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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
SOME SAY
Non classifié
246
Piano & claviers
Piano seul
243
Piano, Voix
157
Piano, Voix et Guitare
79
Piano Facile
56
Instruments en Do
10
Orgue
7
1 Piano, 4 mains
6
Accordéon
5
Piano grosses notes
3
2 Pianos, 4 mains
3
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Piano (partie séparée)
1
Clavecin
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
35
Guitare
26
Ukulele
14
Ligne De Mélodie, (Paroles) et Accords
12
Paroles et Accords
9
Dulcimer
2
Basse electrique
2
Guitare (partie séparée)
2
Mandoline
2
Ensemble de guitares
1
Piano, Guitare (duo)
1
2 Guitares (duo)
1
Banjo
1
3 Guitares (trio)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
93
Chorale 3 parties
31
Chorale SSAA
10
Voix seule
8
Chorale 2 parties
8
Chorale TTBB
6
Chorale
5
Pack Instrumental pour Chorale
4
Voix Soprano, Piano
3
Chorale Unison
3
Voix haute
3
Voix Baryton, Piano
2
Voix duo, Piano
2
Voix duo
1
Voix Tenor
1
Voix moyenne, Piano
1
Voix basse, Piano
1
Chorale SSATTB
1
+ 13 instrumentations
Retracter
Vents
Clarinette
28
Saxophone
24
Flûte traversière
20
2 Flûtes traversières (duo)
18
Clarinette et Piano
18
Saxophone Alto et Piano
17
Saxophone (partie séparée)
17
Flûte traversière et Piano
17
Hautbois (partie séparée)
16
Quatuor de Saxophones: 4 saxophones
11
Saxophone Alto
9
Saxophone Soprano et Piano
9
Hautbois, Piano (duo)
9
Saxophone Tenor
8
2 Saxophones (duo)
8
Saxophone Tenor et Piano
7
2 Clarinettes (duo)
7
Flûte et Guitare
6
Flûte, Hautbois, Clarinette, Basson
6
Quatuor de Clarinettes: 4 clarinettes
5
Quintette de Clarinettes: 5 clarinettes
4
Saxophone, Clarinette (duo)
3
Flûte, Clarinette (duo)
3
Flute (partie séparée)
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Ensemble de Clarinettes
3
Ocarina
2
Flûte à Bec
2
Clarinette, Violon (duo)
2
Flûte, Alto et Piano
2
Cor anglais, Piano
2
Instruments en Mib
2
Cor anglais, Guitare (duo)
2
Saxophone et Guitare
2
Clarinette, Guitare (duo)
2
Flûte, Violon
2
Saxophone Baryton, Piano
2
3 Clarinettes (trio)
2
Flûte, Trompette (duo)
1
Hautbois, Flûte
1
Hautbois, Basson (duo)
1
Clarinette et Alto
1
Saxophone et Orgue
1
Clarinette, Harpe (duo)
1
Clarinette Basse, Piano
1
Hautbois, Clarinette (duo)
1
3 Saxophones (trio)
1
Flûte, Alto (duo)
1
Ensemble de Flûtes
1
Hautbois, Guitare (duo)
1
Trio de Flûtes: 3 flûtes
1
2 Flûte à bec (duo)
1
2 Hautbois (duo)
1
Flûte, Violon, Piano
1
Quintette de Saxophone: 5 saxophones
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Saxophone (duo)
1
Hautbois
1
+ 53 instrumentations
Retracter
Cuivres
Trompette
23
Trombone
19
Cor et Piano
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trompette (partie séparée)
7
Trombone et Piano
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Cor
6
Tuba
6
Tuba et Piano
5
Trompette, Piano
5
Trombone (partie séparée)
4
2 Trombones (duo)
4
2 Trompettes (duo)
4
Euphonium
3
Cor anglais, Piano
2
Trompette, Saxophone (duo)
2
Cor anglais, Guitare (duo)
2
Trompette, Trombone (duo)
2
Instruments en Sib
2
Tuba (partie séparée)
1
Trompette, Tuba (duo)
1
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 4 cors
1
Bass Clef Instruments
1
Cor (partie séparée)
1
+ 21 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
50
Violon
24
Violon et Piano
17
2 Violons (duo)
14
Violoncelle
14
Harpe
14
Alto seul
13
Alto, Piano
11
Violoncelle, Piano
10
2 Violoncelles (duo)
8
Violon, Violoncelle (duo)
7
Violoncelle , Guitare (duo)
4
2 Harpes (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
4 Violoncelles
2
Contrebasse (partie séparée)
2
Violon, Alto (duo)
2
Alto, Guitare (duo)
2
Alto (partie séparée)
2
2 Altos (duo)
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Violoncelle, Contrebasse (duo)
1
Harpe, Flûte (duo)
1
Contrebasse, Piano (duo)
1
Violon, Guitare (duo)
1
Contre Basse
1
Harpe, Violon (duo)
1
2 Violoncelles, Piano
1
Alto, Violoncelle (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
47
Orchestre
16
Orchestre à Cordes
12
Ensemble de cuivres
10
Ensemble Jazz
10
Orchestre de chambre
7
Jazz combo
5
Ensemble de Percussions
4
Fanfare
3
Batterie (partie séparée)
1
Batterie
1
Marimba
1
Cloches
1
Marimba, Piano (duo)
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Profs-edition
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SheetMusicPlus
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Vous avez sélectionné:
SOME SAY
Orchestre
Partitions à imprimer
16 partitions trouvées
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1
Symphony of Somerset
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Colin G Dance
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Symphony of Somerset
