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ACCORDEON
ALTO
AUTOHARPE
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BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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Non classifié
2670
PIANO & CLAVIERS
Piano seul
1239
Piano Facile
579
Piano, Voix
406
Piano, Voix et Guitare
355
Instruments en Do
349
Orgue
264
1 Piano, 4 mains
37
2 Pianos, 4 mains
31
Piano Trio: piano, violon, violoncelle
22
Accordéon
16
Orgue, Piano (duo)
15
Accompagnement Piano
9
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Piano grosses notes
4
Clavecin
4
Orgue, Trompette (duo)
2
Clavier
2
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
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GUITARES
Guitare
102
Ligne De Mélodie, (Paroles) et Accords
77
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54
Ukulele
21
Basse electrique
11
2 Guitares (duo)
4
Piano, Guitare (duo)
4
Banjo
3
Mandoline
3
4 Guitares (Quatuor)
3
2 Ukuleles
2
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2
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Dulcimer
2
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1
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Chorale SATB
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63
Chorale Unison
59
Chorale SSAA
48
Voix Alto, Piano
14
Soli, choeur mixte et accompagnement
10
Voix duo, Piano
10
Voix Tenor, Piano
9
Voix duo
8
Voix haute
7
Voix seule
6
Voix basse, Piano
6
Chorale SSATB
4
Chorale SSAATTBB
4
Voix Soprano
3
Voix Baryton, Piano
3
Chorale
2
Chorale SATBB
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Voix Mezzo-Soprano, Piano
2
Chorale SSATTB
1
Voix moyenne, Piano
1
Chorale SATTBB A Cappella
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
269
Flûte traversière et Piano
230
Flûte, Hautbois, Clarinette, Basson
147
Hautbois, Piano (duo)
143
Clarinette et Piano
143
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
141
Quatuor de Saxophones: 4 saxophones
130
Quintette de Saxophone: 5 saxophones
128
Flûte traversière
115
2 Flûtes traversières (duo)
114
Clarinette
113
2 Clarinettes (duo)
103
Saxophone Alto et Piano
99
Saxophone Alto
78
Saxophone, Clarinette (duo)
76
Quintette de Clarinettes: 5 clarinettes
73
Quatuor de Clarinettes: 4 clarinettes
64
Saxophone Tenor
58
Saxophone Soprano et Piano
58
Saxophone Tenor et Piano
57
Saxophone (partie séparée)
57
2 Hautbois (duo)
56
Hautbois (partie séparée)
51
Clarinette, Violon (duo)
46
Hautbois, Basson (duo)
44
Saxophone Baryton, Piano
42
3 Saxophones (trio)
37
Quatuor de Flûtes : 4 flûtes
36
Flûte, Clarinette (duo)
36
Clarinette, Trompette (duo)
36
Hautbois, Clarinette (duo)
29
Hautbois
29
Hautbois, Flûte
28
3 Clarinettes (trio)
28
Ensemble de Clarinettes
27
Clarinette et Alto
25
Flûte à bec Soprano
25
Flûte, Saxophone (duo)
24
Saxophone Baryton
23
Saxophone Soprano
23
Cor Anglais
22
Flûte, Violon
22
2 Flûte à bec (duo)
20
Hautbois, Violoncelle
17
Quintette de Flûte : 5 flûtes
17
Flûte, Violoncelle
17
Ensemble de Flûtes
16
Saxophone
16
Flûte, Alto (duo)
16
Flûte à Bec
15
Trio de Flûtes: 3 flûtes
15
Flûte, Trompette (duo)
15
Clarinette, Violoncelle (duo)
15
Cor anglais, Piano
14
Flûte, Clarinette et Basson
12
Flûte à bec Alto
12
Clarinette, Basson (duo)
10
Flûte à bec Tenor
10
Clarinette Basse, Piano
9
Clarinette (partie séparée)
8
Flûte, Hautbois, Clarinette (trio)
8
Hautbois, Clarinette, Basson (trio d'anches)
7
Flute, harpe et violon
7
Clarinette Basse
6
Ensemble de saxophones
6
Quatuor de Flûtes à bec
4
Flûte, Hautbois, Basson
4
Flûte, Alto et Piano
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Basson et Piano
3
Saxophone et Orgue
3
Flûte, Violon, Piano
3
Hautbois, Violon, Piano
3
Flûte traversière, Orgue (duo)
2
Flûte traversière, Basse continue
2
Flûte, Harpe et Violoncelle
2
Piccolo
2
Flûte, Violoncelle, Piano (trio)
2
2 Saxophones, Piano
2
Flûte, Clarinette, Piano (trio)
2
Flute (partie séparée)
2
Flûte à bec Soprano, Piano
2
Hautbois, Harpe
1
Flûte et Guitare
1
Cor anglais et Harpe (duo)
1
Flûte, alto et harpe
1
Flûte, Hautbois, Piano (trio)
