English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
29
Partitions
Numériques
14
Librairie
Musicale
10
Matériel
de Musique
0
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
413
PIANO & CLAVIERS
Orgue
19
Piano seul
12
Piano, Voix
7
Piano, Voix et Guitare
6
Accompagnement Piano
5
Piano Facile
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
1
VOIX
Chorale SATB
9
Chorale 3 parties
3
Chorale Unison
2
Voix Alto, Piano
1
VENTS
Flûte traversière et Piano
390
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
179
2 Flûtes traversières (duo)
136
Flûte, Hautbois, Clarinette, Basson
106
Flûte, Clarinette (duo)
101
Flûte traversière
84
Quatuor de Flûtes : 4 flûtes
38
Flûte, Clarinette, Piano (trio)
37
2 Flûtes traversières, Piano
37
Hautbois, Piano (duo)
28
Flûte, Violoncelle, Piano (trio)
27
Flûte, trombone et piano
27
Flûte, Violon et Violoncelle
27
Saxophone Tenor et Piano
26
Quintette de Flûte : 5 flûtes
25
Trio de Flûtes: 3 flûtes
23
Saxophone Alto et Piano
18
Flûte, Alto et Piano
16
Flute (partie séparée)
15
Flûte, Clarinette et Basson
15
Flûte, Violon, Piano
15
Flûte, Hautbois, Piano (trio)
15
Ensemble de Flûtes
15
Flûte et Guitare
14
Flûte, Hautbois, Clarinette (trio)
10
Flûte, Violoncelle
10
Flûte, Violon, Violoncelle et Piano
9
Clarinette
8
Flute, Cor (duo)
8
3 Saxophones (trio)
8
Clarinette et Piano
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte, Violon
7
Flûte, Basson et Piano
7
Flûte, Violoncelle, Guitare
6
Flûte, Hautbois, Basson
6
Hautbois, Flûte
6
Flûte traversière, Orgue (duo)
5
Flûte, Hautbois (duo)
5
Flûte, Saxophone (duo)
4
Flûte, Trombone (duo)
3
Saxophone Soprano et Piano
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Quatuor de Clarinettes: 4 clarinettes
3
Clarinette Basse, Piano
3
Flûte, Violon, Guitare
2
Flûte, Alto (duo)
2
Quatuor de Saxophones: 4 saxophones
2
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Hautbois, Violon
1
Flûte, Trompette (duo)
1
Flûte, Clarinette, Violon (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
2 Clarinettes, Piano
1
3 Clarinettes (trio)
1
Flûte et Trio à cordes
1
Flûte, Tuba (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone et Piano
22
Cor et Piano
14
Trompette, Piano
10
Trompette
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
26
Alto, Piano
25
Violoncelle, Piano
16
Harpe, Flûte (duo)
12
Harpe, Violoncelle (duo)
8
Alto et Harpe
8
Harpe, Violon (duo)
8
Trio à Cordes: violon, alto, violoncelle
6
Violon
6
Quatuor à cordes: 2 violons, alto, violoncelle
2
Harpe, Voix
2
Flûte, Contrebasse (duo)
1
Harpe
1
Contrebasse, Piano (duo)
1
Contre Basse
1
Violon, Violoncelle (duo)
1
Violoncelle
1
Violon, Alto (duo)
1
2 Violons, Piano
1
Alto seul
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre
14
Orchestre d'harmonie
13
Orchestre de chambre
13
Ensemble de cuivres
3
Cloches
2
Big band
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Prelude for Flute and
Orchestre
Partitions à imprimer
14 partitions trouvées
<
1
Four Impressions on Debussy (4 Piano Preludes - Full Orchestra) ? Score and Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debu…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussyâ??s Préludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puckâ??s DanceIV: The Sunken CathedralDebussyâ??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puckâ??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussyâ??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes â?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a â??symphonicâ?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly â??scherzoâ?? (Puckâ??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in Bâ? Bass Clarinet in Bâ? 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bâ? 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi à 4) Violin 2 (divisi à 4) Viola (divisi à 4) Violoncello (divisi à 4) Contrabass (B extension where possible) (divisi à 4)
$99.99
93.19 €
#
Orchestre
#
Claude Debussy
#
Ben Trigg
#
Four Impressions on Debussy
#
OlivePress Music
#
SheetMusicPlus
