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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ricardo
Non classifié
47
Piano & claviers
Piano seul
45
Piano Facile
16
Piano, Voix et Guitare
14
Instruments en Do
5
Piano, Voix
4
2 Pianos, 4 mains
2
Accordéon
1
+ 2 instrumentations
Retracter
Guitares
Guitare
13
2 Guitares (duo)
6
Ligne De Mélodie, (Paroles) et Accords
2
Paroles et Accords
1
Orchestre à Plectres
1
Voix
Chorale SATB
49
Chorale 3 parties
5
Chorale SSAA
2
Chorale
1
Vents
Flûte traversière
3
2 Clarinettes (duo)
2
Flûte traversière et Piano
2
Clarinette et Piano
2
Hautbois, Piano (duo)
1
Saxophone Baryton, Piano
1
Saxophone Soprano et Piano
1
Quatuor de Saxophones: 4 saxophones
1
Saxophone Tenor et Piano
1
Cor anglais, Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Hautbois (partie séparée)
1
Clarinette Basse, Piano
1
Clarinette
1
Saxophone Alto et Piano
1
2 Flûtes traversières (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
+ 12 instrumentations
Retracter
Cuivres
2 Trompettes (duo)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette, Piano
2
2 Cors (duo)
2
Quatuor de Cuivres
1
Trompette
1
Cor et Piano
1
Cor anglais, Piano
1
Tuba et Piano
1
Trombone et Piano
1
+ 5 instrumentations
Retracter
Cordes
Violon et Piano
6
Quatuor à cordes: 2 violons, alto, violoncelle
4
Violon
3
Violoncelle
2
Alto, Piano
2
2 Violoncelles (duo)
2
Violon, Violoncelle (duo)
2
Harpe
2
Trio à Cordes: violon, alto, violoncelle
1
Alto (partie séparée)
1
Violoncelle, Piano
1
Alto seul
1
Contrebasse, Piano (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 9 instrumentations
Retracter
Orchestre & Percussions
Orchestre
19
Orchestre d'harmonie
8
Ensemble de cuivres
4
Orchestre à Cordes
2
Batterie
2
Orchestre de chambre
1
Ensemble de Percussions
1
Ensemble Jazz
1
+ 3 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Gratuites
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Partitions Numériques
19
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Vous avez sélectionné:
Ricardo
Orchestre
Partitions à imprimer
19 partitions trouvées
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1
Via Dolorosa (Arr. Cid Ricardo) Full Orchestra
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Orchestre
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FACILE
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Billy Sprague E Niles Borop
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Cid Ricardo
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Via Dolorosa
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Cid Ricardo
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1420445 Composed by Billy Sprague E Niles Borop. Arranged by Cid Ricardo. Religious. 31 pages. Cid Ricardo #1001881. ...
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Full Orchestra - Level 2 - SKU: A0.1420445 Composed by Billy Sprague E Niles Borop. Arranged by Cid Ricardo. Religious. 31 pages. Cid Ricardo #1001881. Published by Cid Ricardo (A0.1420445). Via Dolorosa (Arr. Cid Ricardo) Full OrchestraParts for: Full Score, Flute, Clarinet, Alto Sax, Tenor Sax, Horn in F, Euphonium, Rhythm, Drum Set, Trumpet, Trombone, Tuba, Violin, Viola e Cello.
$5.99
In The Sweet By And By (Arr. Cid Ricardo) Full Orchestra
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Orchestre
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FACILE
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And
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Sanford Filmore Bennett
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Cid Ricardo
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In The Sweet By And By
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Cid Ricardo
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1421726 Composed by Sanford Filmore Bennett. Arranged by Cid Ricardo. Religious. 30 pages. Cid Ricardo #1003072. Publ...