1
2 Flûtes traversières, Piano
1
2 Cors Anglais Et Pianoforte
1
Ensemble De Flûte à bec
1
Clarinette, Basson, Piano (trio)
1
Saxophone et Guitare
1
Saxophone et Harpe
1
Piccolo, Piano
1
Clarinette, Guitare (duo)
1
3 Flûtes à bec (trio)
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Orgue
1
2 Clarinettes, Basson
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
199
Trompette, Piano
103
Cor et Piano
94
Trompette
94
Trombone et Piano
91
Trombone
75
Cor
69
Tuba et Piano
60
Tuba
60
2 Trombones (duo)
59
2 Trompettes (duo)
58
Trompette, Saxophone (duo)
55
Quatuor de Cuivres: 2 trompettes, Cor, trombone
45
Quatuor de Cuivres : 2 trompettes, trombone, tuba
42
Trompette, Trombone (duo)
32
2 Cors (duo)
30
Quatuor de Cuivres
25
Cor Anglais
22
2 Tubas (duo)
16
4 Tubas
14
2 Euphoniums et 2 Tubas
14
Trompette (partie séparée)
14
Cor anglais, Piano
14
Trombone (partie séparée)
13
Euphonium, Piano (duo)
13
3 Trombones (trio)
12
Ensemble de Trompettes
10
Euphonium
10
Cor, Violoncelle (duo)
9
Quatuor de cuivres: 4 trombones
9
Ensemble de Trombones
7
Trio de Cuivres
7
Trompette, Violoncelle (duo)
6
Quatuor de cuivres: 4 cors
6
Tuba (partie séparée)
5
Cor (partie séparée)
5
Trompette, Cor (duo)
4
Tuba et Orgue
3
Trompette, Basson (duo)
3
2 Euphoniums (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trombone, Tuba (duo)
2
Euphonium, Tuba (duo)
2
Quatuor de cuivres: 4 trompettes
2
3 Trompettes (trio)
2
Ensemble de Cors
1
Ensemble de Tubas
1
Trombone, Violon (duo)
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Harpe
1
Cor et Basson (duo)
1
Trombone basse
1
Trombone basse et Piano
1
Trompette et Guitare
1
Bass Clef Instruments
1
Trombone, Orgue
1
2 Cors, Piano
1
4 Euphoniums
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
426
Violon et Piano
211
Alto, Piano
151
Violoncelle, Piano
143
Violon
136
Harpe
134
Violoncelle
124
2 Violons (duo)
98
Alto seul
84
2 Violoncelles (duo)
63
Violon, Violoncelle (duo)
62
Quintette à cordes: 2 violons, alto, violoncelle, basse
60
Trio à Cordes: violon, alto, violoncelle
56
Contre Basse
53
Contrebasse, Piano (duo)
46
2 Altos (duo)
45
Violon, Alto (duo)
40
Alto (partie séparée)
19
Harpe, Voix
18
Trio à Cordes: 2 violons, violoncelle
17
Violon (partie séparée)
14
Violon, Basson (duo)
13
Alto, Violoncelle (duo)
12
2 Contrebasses (duo)
12
Alto et Basson
9
Piano Trio: Violon, Alto, Piano
9
Harpe, Flûte (duo)
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
4 Violoncelles
5
Harpe, Violon, Violoncelle
4
Contrebasse (partie séparée)
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Quatuor à cordes: 4 violons
3
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 violins
2
Harpe, Violoncelle (duo)
2
Violoncelle , Guitare (duo)
2
Violon, Violoncelle, Clarinette
2
Harpe, Violon (duo)
2
Violoncelle, Contrebasse (duo)
2
2 Harpes (duo)
2
2 Violoncelles, Piano
2
Quatuor à cordes : 4 altos
1
4 Contrebasses
1
Trio à cordes: 3 altos
1
Flûte, Contrebasse (duo)
1
Alto et Harpe
1
Alto, Orgue
1
Violoncelle, Orgue
1
Trio à Cordes: 2 violons, alto
1
Violon, Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Violon, Orgue
1
Violoncelle (partie séparée)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
519
Orchestre à Cordes
159
Ensemble de cuivres
113
Orchestre
105
Ensemble Jazz
102
Cloches
53
Orchestre de chambre
47
Marimba
33
Ensemble de Percussions
17
Xylophone
12
Jazz combo
10
Batterie
9
Fanfare
9
Xylophone, Piano
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Vibraphone
5
Percussion (partie séparée)
4
Percussion
3
Batterie (partie séparée)
2
Orchestre, Violon
1
Big band
1
Piano et Orchestre
1
Ensemble d'École
1
2 Marimbas
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
1
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101
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
8.98 €
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Orchestre
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960). Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-IWind Parts (score and parts available)Music by Mark O’Connor164 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
