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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ring My Bells
Non classifié
96
Piano & claviers
Piano, Voix
195
Piano seul
38
Piano Facile
22
Piano, Voix et Guitare
13
Accompagnement Piano
6
Instruments en Do
4
Orgue
3
1 Piano, 4 mains
2
+ 3 instrumentations
Retracter
Guitares
Guitare notes et tablatures
23
Guitare
1
Ligne De Mélodie, (Paroles) et Accords
1
Basse electrique
1
Ukulele
1
Banjo
1
+ 1 instrumentations
Retracter
Voix
Chorale 3 parties
65
Chorale 2 parties
27
Chorale SATB
18
Chorale Unison
11
Pack Instrumental pour Chorale
1
Chorale TTBB
1
Chorale SSAA
1
+ 2 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
11
Saxophone Soprano et Piano
10
Flûte traversière et Piano
10
Saxophone Tenor et Piano
10
Saxophone Alto et Piano
10
Saxophone Baryton, Piano
10
Clarinette et Piano
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Flûte, Hautbois, Clarinette, Basson
3
Trio de Flûtes: 3 flûtes
2
Flûte traversière
2
Flûte et Guitare
1
2 Flûte à bec (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Ensemble de Clarinettes
1
Flûte, Harpe et Violoncelle
1
Clarinette, Harpe (duo)
1
Saxophone
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Guitare (duo)
1
Clarinette, Basson (duo)
1
+ 16 instrumentations
Retracter
Cuivres
Trombone et Piano
11
Cor et Piano
8
Tuba et Piano
6
Trompette, Piano
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Quatuor de Cuivres
2
Ensemble de Trompettes
1
Trompette
1
+ 3 instrumentations
Retracter
Cordes
Contrebasse, Piano (duo)
21
Quatuor à cordes: 2 violons, alto, violoncelle
19
Violoncelle, Piano
14
Alto, Piano
12
Violon et Piano
11
Harpe
7
2 Violons (duo)
4
Trio à cordes: 3 violins
4
Trio à Cordes: violon, alto, violoncelle
3
2 Violoncelles (duo)
3
Violon, Violoncelle (duo)
3
Violon (partie séparée)
2
2 Altos (duo)
2
4 Violoncelles
1
Harpe, Flûte (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à cordes: 3 altos
1
Violon, Alto (duo)
1
Violoncelle (partie séparée)
1
Violoncelle, Orchestre
1
Violon
1
2 Contrebasses (duo)
1
Violoncelle , Guitare (duo)
1
Alto (partie séparée)
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 3 violoncelles
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Cloches
110
Orchestre d'harmonie
41
Orchestre à Cordes
17
Orchestre
7
Ensemble de cuivres
3
Ensemble de Percussions
2
Fanfare
1
Ensemble Jazz
1
Percussion
1
+ 4 instrumentations
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FLUTE A BEC
FLUTE A DIX…
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FORMATION M…
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GUITARE PED…
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HAUTBOIS
LIVRES
LUTH, THEOR…
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ORCHESTRE
ORGUE
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PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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ENFANTS : EVEIL - IN…
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FINGERSTYLE - FINGER…
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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PATRIOTIQUE
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Vous avez sélectionné:
Ring My Bells
Orchestre
Partitions à imprimer
7 partitions trouvées
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1
The Glastry Pearl. Tone Poem Elegy For My Mum.
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
184.38 €
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Orchestre
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Geraldine
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The Glastry Pearl. Tone Poem Elegy For My Mum.
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Geraldine
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SheetMusicPlus
Jingle Bells
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1117121 By Alex Tinlin. By Alex…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1117121 By Alex Tinlin. By Alex Tinlin. Arranged by Alex Tinlin. 20th Century,Christmas,Holiday. Score and parts. 21 pages. Alex Tinlin #718709. Published by Alex Tinlin (A0.1117121). My arrangement of the popular Christmas tune 'Jingle Bells', originally written by James Pierpoint. This version can be played tutti, or as separate String, Wind, or Brass sections.
$4.99
4.6 €
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Orchestre
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Alex Tinlin
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Alex Tinlin
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Jingle Bells
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Alex Tinlin
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SheetMusicPlus
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
9.21 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holidays
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Thomas Oboe Lee
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SheetMusicPlus
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
23.92 €
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Orchestre
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Carson Cooman
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Carson Cooman: Pittsburgh Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bell Carol Fantasy for Orchestra (Score)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.809060 Composed by Mykola Leont…
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Full Orchestra - Level 4 - Digital Download SKU: A0.809060 Composed by Mykola Leontovych. Arranged by Kim Diehnelt. Christmas,Contemporary,Holiday. 14 pages. Kim Diehnelt #5294071. Published by Kim Diehnelt (A0.809060). Based on the choral piece Shchedryk (Carol of the Bells) by MykolaLeontovych, this full orchestra version brings to life the spirit of this favorite carol. Perfect holiday concert closer! When an orchestra player expressed interest in playing Carol of the Bells as part of a fun December rehearsal, I checked out what arrangements already existed. To me, they all seemed too simple and repetitive, so I set about writing my own. I discovered that the familiar carol has its roots in a traditional folk chant about a swallow bringing a New Year’s message of a plentiful new year, and the title comes from the Ukrainian word for bountiful.
