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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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12
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11
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Ocarina
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22
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16
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15
Trombone
15
Cor (partie séparée)
12
Cor et Piano
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2 Trompettes (duo)
11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
2 Trombones (duo)
7
Instruments en Sib
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Cor anglais, Piano
4
Cor
4
Quatuor de cuivres: 4 trombones
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette, Cor (duo)
2
Quatuor de Cuivres
2
2 Euphoniums et 2 Tubas
2
Bass Clef Instruments
2
Tuba
2
Tuba (partie séparée)
1
Trompette, Tuba (duo)
1
2 Cors (duo)
1
Ensemble de Trombones
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Cors, Piano
1
Trompette, Trombone (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
33
Harpe
27
Violon et Piano
26
Violon
22
Violoncelle, Piano
21
Contrebasse (partie séparée)
20
Alto seul
16
Violoncelle
16
Violon (partie séparée)
15
Alto, Piano
15
2 Violoncelles (duo)
14
Violoncelle (partie séparée)
14
2 Violons (duo)
10
Violon, Violoncelle (duo)
10
Trio à Cordes: violon, alto, violoncelle
8
2 Altos (duo)
6
Alto (partie séparée)
6
Harpe (partie séparée)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violon, Alto (duo)
3
Piano Trio: Violon, Alto, Piano
2
Harpe, Voix
2
Alto et Harpe
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
Ensemble de Violoncelles
1
Harpe, Flûte (duo)
1
Harpe, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
Contre Basse
1
2 Harpes (duo)
1
Alto, Guitare (duo)
1
Harpe et Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
66
Orchestre
33
Cloches
21
Batterie
19
Orchestre à Cordes
15
Percussion (partie séparée)
10
Orchestre de chambre
9
Ensemble Jazz
7
Percussion
4
Ensemble de cuivres
4
Fanfare
3
Ensemble de Percussions
1
Batterie (partie séparée)
1
Timbales
1
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AUTRES
Vous avez sélectionné:
Silence
Orchestre
Partitions à imprimer
33 partitions trouvées
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The Oath of Silence, An Opera in Four Acts, Full Orchestral Score (Concert Pitch) - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1284590 Composed by James Natha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1284590 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. 259 pages. James Nathaniel Holland #875765. Published by James Nathaniel Holland (A0.1284590). FULL SCORE (Concert Pitch).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$34.50
31.65 €
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Orchestre
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James Nathaniel Holland
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The Oath of Silence, An Opera in Four Acts, Full Orchestral Score
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James Nathaniel Holland
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SheetMusicPlus
The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 1 of 2 (WW, Brass, Perc.)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1286761 Composed by James Natha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1286761 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 224 pages. James Nathaniel Holland #877785. Published by James Nathaniel Holland (A0.1286761). INDIVIDUAL INSTRUMENTS PART 1 of 2 (Woodwinds, Brass, Percussion).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$30.95
28.39 €
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Orchestre
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James Nathaniel Holland
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The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 1 of 2
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James Nathaniel Holland
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SheetMusicPlus
The Sound Of Silence - Score
Orchestre
By Simon And Garfunkel. By Paul Simon. Arranged by Mark Hayes. Orchestra. Concert; Film/TV…
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By Simon And Garfunkel. By Paul Simon. Arranged by Mark Hayes. Orchestra. Concert; Film/TV; Graduation; Inspirational; Jazz; Pop. EPak. 8 pages. Duration 5:13. Published by Hal Leonard - Digital Sheet Music
$7.00
6.42 €
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Orchestre
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Simon And Garfunkel
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Mark Hayes
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Film/TV
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The Sound Of Silence - Score
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Enjoy The Silence
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1375903 By Depeche Mode. By Mar…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1375903 By Depeche Mode. By Martin Gore. Arranged by Daryl McKenzie. Disco,Pop,Rock. 92 pages. Daryl McKenzie #960453. Published by Daryl McKenzie (A0.1375903). Arranged in the style of Depeche Mode for Vocal with Pops Orchestra - Voice, Vocal Group, 2Fl, 2Ob, 2Cl, 2Bsn, 5Sax, 4Hn, 4Trpt, 4Trb, Tba, Timp, 3 Perc, Pno, Gtr, Bass, Drums, Vln1, Vln2, Vla, Vcl, CB. Key of Em (a 3rd higher than Depeche Mode)Note: Playable without Saxes. Playable with 3 Trumpets & 3 Trombones.Full audio demo (Sibelius Sounds): click hereAlso available in Cm (Depeche Mode Key) for Pops Orchestra or Big Band: Search hereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: https://mckenziemusicproductions.com/contactYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
91.72 €
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Orchestre
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Depeche Mode
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Daryl McKenzie
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3 Trombones