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Dance is With Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1106330 Composed by Colin G Dance. 20th Century,Contemporary,Folk,Traditional. Score and parts. 181 pages. Dance is W...
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Full Orchestra - Level 4 - SKU: A0.1106330 Composed by Colin G Dance. 20th Century,Contemporary,Folk,Traditional. Score and parts. 181 pages. Dance is With Music #709450. Published by Dance is With Music (A0.1106330). With everything that's been happening recently, I can't quite beleive this myself, but I actually wrote a symphonic work in a week flat! It's called 'Symphony of Somerset' - although it's more of a symphonic suite that a symphony, but I'll stick with it! It's based on a selection of Somerset Folk Songs which have been 'worked on' shall we say.The work is being premiered by Exeter Symphony Orchestra on Saturday 18th March 2023 at Holy Trinity Church in Exmouth, Devon, UK. Exciting stuff! I better have a look at the tuba part...!
$115.00
THREE ANIMAL SAYINGS 2--THE TORTOISE AND THE HARE--orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Alan Edgar
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THREE ANIMAL SAYINGS 2--THE TO
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Alan Edgar Ted Moon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.903754 Composed by Alan Edgar. 20th Century,Children. Score and parts. 10 pages. Alan Edgar Ted Moon #3054071. Publis...
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Full Orchestra - Level 4 - SKU: A0.903754 Composed by Alan Edgar. 20th Century,Children. Score and parts. 10 pages. Alan Edgar Ted Moon #3054071. Published by Alan Edgar Ted Moon (A0.903754). Second in a set of 3 animal tales for orchestra. Play in the children's concert or any time. The plodding tortoise beats the silly hare in the race. I use one of my well-known octatonic scales and some 12-tone serial, but it's all for fun--don't be put off by that! First performance was by the York Guildhall Orchestra under Simon Wright at York St John University.
$10.00
EP!C!!!
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Au...
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Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
The Valley of the Dry Bones
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Orchestre
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AVANCÉ
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Zsigmond Rosarion
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and it was full of bones
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The Valley of the Dry Bones
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Zsigmond Rosarion
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1518051 By Zsigmond Rosarion. By Zsigmond Rosarion. 21st Century,Christian,Classical,Contemporary. 57 pages. Zsigmond...
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Full Orchestra - Level 5 - SKU: A0.1518051 By Zsigmond Rosarion. By Zsigmond Rosarion. 21st Century,Christian,Classical,Contemporary. 57 pages. Zsigmond Rosarion #1092214. Published by Zsigmond Rosarion (A0.1518051). The Valley of the Dry Bones is based off of the chapter in Ezekiel The Valley of the Dry Bones (from the Bible) symbolizes the Israelites' revival and God's power and sovereignty Ezekiel 37:1-6The hand of the Lord was upon me, and He brought me out by the Spirit of the Lord and set me down in the middle of the valley; and it was full of bones. He caused me to pass among them round about, and behold, there were very many on the surface of the valley; and lo, they were very dry. He said to me, “Son of man, can these bones live?” And I answered, “O Lord God, You know.” Again He said to me, “Prophesy over these bones and say to them, ‘O dry bones, hear the word of the Lord.’ Thus says the Lord God to these bones, ‘Behold, I will cause breath [spirit] to enter you that you may come to life. I will put sinews on you, make flesh grow back on you, cover you with skin and put breath in you that you may come alive; and you will know that I am the Lord.’”Ezekiel is called by the Lord, and given a vision. Ezekiel is set down in a valley full of bones. This is not some symbolic imagery, but these are literally dead people, long dead. God asks Ezekiel if he believes the bones can come back to life, and Ezekiel says only the Lord knows. God gives Ezekiel a prophesy concerning all the dead. At a future date, God will cause breath (His Spirit) to enter the bones so that they may come to life. God will use His power (which is always through the Spirit of God) to cause these dead to be resurrected. We know this isn’t symbolic of spiritual death and spiritual life because of the graphic imagery that is used.
