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ACCORDEON
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AUTOHARPE
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Non classifié
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Piano seul
482
Piano, Voix
352
Piano Facile
136
Piano, Voix et Guitare
109
Instruments en Do
47
Accompagnement Piano
23
1 Piano, 4 mains
20
Orgue
16
Piano grosses notes
13
Piano Trio: piano, violon, violoncelle
8
Piano Quatuor: piano, 2 violons, violoncelle
4
Clavecin
1
1 Piano, 6 mains
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GUITARES
Guitare
31
Guitare notes et tablatures
25
Ligne De Mélodie, (Paroles) et Accords
12
Piano, Guitare (duo)
11
Ukulele
10
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9
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6
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3
3 Guitares (trio)
2
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2
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1
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1
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1
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VOIX
Chorale SATB
293
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72
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44
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41
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26
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18
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10
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8
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7
Voix haute
6
Voix Baryton, Piano
5
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5
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4
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4
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3
Voix Mezzo-Soprano, Piano
2
Voix Tenor
2
Voix moyenne, Piano
1
Chorale SSATTB
1
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1
Voix basse
1
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VENTS
Clarinette et Piano
45
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43
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38
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29
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27
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25
Clarinette
24
Flûte, Hautbois, Clarinette, Basson
23
Saxophone Tenor et Piano
22
Saxophone Alto et Piano
20
Quatuor de Clarinettes: 4 clarinettes
17
Ensemble de Clarinettes
12
Saxophone Alto
12
Flûte, Clarinette (duo)
11
Ensemble de Flûtes
11
2 Flûtes traversières (duo)
10
Flûte et Guitare
10
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9
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9
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9
2 Saxophones (duo)
9
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8
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8
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7
2 Clarinettes (duo)
7
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6
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6
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5
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5
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4
Flûte irlandaise
4
Clarinette, Basson (duo)
4
Hautbois
4
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4
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3
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3
Clarinette et Alto
3
Hautbois, violon (duo)
3
Ocarina
3
Cor anglais, Piano
3
Quintette de Flûte : 5 flûtes
3
Hautbois et alto (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Saxophone, Clarinette (duo)
2
Hautbois, Clarinette (duo)
2
Quatuor de Flûtes à bec
2
2 Flûte à bec (duo)
2
3 Saxophones (trio)
2
Hautbois, Guitare (duo)
2
Hautbois, Basson (duo)
2
Clarinette Basse, Piano
2
Saxophone Baryton, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte à bec Soprano, Piano
1
Clarinette, Trompette (duo)
1
Flûte, Violon, Piano
1
Flûte à Bec
1
Flûte, Hautbois (duo)
1
Ensemble à vent
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Soprano
1
Clarinette, Violoncelle, Piano (trio)
1
5 Flûtes à bec
1