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Enjoy The Silence
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Daryl McKenzie
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SheetMusicPlus
Enjoy The Silence
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1375910 By Depeche Mode. By Mar…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1375910 By Depeche Mode. By Martin Gore. Arranged by Daryl McKenzie. Film/TV,Pop,Rock. 93 pages. Daryl McKenzie #960459. Published by Daryl McKenzie (A0.1375910). Arranged in the style of Depeche Mode for Vocal with Pops Orchestra - Voice, Vocal Group, 2Fl, 2Ob, 2Cl, 2Bsn, 5Sax, 4Hn, 4Trpt, 4Trb, Tba, Timp, 3 Perc, Pno, Gtr, Bass, Drums, Vln1, Vln2, Vla, Vcl, CB. Key of Cm (Key as Depeche Mode)Note: Playable without Saxes. Playable with 3 Trumpets and 3 Trombones.Full audio demo (Sibelius Sounds): click hereAlso available in Em (a 3rd higher) for Pops Orchestra or Big Band in Cm: Search hereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: https://mckenziemusicproductions.com/contactYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
91.72 €
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Orchestre
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Depeche Mode
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Daryl McKenzie
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Enjoy The Silence
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Daryl McKenzie
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SheetMusicPlus
Let All Mortal Flesh Keep Silence--Parts.pdf
Orchestre
Full Orchestra - Digital Download SKU: A0.809487 Composed by Traditional. Arranged …
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Full Orchestra - Digital Download SKU: A0.809487 Composed by Traditional. Arranged by Marilyn Thompsona. Christian,Christmas,Sacred. Score and parts. 24 pages. Marilyn Thompson #6022115. Published by Marilyn Thompson (A0.809487). A majestic choral carol expressing awe and wonder at the birth of the Christ child. Beginning softly and simply, it soars to a grand resounding finale. Parts include separate Piano and Organ parts. Score and Octavo with just piano and organ are available on other posts. Also available is a separate piano/organ duet that stands alone or can be played with orchestra accompaniment. For further information contact marilyn@mtmusicministries.com ASCAP
$19.99
18.34 €
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Orchestre
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Traditional
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Marilyn Thompsona
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Let All Mortal Flesh Keep Silence--Parts.pdf
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Marilyn Thompson
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SheetMusicPlus
Silence
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.907688 Composed by Ronald J. Ka…
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Full Orchestra - Level 3 - Digital Download SKU: A0.907688 Composed by Ronald J. Karle. Concert,Contemporary,Standards. Score and parts. 50 pages. Ronald J Karle #3549037. Published by Ronald J Karle (A0.907688).
$2.99
2.74 €
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Orchestre
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Ronald J
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Silence
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Ronald J Karle
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SheetMusicPlus
The Sound Of Silence
Orchestre
By Simon And Garfunkel. By Paul Simon. Arranged by Reimund Merkens. 155, Film/TV, Po…
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By Simon And Garfunkel. By Paul Simon. Arranged by Reimund Merkens. 155, Film/TV, Pop. 53 pages. Reimund Merkens #814989. Published by Reimund Merkens
$49.99
45.85 €
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Orchestre
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Simon And Garfunkel
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Reimund Merkens
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The Sound Of Silence
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Reimund Merkens
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SheetMusicPlus
The Sound Of Silence
Orchestre
Full Orchestra - Intermediate - Digital Download By Simon & Garfunkel, The Distur…
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Full Orchestra - Intermediate - Digital Download By Simon & Garfunkel, The Disturbed. Arranged by Terry Lewis. Score, Set of Parts. 53 pages. Published by Terry lewis
$49.99
45.85 €
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Orchestre
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Simon & Garfunkel, The Disturbed
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Terry Lewis
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Garfunkel, The Disturbed
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The Sound Of Silence
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Terry lewis
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SheetMusicPlus
No-Ja-Li ou le Palais du Silence, ballet for orchestra and mixed chorus - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.517889 Composed by Claude Debus…
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Full Orchestra - Level 5 - Digital Download SKU: A0.517889 Composed by Claude Debussy/Robert Orledge. 20th Century,Classical,Multicultural,World. Score and parts. 64 pages. Musik Fabrik Music Publishing #128613. Published by Musik Fabrik Music Publishing (A0.517889). Debussy's unfinished Chinese Ballet was projected for première in London, but was never finished. The work was complete and orchestrated by the Debussy Scholar Robert Orledge and recorded in 2016 for the Paris City of LIghts Festival in the United Kingdom. Scored for large orchestra (3(pic)2EH2BsCl3(CBN)/4331/timp/5perc/cel/hp/pno/strings), mixed chorus and narrator, the ballet is suitable for both theatrical and concert performances. This item is the full score. The orchestral parts are available from the publisher on rental.