$7.00
6.45 €
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Orchestre
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Mykola Leontovych
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Kim Diehnelt
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Bell Carol Fantasy for Orchestra
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Kim Diehnelt
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SheetMusicPlus
Nu Tal (Mi Tierra) - Set of Parts
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.933325 Composed by Juan Carlos …
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Full Orchestra - Level 3 - Digital Download SKU: A0.933325 Composed by Juan Carlos Guerra González. 20th Century,Contemporary. Score and parts. 267 pages. Juan Carlos Guerra Gonzalez #3093617. Published by Juan Carlos Guerra Gonzalez (A0.933325). Nu Tal (Mi Tierra) or My Land, is one of my first orchestral works, commissioned by Dr. Irving Ramirez, associate conductor of the El Salvador’s Symphony Orchestra.At the beginning, the idea was to set four small sketches of different images from my country. The 3rd movement was composed first, at that point I didn’t have a name for the work but after a talk with my mother in law, Aracely Sánchez; who is an expert in Salvadoran folklore, I decided to change the work’s name to Nu Tal (My Land in Nahuatl) and use some elements from our folklore. Then, I combined the idea I had from the images and the folk rhythms and tunes to create the whole work.The first movement of the work contains actually two movements. The first part is an image of a plane going to El Salvador. While the plane comes out of the clouds a beautiful land is seen through the window until the plane lands safely at its destination. Immediately, the folk part of the movement (movement II) begins with the invocation performed by the shell to the four cardinal points and then an autochthonous sound is presented welcoming our guests to this magical land, and the theme develops until the end of the movement.The third part was the first composed and it is an image including various ideas that represents a vision of El Salvador from different perspectives and the complexity of the different generations that are currently creating El Salvador’s demographic landscape.The fourth movement is an amalgamate of folkloric ideas and images. The beginning is the call from a church by the bells, then the brass presents the main theme of the movement, which is based on the Gregorian chant Salve Regina that I deconstructed using different rhythmic meters. Then a traditional rhythm is developed for the final section of the work.Link to the audio rendering: https://soundcloud.com/juancarlosguerragonzalez/nu-tal-complete-recording-sibelius-noteperformer-rem...
$125.00
115.24 €
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Orchestre
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Juan Carlos Guerra González
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Nu Tal
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Mini Concerto For Alex (School Orchestra Arrangement)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1297997 Composed by Geraldine (…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1297997 Composed by Geraldine (Denny) Green. 21st Century,Children,Classical. Score and Parts. 71 pages. Geraldine (Denny) Green at Oakmountmusic #887901. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297997). ALL PURCHASES COME WITH SCORE AND PARTS1992 – The Mini Concerto For Alex, for solo cello (about grade 6 or 7) and school orchestra was commissioned in 1992 by Ibstock Place School for a talented young cellist, Alex Hunt, who was a student at the school at the time.  The Head of the school’s music department was Chris Artley, who was a marvelous support to me, throwing my way many wonderful opportunities or orchestrate for the Ibstock Place orchestra. The Mini Concerto For Alex is just one example. Chris is now a very successful composer living and working in New Zealand!Duration: approx. 10 minutes.In one movement, this piece is light in character and great fun for a school orchestra with a young, aspiring cellist.There are two Arrangements;No.1 – For Solo Cello and School Orchestra. Instrumentation as follows: 1st Flute2nd Flute1st Bflat Clarinet2nd Bflat Clarinet3rd Bflat Clarinet1st Alto Saxophone2nd Alto Saxophone1 Trumpet in Bflat2 TimpaniSide Drum(brushes and sticks)Sleigh BellsTambourineMaraccasCymbals(crash and suspended)TriangleWind ChimesGlockenspeilPianoKeyboard(strings and celesta sounds)*Solo CelloViolin 1Violin 2Violin 3ViolasCellosDoubles BassesNo.2 – For Solo Cello and PianoThere is a choice of 2 cadenzas: The first one is fairly easy and the second one is for the more advanced soloist. The one you hear below is the second, more advanced one. Both Cadenzas come with all arrangements.
$40.00
36.88 €
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Orchestre
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Geraldine
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Mini Concerto For Alex
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Geraldine
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SheetMusicPlus
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Ring My Bells