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Full Orchestra - Level 2 - SKU: A0.1421726 Composed by Sanford Filmore Bennett. Arranged by Cid Ricardo. Religious. 30 pages. Cid Ricardo #1003072. Published by Cid Ricardo (A0.1421726). Title In The Sweet By And By (Arr. Cid Ricardo) Full OrchestraParts for: Full Score, Flute, Clarinet, Alto Sax, Tenor Sax, Horn in F, Euphonium, Rhythm, Drum Set, Trumpet, Trombone, Tuba, Violin, Viola, Cello and Contrabass.
$5.99
Tu és fiel (Arr. Cid Ricardo) Full Orchestra
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Orchestre
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FACILE
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Eyshila
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Cid Ricardo
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Tu és fiel
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Cid Ricardo
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1421712 Composed by Eyshila. Arranged by Cid Ricardo. Religious. 62 pages. Cid Ricardo #1003060. Published by Cid Ric...
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Full Orchestra - Level 2 - SKU: A0.1421712 Composed by Eyshila. Arranged by Cid Ricardo. Religious. 62 pages. Cid Ricardo #1003060. Published by Cid Ricardo (A0.1421712). Title Tu és fiel (Arr. Cid Ricardo) Full OrchestraParts for: Full Score, Flute, Clarinet, Alto Sax, Tenor Sax, Horn in F, Euphonium, Piano, Drum Set, Trumpet, Trombone, Tuba, Violin, Viola, Cello and Contrabass.
$5.99
Worthy is the Lamb (Arr. Cid Ricardo) Full Orchestra
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Orchestre
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FACILE
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Darlene Zschech
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Cid Ricardo
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Worthy is the Lamb
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Cid Ricardo
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1421709 Composed by Darlene Zschech. Arranged by Cid Ricardo. Religious. 57 pages. Cid Ricardo #1003057. Published by...
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Full Orchestra - Level 2 - SKU: A0.1421709 Composed by Darlene Zschech. Arranged by Cid Ricardo. Religious. 57 pages. Cid Ricardo #1003057. Published by Cid Ricardo (A0.1421709). Worthy is the Lamb (Arr. Cid Ricardo) Full OrchestraParts for: Full Score, Flute, Clarinet, Alto Sax, Tenor Sax, Horn in F, Euphonium, Rhythm, Drum Set, Trumpet, Trombone, Tuba, Violin, Viola, Cello and Contrabass.
$5.99
SALVE REINA
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Orchestre
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INTERMÉDIAIRE
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Ricardo José Romero NúÃ
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SALVE REINA
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Ricardo José Romero Núñez
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1360039 By Ricardo José Romero Núñez. By DR.Ricardo José Romero Núñez. Arranged by Ricardo José ...
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Full Orchestra - Level 3 - SKU: A0.1360039 By Ricardo José Romero Núñez. By DR.Ricardo José Romero Núñez. Arranged by Ricardo José Romero Núñez. Christian. 29 pages. Ricardo José Romero Núñez #944513. Published by Ricardo José Romero Núñez (A0.1360039). SALVE REINA es una obra ful orquesta y coro, basada en la letra de la oracion católica del SALVE . Está en la tonalida de FA mayor con modulación al relativo menor . tiene una duración aproximada de 10 minutos.En la orquesta participan todos los instrumentos exepto el corno inglés y eñ contrabajo. El coro es tipo SATB. Mi celular es +569 730 40 270. Mi correo es ricardo4751@hotmail.com.
$50.00
ANAUCO IV movimiento Sinfonía coral
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Dr
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durante el siglo XIX
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ANAUCO IV movimiento Sinfon&ia
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Ricardo José Romero Núñez
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.919322 Composed by Dr. Ricardo José Romero Núñez. Arranged by Dr. Ricardo José Romero Núñez. Classi...