$39.99
Poems for Orchestra - score and parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Philip Orem
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Poems for Orchestra - score an
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Philip Orem
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.872621 Composed by Philip Orem. Contemporary. Score and parts. 227 pages. Philip Orem #3543779. Published by Philip O...
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Full Orchestra - Level 4 - SKU: A0.872621 Composed by Philip Orem. Contemporary. Score and parts. 227 pages. Philip Orem #3543779. Published by Philip Orem (A0.872621). This is a collection of ten pieces based on poems of Wendell Berry and Mary Oliver. Some are transcriptions of songs I've written, others are my interpretations of the poems. All are colorful and unique with lots of solos for your principal chairs. The individual movements are What Can I Say?, The Vireo, The River in Spring, Like Snow, Meeting Wolf, On the Beach at Sunrise, Walking on the River Ice, How Perfect a Rose, The Winter Wren and A Joyful Spring.Here is a link for audio https://drive.google.com/open?id=1JkYVQa0mzwGV6FE_jq908X3CkrVXU1AODue to the large size of this the file had to split in two, the remaining parts are in a separate file on SMP.SCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER. Parts are on standard letter size paper.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.
$150.00
I. Stravinsky – Serenade in A, Orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Igor Stravinsky
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A
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I. Stravinsky – Serenade
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1374158 Composed by Igor Stravinsky. Arranged by A. Leytush. 20th Century. 94 pages. Arkady Leytush #958734. Publishe...
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Full Orchestra - Level 4 - SKU: A0.1374158 Composed by Igor Stravinsky. Arranged by A. Leytush. 20th Century. 94 pages. Arkady Leytush #958734. Published by Arkady Leytush (A0.1374158). This 4-part suite is called Serenade in A. This name, chosen by its author, completely exhausts the content of this music and emphasizes the main idea of the composition, as well as the tonality of all parts. Each part provides comprehensive details in this series and has its own title. I emphasize that this is by no means a programmatic essay. The nature of each part and their internal content pushed me to follow my interpretation of each part in the orchestral transcription. 1. Hymne is essentially nothing more than a Hymn of love! His character, sublime above the everyday, is, as it were, raised to the surface and presented in bright, broad strokes as an irrefutable truth. 2. Romanza - I perceive it as a kind of parody of a love romance with the main sentiments and elements inherent in this genre. This is by no means a refutation of love, but only some irony over the false, pretentious way of expressing this feeling. The grotesque character is emphasized whenever possible by the orchestration. 3. Rondoletto - this part, from the very beginning in my orchestration, resembles the multi-voiced play of musicians preparing to play, testing the sound of their instruments, tuning them and playing out. 4. Cadenza Finala - the nature of the music is the union and rapture of love. In my orchestration there can be traced duets of various instruments and orchestra groups such as: a pair of Flutes, a pair of Oboes, Clarinets, Trumpets, Trombones, 1st and 2nd Violins. This feature of the pairs I have chosen should emphasize their relationship and relatedness.
$60.00
ON THE BIKE PATH
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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John Myers
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ON THE BIKE PATH
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John Myers
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1027278 Composed by John Myers. 20th Century,Contemporary. Score and parts. 41 pages. John Myers #2846523. Published ...
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Full Orchestra - Level 3 - SKU: A0.1027278 Composed by John Myers. 20th Century,Contemporary. Score and parts. 41 pages. John Myers #2846523. Published by John Myers (A0.1027278). Intermediate Orchestra piece Composed by John Myers. Score and Parts. Duration: 4:45.As a young boy, riding a bike was an exciting time. There was adventure! ...Freedom to explore. Mom would say, Be back by dinner time....and quickly, I was off - the wind in my face, and yes ...sometimes, even a spill or two. This is an original piece that gets the imagination going, capturing that amazing experience on a bike. I hope you enjoy this work ...and enjoy the ride!! Note: optional spoken parts for Group and Solo Voice. ...Kick-stand up ...instruments up ...and off we go!!
