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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
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18
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30
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Tuba
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Tuba et Piano
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
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7
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6
2 Trombones (duo)
5
2 Trompettes (duo)
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Trio de Cuivres
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2 Cors (duo)
4
Quatuor de Cuivres
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Ensemble de Trompettes
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Cor Anglais
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Trompette, Saxophone (duo)
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Cor anglais, Piano
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Euphonium, Piano (duo)
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52
Quatuor à cordes: 2 violons, alto, violoncelle
51
Violoncelle, Piano
42
Alto, Piano
40
Violon
35
Violoncelle
35
Alto seul
25
Violon, Violoncelle (duo)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Violon, Alto (duo)
12
2 Violons (duo)
12
2 Violoncelles (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
Contre Basse
4
Alto, Violoncelle (duo)
4
2 Altos (duo)
4
Harpe
4
Alto (partie séparée)
4
Trio à Cordes: 2 violons, alto
2
2 Altos, Piano
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Contrebasse, Piano (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Trio à Cordes: 3 violoncelles
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
16
Ensemble Jazz
15
Orchestre à Cordes
13
Orchestre
9
Orchestre de chambre
4
Fanfare
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Cloches
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AUTRES
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Ready for Love
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United States of America National Anthem for Symphony Orchestra (KT Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by John Stafford Smith (30 …
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Full Orchestra - Intermediate - Digital Download Composed by John Stafford Smith (30 March 1750 – 21 September 1836). Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 28 pages. Published by Music for all Occasions
The national anthem of the USA arranged for full orchestra. There are also versions for Brass Quintet & String Orchestra in my stores.<br> <br> <br> "The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the Defence of Fort M'Henry, a poem written on September 14, 1814, by the then 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory.<br> <br> The poem was set to the tune of a popular British song written by John Stafford Smith for the Anacreontic Society, a men's social club in London. "To Anacreon in Heaven" (or "The Anacreontic Song"), with various lyrics, was already popular in the United States. Set to Key's poem and renamed "The Star-Spangled Banner", it soon became a well-known U.S. patriotic song. With a range of 19 semitones, it is known for being very difficult to sing. Although the poem has four stanzas, only the first is commonly sung today.<br> <br> "The Star-Spangled Banner" was recognized for official use by the United States Navy in 1889, and by U.S. President Woodrow Wilson in 1916, and was made the national anthem by a congressional resolution on March 3, 1931 (46 Stat. 1508, codified at 36 U.S.C. § 301), which was signed by President Herbert Hoover.<br> <br> Before 1931, other songs served as the hymns of U.S. officialdom. "Hail, Columbia" served this purpose at official functions for most of the 19th century. "My Country, 'Tis of Thee", whose melody is identical to "God Save the Queen", the United Kingdom's national anthem, also served as a de facto national anthem. Following the War of 1812 and subsequent U.S. wars, other songs emerged to compete for popularity at public events, among them "America the Beautiful", which itself was being considered before 1931, as a candidate to become the national anthem of the United States.<br> <br> John Stafford Smith (30 March 1750 – 21 September 1836) was a British composer, church organist, and early musicologist. He was one of the first serious collectors of manuscripts of works by Johann Sebastian Bach.<br> <br> Stafford Smith is best known for writing the music for "The Anacreontic Song", which became the tune for the US patriotic song "The Star-Spangled Banner" following the War of 1812, and in 1931 was adopted as the national anthem of the United States.<br> <br> Love anthems, then join me on twitter, instagram, facebook & soundcloud for updates.
$39.00
35.36 €
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Orchestre
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John Stafford Smith
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Keith Terrett
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United States of America National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Celtiberian Landscape For Harp And Orquestra
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos T…
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
22.66 €
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Orchestre
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp And Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Orchestre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
9.96 €
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Orchestre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
hr Violin Concerto No 8 Op.47 for Violin and Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1345010 Composed by Louis Spohr…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1345010 Composed by Louis Spohr. Arranged by Paul Wood. 19th Century. 194 pages. MyMusicScores.com #929962. Published by MyMusicScores.com (A0.1345010). Spohr Violin Concerto No. 8 is a remarkable work by the German composer and violinist Louis Spohr (1784-1859). It is one of the most unusual and innovative concertos ever written, as it combines the solo violin with an orchestra in a dramatic and expressive way. The concerto is in the form of an operatic aria, with the violinist portraying a character who sings about his love for a woman. The first movement is lyrical and tender, while the second movement is lively and playful. The third movement is a stormy and passionate finale, where the violinist confronts his rival for the woman’s affection. Spohr wrote this concerto in 1816, when he was already famous as a composer and conductor.This edition presents the authentic Clarinet in C and Horn in A parts, alongside alternative versions for clarinet in B flat and horns in F.The PDF contains the score and all parts.