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Full Orchestra - Level 4 - SKU: A0.919322 Composed by Dr. Ricardo José Romero Núñez. Arranged by Dr. Ricardo José Romero Núñez. Classical,Multicultural,World. Score and parts. 43 pages. Ricardo José Romero Núñez #4833623. Published by Ricardo José Romero Núñez (A0.919322). Esta obra funciona con Finale 2011 o 2014. Es apropiada para conservatorios , orquestas sinfónicas y Universidades, está basada en un poema de Andrés bello durante el siglo XIX. Tine una duración de aproximadamente 12 minutos. cualquier interesado comunicarse a su autor al número +569 730 40 270 , o al correo ricardo4751@hotmail.com.
$60.00
El viaje de los Honrados II movimiento
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Ricardo José Romero NúÃ
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la debacle de la humanidad
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El viaje de los Honrados II mo
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Ricardo José Romero Núñez
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.919308 Composed by Ricardo José Romero Núñez y Ana MarÃÂa Imperato Varela. Arranged by Ricardo José Rom...
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Full Orchestra - Level 4 - SKU: A0.919308 Composed by Ricardo José Romero Núñez y Ana MarÃÂa Imperato Varela. Arranged by Ricardo José Romero Núñez y Ana MarÃÂa Imperato Varela. Multicultural,Sacred,World. Score and parts. 16 pages. Ricardo José Romero Núñez #3432451. Published by Ricardo José Romero Núñez (A0.919308). II movimiento de la obra el viaje de los Honrados. Es música descriptiva sobre el caos y la debacle de la humanidad. Funciona con Finale 2011 o 2014. Es apropiada para todo público, algunos de sus textos se inspiran en profecÃÂas religiosas . Tiene una duración de 10 minutos aproximadamente. cualquier información adicional me pueden contactar al correo ricardo4751@hotmail.com.
$55.00
El viaje de los Honrados III movimiento.
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Ricardo José Romero NúÃ
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El viaje de los Honrados III m
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Ricardo José Romero Núñez
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.919312 Composed by Ricardo José Romero Núñez y Ana MarÃÂa Imperato Varela. Arranged by Ricardo José Rom...
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Full Orchestra - Level 4 - SKU: A0.919312 Composed by Ricardo José Romero Núñez y Ana MarÃÂa Imperato Varela. Arranged by Ricardo José Romero Núñez y Ana MarÃÂa Imperato Varela. Contemporary,Film/TV,Multicultural,Sacred,World. Score and parts. 38 pages. Ricardo José Romero Núñez #3455387. Published by Ricardo José Romero Núñez (A0.919312). El viaje de los Honrados III movimiento. Es el tercer movimiento de una obra descriptiva, con una visión apocalÃÂptica del mundo , donde en este movimiento se produce el efecto del despegue de una nave espacial, que se dirige hacia rumbos ignorados , a través del espacio profundo. Es apropiada para todo público, funciona con finale 2011 0 2014, sus textos son inspiración del autor y en algunos versos son textos bÃÂblicos. tine una duración de 16 minutos . Para contactar al autor lo pueden hacer del correo , ricardo4751@hotmail.com.
$55.00
ANAUCO II movimiento Sinfonía
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Dr
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ANAUCO II movimiento Sinfon&ia
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Ricardo José Romero Núñez
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.919321 Composed by Dr. Ricardo José Romero Núñez. Broadway,Contemporary,Multicultural,Musical/Show,World. Sc...
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Full Orchestra - Level 4 - SKU: A0.919321 Composed by Dr. Ricardo José Romero Núñez. Broadway,Contemporary,Multicultural,Musical/Show,World. Score and parts. 33 pages. Ricardo José Romero Núñez #4622265. Published by Ricardo José Romero Núñez (A0.919321). Anauco II , es el segundo movimiento de una sinfonÃÂa , basada en un texto de Andrés Bello . Funciona con Finale 2011 o 2014. Es apropiada para orquestas sinfónicas, trata sobre un rio de la ciudad de Caracas. Tiene una duración aproximada de 18 minutos. Para cualquier información , comunicarse con el número +569 730 40 270 , o al correo ricardo4751@hotmail.com.
