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Full Orchestra - Level 2 - SKU: A0.903875 Composed by Chris Blanton. Contemporary,Praise & Worship,Sacred. Score and Parts. 120 pages. Chris Blanton Music #5771171. Published by Chris Blanton Music (A0.903875). A collection of life lessons and truths, your congregation will enjoy learning this anthemic declaration. Also includes the Prayer Guide based on the lyrics of this song! ***BEFORE YOU PURCHASE: This version contains ALL orchestration. If you need the lead sheet format only, please purchase Today I Choose (Leadsheet).Please report usage to CCLI, Song #7108576.
$12.99
Overture of life - Petro Melnyk
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Petro Melnyk
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Overture of life - Petro Melny
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PetroMelnyk
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1014675 Composed by Petro Melnyk. 20th Century,Contemporary,Film/TV. Score and parts. 39 pages. PetroMelnyk #5990627....
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Full Orchestra - Level 4 - SKU: A0.1014675 Composed by Petro Melnyk. 20th Century,Contemporary,Film/TV. Score and parts. 39 pages. PetroMelnyk #5990627. Published by PetroMelnyk (A0.1014675). My first original composition was written for a symphony orchestra. Music shows how diverse life can be. Lyrical, melodic, harmonious, but also disturbing, tense. In the first part, the music constantly keeps us in suspense. Marked trombones keep the rhythm, and the different timbres of the instruments do not allow to calm down until the culmination of tension reaches its highest point and the lyrical part begins with a solo oboe which shows not everything as scary as it seems, later other timbres are connected until the string enters. a band that gives melodies fullness of sound. Permanent glissando horns also add fullness to the sound. Only at the end of the first and second parts are combined in major key. And the code, thanks to the unusual rhythm, shows that everything is much more complicated than it seems, but the work ends in major and it gives us hope for a better future. I hope you enjoy it!There are separate sheets for each instrument. To order write: 25botrus06@gmail.comPleasent listening and playing!
$2.99
My Way
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Orchestre
#
INTERMÉDIAIRE
#
Frank Sinatra
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Brad Esbensen
#
My Way
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Brad Esbensen Music Services
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1512318 By Frank Sinatra. By Claude Francois, Gilles Thibault, Jacques Revaux, and Paul Anka. Arranged by Brad Esbens...
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Full Orchestra - Level 3 - SKU: A0.1512318 By Frank Sinatra. By Claude Francois, Gilles Thibault, Jacques Revaux, and Paul Anka. Arranged by Brad Esbensen. Contemporary,Jazz,Pop,Standards. 83 pages. Brad Esbensen Music Services #1087370. Published by Brad Esbensen Music Services (A0.1512318). Arranged for full orchestra and vocal feature in C major, this arrangement follows a similar form to the version originally recorded by Frank Sinatra. A straight ahead chart with moderate brass ranges (trumpets need flugels) and fully notated rhythm section parts. This arrangement is sure to be a welcome addition to your program with performers and audience alike! I hope you enjoy performing this chart and if you would like it transposed into another key or would like alternate parts/instrumental combinations, please e-mail me at brad@bemus.com.au www.bemus.com.au.
$60.00
Anthem
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Orchestre
#
INTERMÉDIAIRE
#
Boyd Neal E
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Kevin Riley
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Anthem
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Kevin Riley
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1477343 By Boyd Neal E. By Benny Andersson, Bjorn Ulvaeus, and Tim Rice. Arranged by Kevin Riley. 20th Century,Broadw...
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Full Orchestra - Level 3 - SKU: A0.1477343 By Boyd Neal E. By Benny Andersson, Bjorn Ulvaeus, and Tim Rice. Arranged by Kevin Riley. 20th Century,Broadway,Musical/Show. 33 pages. Kevin Riley #1054767. Published by Kevin Riley (A0.1477343). This version of Anthem is to feature solo trumpet.If you enjoy playing this and would like to request a piece for your ensemble please get in touch at klscj@me.com.
$60.00
The River Kwai March
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Malcolm Arnold
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Kevin Riley
#
The River Kwai March
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Kevin Riley
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1478076 Composed by Malcolm Arnold. Arranged by Kevin Riley. 20th Century,Film/TV,March. 56 pages. Kevin Riley #10554...
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Full Orchestra - Level 4 - SKU: A0.1478076 Composed by Malcolm Arnold. Arranged by Kevin Riley. 20th Century,Film/TV,March. 56 pages. Kevin Riley #1055459. Published by Kevin Riley (A0.1478076). The River Kwai March is a march composed by Malcolm Arnold in 1957. It was written as an orchestral counter-march to the Colonel Bogey March, which is whistled by the soldiers entering the prisoner camp in the film The Bridge on the River Kwai and again near the end of the film when the bridge is formally dedicated. The Arnold march re-appears (without the Colonel Bogey March) several times in the film and is repeated at the finale.If you enjoy playing this and would like to request a piece for your ensemble please get in touch at klscj@me.com.