$39.95
36.64 €
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Orchestre
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Claude Debussy/Robert Orledge
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No-Ja-Li ou le Palais du Silence, ballet for orchestra and mixed chorus - Score Only
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Musik Fabrik Music Publishing
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SheetMusicPlus
La Línea de la Concepción "La Sinfonía del Silencio"
Orchestre
Full Orchestra - Level 1 - Digital Download SKU: A0.1365197 By Alicia DomÃnguez …
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Full Orchestra - Level 1 - Digital Download SKU: A0.1365197 By Alicia DomÃnguez Arcos Sonay. By Alicia DomÃnguez Arcos. Arranged by Alicia DomÃnguez Arcos. Classical,Contemporary,Instructional,Multicultural,Traditional,World. 82 pages. Alicia Dominguez #949514. Published by Alicia Dominguez (A0.1365197). The charm lies in the fact that complete silence does not occur, where there is an audience you can hear the ambient sound: The sum of the breaths, the small movements, coughs... The sound qualities of the air itself and the reverberation of the room. The spectator suddenly discovers that the piece of music is composed of the sounds that surround him and of which he is not usually aware, including his own breathing, the beating of his heart or even the plaintive sound of his own shoes. In society, noise, as in this case, sound in music is present in our daily lives, forgetting to appreciate and the importance of silence. Silence does not have to give a feeling of fear. Appreciate silence, giving it that perception of inner peace and balance, equally linked to perseverance, that perseverance that occurs with music, with its constancy and persistence making it flow. Thus, just as each musical figure has its corresponding silence representing its same value and duration. Although the painter Pablo Picasso said that you have to learn the rules like a professional to be able to break them like an artist, reaffirming what Don Blas Infante, father of the Andalusian homeland (Spain), said: any paper on the ground must always be read , since any role can be important. Music scores and the time spent making them do not take the degree of value in human beings of this century. When they own it for themselves.https://youtu.be/GvEx1Bn2HS8?si=IW1ZUw1yFcJzz0uf
$7.00
6.42 €
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Orchestre
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Alicia DomÃnguez Arcos Sonay
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Alicia DomÃnguez Arcos
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La Línea de la Concepción "La Sinfonía del Silencio"
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Alicia Dominguez
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SheetMusicPlus
Realms of Endless Day: Bassoon
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017322_B1 Bassoon. Arranged…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017322_B1 Bassoon. Arranged by Michael Kamuf. Hymn; Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017322_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017322_B1). UPC: 038081517353.Realms of Endless Day is a fantasy setting of the hymn tune melody, Picardy. This melody, thought to have been named for the region in France where it is believed the melody originated, is also the melody for the hymns Let All Mortal Flesh Keep Silence and Christians, Let Us Love One Another, as well as the Hymn of Saint James. This enduring and tuneful melody is given three contrasting statements that gradually build to an exciting conclusion. This piece is scored for full orchestra by arranger Michael Kamuf, but will work quite effectively with strings alone. (3:30)Concert/Contest; Festival.
