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COR ANGLAIS
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FANFARE - B…
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FLUTE A DIX…
FLUTE DE PA…
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MANDOLINE
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PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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UKULELE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
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FLAMENCO
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MEDIEVAL - RENAISSAN…
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172
PIANO & CLAVIERS
Piano seul
313
Orgue
53
Piano, Voix et Guitare
15
Accompagnement Piano
14
Piano Trio: piano, violon, violoncelle
12
Piano Facile
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6
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
2
2 Pianos, 4 mains
2
Clavecin
1
2 Accordéons
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Clavier
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Instruments en Do
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Guitare
17
Guitare notes et tablatures
6
Piano, Guitare (duo)
2
2 Guitares (duo)
2
Ukulele
1
Ligne De Mélodie, (Paroles) et Accords
1
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VOIX
Chorale SATB
5
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2
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2
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1
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Voix Tenor, Piano
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60
2 Saxophones (duo)
34
Clarinette
33
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24
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24
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22
2 Flûtes traversières (duo)
21
Flûte traversière
21
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20
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18
Clarinette (partie séparée)
16
Flûte, Hautbois, Clarinette, Basson
14
Flûte, trombone et piano
13
Flûte, Clarinette, Piano (trio)
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Saxophone Alto
13
Quatuor de Clarinettes: 4 clarinettes
13
2 Saxophones, Piano
10
Hautbois (partie séparée)
10
Saxophone (partie séparée)
9
Clarinette, Violoncelle, Piano (trio)
9
Clarinette, Violon (duo)
7
Saxophone Soprano et Piano
6
Quatuor de Flûtes : 4 flûtes
6
Clarinette, trompette et piano
5
Quintette de Clarinettes: 5 clarinettes
5
Quatuor de Saxophones: 4 saxophones
5
2 Clarinettes, Piano
5
Cor anglais, Piano
5
Clarinette Basse, Piano
3
Clarinette, Harpe (duo)
3
Flute (partie séparée)
3
Clarinette, Basson (duo)
2
Quintette de Saxophone: 5 saxophones
2
Piccolo
2
2 Flûtes traversières, Piano
2
Saxophone Baryton, Piano
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Flûte à Bec
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Hautbois, Clarinette, Basson (trio d'anches)
2
Cor Anglais
2
3 Saxophones (trio)
2
Hautbois, Clarinette (duo)
2
Flûte, Violon, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Quintette de Flûte : 5 flûtes
1
Ensemble de Clarinettes
1
Piccolo, Piano
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Flûte, Clarinette, Violon (trio)
1
3 Clarinettes (trio)
1
2 Clarinettes, Basson
1
Ensemble de Flûtes
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CUIVRES
Trompette, Piano
46
Trombone et Piano
31
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Trompette, Trombone (duo)
24
2 Trombones (duo)
21
Trompette
17
Trombone
13
2 Trompettes (duo)
11
Tuba
10
Cor
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Cor et Piano
7
Cornet A Pistons
6
Trompette (partie séparée)
6
Euphonium, Piano (duo)
6
Trombone (partie séparée)
5
Cor anglais, Piano
5
Trompette, Trombone, Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Cor (partie séparée)
3
Euphonium
3
Quatuor de Cuivres
2
Ensemble de Trompettes
2
Tuba et Piano
2
2 Cors (duo)
2
Cor Anglais
2
2 Euphoniums (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
Tuba (partie séparée)
2
Trompette, Harpe
1
Trompette, violon (duo)
1
Trio de Cuivres
1
2 Tubas (duo)
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trombones
1
2 Euphoniums et 2 Tubas
1
Ensemble de Cors
1
Trompette, Violoncelle (duo)
1
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CORDES
Violoncelle, Piano
45
Violon et Piano
35
Quatuor à cordes: 2 violons, alto, violoncelle
29
Alto, Piano
23
2 Altos (duo)
19
Violon
19
Violoncelle (partie séparée)
18
2 Violons (duo)
14
2 Violoncelles (duo)
12
Violon, Alto (duo)
12
Violon, Violoncelle (duo)
11
Alto seul
11
Piano Trio: Violon, Alto, Piano
9
Alto (partie séparée)
6
Harpe, Violoncelle (duo)
5
Alto et Harpe
4
Harpe
4
Contre Basse
3
Trio à Cordes: violon, alto, violoncelle
3
Harpe, Violon (duo)
2
Contrebasse, Piano (duo)
2
Harpe, Flûte (duo)
2
2 Violoncelles, Piano
1
Violon (partie séparée)
1
Alto, Violoncelle (duo)
1
2 Violons, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
61
Orchestre à Cordes
14
Orchestre
13
Ensemble de cuivres
10
Orchestre de chambre
4
Quintette à Vent
1
Vibraphone
1
Ensemble Jazz
1
Timbales (partie séparée)
1
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AUTRES
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Prelude in B
Orchestre
Partitions à imprimer
13 partitions trouvées
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1
Rachmaninoff: Alla Marcia in g Minor | Full Orchestra (Set of Parts)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.998578 Composed by Sergei Rachm…