3 Clarinettes (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois, Basson
1
Cor Anglais
1
Flute (partie séparée)
1
Ensemble De Flûte à bec
1
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CUIVRES
Trompette
33
Trombone et Piano
30
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Trompette, Piano
19
Cor
17
Trombone
15
Cor et Piano
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Tuba
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trompette (partie séparée)
5
Tuba et Piano
5
Trompette, Trombone (duo)
4
Trombone (partie séparée)
4
Cor anglais, Piano
3
Quatuor de cuivres: 4 trombones
3
2 Trompettes (duo)
3
Quatuor de cuivres: 4 cors
3
Trompette, Cor (duo)
2
Euphonium
2
Euphonium, Piano (duo)
2
Tuba et Orgue
2
Ensemble de Trompettes
2
4 Tubas
1
Ensemble de Trombones
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Saxophone (duo)
1
Ensemble de Cors
1
2 Cors Anglais Et Pianoforte
1
Cor, Violoncelle (duo)
1
Trompette, Violoncelle (duo)
1
Ensemble de Tubas
1
Cor Anglais
1
Trompette, Tuba (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
177
Violon
105
Violon et Piano
85
Violoncelle
67
Violon, Violoncelle (duo)
50
Harpe
48
Violoncelle, Piano
44
Alto, Piano
35
Alto seul
30
Trio à Cordes: 2 violons, violoncelle
27
2 Violons (duo)
24
Contre Basse
21
Trio à Cordes: violon, alto, violoncelle
19
Violon, Alto (duo)
16
2 Violoncelles (duo)
15
Trio à cordes: 3 violins
8
Piano Trio: Violon, Alto, Piano
6
Harpe, Voix
5
4 Violoncelles
5
2 Altos (duo)
5
Violon, Basson (duo)
4
Alto, Violoncelle (duo)
3
Violoncelle, Contrebasse (duo)
3
Quatuor à cordes : 4 altos
3
Alto (partie séparée)
3
2 Harpes (duo)
3
Quatuor à cordes: 4 violons
2
Trio à Cordes: 3 violoncelles
2
3 Harpes
2
Violoncelle , Guitare (duo)
2
Contrebasse, Piano (duo)
2
Trio à cordes: 3 altos
2
Violon, Guitare (duo)
2
Violoncelle, Orgue
1
Violon (partie séparée)
1
Contrebasse (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
111
Orchestre
45
Jazz combo
43
Orchestre à Cordes
41
Ensemble Jazz
23
Ensemble de cuivres
21
Cloches
15
Orchestre de chambre
13
Batterie
7
Fanfare
5
Ensemble de Percussions
4
Percussion
1
Marimba, Piano (duo)
1
Quintette de Cuivres: autres combinaisons
1
Ensemble d'École
1
Batterie (partie séparée)
1
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AUTRES
Formation musicale - Solfège
6
Vous avez sélectionné:
So In Love
SheetMusicPlus
Partitions à imprimer
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From Russia With Love
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.978447 Composed by Lionel Bart.…
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Full Orchestra - Level 4 - Digital Download SKU: A0.978447 Composed by Lionel Bart. Arranged by Sandstone Music. Contemporary. Score and parts. 63 pages. Sandstone Music #6431883. Published by Sandstone Music (A0.978447). The latest publication in the Sandstone Epic Orchestra Collection, this new arrangement of 'From Russia With Love' is for full orchestra when you want to impress the audience! James Bond scores for full orchestra are virtually impossible to find, so the Sandstone Epic Orchestra Collection solves this problem. Suitable for use by schools, colleges and universities as well as amateur and professional orchestras, these arrangements add a new interest to existing well-known and well-loved pieces.
$79.99
73 €
#
Orchestre
#
Lionel Bart
#
Sandstone Music
#
From Russia With Love
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Sandstone Music
#
SheetMusicPlus
From Russia With Love
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.978446 Composed by Lionel Bart.…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.978446 Composed by Lionel Bart. Arranged by Sandstone Music. Contemporary. Score and parts. 63 pages. Sandstone Music #6431865. Published by Sandstone Music (A0.978446). The latest publication in the Sandstone Epic Orchestra Collection, this new arrangement of 'From Russia With Love' is for full orchestra when you want to impress the audience! James Bond scores for full orchestra are virtually impossible to find, so the Sandstone Epic Orchestra Collection solves this problem. Suitable for use by schools, colleges and universities as well as amateur and professional orchestras, these arrangements add a new interest to existing well-known and well-loved pieces.