Rachmaninoff: Alla Marcia in g Minor | Full Orchestra (Set of Parts)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.998578 Composed by Sergei Rachm…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.998578 Composed by Sergei Rachmaninoff. Arranged by Michael Barrera. Romantic Period. 76 pages. Michael Barrera #6256209. Published by Michael Barrera (A0.998578). Https://www.michaelbarreraflute.com/shop/p/alla-marcia-orchestra-parts Program Notes Sergei Rachmaninoff’s Alla Marcia in g Minor is arguably one of his most popular pieces that is still played today. This prelude was included as number 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this prelude in Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenth note figures setting the mood for a minor march. Following this, the relative major Eb comes in full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of the opening march dissipates as a new lyrical melody takes the forefront, accompanied by sweeping arpeggios. This section is much melancholier than before. As this theme fades, the march returns slowly out of the mist that the previous section created. It builds to the return of the Eb major section that leads into a continuation of the march theme. This fades into a quick rising figure to finish the prelude. This arrangement captures both the energy of the march and the beauty of the lyrical middle section. Instrumentation 2 Flutes 2 Oboes 2 Clarinets (B flat) 2 Bassoons 4 Horns (F) 3 Trumpets (B flat) 2 Trombones 1 Bass Trombone 1 Tuba Timpani Snare Drum Tambourine Harp (substitute piano if necessary) Violins I and II Viola Violincello Double Bass.
$79.99
74.55 €
#
Orchestre
#
Sergei Rachmaninoff
#
Michael Barrera
#
Rachmaninoff: Alla Marcia in g Minor | Full Orchestra
#
Michael Barrera
#
SheetMusicPlus
If Jesus Goes With Me (O Monte do Senhor) for Orchestra
Orchestre
Full Orchestra, Flute 1, Flute 2, Oboe 1, Oboe 2, Clarinet Bb 1, Clarinet Bb 2 - Eas…
(+)
Full Orchestra, Flute 1, Flute 2, Oboe 1, Oboe 2, Clarinet Bb 1, Clarinet Bb 2 - Easy/Beginner - Digital Download Composed by Charles Austin Miles (1908). Arranged by Eugenio Gall. Christian, Sacred, General Worship. Score, Set of Parts. 23 pages. Published by Eugenio Gall
This is an orchestral prelude of the hymn, it is appropiate for church services in Protestant denominations. There are two possibilities of playing the prelude: with or without brass and percussion.
$49.90
46.51 €
#
Orchestre
#
Charles Austin Miles
#
Eugenio Gall
#
If Jesus Goes With Me
#
Eugenio Gall
#
SheetMusicPlus
Prelude Nr. 8 for Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.841057 Composed by Claude Debus…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.841057 Composed by Claude Debussy. Arranged by David Watson. 20th Century,Romantic Period. Score and parts. 24 pages. David E. Watson #3483419. Published by David E. Watson (A0.841057). Prelude Nr. 8, ``The Girl with the Flaxen Hair´´ is the 8th piece in Debussy's 1st Book of Preludes.It is known for it's musical simplicity, and although it is one of the most recorded of Debussy's works it remains popular with Audiences. Parts include - Strings, Flute (2), Oboe (2), B flat Clarinet (2), Bass Clarinet, Bassoon (2), Horn in F (2), and Harp. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$40.00
37.28 €
#
Orchestre
#
Claude Debussy
#
David Watson
#
Prelude Nr. 8 for Orchestra
#
David E. Watson
#
SheetMusicPlus
Prelude Nº 1 - Danseuses de Delphes (For Wind Orchestra)
Orchestre
Full Orchestra - Digital Download SKU: A0.487660 Composed by Claude Debussy (1892-1…
(+)
Full Orchestra - Digital Download SKU: A0.487660 Composed by Claude Debussy (1892-1918). Arranged by Levy Nunes. 20th Century,Baroque,Classical,Contemporary,Instructional. Score and parts. 39 pages. Published by Cambiata (A0.487660). Danseuses de Delphes is a musical composition for piano by the French composer Claude Debussy. It is the piece that opens the first book of the Preludes, written between the end of 1909 and the beginning of 1910. The work is inspired by the “Dancers of Delphiâ€, a sculpture fragment from the temple of Apollo in Delphi, whose photo the musician had seen at the Louvre in Paris. The transcription was requested by the conductor of the UFRJ Wind Orchestra for the concert commemorating the 100th anniversary of the death of composer Claude Debussy. Wind Orchestra: Piccolo, Flute 1-2, Oboe 1-2, English Horn, Clarinet in Eb, Clarinet in Bb 1-3, Bass Clarinet, Alto Sax 1-2, Tenor Sax, Baritone Sax, Bassoon 1-2, Contrabassoon, Horn 1-4, Trumpet in Bb 1-3, Trombone 1-2, Bass Trombone, Euphonium, Tuba, Timpani, Bass Drum, Tamtam. Score - A3 Parts - A4.