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Full Orchestra - Level 3 - Digital Download SKU: A0.998578 Composed by Sergei Rachmaninoff. Arranged by Michael Barrera. Romantic Period. 76 pages. Michael Barrera #6256209. Published by Michael Barrera (A0.998578). Https://www.michaelbarreraflute.com/shop/p/alla-marcia-orchestra-parts Program Notes Sergei Rachmaninoff’s Alla Marcia in g Minor is arguably one of his most popular pieces that is still played today. This prelude was included as number 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this prelude in Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenth note figures setting the mood for a minor march. Following this, the relative major Eb comes in full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of the opening march dissipates as a new lyrical melody takes the forefront, accompanied by sweeping arpeggios. This section is much melancholier than before. As this theme fades, the march returns slowly out of the mist that the previous section created. It builds to the return of the Eb major section that leads into a continuation of the march theme. This fades into a quick rising figure to finish the prelude. This arrangement captures both the energy of the march and the beauty of the lyrical middle section. Instrumentation 2 Flutes 2 Oboes 2 Clarinets (B flat) 2 Bassoons 4 Horns (F) 3 Trumpets (B flat) 2 Trombones 1 Bass Trombone 1 Tuba Timpani Snare Drum Tambourine Harp (substitute piano if necessary) Violins I and II Viola Violincello Double Bass.
$79.99
73.83 €
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Orchestre
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Sergei Rachmaninoff
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Michael Barrera
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Rachmaninoff: Alla Marcia in g Minor | Full Orchestra
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Michael Barrera
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SheetMusicPlus
Lohengrin Prelude to Act 3 & Bridal Chorus - reduction to double winds
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1318580 Composed by Richard Wag…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1318580 Composed by Richard Wagner. Arranged by Armin Terzer. Classical,Opera,Romantic Period. 122 pages. Armin Terzer #907258. Published by Armin Terzer (A0.1318580). This is a reduction of the Prelude to Act 3 and Bridal Chorus of Wagner's Lohengrin from triple winds to double winds:3333 - 4331 - 4perc, harp - str to 2222 - 4231 - 3perc, harp - str (3rd trumpet optional). The horn and trumpet parts are transposed throughout (horn in F and trumpets in B flat), and an alternate ending is provided for just the the Prelude to Act 3 (making it possible to perform the set without the Bridal Chorus needing a choir). The Bridal Choir has the stage band integrated into the orchestra. Vocal parts are not included.
$60.00
55.38 €
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Orchestre
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Richard Wagner
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Armin Terzer
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Lohengrin Prelude to Act 3 & Bridal Chorus - reduction to double winds
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Armin Terzer
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SheetMusicPlus
Four Impressions on Debussy (4 Piano Preludes - Full Orchestra) ? Score and Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debu…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussyâ??s Préludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puckâ??s DanceIV: The Sunken CathedralDebussyâ??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puckâ??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussyâ??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes â?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a â??symphonicâ?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly â??scherzoâ?? (Puckâ??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in Bâ? Bass Clarinet in Bâ? 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bâ? 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi à 4) Violin 2 (divisi à 4) Viola (divisi à 4) Violoncello (divisi à 4) Contrabass (B extension where possible) (divisi à 4)
$99.99
92.28 €
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Orchestre
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Claude Debussy
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Ben Trigg
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Four Impressions on Debussy
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OlivePress Music
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SheetMusicPlus
Prelude Nr. 8 for Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.841057 Composed by Claude Debus…
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Full Orchestra - Level 5 - Digital Download SKU: A0.841057 Composed by Claude Debussy. Arranged by David Watson. 20th Century,Romantic Period. Score and parts. 24 pages. David E. Watson #3483419. Published by David E. Watson (A0.841057). Prelude Nr. 8, ``The Girl with the Flaxen Hair´´ is the 8th piece in Debussy's 1st Book of Preludes.It is known for it's musical simplicity, and although it is one of the most recorded of Debussy's works it remains popular with Audiences. Parts include - Strings, Flute (2), Oboe (2), B flat Clarinet (2), Bass Clarinet, Bassoon (2), Horn in F (2), and Harp. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$40.00
36.92 €
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Orchestre
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Claude Debussy
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David Watson
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Prelude Nr. 8 for Orchestra
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David E. Watson
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SheetMusicPlus
Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra (Score)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Sergei Rachmaninoff (187…
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Full Orchestra - Intermediate - Digital Download Composed by Sergei Rachmaninoff (1873-1943). Arranged by Michael Barrera. Romantic Period. Score. 16 pages. Published by Michael Barrera