$49.99
45.33 €
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Orchestre
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Louis Spohr
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Paul Wood
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hr Violin Concerto No 8 Op.47 for Violin and Orchestra
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MyMusicScores.com
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SheetMusicPlus
Blowin' In The Wind
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.831034 By Stevie Wonder. By Bob…
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Full Orchestra - Level 3 - Digital Download SKU: A0.831034 By Stevie Wonder. By Bob Dylan. Arranged by John Maclane Schirard. Contemporary. Score and parts. 32 pages. John Maclane Schirard #6434685. Published by John Maclane Schirard (A0.831034). Premiered in the Bach Festival Society of Winter Park's 2021 Spiritual Spaces Concert, this piece is scored for full strings, harp, solo french horn, solo oboe, and a male vocalist. Transforming the already well-loved song into a stunningly heart wrenching ballad. The text takes on a new life in this arrangement, filled with lush harmonies, soaring countermelodies, and fresh sounds that will leave your audience truly pondering the meaning of Bob Dylan's iconic song.
$99.99
90.66 €
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Orchestre
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Stevie Wonder
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John Maclane Schirard
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Blowin' In The Wind
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John Maclane Schirard
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SheetMusicPlus
Testament Cues - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1265999 Composed by James Horne…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1265999 Composed by James Horner. Arranged by Chris Siddall. Film/TV. 48 pages. Chris Siddall Music Publishing #858732. Published by Chris Siddall Music Publishing (A0.1265999). 1983 saw the release of director Lynne Littman’s adaptation of Carol Amen’s short story The Last Testament. Originally produced for PBS’s “American Playhouseâ€, the quality of the movie was considered so high that Paramount decided to purchase the rights for a full theatrical release, and received an Oscar nomination for lead actress Jane Alexander.Testament is an unreservedly stark and disturbing experience, following a suburban family as they endure the effects of nuclear fallout.At this point in his career James Horner had already hit the mainstream with his immense science fiction music, with this project falling between his two Star Trek offerings.  His work here is built for an ensemble of only ten players, usually consisting of duets or solo horn or woodwind performances, with the occasional addition of a small choir.  Whilst having an overall sombre tone, there are moments of hope and unexpected heroism, and Horner’s score is an excellent example of how much can be achieved with a small ensemble.Now musicians, music students, conductors – any music lover – can study the complete score from Testament in this high-quality edition, carefully reproduced and edited from the original handwritten manuscript.Includes foreword by Testament director, Lynne Littman.
$35.00
31.73 €
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Orchestre
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James Horner
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Chris Siddall
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Testament Cues - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Alice In Wonderland
Orchestre
Full Orchestra - Digital Download SKU: A0.1209483 By Jud Conlon Chorus. By Amphibia…
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Full Orchestra - Digital Download SKU: A0.1209483 By Jud Conlon Chorus. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. 19th Century,20th Century,Broadway,Classical,Film/TV,Musical/Show. Score and Parts. 5 pages. Amphibia Cultural Legacy #807612. Published by Amphibia Cultural Legacy (A0.1209483). Amphibia Cultural Legacy, a musical group known for their instrumental covers of classic Disney songs, has released a new remix of Alice In Wonderland from the 1951 movie of the same name. The original song was sung by the Jud Conlon Chorus, and Amphibia Cultural Legacy has added additional instruments to create a unique spin on this beloved tune. This new version is sure to delight both fans of the original film and music enthusiasts alike.The addition of extra instruments adds depth to an already catchy melody, making it perfect for dancing or just enjoying as background music. The group's attention to detail shines through in every note played, perfectly capturing the whimsical feel of Walt Disney's Alice in Wonderland. Those who are familiar with Amphibia Cultural Legacy's previous works will not be disappointed with this latest release, which is sure to become a fan favorite among their extensive discography.Amphibia Cultural Legacy is proud to present its orchestral cover of Alice In Wonderland, the central theme in the 1951 animated movie. Initially written by the Jud Conlon Chorus for Walt Disney's Alice In Wonderland, this piece has stood the test of time and remains a beloved classic. Amphibia Cultural Legacy has taken this iconic tune and given it new life with its unique arrangement.The Jud Conlon Chorus version of Alice In Wonderland intends initially as a fun and whimsical introduction to the fantastical world that awaited viewers in the film. The song features playful lyrics and an upbeat melody that perfectly captures the adventure spirit permeating Alice's journey. Amphibia Cultural Legacy's version pays homage to these themes while adding their flair through orchestral instruments.Amphibia Cultural Legacy has done it again with their latest release, an orchestral cover of Alice In Wonderland. Initially written by the Jud Conlon Chorus in Walt Disney's Alice In Wonderland, this classic song has been given a fresh new sound thanks to the fantastic talent and creativity of Amphibia Cultural Legacy.Listening to this cover is like going down the rabbit hole into a magical world filled with wonder and imagination. Various instruments help create a whimsical atmosphere that perfectly captures the essence of Lewis Carroll's timeless tale. The music builds up gradually, taking listeners through different emotions and moods before finally reaching its climax at the end.The attention to detail in this cover is truly remarkable, with every instrument perfectly timed and synchronized throughout the entire piece.
