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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Shepherd's Hymn
Non classifié
88
Piano & claviers
Piano seul
37
Orgue
29
Piano Facile
6
Accompagnement Piano
4
Piano, Voix
4
Piano (partie séparée)
3
1 Piano, 4 mains
2
Piano, Voix et Guitare
2
Instruments en Do
1
Piano grosses notes
1
+ 5 instrumentations
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Guitares
Guitare notes et tablatures
2
Guitare
1
2 Guitares (duo)
1
Guitare (partie séparée)
1
Voix
Chorale SATB
43
Chorale 3 parties
9
Chorale 2 parties
7
Chorale Unison
6
Chorale SSAA
4
Chorale TTBB
2
Voix duo, Piano
2
+ 2 instrumentations
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Vents
2 Saxophones (duo)
15
Saxophone, Clarinette (duo)
8
Flûte traversière et Piano
7
Clarinette, Violon (duo)
6
Hautbois, Basson (duo)
5
Flûte, Hautbois, Clarinette, Basson
4
2 Hautbois (duo)
3
Clarinette et Piano
3
Quatuor de Saxophones: 4 saxophones
3
Clarinette et Alto
3
Flûte, Trompette (duo)
3
Saxophone Soprano et Piano
3
Quatuor de Clarinettes: 4 clarinettes
3
Hautbois, Clarinette (duo)
2
Hautbois, Piano (duo)
2
Flûte, Clarinette (duo)
2
Saxophone Baryton, Piano
2
Flûte, Violon
2
Cor anglais, Piano
2
Flûte, Saxophone (duo)
2
Hautbois, Flûte
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
2 Clarinettes (duo)
1
Clarinette, Basson (duo)
1
2 Flûtes traversières, Harpe
1
Flute (partie séparée)
1
Clarinette (partie séparée)
1
Saxophone Alto et Piano
1
Quatuor de Flûtes à bec
1
Saxophone Tenor et Piano
1
Clarinette Basse, Piano
1
Hautbois (partie séparée)
1
Flûte, Violon, Piano
1
Flûte traversière
1
2 Flûtes traversières (duo)
1
Quatuor de Flûtes : 4 flûtes
1
+ 31 instrumentations
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Cuivres
Trompette, Saxophone (duo)
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trompette, Piano
3
2 Cors (duo)
2
Trombone et Piano
2
Cor anglais, Piano
2
Cor et Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trompette, Trombone (duo)
1
Trompette (partie séparée)
1
Euphonium, Piano (duo)
1
2 Trompettes (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 8 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
9
Violon et Piano
6
Violon (partie séparée)
5
Harpe
5
Violon, Alto (duo)
4
Violon, Violoncelle (duo)
4
Alto, Piano
4
Contrebasse (partie séparée)
3
2 Altos (duo)
3
Violoncelle, Piano
3
Alto, Violoncelle (duo)
2
Harpe, Voix
2
Violoncelle (partie séparée)
2
Alto seul
1
Violon
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
2 Violoncelles (duo)
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 2 violons, violoncelle
1
Alto (partie séparée)
1
+ 15 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
28
Cloches
15
Orchestre
4
Ensemble de cuivres
4
Orchestre à Cordes
4
Batterie (partie séparée)
1
Marimba
1
Percussion (partie séparée)
1
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TRI ET FILTRES
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--INSTRUMENTS--
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ALTO
AUTOHARPE
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BASSE
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Vous avez sélectionné:
Shepherd's Hymn
Orchestre
Partitions à imprimer
4 partitions trouvées
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The Lord Is My Shepherd - Orchestral Score and Parts
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Orchestre
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Allen Pote
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The Lord Is My Shepherd - Orch
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Chorister's Guild - Digital
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SheetMusicPlus
Orchestra - SKU: C7.CGOR551 Composed by Allen Pote. G. Score and parts. 16 pages. Chorister's Guild - Digital #CGOR551. Published by Chorister's Guild -...
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Orchestra - SKU: C7.CGOR551 Composed by Allen Pote. G. Score and parts. 16 pages. Chorister's Guild - Digital #CGOR551. Published by Chorister's Guild - Digital (C7.CGOR551). UPC: 749193018606.The second in a series of jazz hymn arrangements, this relaxing, Latin style ballad will be useful in worship as well as concert settings. The improv-style solo is written out for handchimes, but may be omitted by the chimes and played only by the saxophone if an easier arrangement is desired.
$49.95
Symphony No. 5 ... Utopia Parkway (2003) full score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 5 ... Utopia Park
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Obo...
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Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
$9.99
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
Lauda
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Orchestre
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Daniel Baldwin
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Lauda
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Imagine Music - Digital
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SheetMusicPlus
Orchestra with Organ - SKU: IZ.OMW213 Composed by Daniel Baldwin. Score and Parts. 84 pages. Imagine Music - Digital #OMW213. Published by Imagine Music...
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Orchestra with Organ - SKU: IZ.OMW213 Composed by Daniel Baldwin. Score and Parts. 84 pages. Imagine Music - Digital #OMW213. Published by Imagine Music - Digital (IZ.OMW213). 8.5 x 11 inches.This brief, simple work was originally written for a service of Lessons and Carols. The text is taken from Martin Lutherâ??s â??A Hymn for Children at Christmas,and this beautiful setting reflects the simplicity and tenderness of Lutherâ??s message. To Us This Night is Born a Child is only two minutes long, but fits nicely into a series of lessons and carols. Sopranos and altos sing the first verse as the angels announce the birth of Jesus; tenors and basses sing the second, as the shepherds make their way to the stable; and the concluding verse is sung by full choir unaccompanied. Both singers and listeners will find the message of the text effectively reflected in this beautiful musical setting.
$80.00
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