$3.00
2.75 €
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Orchestre
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Michael Kamuf
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Sacred
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Realms of Endless Day: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Realms of Endless Day: Cello
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017322_VC1 Cello. Arranged …
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Full Orchestra - Digital Download SKU: AX.00-PC-0017322_VC1 Cello. Arranged by Michael Kamuf. Hymn; Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017322_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017322_VC1). UPC: 038081517353.Realms of Endless Day is a fantasy setting of the hymn tune melody, Picardy. This melody, thought to have been named for the region in France where it is believed the melody originated, is also the melody for the hymns Let All Mortal Flesh Keep Silence and Christians, Let Us Love One Another, as well as the Hymn of Saint James. This enduring and tuneful melody is given three contrasting statements that gradually build to an exciting conclusion. This piece is scored for full orchestra by arranger Michael Kamuf, but will work quite effectively with strings alone. (3:30)Concert/Contest; Festival.
$3.00
2.75 €
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Orchestre
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Michael Kamuf
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Sacred
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Realms of Endless Day: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Realms of Endless Day: Flute
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017322_F1 Flute. Arranged b…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017322_F1 Flute. Arranged by Michael Kamuf. Hymn; Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017322_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017322_F1). UPC: 038081517353.Realms of Endless Day is a fantasy setting of the hymn tune melody, Picardy. This melody, thought to have been named for the region in France where it is believed the melody originated, is also the melody for the hymns Let All Mortal Flesh Keep Silence and Christians, Let Us Love One Another, as well as the Hymn of Saint James. This enduring and tuneful melody is given three contrasting statements that gradually build to an exciting conclusion. This piece is scored for full orchestra by arranger Michael Kamuf, but will work quite effectively with strings alone. (3:30)Concert/Contest; Festival.
$3.00
2.75 €
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Orchestre
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Michael Kamuf
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Sacred
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Realms of Endless Day: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Realms of Endless Day: Mallets
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017322_M1 Mallets. Arranged…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017322_M1 Mallets. Arranged by Michael Kamuf. Hymn; Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017322_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017322_M1). UPC: 038081517353.Realms of Endless Day is a fantasy setting of the hymn tune melody, Picardy. This melody, thought to have been named for the region in France where it is believed the melody originated, is also the melody for the hymns Let All Mortal Flesh Keep Silence and Christians, Let Us Love One Another, as well as the Hymn of Saint James. This enduring and tuneful melody is given three contrasting statements that gradually build to an exciting conclusion. This piece is scored for full orchestra by arranger Michael Kamuf, but will work quite effectively with strings alone. (3:30)Concert/Contest; Festival.
$3.00
2.75 €
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Orchestre
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Michael Kamuf
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Sacred
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Realms of Endless Day: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Realms of Endless Day: Timpani
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017322_TMP Timpani. Arrange…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017322_TMP Timpani. Arranged by Michael Kamuf. Hymn; Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017322_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017322_TMP). UPC: 038081517353.Realms of Endless Day is a fantasy setting of the hymn tune melody, Picardy. This melody, thought to have been named for the region in France where it is believed the melody originated, is also the melody for the hymns Let All Mortal Flesh Keep Silence and Christians, Let Us Love One Another, as well as the Hymn of Saint James. This enduring and tuneful melody is given three contrasting statements that gradually build to an exciting conclusion. This piece is scored for full orchestra by arranger Michael Kamuf, but will work quite effectively with strings alone. (3:30)Concert/Contest; Festival.
$3.00
2.75 €
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Orchestre
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Michael Kamuf
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Sacred
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Realms of Endless Day: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Song of the Moorland
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1178931 By W. Luke Kelly. By W.…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1178931 By W. Luke Kelly. By W. Luke Kelly. 20th Century,Contest,Festival,Traditional. Score and parts. 28 pages. W. Luke Kelly #778901. Published by W. Luke Kelly (A0.1178931). On the Moors is a free form, free tempo piece, meant to evoke a walk through green hills and a cool breeze. Begin the piece with confidence, but calmly.The piano player should be the highlight of the piece, but give room for some spotlights to the woodwinds and strings at times. Observe the fermatta at m. 14 with a great amount of anticipation, perhaps even a few beats of silence. Allow the audience to lean in as they reach for the next note, then bring in the new key at m. 15 with purposeful steps into the next motif. Observe molto rit and poco rit sections to take as much time as the Director wishes, and consider the entire piece espressivo with overtones of warmth, as in sunlit rolling hills during an early Spring afternoon.Composer's Note:This piece is dedicated to the beauty of the State of Ohio, whose open fields, beautiful rolling hills, and warm sun have become my home, and to it's people, who are as warm and welcoming as any American community could ever be.