71.94 €
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Orchestre
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861963 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik International #6209407. Published by Mark O'Connor Musik International (A0.861963). Americana Symphony Variations on Appalachia Waltz (string parts – symphony orchestra) MO164U-ZString Parts (score and parts available)Music by Mark O’Connor163 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American. Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
71.94 €
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Orchestre
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861961 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik International #6209399. Published by Mark O'Connor Musik International (A0.861961). Americana Symphony Variations on Appalachia Waltz (brass parts – symphony orchestra) MO164J-PBrass Parts (score and parts available)Music by Mark O’Connor162 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
71.94 €
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Orchestre
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (percussion parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861962 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik International #6209401. Published by Mark O'Connor Musik International (A0.861962). Americana Symphony Variations on Appalachia Waltz (percussion parts – symphony orchestra) MO164Q-TPercussion Parts (score and parts available)Music by Mark O’Connor99 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$50.00
44.96 €
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Orchestre
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (score – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861959 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik International #6209393. Published by Mark O'Connor Musik International (A0.861959). Americana Symphony Variations on Appalachia Waltz (score – symphony orchestra) MO164AScore (parts available)Music by Mark O’Connor86 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$40.00
35.97 €
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Orchestre
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
The Impressario
Orchestre
Orchestra - Digital Download SKU: S9.Q4612 Sinfonia (Overture) to the Comedy wit…
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Orchestra - Digital Download SKU: S9.Q4612 Sinfonia (Overture) to the Comedy with Music in 1 act. Composed by Wolfgang Amadeus Mozart. This edition: study score. Ernst eulenburg - orchestra - score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q4612. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4612). Key: C major.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$9.99
8.98 €
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Orchestre
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Wolfgang Amadeus Mozart
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The Impressario
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
S. Lyapunov - Variations on a Georgian Theme, Op.60, Orchestrated by A. Leytush
Orchestre
Full Orchestra - Digital Download SKU: A0.1008360 Composed by S. Lyapunov. Arranged…
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Full Orchestra - Digital Download SKU: A0.1008360 Composed by S. Lyapunov. Arranged by A. Leytush. 20th Century. Score and parts. 125 pages. Arkady Leytush #4809177. Published by Arkady Leytush (A0.1008360). Variations on a Georgian Theme, (1915) were originally written for piano. This piece belongs to the late period of Lyapunov’s work. The composition is distinguished not only by its virtuosity, but also by the brilliant development of Georgian folk melody. Bright national color, musical contrast, rhythm variety and its collision, polymeric - all of these have pushed me to make an orchestral transcription of this brilliant piece. Being played at the end, this composition can certainly enhance the program and leave a long lasting impression.