$79.99
73 €
#
Orchestre
#
Lionel Bart
#
Sandstone Music
#
From Russia With Love
#
Sandstone Music
#
SheetMusicPlus
So This Is Love
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1474066 By James Ingram. By Al …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1474066 By James Ingram. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Ken Litton. Broadway,Film/TV,Instructional,Musical/Show,Standards,Traditional. 65 pages. Artist of Note, Inc. #1051695. Published by Artist of Note, Inc. (A0.1474066). So This Is Love(The Cinderella Waltz)from Walt Disney’s CINDERELLABy Jerry Livingston, Mack David, Al HoffmanFULL ORCHESTRA© 1948 Walt Disney Music Company Copyright Renewed. All Rights Reserved. Used by Permission.East of the Altar/Artist of Note, Inc.How about a blast from the past in the form of a highly playable dance for your student (high school/college), community, professional or even church orchestra?The romantic ballad from Disney's classic animated film Cinderella (1950) originally ”sung” by Cinderella and Prince Charming as they finally dance together at the ball.The accelerating introduction leads to the elegant melody with light accompaniment. Then, material from the intro brings an easily playable lift into a new key and the melody up an octave, leading to a dramatic chord resolution at the words “dreaming of.” Add a choice of effective endings and, well…it’s love at first play!All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/en-US/se/ID_No/1574510/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/product/so-this-is-love-22801217.htmlAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc. including an INTERMEDIATE PIANO arrangement taken directly from this score.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$49.99
45.62 €
#
Orchestre
#
James Ingram
#
Ken Litton
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So This Is Love
#
Artist of Note, Inc.
#
SheetMusicPlus
Be My Love
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.966133 Composed by Nicholas Bro…
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Full Orchestra - Level 5 - Digital Download SKU: A0.966133 Composed by Nicholas Brodszky. Arranged by Alexander Timofeev. Contemporary. Score and parts. 120 pages. Alexander Timofeev #6514483. Published by Alexander Timofeev (A0.966133). This arrangement for tenor and orchestra of Be My Love by Nicholas Brodszky and Sammy Cahn was inspired by the famous recording (1950) sung by Mario Lanza. It is one of the closest arrangements for tenor and orchestra to this version of Be My Love. Full Score, and Parts are included. The arrangement is scored for tenor solo and full orchestra: 2-2-2-2, 4-3-3-1, timp, perc., piano, harp, strings. There are also optional parts: mixed choir (SATB), guitar, bass guitar - these parts are in the Lanza recording, so they are also included in this arrangement. The number of parts included in the set: Flutes (2), Oboes (2), Clarinets in Bb (2), Bassoons (2), French Horns in F (4), Trumpets in Bb (3), Trombones (3), Tuba (1), Timpani, Percussion (2), Piano (1), Harp (1), Tenor Soloist (1), Violin I (8), Violin II (8), Viola (6), Cello (6), Double bass (4), Mixed Choir - SATB (24), Guitar (1), Bass guitar (1). If more string parts or choir parts are needed, please purchase two or more copies of this arrangement.
$79.99
73 €
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Orchestre
#
Nicholas Brodszky
#
Alexander Timofeev
#
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Be My Love
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Alexander Timofeev
#
SheetMusicPlus
Love Will Forgive You Everything
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1194600 By Hanka Ordonowna. By …
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Full Orchestra - Level 2 - Digital Download SKU: A0.1194600 By Hanka Ordonowna. By Henry Vars. Arranged by Marek Czekala. 20th Century,Film/TV. Score and parts. 29 pages. Marek Czekala #793907. Published by Marek Czekala (A0.1194600). Love will forgive you everything - the song was written in 1933, the music was composed by Henryk Wars, and the words were written by Julian Tuwim (under the pseudonym Oldlen). The song was a hit in interwar Poland and remains so to this day. The song was written especially for the film The Spy in the Mask, which enjoyed a record attendance in cinemas. It was sung by Hanka Ordonówna and soon the song became her artistic showcase. Later, Ordonówna often resembled a song in the MaÅ‚e Qui Pro Quo theater. The piece performed by Ordonówna was recorded on the Syrena-Electro label, which was very popular at the time. The publisher's circulation reached tens of thousands of copies, and the discs with this recording were pressed for almost six years due to the constant interest in the song.MiÅ‚ość ci wszystko wybaczy – piosenka powstaÅ‚a w 1933 roku, do której muzykÄ™ skomponowaÅ‚ Henryk Wars, a sÅ‚owa napisaÅ‚ Julian Tuwim (pod ps. „Oldlenâ€). Piosenka byÅ‚a przebojem w miÄ™dzywojennej Polsce i pozostaje nim do dziÅ›. Utwór zostaÅ‚ napisany specjalnie na potrzeby filmu Szpieg w masce, cieszÄ…cego siÄ™ rekordowÄ… frekwencjÄ… w kinach. ZaÅ›piewaÅ‚a go w nim Hanka Ordonówna i wkrótce piosenka staÅ‚a siÄ™ jej artystycznÄ… wizytówkÄ…. W późniejszym czasie Ordonówna czÄ™sto przypominaÅ‚a piosenkÄ™ w teatrzyku MaÅ‚e Qui Pro Quo. Utwór w wykonaniu Ordonówny nagrany zostaÅ‚ na pÅ‚ytach bardzo popularnej wówczas wytwórni Syrena-Electro. NakÅ‚ad wydawnictwa osiÄ…gnÄ…Å‚ kilkadziesiÄ…t tysiÄ™cy egzemplarzy, a pÅ‚yty z tym nagraniem tÅ‚oczono przez blisko sześć lat z uwagi na niezmienne zainteresowanie piosenkÄ….Wikipedia.
