Partitions Numériques de Rounding pour Orchestre

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TRI ET FILTRES

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Non classifié 37

PIANO & CLAVIERS

Piano seul 32 Piano Facile 3 Piano, Voix et Guitare 3 2 Pianos, 4 mains 2 Piano, Voix 2

Instruments en Do 1 Orgue 1

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GUITARES

Guitare 5 Dulcimer 1 Ukulele 1 Guitare notes et tablatures 1

VOIX

Chorale SATB 7 Chorale Unison 3 Chorale 2 parties 3 Voix duo, Piano 1 Chorale TTBB 1

Voix duo 1

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VENTS

Hautbois, Clarinette (duo) 4 Flûte, Clarinette (duo) 4 Hautbois, Basson (duo) 3 Hautbois, Violoncelle 3 Quatuor de Saxophones: 4 saxophones 3

Quatuor de Flûtes : 4 flûtes 2 Flûte traversière et Piano 2 Clarinette, Violoncelle (duo) 1 Clarinette 1 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1 Quintette de Flûte : 5 flûtes 1 Quatuor de Clarinettes: 4 clarinettes 1 Flûte, Trombone (duo) 1 Quintette de Clarinette: Clarinette, Quatuor à Cordes 1 Hautbois, Piano (duo) 1

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CUIVRES

Trompette, Trombone (duo) 3 Trompette, Cor (duo) 2 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2 Trompette, Violoncelle (duo) 1 Cor 1

Cor et Harpe 1 Quatuor de Cuivres: 2 trompettes, Cor, trombone 1

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CORDES

Violon, Alto (duo) 4 Violon, Violoncelle (duo) 4 Violon 4 Quatuor à cordes: 2 violons, alto, violoncelle 2 Alto, Violoncelle (duo) 2

Harpe, Violon (duo) 1 Violon, Basson (duo) 1 Harpe 1 Harpe, Flûte (duo) 1 Violon, Guitare (duo) 1 Alto et Harpe 1 Violon et Piano 1

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 37 Orchestre 3 Orchestre à Cordes 2 Orchestre de chambre 1

AUTRES

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Ocean Voyage - (Full Orchestra) Full Set

Orchestre

Full Orchestra - Level 4 - Digital Download SKU: A0.753997 Composed by Nick Raspa. …(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.753997 Composed by Nick Raspa. Contemporary. Score and Parts. 206 pages. NJR Music #48329. Published by NJR Music (A0.753997). When I began this piece, I was thinking about my father and my grandparents and how they left their families and the comfort of familiar surroundings in Italy and immigrated to America for a new life during the early part of the 20th Century. Just as there is an element of danger in taking a trip across the ocean, there is the excitement of the voyage and the promise of a new experience visiting a place you have never been before. Â The trip itself is an adventure since you will spend several days aboard the ship, and in days that have long since faded from the calendar, these trips took weeks and even months. This piece attempts to capture the spirit of the adventure and excitement of such a trip. The piece starts with the sounding of the horn and the ship embarks. Â This leads to a beautiful lyrical section and later there is a spritely gigue. Â Through these various sections I attempted to capture the various moods of the passengers during various stages of this long journey. Forces: 2222 4221 timp,glock,mar, perc,str</b Â Click on the YouTube link to hear the entire piece. Â ASCAP>.

$54.00 49.47 € #Orchestre #Nick Raspa #Ocean Voyage - #NJR Music #SheetMusicPlus

Homage to O'Keeffe for Orchestra

Orchestre

Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. …(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia Oâ€™Keeffeâ€™s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.

$39.99 36.64 € #Orchestre #Sy Brandon #Homage to O'Keeffe for Orchestra #Sy Brandon #SheetMusicPlus

Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra

Orchestre

Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreauâ€™s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Loggerâ€™s Boast. The original song had twenty stanzas to it. I whittled it down to five. I donâ€™t know what the original song sounded like, so I made up my own version of a lumberjackâ€™s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away â€¦The last movement begins with a funeral march for Joe Attien, a native American who was Thoreauâ€™s guide when he came up here in the 1900â€™s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn â€¦NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.

$9.99 9.15 € #Orchestre #Thomas Oboe Lee #Symphony No. 6 ... The Penobscot River #Thomas Oboe Lee #SheetMusicPlus