$55.00
ANAUCO III movimiento Sinfonía
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Dr
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ANAUCO III movimiento Sinfon&i
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Ricardo José Romero Núñez
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.919320 Composed by Dr. Ricardo José Romero Núñez. 20th Century,Contemporary,Multicultural,World. Score and p...
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Full Orchestra - Level 4 - SKU: A0.919320 Composed by Dr. Ricardo José Romero Núñez. 20th Century,Contemporary,Multicultural,World. Score and parts. 38 pages. Ricardo José Romero Núñez #4758421. Published by Ricardo José Romero Núñez (A0.919320). Anauco en su Movimiento III , es una sinfonÃÂa full orquesta y coro SATB . Basada en un poema de Andrés Bello , dentro del contexto del siglo XVIII e inspirada en un rio carqueño del mismo nombre. Esta obra funciona con Finale 2011 0 2014 , tiene una duración aproximada de 11 minutos. Para cualquier información adicional comunicarse al correo ricardo4751@hotmail.com o al movil +569 73040270.
$55.00
El Viaje de los Honrados I Movimiento
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Orchestre
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INTERMÉDIAIRE
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Ricardo José Romero NúÃ
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El Viaje de los Honrados I Mov
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Ricardo José Romero Núñez
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.919310 Composed by Ricardo José Romero Núñez y Ana MarÃÂa Imperato Varela. Arranged by Ricardo José Rom...
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Full Orchestra - Level 3 - SKU: A0.919310 Composed by Ricardo José Romero Núñez y Ana MarÃÂa Imperato Varela. Arranged by Ricardo José Romero Núñez y Ana MarÃÂa Imperato Varela. Contemporary,Multicultural,Sacred,World. Score and parts. 29 pages. Ricardo José Romero Núñez #3418447. Published by Ricardo José Romero Núñez (A0.919310). El viaje de los Honrados , es una obra basada en una visión apocalÃÂptica de los seres humanos en el planeta tierra, donde la destrucción moral, la contaminación y devastación de la vida , conlleva a la realización de un proyecto de viaje a través del espacio profundo, en la búsqueda de un nuevo planeta para preservar la especie humana. Se puede abrir este archivo con finale 2011 0 2014, por otra parte la obra puede enviar un mensaje de reflexión al público en general. además puede ser interpretada en servicios religiosos. El contexto de la obra es el actual, por la alta conflictividad mundial. Este primer movimiento tiene una duración aproximada de 15 minutos.
$55.00
ANAUCO I Movimiento
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Dr
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ANAUCO I Movimiento
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Ricardo José Romero Núñez
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.919319 Composed by Dr. Ricardo José Romero Núñez. Arranged by Dr. Ricardo José Romero Núñez. Broadw...
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Full Orchestra - Level 4 - SKU: A0.919319 Composed by Dr. Ricardo José Romero Núñez. Arranged by Dr. Ricardo José Romero Núñez. Broadway,Contemporary,Multicultural,Musical/Show,World. Score and parts. 34 pages. Ricardo José Romero Núñez #4412905. Published by Ricardo José Romero Núñez (A0.919319). Anauco I movimiento es una obra full orquesta + voces satb , cuya letra esta basada en la poesÃÂa Anauco del escritor y poeta Andrés Bello a finales del siglo XVIII y comienzos del XIX. Es apropiada para orquestas profesionales, funciona con el programa Finale 2011 u otro compatible. Tiene una duración aproximada de 20 minutos.
$55.00
El viaje de los Honrados IV Movimiento
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Ricardo Romero y Ana MarÃÂa
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El viaje de los Honrados IV Mo
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Ricardo José Romero Núñez
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.919318 Composed by Ricardo Romero y Ana MarÃÂa Imperato. Arranged by Ricardo Romero y Ana MarÃÂa Imperato. Contem...
