Partitions Numériques de River's Dance pour Orchestre

River's Dance

Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra

Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreauâ€™s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Loggerâ€™s Boast. The original song had twenty stanzas to it. I whittled it down to five. I donâ€™t know what the original song sounded like, so I made up my own version of a lumberjackâ€™s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away â€¦The last movement begins with a funeral march for Joe Attien, a native American who was Thoreauâ€™s guide when he came up here in the 1900â€™s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn â€¦NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.

#Symphony No. 6 ... The Penobscot River

Full Orchestra - Digital Download SKU: A0.961993 Composed by Ma Shui Long é¦¬æ°´é¾. Contemporary. Score and parts. 95 pages. SpringAutumnmusic #47111. Published by SpringAutumnmusic (A0.961993). 1979å¹´ã€Šå°ç£å‚³å¥‡-å»–æ·»ä¸ç®¡å¼¦æ¨‚çµ„æ›²ã€‹ï¼Œç®¡å¼¦æ¨‚ ã€€ã€€æœ¬æ›²æ”¹ç·¨è‡ªã€ŒèˆžåŠ‡å»–æ·»ä¸ã€ï¼Œç‚º1979å¹´é›²é–€èˆžé›†å§”è¨—ä¹‹ä½œå“ã€‚é™¤åºæ›²ä¹‹å¤–ï¼Œåˆ†ç‚ºäº”å€‹æ¨‚ç« ï¼Œæ¯å€‹æ¨‚ç« æ¨‚æ›²çš„å½¢å¼èˆ‡çµæ§‹ï¼Œå‡èˆ‡åŠ‡æƒ…ç™¼å±•æœ‰é—œï¼Œå…¶ä¸»è¦äººç‰©èˆ‡æ¨‚æ›²ä¸»é¡Œå‹•æ©Ÿå¦‚ä¸‹ï¼š ã€€ã€€(ä¸€)å»–æ·»ä¸: ä½œæ›²è€…ä»¥å…©å€‹ä¸åŒçš„ä¸»é¡Œå‹•æ©Ÿä¾†è¡¨ç¤ºä»–çš„å…§å¿ƒæ°£æ¦‚æ‚²å£¯å’Œè¡Œä¿ ä»—ç¾©è¼•é¬†è©¼è«§çš„ä¸€é¢ï¼Œè—‰è‘—æœ‰é—œå»–æ·»ä¸çš„å„ç¨®å‚³èªªåŠåŠ‡æƒ…çš„ç™¼å±•ï¼Œæ±ºå®šä»¥å…©å€‹ä¸åŒçš„ä¸»é¡Œä¾†è¡¨ç¤ºä»–çš„å…§å¿ƒæ°£æ…¨æ‚²å£¯å’Œè¡Œä¿ ä»—ç¾©æ™‚è¼•é¬†è©¼è«§çš„ä¸€é¢ï¼Œå¦‚aèˆ‡bã€‚ ã€€ã€€(äºŒ)ä¸€ä½è¢«æ—¥è¦ä¾®è¾±çš„å°‘å¥³ï¼š é›–ç„¶ä¸æ˜¯ä¸»è§’ï¼Œä½†ä¹Ÿæ˜¯å¾ˆé‡è¦çš„è§’è‰²ï¼Œå¥¹è±¡å¾µè‘—æ—¥æ“šæ™‚ä»£å°ç£åŒèƒžçš„å‘½é‹èˆ‡éé‡ï¼Œå¦‚cã€‚ ã€€ã€€å…¨æ›²å…ˆç”±åºæ›²æ ¹æ“šaèˆ‡cä¹‹ä¸»é¡Œå‹•æ©Ÿç™¼å±•ï¼Œä»¥æš—ç¤ºåŠ‡ä¸ä¸»äººç¿-å»–æ·»ä¸çš„å‘½é‹èˆ‡éé‡ï¼Œè€Œå¾Œå†ä¾åºç™¼å±•æ•´æ›²ã€‚ ã€€ã€€ç¬¬ä¸€æ¨‚ç« ï¼šå¤§ç¨»åŸ•å¤œå··/ç¬¬äºŒæ¨‚ç« ï¼šæ—¥äººå®…ç¬¬/ç¬¬ä¸‰æ¨‚ç« ï¼šéœžæµ·åŸŽéšå»Ÿæœƒ/ç¬¬å››æ¨‚ç« ï¼šæ·¡æ°´æ²³ç•”/ç¬¬äº”æ¨‚ç« ï¼šé‡é›£ã€‚ â€»æœ¬æ›²1979å¹´5æœˆç”±èˆžè¹ˆå®¶æž—æ‡·æ°‘ç·¨èˆžã€é¦¬æ°´é¾æŒ‡æ®åœ‹ç«‹è—å°ˆç®¡å¼¦æ¨‚åœ˜ã€éŸ»å¾·éŒ„éŸ³å…¬å¸éŒ„éŸ³ï¼Œæ–¼å°åŒ—åœ‹çˆ¶ç´€å¿µé¤¨èˆ‰è¡Œä¸–ç•Œé¦–æ¼”ã€‚ ã€€ã€€ 1979ï¼šLegend of Taiwan-Orchestral Suite of Chivalrous Liao Tain-Ding ã€€ã€€This work was originally composed for a dance drama named Liao, Tand-Ding, and later on, recomposed as an orchestra work, and it was commissioned by the Cloud Gate Dance Foundation. Excepting the Overture, the work is divided into five movements. The form and structure of each movement all relate to the story basis. The roles and music themes are as follows: First: Liao Tain-Ding: The composer created two themes a and b, to express both Liao Tain-Dingâ€™s heroically tragic character and also his humorous character. Please see below: Second: A young lady humiliated by the Japanese Police: Although the young lady is not played as a heroine, she is significant here. She symbolizes the experiences and fates of Taiwanese citizens during the colonial period. For example c: ã€€ The work begins with an Overture by developing subjects a and c, to imply the fate of hero Liao Tain-Ding and what he has gone through. ã€€ã€€ ã€€ã€€1st Movement: Night Lane in Ta Tao Cheng / 2nd Movement: The Japanese Mansion / 3rd Movement: Festival at the Hsia Hai Cheng Huang Temple / 4th Movement: Tamshui Riverside / 5th Movement: Martyrdom â€»In May 1979, The dance of Legend of Taiwan-Orchestral Suite of Chivalrous Liao Tain-Ding arranged by Huai-ming Lin, was premiered by the National Taiwan Junior College of Art Orchestra, conducted by the composer Shui-long Ma, recorded by the Yun-de Company, and was premiered at the Taiwan National Dr. Sun Yat-sen Memorial Hall.