$20.00
18.64 €
#
Orchestre
#
Claude Debussy
#
Levy Nunes
#
Prelude Nº 1 - Danseuses de Delphes
#
Cambiata
#
SheetMusicPlus
Prelude No. 1 from Carmen for Full Orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.712947 Composed by Georges Bize…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.712947 Composed by Georges Bizet. Arranged by Doug Clyde. Opera,Romantic Period. Score and parts. 57 pages. ALBEDO MUSIC #4573295. Published by ALBEDO MUSIC (A0.712947). Prelude No. 1 from the opera Carmen for Full Orchestra. Composed by Georges Bizet. Full Score & Parts. Arranged by Doug Clyde. Instrumentation: Piccolo, Flute, Oboe 1, Oboe 2, Clarinet in Bb 1, Clarinet in Bb 2, Bassoon 1, Bassoon 2, Horn in F 1 & 3, Horn in F 2 & 4, Trumpet in Bb 1, Trumpet in Bb 2, Trombone 1, Trombone 2, Trombone 3, Timpani, Triangle, Cymbals, Bass Drum, Violin 1, Violin 2, Viola, Cello, Contrabass. Performance Duration 2:20. AMDS305. © 2019 by ALBEDO MUSIC.
$30.00
27.96 €
#
Orchestre
#
Georges Bizet
#
Doug Clyde
#
Parts
#
Prelude No. 1 from Carmen for Full Orchestra
#
ALBEDO MUSIC
#
SheetMusicPlus
Prelude: The Wonder of Christmas
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1256242 Composed by Traditional…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1256242 Composed by Traditional. Arranged by Paul Campbell. Christian,Christmas,Classical,Holiday,Traditional. Score and Parts. 64 pages. Paul Campbell #849712. Published by Paul Campbell (A0.1256242). Instrumental festive medley for High School / Church Orchestra (incl. Rhythm Section), featuring: O Come All Ye Faithful, What Child is This and Hark! the Herald-angels Performance Time: ca. 3.5 minutesINSTRUMENTATION / PARTS SUPPLIED:2 Flutes (2nd dbl. Piccolo) / Oboe / Clarinet in Bb / Bassoon3 Horns in F / 3 Trumpets in Bb / 3 Trombones / TubaTimpani dbl. Glockenspiel / DrumsAcoustic Guitar / Bass Guitar / Keyboard / PianoStrings (Violin 1, Violin 2, Viola, 'Cello, Double Bass).
$79.99
74.55 €
#
Orchestre
#
Traditional
#
Paul Campbell
#
Prelude: The Wonder of Christmas
#
Paul Campbell
#
SheetMusicPlus
Divertimento for Orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.997183 Composed by Vincent M. Bonafede. C…
(+)
Full Orchestra - Digital Download SKU: A0.997183 Composed by Vincent M. Bonafede. Contemporary. Score and parts. 141 pages. Vincent M. Bonafede #5220243. Published by Vincent M. Bonafede (A0.997183). Divertimento is a work for full orchestra not to be taken too seriously! It is a diversion! It contains 5 very diverse movements. First a prelude; second a generic ragtime tune; third a quiet reverie featuring a flute trio; fourth a march to the saloon on Saturday night and five a finale based on a hymn tune from the Sacred Harp. Each movement is short. Whole work is about 9' 30. All string parts are suitable for the average community orchestra. I have conducted the work with two different community orchestras and feedback was positive from both musicians and audience members.