$50.00
45.63 €
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Orchestre
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Hanka Ordonowna
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Marek Czekala
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Love Will Forgive You Everything
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Marek Czekala
#
SheetMusicPlus
Andante in C major by Mozart for Flute and Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1258540 Composed by Wolfgang Am…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1258540 Composed by Wolfgang Amadeus Mozart. Arranged by Aika Uta. Classical. Score and Parts. 23 pages. Aika Uta #851796. Published by Aika Uta (A0.1258540). Are you a flutist passionate about classical music? Then you will love this product! It contains a revised and adapted score of the Andante in C Major, K. 315/285e, by Wolfgang Amadeus Mozart, one of the most beautiful works for flute and orchestra. The score was rewritten with a more beautiful and practical handwriting, and the horns were adapted to the modern tuning in F, following the current orchestral formations. You will have the certainty of playing an authentic and professional version of this wonderful piece, which expresses all the delicacy and lyricism of Mozart. And more: you can also buy the playback version for accompaniment, which simulates the sound of the orchestra with digital quality. So you can practice and have fun playing Mozart’s Andante in C Major with your own symphonic ensemble! Don’t miss this opportunity and get your product through the link below!
$29.99
27.37 €
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Orchestre
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Wolfgang Amadeus Mozart
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Aika Uta
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Andante in C major by Mozart for Flute and Orchestra
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Aika Uta
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SheetMusicPlus
All You Need Is Love
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1256257 By The Beatles. By John…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1256257 By The Beatles. By John Lennon and Paul McCartney. Arranged by Paul Campbell. Classical,Pop,Rock. Score and Parts. 95 pages. Paul Campbell #849728. Published by Paul Campbell (A0.1256257). Instrumental / Singalong version of this Beatles classic song for High School Orchestra. Although the forces are large in the score, there is much doubling, so the full effectiveness of the arrangement can be acheived with a standard size of orchestra.