$70.00
All Time High
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Rita Coolidge
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All Time High
#
www.studio-orchestrations.com
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrations. Contemporar...
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Full Orchestra - Level 4 - SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrations. Contemporary,Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977260. Published by www.studio-orchestrations.com (A0.1393788). IMPORTANT: Please see note below about the key of this versionThis classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days.  Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. This score and parts are a semitone/half-step higher (starting in F major) which might suit some female performers slightly better for range.  The original Rita Coolidge performancxe key (starting in E major) is dusky and mellow (ie. quite low) but is also available on this website.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00
Gulf Coast Symphony
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
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Kevin Price
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Gulf Coast Symphony
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Kevin Price
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.965587 Composed by Kevin Price. Contemporary. Score and parts. 139 pages. Kevin Price #5766297. Published by Kevin Pr...
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Full Orchestra - Level 4 - SKU: A0.965587 Composed by Kevin Price. Contemporary. Score and parts. 139 pages. Kevin Price #5766297. Published by Kevin Price (A0.965587). I am really excited to present my first symphony; Gulf Coast Symphony. As far as symphonies go this is slightly shorter than most with a runtime of approx. 20 mins. This composition consists of four movements: The Sonata, which is written at an Allegro includes a french horn and oboe solo. Andante, which is obviously written at an Andante displays a very beautiful harp part, a section with the violins playing a lovely pizzicato part, and includes a trumpet duet. The percussion is also showcased in the first 8 bars of the movement. Next is the Minuet, which highlights the flutes briefly in the intro, and also includes a violin as well as a trombone solo. The last movement is a Rondo, which consists of a bassoon solo and is the longest of the 4 movements. I am looking for feedback on my composition, so please leave comments in the review section on what you liked, and what you might like to see in future compositions. Enjoy!
$19.99
Innocente ma Curioso
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Sarah Mauro
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Innocente ma Curioso
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Sarah Mauro
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1015154 Composed by Sarah Mauro. 20th Century,Contemporary,Romantic Period. Score and parts. 43 pages. Sarah Mauro #4...
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Full Orchestra - Level 4 - SKU: A0.1015154 Composed by Sarah Mauro. 20th Century,Contemporary,Romantic Period. Score and parts. 43 pages. Sarah Mauro #4718065. Published by Sarah Mauro (A0.1015154). The melodies of Innocente ma Curioso (Italian for innocent but curious) slowly awaken and unfold, overlapping and weaving as they get to know each other, finally coming together in shared exuberance. Lydian inflections, playful pizzicato, and triangle give a sense of timidity that evolves into wonder. The narrative of the piece, which, while evoked in the title, is not prescribed by the composer, and can be played with by the conductor as they experiment with the fermatas, piu mossos, and ritards. With strong programmatic influence, this piece would work well on a concert on the themes of curiosity, beauty, and joy, or even accompanying an art show or theatrical performances.This full orchestra piece runs at just under five minutes, and is perfect for advanced high school, college, and community orchestras, especially those with strong upper wind sections. Creative musicians will enjoy the challenge of phrasing and shaping the melodies to bring out their personalities.To hear a recording of the piece, please visit https://soundcloud.com/sarahlmauro/13-innocente-ma-curioso-2011The composer is a member of BMI. Her SoundCould page is https://soundcloud.com/sarahlmauro
$65.00
Can't Take My Eyes Off Of You
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Orchestre
#
INTERMÉDIAIRE
#
Frankie Valli
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Brad Esbensen
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Can't Take My Eyes Off Of You
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Brad Esbensen Music Services
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.774473 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Brad Esbensen. Contemporary,Pop. Score and Parts. 7...
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Full Orchestra - Level 3 - SKU: A0.774473 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Brad Esbensen. Contemporary,Pop. Score and Parts. 77 pages. Brad Esbensen Music Services #6230073. Published by Brad Esbensen Music Services (A0.774473). This arrangement, in the key of C major and loosely following the same form as the Franki Valli Four Seasons recording, is a vocal feature with SATB choir and full orchestral accompaniment. This arrangement is sure to be a welcome addition to your program with performers and audience alike! I hope you enjoy performing this chart and if you would like it transposed into another key or would like alternate parts/instrumental combinations, please e-mail me at brad@bemus.com.au www.bemus.com.au.
$60.00
Keep Holding On
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Orchestre
#
INTERMÉDIAIRE
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Avril Lavigne
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Brad Esbensen
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Keep Holding On
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Brad Esbensen Music Services
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1214055 By Avril Lavigne. By Avril Lavigne and Lukasz Gottwald. Arranged by Brad Esbensen. Contemporary,Film/TV,Pop,R...