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Full Orchestra - Level 4 - SKU: A0.919318 Composed by Ricardo Romero y Ana MarÃÂa Imperato. Arranged by Ricardo Romero y Ana MarÃÂa Imperato. Contemporary,Film/TV,Multicultural,Sacred,World. Score and parts. 27 pages. Ricardo José Romero Núñez #3518611. Published by Ricardo José Romero Núñez (A0.919318). IV movimiento de la obra ''El viaje de los Honrados'' la cual describe como sus anteriores movimientos la decadencia de la especie humana y como algunos sobrevivientes buscan un planeta donde preservar la humanidad , emprendiendo un viaje interestelar. funciona esta obra con el programa Finale 2011 o 2014, es apropiada para todo público , puede ser usada para servicios religiosos . Algunos de sus textos están basados en referencias bÃÂblicas . su temática gira en torno a la degradación , corrupción y contaminación del planeta , por lo cual un grupo de elegidos emprende un viaje a través del espacio profundo , buscando un nuevo planeta donde se pueda preservar la especie humana. su duración es de 10 : 40 minutos.
$55.00
Despertar es una obra full orquesta y coro con una duración aproximada de 10 minutos
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Orchestre
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INTERMÉDIAIRE
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Dr
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Dr
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Despertar es una obra full orq
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Ricardo José Romero Núñez
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.919311 Composed by Dr. Ricardo José Romero Núñez. Arranged by Dr. Ricardo José Romero Núñez. Renais...
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Full Orchestra - Level 3 - SKU: A0.919311 Composed by Dr. Ricardo José Romero Núñez. Arranged by Dr. Ricardo José Romero Núñez. Renaissance,Sacred. Score and parts. 21 pages. Ricardo José Romero Núñez #3125369. Published by Ricardo José Romero Núñez (A0.919311). Despertar es una obra de cuatro secciones full orquesta y SATB. En la primera sección se presenta un tema con mucho vigor , luego en la segunda se puede apreciar un movimiento retrógado , en la tercera una fuga y finalmente en la cuarta aparecen las voces. La poesÃÂa es un agradecimiento a Dios , la vida y cada amanecer .
$40.00
Invierno
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Orchestre
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INTERMÉDIAIRE
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Film/TV
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Erick Ricardo Enciso Alva
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Invierno
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E.R.E.Alva
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1368763 Composed by Erick Ricardo Enciso Alva. Classical,Contemporary,Film/TV. 51 pages. E.R.E.Alva #953134. Publishe...
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Full Orchestra - Level 3 - SKU: A0.1368763 Composed by Erick Ricardo Enciso Alva. Classical,Contemporary,Film/TV. 51 pages. E.R.E.Alva #953134. Published by E.R.E.Alva (A0.1368763).
$62.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Debussy: Sarabande (Pour le piano) (For the piano), L. 95- wind dectet
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Claude Debussy
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Ray Thompson
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Debussy: Sarabande
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Digital Download Composed by Claude Debussy (1862-1918). Arranged by Ray Thompson. 20th Century. Score and parts. 17 pages. RayThomp...
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Large Ensemble - Digital Download Composed by Claude Debussy (1862-1918). Arranged by Ray Thompson. 20th Century. Score and parts. 17 pages. RayThompsonMusic #6109107. Published by RayThompsonMusic
Pour le piano (For the piano), L. 95, is a suite for solo piano by Claude Debussy. It consists of three individually composed movements, Prélude, Sarabande and Toccata. The suite was completed and published in 1901. It was premiered on 11 January 1902 at the Salle Érard, played by Ricardo Viñes. Maurice Ravel orchestrated the middle movement.
This is my arrangement of that movement.based on Ravel's orchestration.
Regarded as Debussy's first mature piano composition, the suite has frequently been recorded.Arranged double wind quintet/double bass
Clarinet parts are for clarinets in A
Oboe 2 is for cor anglais
$14.95
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