$80.00
71.94 €
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Orchestre
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S
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A
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S. Lyapunov - Variations on a Georgian Theme, Op.60, Orchestrated by A. Leytush
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Arkady Leytush
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SheetMusicPlus
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh,…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published by Jeremy Goh (A0.1027336). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$4.99
4.49 €
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Orchestre
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Jeremy Goh, Daniel Cheng
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Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
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Jeremy Goh
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SheetMusicPlus
Four Impressions on Debussy (4 Piano Preludes - Full Orchestra) ? Score and Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debu…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussyâ??s Préludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puckâ??s DanceIV: The Sunken CathedralDebussyâ??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puckâ??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussyâ??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes â?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a â??symphonicâ?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly â??scherzoâ?? (Puckâ??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in Bâ? Bass Clarinet in Bâ? 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bâ? 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi à 4) Violin 2 (divisi à 4) Viola (divisi à 4) Violoncello (divisi à 4) Contrabass (B extension where possible) (divisi à 4)
$99.99
89.91 €
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Orchestre
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Claude Debussy
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Ben Trigg
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Four Impressions on Debussy
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OlivePress Music
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SheetMusicPlus
EARLY ONE MORNING - Full Orchestra (conductor score)
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.774009 Arranged by Anthony Giam…
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Full Orchestra - Level 2 - Digital Download SKU: A0.774009 Arranged by Anthony Giamanco. Concert,Contemporary,Folk,Standards. Score and parts. 9 pages. Whole Tone Press #6400957. Published by Whole Tone Press (A0.774009). This gorgeous orchestration of a lovely English folk song will enthrall listeners with its rich harmonic palette and exquisite orchestral colour, packing great emotional range in a work that lasts a little under 3 minutes. This moderately easy concert work is sure to leave an indelible impression on the hearts (and ears) of your audience!Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Websitehttps://www.anthonygiamanco.com,SoundCloudhttps://soundcloud.com/tony-giamanco,YouTube https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
$15.00
13.49 €
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Orchestre
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Anthony Giamanco
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EARLY ONE MORNING - Full Orchestra
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Whole Tone Press
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SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
17.94 €
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Orchestre
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Claude Debussy/Robert Orledge
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Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Te Deum and Jubilate Deo in D
Orchestre
Digital Download SKU: OX.9780193702875 Composed by Henry Purcell. Edited by Robert …
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Digital Download SKU: OX.9780193702875 Composed by Henry Purcell. Edited by Robert King. Classic Choral Works. Score. 39 pages. Oxford University Press Digital #9780193702875. Published by Oxford University Press Digital (OX.9780193702875). ISBN 9780193702875.For SSATB soloists, SSATB choir, 2 trumpets, strings and continuo. Written for St Cecilia's Day 1694, Purcell's Te Deum and Jubilate in D was the first work of its kind to be scored for orchestra, and it became the model for future settings of the text by Blow, Croft, and Handel. Orchestral material is available on hire/rental. About Classic Choral WorksThese truly versatile and user-friendly editions offer a practical approach for performers, informed by the very highest standard of scholarship. - Fresh editions by the very best scholars in their field - Clean and clear page layout - Compositions spanning the fourteenth to nineteenth centuries - Choral works with a wide range of scorings, from small chamber group to full orchestra - Informative prefaces included in most of the vocal scores - Playable keyboard reductions for rehearsal
$11.50
10.34 €
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Orchestre
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Henry Purcell
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Te Deum and Jubilate Deo in D
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Oxford University Press Digital
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SheetMusicPlus
Opus#22 In D Major (A Clear Bright Mourning/Choir and Orchestra)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.855379 Composed by Joseph Pugh.…
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Full Orchestra - Level 3 - Digital Download SKU: A0.855379 Composed by Joseph Pugh. Christian,Sacred. Score and parts. 39 pages. Joseph Pugh #6674579. Published by Joseph Pugh (A0.855379). This started out to just be part of Joseph's Opus Series but, he says, My heart was prompted to the scripture verse, and I wrote some lyrics, so it turned into a choir and orchestra arrangement based on the piano score. I hope everyone is encouraged to press on and make heaven their home by denying self, taking up the Cross, and obeying every leading of the Holy Spirit.Mp3 play along sold separately.