ProgramNotes<br> <br> Sergei Rachmaninoff’s Alla Marciain g Minor is arguably one of his most popular pieces that is still playedtoday. This prelude was included asnumber 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this preludein Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenthnote figures setting the mood for a minor march. Following this, the relative major Eb comesin full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of theopening march dissipates as a new lyrical melody takes the forefront,accompanied by sweeping arpeggios. Thissection is much melancholier than before. As this theme fades, the march returns slowly out of the mist that theprevious section created. It builds tothe return of the Eb major section that leads into a continuation of the marchtheme. This fades into a quick risingfigure to finish the prelude. Thisarrangement captures both the energy of the march and the beauty of the lyricalmiddle section.<br> <br> <br> <br> Instrumentation<br> <br> 2 Flutes<br> <br> 2 Oboes<br> <br> 2 Clarinets (B flat)<br> <br> 2 Bassoons<br> <br> 4 Horns (F)<br> <br> 3 Trumpets (B flat)<br> <br> 2 Trombones<br> <br> 1 Bass Trombone<br> <br> 1 Tuba<br> <br> Timpani<br> <br> Snare Drum<br> <br> Tambourine<br> <br> Harp (substitute piano ifnecessary)<br> <br> Violins I and II<br> <br> Viola<br> <br> Violincello<br> <br> Double Bass
$19.99
18.45 €
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Orchestre
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Sergei Rachmaninoff
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Michael Barrera
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Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra
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Michael Barrera
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SheetMusicPlus
Homage to Bach - Variation 6 - Molto Cantabile - Version for Harpsichord and String Orchestra
Orchestre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1281940 Composed by Johann S…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1281940 Composed by Johann Sebastian Bach. Arranged by Stanley M Hoffman. 21st Century,Baroque,Classical. Score and Parts. 14 pages. Stanleymhoffman.com #873294. Published by stanleymhoffman.com (A0.1281940). See YouTube video for Homage to Bach. https://youtu.be/6StWk5pXVrs---Homage to Bach7 Variations for Harpsichord and Chamber Orchestraafter Prelude in C Minor (BWV 999) - ca. 12 minutesPrelude (Harpsichord Solo)1. Theme and Variation 1 (Chamber Orchestra)2.  Variation 2 - Maggiore (Harpsichord Solo)3. Variation 3 - Tempestoso (Chamber Orchestra)4. Variation 4 - In 5 (Harpsichord Solo)5. Variation 5 - Waltz - (Tutti)6. Variation 6 - Molto Cantabile (Harpsichord Solo)7. Variation 7 - Tango in which BWV 999 Meets BWV 846, No. 1 - (Tutti)Music by Johann Sebastian Bach (1680–1750)Variations by Stanley M. Hoffman (b. 1959) (BMI)Music by Johann Sebastian Bach: Public Domain. Melody, variations, and engraving: © Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com  All rights reserved.The sheet music is available from Stanley M. Hoffman and from Sheet Music Plus.#Bach #JSBach #JohannSebastianBach #homages #music #newmusic #harpsichord #ChamberOrchestra #variations #Baroque #BaroqueMusic.
$7.00
6.46 €
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Orchestre
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Johann Sebastian Bach
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Stanley M Hoffman
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Homage to Bach - Variation 6 - Molto Cantabile - Version for Harpsichord and String Orchestra
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stanleymhoffman.com
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SheetMusicPlus
Missa Solemnis, op. 27 (parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00
147.67 €
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Orchestre
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99
79.36 €
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Orchestre
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Conductor's Score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018872 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018872 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 38 pages. Benjamin Sajo #6056047. Published by Benjamin Sajo (A0.1018872). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph.  This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.46 €
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Orchestre
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Conductor's Score
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Benjamin Sajo
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SheetMusicPlus
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Extracted Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018900 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018900 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 79 pages. Benjamin Sajo #6056141. Published by Benjamin Sajo (A0.1018900). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$50.00
46.15 €
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Orchestre
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Extracted Parts
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Benjamin Sajo
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807. Published by Benjamin Sajo (A0.1018920). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
29.07 €
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Orchestre
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
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Benjamin Sajo
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731. Published by Benjamin Sajo (A0.1018901). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.46 €
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Orchestre
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
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Benjamin Sajo
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SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
18.41 €
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Orchestre
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Claude Debussy/Robert Orledge
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Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
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