$15.00
13.98 €
#
Orchestre
#
Vincent M
#
a prelude
#
Divertimento for Orchestra
#
Vincent M. Bonafede
#
SheetMusicPlus
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe …
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
9.31 €
#
Orchestre
#
Thomas Oboe Lee
#
Symphony No. 7 ... Roman Holidays
#
Thomas Oboe Lee
#
SheetMusicPlus
Missa Solemnis, op. 27 (parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00
149.11 €
#
Orchestre
#
Adrian Gagiu
#
Missa Solemnis, op. 27
#
Adrian Gagiu
#
SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99
80.14 €
#
Orchestre
#
Adrian Gagiu
#
Missa Solemnis, op. 27 - Score Only
#
Adrian Gagiu
#
SheetMusicPlus
Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra (Score)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Sergei Rachmaninoff (187…
(+)
Full Orchestra - Intermediate - Digital Download Composed by Sergei Rachmaninoff (1873-1943). Arranged by Michael Barrera. Romantic Period. Score. 16 pages. Published by Michael Barrera
ProgramNotes<br> <br> Sergei Rachmaninoff’s Alla Marciain g Minor is arguably one of his most popular pieces that is still playedtoday. This prelude was included asnumber 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this preludein Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenthnote figures setting the mood for a minor march. Following this, the relative major Eb comesin full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of theopening march dissipates as a new lyrical melody takes the forefront,accompanied by sweeping arpeggios. Thissection is much melancholier than before. As this theme fades, the march returns slowly out of the mist that theprevious section created. It builds tothe return of the Eb major section that leads into a continuation of the marchtheme. This fades into a quick risingfigure to finish the prelude. Thisarrangement captures both the energy of the march and the beauty of the lyricalmiddle section.<br> <br> <br> <br> Instrumentation<br> <br> 2 Flutes<br> <br> 2 Oboes<br> <br> 2 Clarinets (B flat)<br> <br> 2 Bassoons<br> <br> 4 Horns (F)<br> <br> 3 Trumpets (B flat)<br> <br> 2 Trombones<br> <br> 1 Bass Trombone<br> <br> 1 Tuba<br> <br> Timpani<br> <br> Snare Drum<br> <br> Tambourine<br> <br> Harp (substitute piano ifnecessary)<br> <br> Violins I and II<br> <br> Viola<br> <br> Violincello<br> <br> Double Bass
$19.99
18.63 €
#
Orchestre
#
Sergei Rachmaninoff
#
Michael Barrera
#
Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra
#
Michael Barrera
#
SheetMusicPlus
Eurovisionshymne - Eurovisionsfanfare
Orchestre
Full Orchestra - Level 1 - Digital Download SKU: A0.1237554 By Artyfile. By Marc-An…
(+)
Full Orchestra - Level 1 - Digital Download SKU: A0.1237554 By Artyfile. By Marc-Antoine Charpentier. Arranged by Paul Lorenz. Baroque,Classical,Patriotic,Praise & Worship,Wedding. Score and Parts. 21 pages. Paul Lorenz #833071. Published by Paul Lorenz (A0.1237554). Introducing Eurovisionshymne, also known as Eurovisionsfanfare or Europafanfare, the grand signation melody for eurovision TV. This exclusive arrangement from Paul Lorenz is designed to be used with a full orchestra including flute, oboe, clarinet in Bb, basson, trumpet in Bb, horn in F, timpani, violins, viola, celli and contrabass. All musicians can now download the entire score and all of its parts from Sheet Music Direct. When you load up the sheet music from Sheet Music Direct you will instantaneously get the Prelude from Te Deum of Marc-Antoine Charpentier which showcases classic compositional techniques: a full sonic swell that stretches with energy while conveying captivating emotion to accentuate any performance. From lighting up an audience to creating a tantalizing atmosphere for listeners this arrangement commemorates some of Europe's rich musical history. Eurovisionshymne truly stands out among orchestral arrangements through its charactersistic profound cleverness and majestic dignity; it exudes elegant modernism while paying homage to older conventions of classical composition. Whether you’re playing for a group or practicing on your own time Eurovisionshymne offers our musicians something special that excites and inspires. Also available as music for film download at Artyfile.
$49.90
46.51 €
#
Orchestre
#
Artyfile
#
Paul Lorenz
#
Eurovisionshymne - Eurovisionsfanfare
#
Paul Lorenz
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