$35.00
31.47 €
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Orchestre
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Joseph Pugh
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Opus#22 In D Major
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Joseph Pugh
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SheetMusicPlus
The Cross Kirk and the lang walk
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. Hambone Music #1020661. Published by Hambone Music (A0.1440683). A dramatic film-type composition capturing the journey of a novice monk during 15th Century Scotland. For orchestras of an intermediate standard. Ahaunting french horn solo is followed by a dramatic trek utilising the whole orchestra to the end where the horn to round the piece off.Inspired by an old ruined church in my town called the 'Cross Kirk' the history of which can be found here: https://www.britainexpress.co.uk/attr... Part 1 (0 - 2:24) It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 (2:26 -3:37) It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 (3:37 - 6:02) The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train (4:30) where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights (4:55). The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. (5:02) No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 (6:03 - 8:12) The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters (6:30). As he closes his eyes, his mind returns to the knights and a smile crosses his face (8:01) as he gently drifts off to sleep, as the final bell of the day tolls.
$49.99
44.95 €
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Orchestre
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Graham Hamilton
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The Cross Kirk and the lang walk
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Hambone Music
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SheetMusicPlus
Such Subtleties (film score)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1039855 Composed by David M. St…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1039855 Composed by David M. Sterrett. Film/TV. Score and parts. 158 pages. David Sterrett Music #644710. Published by David Sterrett Music (A0.1039855). The film “Such Subtleties†(written by Hannah Beets, directed by Lucas Kitchen, produced by Press On Ministries and Media Kitchen Films) is an independent film created in 2010 by members of Kilgore Bible Church (Kilgore, Texas). The film tells the story of two sisters coming of age and how the decisions they make impact their lives and the lives of those around them. I was honored to have been asked to write the score for this project. The version of the score presented here contains all of the music cues from the film arranged for a concert setting. The work is not necessarily intended to be performed in its entirety; movements may be selected or omitted by choice. If movements 2 or 31 are included in the performance, note that an Electric Guitar and Electric Bass Guitar are needed for movement 2, and a Vocalist is needed for movement 31.
$99.99
89.91 €
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Orchestre
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David M
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Such Subtleties
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David Sterrett Music
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SheetMusicPlus
Such Subtleties (film score) - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1039856 Composed by David M. St…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1039856 Composed by David M. Sterrett. Film/TV. Score and parts. 57 pages. David Sterrett Music #644711. Published by David Sterrett Music (A0.1039856). The film “Such Subtleties†(written by Hannah Beets, directed by Lucas Kitchen, produced by Press On Ministries and Media Kitchen Films) is an independent film created in 2010 by members of Kilgore Bible Church (Kilgore, Texas). The film tells the story of two sisters coming of age and how the decisions they make impact their lives and the lives of those around them. I was honored to have been asked to write the score for this project. The version of the score presented here contains all of the music cues from the film arranged for a concert setting. The work is not necessarily intended to be performed in its entirety; movements may be selected or omitted by choice. If movements 2 or 31 are included in the performance, note that an Electric Guitar and Electric Bass Guitar are needed for movement 2, and a Vocalist is needed for movement 31.