$15.00
Orchestraining No. 01 [Orchestra]
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Orchestre
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FACILE
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Juan MarÃa Solare
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Orchestraining No. 01 [Orchest
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Juan Maria Solare
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1224099 Composed by Juan MarÃa Solare. 19th Century,20th Century,21st Century,Classical,Instructional. Score and P...
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Full Orchestra - Level 2 - SKU: A0.1224099 Composed by Juan MarÃa Solare. 19th Century,20th Century,21st Century,Classical,Instructional. Score and Parts. 20 pages. Juan Maria Solare #820190. Published by Juan Maria Solare (A0.1224099). Orchestraining is a cycle of orchestral studies, each of which focuses on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The particular study Orchestraining Nr. 01 focuses on the subject of simultaneous attacks, presenting a series of staccato chords in different parts of the bar. The piece will be played twice, with different dynamics and (partly) different performing techniques (particularly in the strings: pizzicato vs. arco).Orchestraining No. 01 - simultaneous attacks*Orchestraining es un ciclo de estudios orquestales, cada uno de los cuales tematiza diferentes aspectos de la ejecución. Estos estudios están concebidos especÃficamente para orquestas no profesionales; sin embargo, cualquier orquesta mejorará si toca alguna de estas piezas durante los ensayos. Siempre es necesario cuidar la afinación y muchos otros aspectos de la ejecución orquestal.Adicionalmente, estos estudios son también útiles para estudiantes de dirección orquestal. Por ejemplo, es imprescindible saber cómo dirigir un ataque simultáneo de un acorde que no comienza en el uno, sino una corchea después del tercer tiempo.Comencé a escribir estos estudios hacia 2013, cuando asumà la dirección de la Bremer Orchestergemeinschaft y noté la ausencia total de repertorio de este tipo. Como pianista estoy acostumbrado a los estudios de Carl Czerny o a tocar escalas. Cada instrumentista, individualmente, conoce sobradamente estudios de técnica para su instrumento. Sin embargo no existen, o no conozco, estudios similares para la técnica de ejecución orquestal y las dificultades especÃficas de ensamblaje que ésta requiere. El ciclo Orchestraining intenta cubrir esta laguna.El estudio Orchestraining Nr. 01 en particular trata el tema de los ataques simultáneos, presentando una serie de acordes staccato en distintas partes del compás. La obra se tocará dos veces, con distintas dinámicas y (en parte) con distintas técnicas de ejecución (particularmente en las cuerdas: pizzicato vs. arco).
$5.00
Opus#22 In D Major (A Clear Bright Mourning/Choir and Orchestra)
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Joseph Pugh
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Opus#22 In D Major
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Joseph Pugh
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.855379 Composed by Joseph Pugh. Christian,Sacred. Score and parts. 39 pages. Joseph Pugh #6674579. Published by Josep...
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Full Orchestra - Level 3 - SKU: A0.855379 Composed by Joseph Pugh. Christian,Sacred. Score and parts. 39 pages. Joseph Pugh #6674579. Published by Joseph Pugh (A0.855379). This started out to just be part of Joseph's Opus Series but, he says, My heart was prompted to the scripture verse, and I wrote some lyrics, so it turned into a choir and orchestra arrangement based on the piano score. I hope everyone is encouraged to press on and make heaven their home by denying self, taking up the Cross, and obeying every leading of the Holy Spirit.Mp3 play along sold separately.
$35.00
Karrinyup Fanfare
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ben Clapton
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Karrinyup Fanfare
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Ben Clapton
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1205401 Composed by Ben Clapton. Classical,Contemporary. Score and parts. 103 pages. Ben Clapton #803587. Published b...