$70.00
63.47 €
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Orchestre
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Jud Conlon Chorus
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Amphibia Cultural Legacy
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Alice In Wonderland
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Amphibia Cultural Legacy
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SheetMusicPlus
Beware the Jabberwocky - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1182869 By Thomas Fernando. By …
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Full Orchestra - Level 5 - Digital Download SKU: A0.1182869 By Thomas Fernando. By Thomas Fernando. Film/TV. Score and parts. 23 pages. Thomas Fernando #782617. Published by Thomas Fernando (A0.1182869). Introducing the mesmerizing and enchanting original score to Beware the Jabberwocky, composed by Thomas Fernando. The score is written for a full orchestra, featuring two solo violins and a solo viola, which add depth and richness to the already captivating music. All cues from the film have been notated fully, in their original orchestration.Directed by Sasha Gorman, a graduate of the Victorian College of the Arts, Beware the Jabberwocky weaves the language of bodily movement and dance. The film follows a Knight as she sets out to ensnare and slay her rival, the terrifying Jabberwocky. As the knight comes face to face with her foe, the two engage in an epic battle that will leave viewers on the edge of their seats. But as the duel between the Knight and the Jabberwocky intensifies, something unexpected begins to emerge between them: despite their differences, a deep and powerful connection takes hold, blurring the lines between love and rivalry. This emotive and compelling score underscores the epic fantasy battle between the knight and the Jabberwocky, drawing the viewer into the film's world and heightening the narrative's emotional impact.
$9.99
9.06 €
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Orchestre
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Thomas Fernando
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Beware the Jabberwocky - Score Only
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Thomas Fernando
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SheetMusicPlus
Rosary Sonatas: The Crucifixion
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1081697 Composed by Heinrich Ig…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 95 pages. JMJ Arrangements #685818. Published by JMJ Arrangements (A0.1081697). [S]tanding by the cross of Jesus were his mother, and his mother’s sister, Mary the wife of Clopas, and Mary Magdalene. When Jesus saw his mother, and the disciple whom he loved standing near, he said to his mother, 'Woman, behold, your son!' Then he said to the disciple, 'Behold, your mother!' And from that hour the disciple took her to his own home. After this Jesus, knowing that all was now finished, said (to fulfil the scripture), 'I thirst.' A bowl full of vinegar stood there; so they put a sponge full of the vinegar on hyssop and held it to his mouth. When Jesus had received the vinegar, he said, 'It is finished'; and he bowed his head and gave up his spirit. Since it was the day of Preparation, in order to prevent the bodies from remaining on the cross on the sabbath (for that sabbath was a high day), the Jews asked Pilate that their legs might be broken, and that they might be taken away. So the soldiers came and broke the legs of the first, and of the other who had been crucified with him; but when they came to Jesus and saw that he was already dead, they did not break his legs. But one of the soldiers pierced his side with a spear, and at once there came out blood and water. He who saw it has borne witness—his testimony is true, and he knows that he tells the truth—that you also may believe. For these things took place that the scripture might be fulfilled, 'Not a bone of him shall be broken.' And again another scripture says, 'They shall look on him whom they have pierced.' --John 19:25-37.
$34.99
31.73 €
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Orchestre
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Crucifixion
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JMJ Arrangements
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SheetMusicPlus
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