$29.99
26.97 €
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Orchestre
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David M
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Such Subtleties
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David Sterrett Music
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SheetMusicPlus
Love and Death - Variation on the Tristan Chord
Orchestre
Composed by David Warin Solomons (1953-). 20th Century, Romantic Period, Impressionistic, …
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Composed by David Warin Solomons (1953-). 20th Century, Romantic Period, Impressionistic, Post-Romantic. Performance. Published by David Warin Solomons (S0.97231). - Performance - 20th Century,Romantic Period,Impressionistic,Post-Romantic - David Warin Solomons
$2.00
1.8 €
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Orchestre
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David Warin Solomons
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Love and Death - Variation on the Tristan Chord
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David Warin Solomons
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SheetMusicPlus
Con Te Partiro (time To Say Goodbye)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1139872 By Andrea Bocelli. By F…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1139872 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Opera,Pop,Wedding. Score and Parts. 59 pages. Flavio Regis Cunha #740145. Published by Flavio Regis Cunha (A0.1139872). Introducing the most romantic and emotive piece of music composed by two legendary Italian artists - Lucio Quarantotto and Francesco Sartori - 'Con Te Partiro (Time to Say Goodbye). This timeless piece of music has the power to hit the heartstrings and the mind in equal measure. It is the perfect choice for any orchestra or group of musicians wanting to create an atmosphere of emotion in their performance. Â Let this venerable music take your performance to a new level of excellence as you transport your audience to a world of romance and deep emotion. 'Con Te Partiro (Time to Say Goodbye) will be sure to create a powerful, lasting impression on even your toughest critics. Â Download your copy today and add a classic touch to your music.Sheet music download, complete score and all individual instruments and voice parts. Advanced Intermediate.Format: Concert, 9 x 12 inches59 pages.Time To Say Goodbye (FULL SCORE) Con te partiro for Soprano, Tenor and Orchestra. Andrea Bocelli and Sarah Brightman: Time To Say Goodbye. Live From Teatro Del Silenzio, Italy / 2007 Artist Andrea Bocelli & Sarah Brightman Composers Frank Peterson, Lucio Quarantotto, Francesco Sartori Complete version of TIME TO SAY GOODBYE from Andrea Bocelli & Sarah Brightman for Soprano, Tenor, Choir and Orchestra.Orchestration: FLUTE 1, FLUTE 2, OBOE 1, OBOE 2, CLARINET 1 IN Bb, CLARINET 2 IN Bb, BASSOON 1, BASSOON 2 , HORN 1 IN F, HORN 2 IN F, HORN 3 IN F, TRUMPET 1 IN Bb, TRUMPET 2 IN Bb, TROMBONE 1, TROMBONE 2, BASS TROMBONE, TUBA, PERCUSSION (Timpani, Snare Drum, Bass Drum, Cymbals) - 4 players, HARP, PIANO, CHOIR (SATB), VIOLIN 1, VIOLIN 2, VIOLA, VIOLONCELLO, DOUBLE BASS.Program NotesCon Te Partiro (Time To Say Goodbye), composed by Lucio Quarantotto and Francesco Sartori, is an Italian aria of immense power and emotional intensity. The iconic performance of the song was delivered by world renowned artists Andrea Bocelli and Sarah Brightman at the Teatro del Silenzio in Italy during 2007. The song emerged from a commingling of their beautiful voices in perfect harmony, ultimately delivering an emotionally charged performance that transcended beyond language barriers and touched the souls of people around the world. Â This heartfelt performance of Con Te Partiro (Time To Say Goodbye) takes its audience on a journey. From the emotion-filled verses, to the powerful build up of the instruments supporting the crescendo of the chorus, the energy and emotion reach a crescendo before slowly fading out to a beautiful and melancholic farewell. The combination of affective singing and passionate playing of the instruments created an intimate atmosphere, leaving the audience with a sense of heartache and clarity. Â This song represents a beautiful goodbye to a loved one, and the emotions portrayed echo each listener's hope for a meaningful and beautiful farewell. With its powerful vocals and evocative arrangement, Con Te Partiro (Time to Say Goodbye) by Lucio Quarantotto and Francesco Sartori will remain a timeless classic.