$30.00
27.52 €
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Orchestre
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W
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Song of the Moorland
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W. Luke Kelly
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SheetMusicPlus
Carson Cooman: Remembering Tomorrow: Trombone Concerto (2004) for trombone and orchestra), score plu
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533655 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #3035627. Published by Musik Fabrik Music Publishing (A0.533655). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$29.95
27.47 €
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Orchestre
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Carson Cooman
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Carson Cooman: Remembering Tomorrow: Trombone Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Remembering Tomorrow: Trombone Concerto - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533654 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533654 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3035625. Published by Musik Fabrik Music Publishing (A0.533654). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$25.95
23.8 €
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Orchestre
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Carson Cooman
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Carson Cooman: Remembering Tomorrow: Trombone Concerto - Score Only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.93 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.93 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.93 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Variations on Joy to the World - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1257711 By Jake Rogus. By Isaac…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1257711 By Jake Rogus. By Isaac Watts. Arranged by Jake Rogus. 21st Century,Christmas,Holiday. 24 pages. Jake Rogus #850938. Published by Jake Rogus (A0.1257711). Variations on Joy to the World is an arrangement of Joy to the World for symphony orchestra. The piece starts off with a hoe down featuring a trumpet, oboe, sleigh bells, wood block, and slapstick. Then the fun and games abruptly end, leading to a slower, more calm style. The slow section of this piece features a clarinet solo and the bassoons and contrabassoon. This builds for some time before arriving at a chord, then silence. The violins play a fragmented version of the melody, modulating to a minor key. The scherzo begins. Filled with brassy melodies and woodwind flurries, this ending is exciting! But, not before the flute pokes fun at the orchestra at the end...
$24.99
22.92 €
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Orchestre
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Jake Rogus
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Jake Rogus
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Variations on Joy to the World - Score Only
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Jake Rogus
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SheetMusicPlus
Thérèse Brenet: Le Bois Amical for SATB chorus and orchestra, orchestral score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.533514 Composed by Therese Bren…
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Full Orchestra - Level 4 - Digital Download SKU: A0.533514 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 17 pages. Musik Fabrik Music Publishing #3006621. Published by Musik Fabrik Music Publishing (A0.533514). One of three works for mied chorus and orchestra (the others being “Rondel†and “Cielsâ€), this work may be performed as a cycle of three or seperately.orchestration: 2(pic)22(bscl)2/2000/timp/perc/chimes/vbra/hp/stringsparts on rental from the publisherduration: 4’10Nous avons pensé des choses puresCôte à côte, le long des chemins,Nous nous sommes tenus par les mainsSans dire... parmi les fleurs obscures ;Nous marchions comme des fiancésSeuls, dans la nuit verte des prairies ;Nous partagions ce fruit de féeriesLa lune amicale aux insensésEt puis, nous sommes morts sur la mousse,Très loin, tout seuls parmi l’ombre douceDe ce bois intime et murmurant ;Et là -haut, dans la lumière immense,Nous nous sommes trouvés en pleurantÔ mon cher compagnon de silence !Paul Valéry: Album des Vers Anciens
$16.95
15.55 €
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Orchestre
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Therese Brenet
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Thérèse Brenet: Le Bois Amical for SATB chorus and orchestra, orchestral score
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Musik Fabrik Music Publishing
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SheetMusicPlus
CC003POP - The story of the mountain - POP ensemble
Orchestre
Full Orchestra - Digital Download SKU: A0.921131 Composed by Carl Van Pevenage. Pop…
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Full Orchestra - Digital Download SKU: A0.921131 Composed by Carl Van Pevenage. Pop,World. Score and parts. 53 pages. Carl Van Pevenage #2069795. Published by Carl Van Pevenage (A0.921131). A POP song with a lot of different emotions. Arranged for POP ensemble. All parts are included. Chords are provided enabling easy adapting to your ensemble. Listen to the MP3. Already the first view on the mountain is splendid. Oh, what a beauty. Listen to the nature. Hear the voice of Freedom. And you the artist, start climbing. Enjoy big rocks, hanging under them. Very high you still find some berries. Hear the echo, hear the silence. Cry happiness.
$9.95
9.13 €
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Orchestre
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Carl Van Pevenage
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CC003POP - The story of the mountain - POP ensemble
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Carl Van Pevenage
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SheetMusicPlus
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