I composed the orchestral piece Melodien in 1971. I tried to loosen up the dense micropolyphony of my musical language, to make it more transparent. Basically, I stayed true to my earlier style: the musical form unfolds like a stretched fabric in the continuously flowing time, but the individual voices no longer merge (as in my earlier music), rather they can be heard individually in their overlapping and interweaving . The voices become individual melodies, with their own style, their own tempo, rhythm and interval structure. If you listen to the work for the first time, it appears as a chaos of discrepant melodies - but if you know the music better, the internal connections become tangible, the hidden harmonic skeleton of the form becomes tangible. (Gyorgy Ligeti)

This facsimile edition offers an impressive access to the composer's work. A study score in modern notation is also available.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

One of the movements in Scorched (arrangements of seventeen tunes by John Scofield for jazz trio and orchestra) has a coda, which repeats a dense, two-bar tag which sounded like it could be developed. Snapshots starts off by revealing bits of each of the two bars (with episodes placed in-between). The full two bars of music are then revealed at the end of the piece. Snapshots is a tribute to Olly [Oliver Knussen] on his 50th birthday.
Mark-Anthony Turnage.

The European Hymn is the hymn not only of the European Union but of Europe in a broader sense. The melody has been taken from the Ninth Symphony by Ludwig van Beethoven from 1823.
In the last movement of this symphony Beethoven set music to the 'Ode to Joy' by Friedrich von Schiller from 1785. This poem sprang from Schiller's idealistic vision of men who become brothers - a vision Beethoven shared with him.
In 1972 the Council of Europe adopted Beethoven's 'Ode to Joy' as its anthem. The well-known conductor Herbert von Karajan was commissioned to arrange three instrumental versions - for solo piano, wind orchestra and symphony orchestra. Without words, in the universal language of music, the anthem is an expression of the idealistic values of freedom, peace and solidarity which Europe stands for.
In 1985 the heads of state and government adopted the hymn as the EU's official anthem. It does not replace the national anthems of the member states, but rather celebrates common values as well as unity in diversity.

The score of this offical anthem is exclusively available from the Schott publishing house.

Ein Klassiker der zeitgenossischen Musik! Im 1967 entstandenen Orchesterwerk des prominenten ungarischen Komponisten schweben und gleiten vor allem Piano- und Pianissimo-Klange in einer spannungsgeladenen Atmosphare. Mit den Worten Ligetis "wachsen harmonische Gebilde gleichsam in andere hinuber - wie wenn man aus grellem Sonnenlicht in ein dunkles Zimmer tritt und die Farben und Konturen nach und nach wahrnimmt.".

The work is based on a tune called The Nag written by the jazz guitarist/composer John Scofield, of whom I have long been a fan and with whom I worked closely when writing Blood on the Floor (Mark-Anthony Turnage)
'The grim frenzy, the waste and the futility of war are all embedded in Silent Cities' (The Times).