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Full Orchestra - Level 3 - SKU: A0.1214055 By Avril Lavigne. By Avril Lavigne and Lukasz Gottwald. Arranged by Brad Esbensen. Contemporary,Film/TV,Pop,Rock. Score and Parts. 76 pages. Brad Esbensen Music Services #811251. Published by Brad Esbensen Music Services (A0.1214055). This arrangement, in the key of G major and following the same form as the Avril Lavigne recording, is for solo voice and 3-part choir with full orchestra and rhythm section accompaniment. This arrangement is sure to be a welcome addition to your program with performers and audience alike! I hope you enjoy performing this chart and if you would like it transposed into another key or would like alternate parts/instrumental combinations, please e-mail me at brad@bemus.com.au www.bemus.com.au.
$60.00
Playing To Win
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Graham Goble and John Farnham
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Brad Esbensen
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Playing To Win
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Brad Esbensen Music Services
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.774436 Composed by Graham Goble and John Farnham. Arranged by Brad Esbensen. Contemporary,Pop,Rock. Score and Parts. ...
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Full Orchestra - Level 4 - SKU: A0.774436 Composed by Graham Goble and John Farnham. Arranged by Brad Esbensen. Contemporary,Pop,Rock. Score and Parts. 147 pages. Brad Esbensen Music Services #6204419. Published by Brad Esbensen Music Services (A0.774436). This arrangement, in the key of E minor, generally follows the form of John Farnham's recording he made while with the Little River Band. All rhythm section parts are fully notated thorughout to assist younger players. This Australian pop classic is sure to be a hit with audiences. I hope you enjoy performing this chart and if you would like it transposed into another key or would like alternate parts/instrumental combinations, please e-mail me at brad@bemus.com.au www.bemus.com.au.
$60.00
Innocente ma Curioso
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Sarah Mauro
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Innocente ma Curioso
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Sarah Mauro
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1015156 Composed by Sarah Mauro. 20th Century,Contemporary,Romantic Period. Score and parts. 29 pages. Sarah Mauro #4...
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Full Orchestra - Level 4 - SKU: A0.1015156 Composed by Sarah Mauro. 20th Century,Contemporary,Romantic Period. Score and parts. 29 pages. Sarah Mauro #4718077. Published by Sarah Mauro (A0.1015156). The melodies of Innocente ma Curioso (Italian for innocent but curious) slowly awaken and unfold, overlapping and weaving as they get to know each other, finally coming together in shared exuberance. Lydian inflections, playful pizzicato, and triangle give a sense of timidity that evolves into wonder. The narrative of the piece, which, while evoked in the title, is not prescribed by the composer, and can be played with by the conductor as they experiment with the fermatas, piu mossos, and ritards. With strong programmatic influence, this piece would work well on a concert on the themes of curiosity, beauty, and joy, or even accompanying an art show or theatrical performances.This full orchestra piece runs at just under five minutes, and is perfect for advanced high school, college, and community orchestras, especially those with strong upper wind sections. Creative musicians will enjoy the challenge of phrasing and shaping the melodies to bring out their personalities.To hear a recording of the piece, please visit https://soundcloud.com/sarahlmauro/13-innocente-ma-curioso-2011The composer is a member of BMI. Her SoundCould page is https://soundcloud.com/sarahlmauro
$50.00
Innocente ma Curioso
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Sarah Mauro
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Innocente ma Curioso
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Sarah Mauro
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1015155 Composed by Sarah Mauro. 20th Century,Contemporary,Romantic Period. Score and parts. 14 pages. Sarah Mauro #4...
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Full Orchestra - Level 4 - SKU: A0.1015155 Composed by Sarah Mauro. 20th Century,Contemporary,Romantic Period. Score and parts. 14 pages. Sarah Mauro #4718075. Published by Sarah Mauro (A0.1015155). The melodies of Innocente ma Curioso (Italian for innocent but curious) slowly awaken and unfold, overlapping and weaving as they get to know each other, finally coming together in shared exuberance. Lydian inflections, playful pizzicato, and triangle give a sense of timidity that evolves into wonder. The narrative of the piece, which, while evoked in the title, is not prescribed by the composer, and can be played with by the conductor as they experiment with the fermatas, piu mossos, and ritards. With strong programmatic influence, this piece would work well on a concert on the themes of curiosity, beauty, and joy, or even accompanying an art show or theatrical performances.This full orchestra piece runs at just under five minutes, and is perfect for advanced high school, college, and community orchestras, especially those with strong upper wind sections. Creative musicians will enjoy the challenge of phrasing and shaping the melodies to bring out their personalities.To hear a recording of the piece, please visit https://soundcloud.com/sarahlmauro/13-innocente-ma-curioso-2011The composer is a member of BMI. Her SoundCould page is https://soundcloud.com/sarahlmauro
$15.00
BALCANOMANIA full orchestral score and parts
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Orchestre
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INTERMÉDIAIRE
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Michael Beier
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BALCANOMANIA full orchestral s
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Michael Beier
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.992972 Composed by Michael Beier. Contemporary,Multicultural,Standards,World. Score and parts. 47 pages. Michael Beie...