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Full Orchestra - Level 4 - SKU: A0.1205401 Composed by Ben Clapton. Classical,Contemporary. Score and parts. 103 pages. Ben Clapton #803587. Published by Ben Clapton (A0.1205401). An Orchestral Fanfare, written for the Metropolitan Symphony Orchestra, Perth. 2 Flutes (2nd doubling Piccolo), 2 Oboes, 2 Bb Clarinet, 2 Bassoon, 4 French Horns, 2 Trumpets in Bb, 2 Trombones, 1 Tuba, 4 Percussion (Timpani, Bass Drum, Snare Drum, Cymbals), Harp, StringsComposer's notes:2022 was a year that sparked inspiration for me. I am not talking about just one spark either, but a series that beautifully led me to the creation of my piece. After seeing the 2022 MetSO program it was evident that it lightly using the Brass players, and I knew they were feeling a bit underutilised. Which sparked the first idea in my mind to write a piece that would take full advantage of their skills, and heavily use brass instruments. The program coincided with the 45th Anniversay of the Orchestra which started it life as the Karrinyup Symphony Orchestra. Rekindling the orchestra’s relationship with the City of Stirling and returning to the City of Stirling as a rehearsal venue in 2023, was another spark of inspiration which led me towards the piece’s naming… the ‘Karrinyup Fanfare’. The last spark of inspiration was a query inside my mind. The opening of the piece contrasts two somewhat conflicting meanings of the word Karrinyup. During an Aboriginal Studies unit, I discovered that Karrinyup is a Noongar word that translates to “the place where there are spidersâ€. However, this differs from the City of Stirling official meaning of the name Karrinyup on the website. It states the word means “the place where Kangaroos drinkâ€, possibly because it sounds much more pleasant and doesn’t inspire the fear that spiders often do. It was this contrary interpretation of the word ‘Karrinyup’ which provided the final spark of inspiration I needed for this composition. You see, when you listen to the opening, the theme jumps up and down through the horns, and represents the Kangaroo – Yongka. Whilst as the fanfare continues, you will notice the second theme – the crawling strings represent the spider – Kar. I hope you enjoy it as much as I did creating it. May it, and this new year, spark inspiration for you.
$75.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951...
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Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943...
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Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Only from Blood Does Freedom Grow (Full Score and Parts)
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Orchestre
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FACILE
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom G
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stanleymhoffman.com
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. St...
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Full Orchestra - Level 2 - SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00
E. Satie – Heures Séculaires et Instantanées, 1914
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Classique
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Arkady Leytush
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Arkady Leytush
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E. Satie – Heures S&eacu
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1074008 By Arkady Leytush. By Erik Satie. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady...
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Full Orchestra - Level 3 - SKU: A0.1074008 By Arkady Leytush. By Erik Satie. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady Leytush #678276. Published by Arkady Leytush (A0.1074008). E. Satie – Heures Séculaires et Instantanées, 1914, Orchestra suite 1. Obstacles venimeux 2. Crepuscule matinal 3. Affolments granitiques Duration about 4 minutes. Heures Séculaires et Instantanées (Hallowed by Time and Instant Hours), one of his humorous keyboard suites from the 1910s, contains Satie's famous warning to pianists against reading aloud the fanciful texts that adorned his score. Sati warns against reading aloud the texts written on his scores. This is the secret between the performer and the composer. “There are as many words as there are notes!†says the French composer-critic Guy Sacré. Biographer Rollo H. Myers saw Heures as an omen of surrealism (ten years before the fact) and a new phase in the relationship between text and music. “... For the first time, individual verbal witticisms and witticisms are replaced by something like a recitation or monologue, which is an integral part of the work: this is no longer a cursory comment, arbitrarily superimposed and often not related to the music that it accompanies, but a certain narrative, grotesque inspiration, which the music serves as an illustration. In addition to what has been said, I would like to add that being one of the first minimalists in modern music, Sati opens a new page in the combination of musical images and examples of abstract vision and imagination inspired by music with his illustrative texts in this humorous suite. This approach to composition soon led to the emergence of striking examples of the combination of music and animation. This short suite, full of humor and ingenuity, moved me when arranging to also emphasize this feature by choosing the full composition of the orchestra, where in each number of this suite the musicians of the orchestra play only a few notes in turn. On the one hand, this should bring great variety and contrast, on the other hand, a huge orchestra and a 4-minute suite in themselves cause a smile of inconsistency...
$40.00
Mac Huff: Say Something (feat. Chris Stapleton) (arr. Mac Huff) (complete set of parts) - orchestra/band
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Orchestre
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INTERMÉDIAIRE
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Pop musique
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Mac Huff
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Virtualsheetmusic
Instantly printable sheet music by Mac Huff for orchestra/band of MEDIUM skill level. / pop
Instantly printable sheet music by Mac Huff for orchestra/band of MEDIUM skill level. / pop
$19.99
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