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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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Non classifié
151
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62
2 Pianos, 4 mains
24
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14
Piano Facile
6
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5
Instruments en Do
3
Orgue
3
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 4 mains
1
+ 5 instrumentations
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5
Guitare notes et tablatures
1
Ukulele Baryton
1
Basse electrique
1
4 Guitares (Quatuor)
1
Voix
Chorale SATB
40
Chorale 2 parties
13
Chorale 3 parties
12
Chorale Unison
7
Voix duo
5
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5
Chorale SSAA
4
Chorale TTBB
3
Pack Instrumental pour Chorale
2
+ 4 instrumentations
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Vents
Hautbois, Piano (duo)
11
Quatuor de Clarinettes: 4 clarinettes
7
Clarinette et Piano
7
Saxophone Soprano et Piano
5
Saxophone Tenor et Piano
5
2 Saxophones (duo)
5
2 Flûtes traversières (duo)
5
Flûte traversière
4
Flûte traversière et Piano
4
Quatuor de Saxophones: 4 saxophones
4
2 Clarinettes (duo)
4
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3
Flûte à Bec
3
Flûte, Hautbois, Clarinette, Basson
3
Saxophone Tenor
3
3 Clarinettes (trio)
3
Clarinette
3
Saxophone, Clarinette (duo)
2
Clarinette, Trompette (duo)
2
Clarinette, Violon (duo)
2
Saxophone Alto et Piano
2
Trio de Flûtes: 3 flûtes
2
Saxophone Alto
2
Saxophone (partie séparée)
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette et Alto
1
Ensemble de Clarinettes
1
Flûte, Clarinette et Basson
1
2 Hautbois (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Violon
1
Flûte à bec Alto
1
Hautbois (partie séparée)
1
Hautbois, Flûte
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Harpe (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Basson (duo)
1
Flûte, Alto (duo)
1
+ 34 instrumentations
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Trombone et Piano
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trompette, Piano
5
Trompette
3
2 Trompettes (duo)
3
Trombone
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette, Trombone (duo)
2
Trompette, Cor (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor
1
Cor et Piano
1
2 Trombones (duo)
1
+ 9 instrumentations
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Cordes
Violon et Piano
8
Quatuor à cordes: 2 violons, alto, violoncelle
7
Violoncelle, Piano
5
Violon
5
Piano Trio: Violon, Alto, Piano
4
Violon, Violoncelle (duo)
4
2 Violons (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Alto, Piano
3
Alto seul
2
Violon, Alto (duo)
2
Harpe, Voix
2
Harpe
2
2 Violoncelles (duo)
1
Trio à cordes: 3 violins
1
2 Altos (duo)
1
Harpe, Violon, Violoncelle
1
2 Harpes (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle
1
+ 17 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
11
Orchestre de chambre
6
Ensemble de cuivres
6
Cloches
6
Orchestre
4
Orchestre à Cordes
2
Xylophone, Piano
2
Marimba
2
Batterie
1
Xylophone
1
Ensemble de Percussions
1
+ 6 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
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FLUTE TRAVERSI…
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Orchestre
Partitions à imprimer
4 partitions trouvées
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Manger Songs - Orchestral Score and Parts
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Orchestre
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Musique Sacrée
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Lloyd Larson
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Manger Songs - Orchestral Scor
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Orchestra - SKU: LX.30-2619L Arranged by Lloyd Larson. Conductor's score. Sacred Anthem, Christmas. Orchestral Score and Parts. 63 pages. Lorenz Publish...
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Orchestra - SKU: LX.30-2619L Arranged by Lloyd Larson. Conductor's score. Sacred Anthem, Christmas. Orchestral Score and Parts. 63 pages. Lorenz Publishing - Digital Sheet Music #e30/2619L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-2619L). UPC: 000308126273.Lloyd Larson deftly weaves four manger songs together in this arrangement of traditional carols. Lush choral textures are exploited to help convey the majesty of Christ's birth. This ideal selection for Christmas Eve services is made even more versatile by the availability of an optional orchestral arrangement by Michael Lawrence. (From the cantata Rise Up! A New Light A-Comin' SATB -- 65/2009L; SAB -- 65/2010L) Instrumentation: 2 Fl, Ob, 2 Cl, Bsn (sub B Cl), 3 Tpt, 2 Hn (sub 2 A Sax), 2 Tbn (sub T Sax/Bar TC), Tb, 2 Perc, Hp, Pno, Vln 1 & 2, Vla, Vc, Db (String Reduction included).
$39.95
From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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From the Hillside, Aria for Te
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathani...
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Full Orchestra - Level 4 - SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathaniel Holland #3142471. Published by James Nathaniel Holland (A0.730401). Tenor Aria From the Hillside from the 21st Century Opera ON THE WINGS OF THE SCARLET MESSENGER (Based on the Henry James novel, On the Wings of a Dove) here with full orchestral accompaniment. (Full score in concert pitch, voice, and individual parts included) This accompaniment can also be used with the solo and male ensemble that is contained in the full vocal score.Instrumentation: pic, fl12,ob12,eh,cl12,bcl,tenor sax, bsn12,hrn1234, trpt 12, trmb, btrm, timp, hand cym/egg shaker, hrp, voice, stringsDuration: 4:00 minutes (Sample here begins with extra measure) Video presentation at: https://www.youtube.com/watch?v=u47yb4kiE0Y Curious? Listen to the complete opera playlist en demo at: http://www.youtube.com/watch?v=Rr5x_aXnUMM&list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMa Adaptation, Libretto, and Music by James Nathaniel Holland Performance: James Nathaniel Holland, Tenor Orchestra: CH Symphony Group (Complete Duration: 2 hours) BRIEF SYNOPSIS: In the urban capital of Soon Rafa, lovers Mariana (Soprano) and Kai (Bass) cannot be together because of Mariana's disapproving wealthy Aunt (Mezzo-Soprano). Torn between love and financial security, an unlikely opportunity arises when a dying rich Occidental, Justin (Tenor) reveals his romantic interest in Kai. The couple plot a pretense to inherit Justin's money and be free to marry and live together. This aria occurs in Act I, Scene 2. Justin (tenor) has just hired a group of porters, including Kai (bass), to guide him through the jungles of the island to photograph the mythical bird, the Scarlet Messenger. Although the men insist it is a legend, Justin inspires them to persevere with him. Aria Libretto, Justin (tenor singing): From the hillside, something breaks free. Is it real? Or just illusion? Oh how I have to see you, feel that beauty. Upon your wings our souls must one day fly to heaven. Never doubt that you can find him, hiding among your dreams. For when you feel all hope is gone, that's when you spot his red wings, fiery bright. (to the group of porters) So come with me, all's not in vain. It is real, just not illusion. The day is fading fast, oh, so quickly. We'll be the first to see that blazing path of fire. The Scarlet Messenger! Oh how that would be the greatest gift of my life. Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html Music, Lyrics, Performance Copyright 2017 James Nathaniel Holland.
$15.95
Legacy
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Legacy
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published ...
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Full Orchestra - Level 4 - SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published by Sy Brandon (A0.755203). Legacy is a three movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity.The score prints on legal size paper and the parts on letter.
$49.95
Festival
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Mike Lyons
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Festival
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Lyons Music Services
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #72126...
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Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with ‘sunrise’ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendors’ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think it’s all over, there’s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
$55.00
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Rise Together