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Full Orchestra - Level 3 - SKU: A0.992972 Composed by Michael Beier. Contemporary,Multicultural,Standards,World. Score and parts. 47 pages. Michael Beier #3863281. Published by Michael Beier (A0.992972). Some would call it a Hippie Song - you get a great piece of wild music in Balcan Style: 4/4 and 3/4 beat go just fine together. Xylophone, Piano and Accordeon add a special sound, if you wish there might be room for more percussion. Players can stand up to perform even more lively :)We put BALCANOMANIA on the stage with students of a music school, and it was a hit instantly. Nothing for beginners, though. Now we decided to no longer keep the music in the shelf :) Enjoy it. You not just buy the music but also the right to perform it as often as you wish (but please don't copy for other orchestras...) We'd love to get a feedback. Thank you for purchasing BALCANOMANIA.
$14.00
The Deer - N. Cossins (Original Orchestral Composition)
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Orchestre
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Nicholas Cossins
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The Deer - N. Cossins
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Nicholas Cossins
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SheetMusicPlus
Full Orchestra - SKU: A0.1020544 Composed by Nicholas Cossins. Children,Contemporary,Standards. Score and parts. 49 pages. Nicholas Cossins #5453723. Pu...
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Full Orchestra - SKU: A0.1020544 Composed by Nicholas Cossins. Children,Contemporary,Standards. Score and parts. 49 pages. Nicholas Cossins #5453723. Published by Nicholas Cossins (A0.1020544). An entertaining piece of idiomatic programme music for strings, woodwind, brass, and percussion. It tells the story of a deer escaping a hunting fleet through the forest. Enjoy the powerful chasing nature contrasting with the delicate gallop.This piece is good for any sized orchestra and any standard. It can be played for concerts, warm-ups, encores, or background music. (Instrument *singular*: - 1st and Instruments *plural* - 2nd/3rd/4th. For example Bassoon - 1st, Bassoons - 2nd) You can double as you please.
$9.99
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik...
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Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik ...
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Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
The American Seasons (violin solo part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$22.50
The American Seasons (2nd violins part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
$15.00
The Great Escape March
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Al Stillman and Elmer Bernstei
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The Great Escape March
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1454722 Composed by Al Stillman and Elmer Bernstein. Arranged by John Langley / Studio Orchestrations. Film/TV,Histor...
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Full Orchestra - Level 4 - SKU: A0.1454722 Composed by Al Stillman and Elmer Bernstein. Arranged by John Langley / Studio Orchestrations. Film/TV,Historic,March,Patriotic,Thriller. 106 pages. Www.studio-orchestrations.com #1033795. Published by www.studio-orchestrations.com (A0.1454722). The Great Escape (1963) is one of the great American epic war adventure films starring some of the greatest actors of the age like Steve McQueen, James Garner, Richard Attenborough, Charles Bronson, Donald Pleasence, James Coburn, David McCallum, Gordon Jackson, among many others. The soundtrack was composed by Elmer Bernstein who had enjoyed great acclaim for his music for the 1960 epic The Magnificent 7 (also starrring Steve McQueen). The Great Escape March theme is regarded as one of the best loved war film themes harnessing both a British and an American patriotic flavour in its themes. Its bitter sweet jauntiness successfully catches the mood of the film, the optimism and indominatable spirit of the prisoners always hell bent on trying to escape, and the German march theme also makes a brief appearance to reflect all the voices in the narrative of the story. Other film composers have used a similar approach using a jaunty march theme like Bernstein does - notably The bridge over the river Kwai and A bridge too far - while other composers have tried (arguably) less successfully to encapsulate appropriate pathos alongside that optimism in the 'optimistic' themes.This arrangement is a great bite sized orchestral excerpt appropriate for any concert of film music, or military war/historic themes. INSTRUMENTATION:FlutePiccolo2 Oboes2 Clarinets2 Bassoons4 Horns4 Trumpets3 TrombonesTubaTimpani3 Percussion [Bass Drum/Cymbals/2 Side Drums]StringsFeel free to browse other similar titles on this website written by John langley and Paul Campbell at www.studio-orchestrations.com
$100.00
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