$89.99
80.92 €
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Orchestre
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Andrea Bocelli
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Flavio Regis Cunha
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Con Te Partiro
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Flavio Regis Cunha
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SheetMusicPlus
Cloud Climber
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1040300 By Adam Frank. By Adam …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1040300 By Adam Frank. By Adam Frank. 20th Century,Classical,Contemporary,Film/TV,New Age. Score and parts. 129 pages. Adam Frank #645080. Published by Adam Frank (A0.1040300). A potent and charming orchestral piece with rich textures, Cloud Climber leaves a resounding impression on the listener. Morphing through different moods and gestures, it nonetheless manifests into a larger coalesced whole. The work’s colorful variety of instrumental blending paired with a triumphant vibrancy presents a delightful experience for players and audiences alike.
$19.99
17.98 €
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Orchestre
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Adam Frank
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Cloud Climber
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Adam Frank
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SheetMusicPlus
Appalachian Morning: Bassoon
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016900_B1 Bassoon. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016900_B1 Bassoon. Composed by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016900_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016900_B1). UPC: 038081496765.Acknowledge the Scottish and Irish pioneers of Appalachia with a musical walk through the woods and mountains of the Cumberland Gap. This lovely composition allows for a moment of reflection and lyrical expression on any concert program. (3:00)Concert/Contest; Festival.
$3.00
2.7 €
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Orchestre
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Robert Sheldon
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Festival.
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Appalachian Morning: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Appalachian Morning: Timpani
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016900_TMP Timpani. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016900_TMP Timpani. Composed by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016900_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016900_TMP). UPC: 038081496765.Acknowledge the Scottish and Irish pioneers of Appalachia with a musical walk through the woods and mountains of the Cumberland Gap. This lovely composition allows for a moment of reflection and lyrical expression on any concert program. (3:00)Concert/Contest; Festival.
$3.00
2.7 €
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Orchestre
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Robert Sheldon
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Festival.
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Appalachian Morning: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Appalachian Morning: Mallets
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016900_M1 Mallets. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016900_M1 Mallets. Composed by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016900_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016900_M1). UPC: 038081496765.Acknowledge the Scottish and Irish pioneers of Appalachia with a musical walk through the woods and mountains of the Cumberland Gap. This lovely composition allows for a moment of reflection and lyrical expression on any concert program. (3:00)Concert/Contest; Festival.
$3.00
2.7 €
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Orchestre
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Robert Sheldon
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Festival.
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Appalachian Morning: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Appalachian Morning: Cello
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016900_VC1 Cello. Composed …
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Full Orchestra - Digital Download SKU: AX.00-PC-0016900_VC1 Cello. Composed by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016900_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016900_VC1). UPC: 038081496765.Acknowledge the Scottish and Irish pioneers of Appalachia with a musical walk through the woods and mountains of the Cumberland Gap. This lovely composition allows for a moment of reflection and lyrical expression on any concert program. (3:00)Concert/Contest; Festival.
$3.00
2.7 €
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Orchestre
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Robert Sheldon
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Festival.
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Appalachian Morning: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Appalachian Morning: Flute
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016900_F1 Flute. Composed b…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016900_F1 Flute. Composed by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016900_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016900_F1). UPC: 038081496765.Acknowledge the Scottish and Irish pioneers of Appalachia with a musical walk through the woods and mountains of the Cumberland Gap. This lovely composition allows for a moment of reflection and lyrical expression on any concert program. (3:00)Concert/Contest; Festival.
$3.00
2.7 €
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Orchestre
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Robert Sheldon
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Festival.
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Appalachian Morning: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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