$119.99
109.51 €
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Orchestre
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The Beatles
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Paul Campbell
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All You Need Is Love
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Paul Campbell
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SheetMusicPlus
007 - From the 1963 motion picture 'FROM RUSSIA WITH LOVE'
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download By John Barry. Arranged by …
(+)
Full Orchestra - Advanced Intermediate - Digital Download By John Barry. Arranged by Gregory John Harper. Score, Set of Parts. 56 pages. Published by Gregory Harper
Programme notes: Although John Barry had written 50% of the original 'James Bond' theme for 1962's Dr. No (and orchestrated the whole thing), he felt the need to create a new piecefor 007's second on-screen outing that was entirely his own. Using Elmer Bernstein's'Magnificent Seven' theme as inspiration, he crafted a tune that was full of adventure and awe. Although the '007' theme presented here was not adopted by the cinema-goers as the definitive Bond music, it demonstrates Barry's ability to orchestrate and compose in the style of the classic 40s & 50s Hollywood pictures. The theme has been used in several Bondmovies since - mainly as a secondary theme for scenes that wish to depict Bond's heroism more than his swagger and charisma.<br> <br> Conductor's Notes: When the strings take the melody at 'D', they should 'soar'! While the piece lacks melodic or harmonic development, it does show off each section of the orchestra.Make sure all dynamic markings are strictly adhered to as the melody may get overpowered otherwise. The lead trumpet part is a transcription of Derek Watkins' original performance and is very high in places. In the event of having no harpist, the glissandos may be played on a transposed electronic keyboard so thatthe white notes are tuned to a E Major scale (transpose up a major 3rd). The rest of the harp part should be played on a non-transposed keyboard. The piece should fade out to nothing so make sure all eyes areon the conductor as they will need to guide each player through the dynamic changes from 'G' onwards.Programme notes: Although John Barry had written 50% of the original 'James Bond' theme for 1962's Dr. No (and orchestrated the whole thing), he felt the need to create a new piecefor 007's second on-screen outing that was entirely his own. Using Elmer Bernstein's'Magnificent Seven' theme as inspiration, he crafted a tune that was full of adventure and awe. Although the '007' theme presented here was not adopted by the cinema-goers as the definitive Bond music, it demonstrates Barry's ability to orchestrate and compose in the style of the classic 40s & 50s Hollywood pictures. The theme has been used in several Bondmovies since - mainly as a secondary theme for scenes that wish to depict Bond's heroism more than his swagger and charisma.<br> <br> Conductor's Notes: When the strings take the melody at 'D', they should 'soar'! While the piece lacks melodic or harmonic development, it does show off each section of the orchestra.Make sure all dynamic markings are strictly adhered to as the melody may get overpowered otherwise. The lead trumpet part is a transcription of Derek Watkins' original performance and is very high in places. In the event of having no harpist, the glissandos may be played on a transposed electronic keyboard so thatthe white notes are tuned to a E Major scale (transpose up a major 3rd). The rest of the harp part should be played on a non-transposed keyboard. The piece should fade out to nothing so make sure all eyes areon the conductor as they will need to guide each player through the dynamic changes from 'G' onwards.
$69.99
63.88 €
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Orchestre
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John Barry
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Gregory John Harper
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007 - From the 1963 motion picture 'FROM RUSSIA WITH LOVE'
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Gregory Harper
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SheetMusicPlus
Waltz of the Roses, for Orchestra (High, Key of C), Pas de Deux / Theme from The Snow Queen, A Balle
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.730417 Composed by James Nathan…
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Full Orchestra - Level 3 - Digital Download SKU: A0.730417 Composed by James Nathaniel Holland. Holiday,Wedding. 35 pages. James Nathaniel Holland #3369855. Published by James Nathaniel Holland (A0.730417). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged in the key of C (HIGH) orchestral format. Intermediate level. Full score in concert pitch. Individual parts included. Â Can be used with any piano vocal arrangement in the same key.Instr: 1 picc, 12fl, 12 ob, eh, 12clb, bcl, 12bsn, 1234hrn, 123trp, 12trm, btrm,tba, chimes/tim, hrp (or pno) stringsPerfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year!With Optional Lyrics (Reduced piano for solo voice or SATB choir sold separately):Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$12.95
11.82 €
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Orchestre
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James Nathaniel Holland
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Waltz of the Roses, for Orchestra
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James Nathaniel Holland
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SheetMusicPlus
Celtiberian Landscape For Harp And Orquestra
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos T…
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
22.81 €
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Orchestre
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp And Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Waltz of the Roses, for Orchestra, Pas de Deux / Theme from The Snow Queen, A Ballet
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.730411 Composed by James Nathan…
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Full Orchestra - Level 3 - Digital Download SKU: A0.730411 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Wedding. Score and parts. 35 pages. James Nathaniel Holland #3367719. Published by James Nathaniel Holland (A0.730411). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American Costa Rican composer James Nathaniel Holland. Here arranged in the original orchestral format. Intermediate level. Full score in concert pitch. Individual parts included. Instr: 1 picc, 12fl, 12 ob, eh, 12clb, bcl, 12bsn, 1234hrn, 123trp, 12trm, btrm,tba, chimes/tim, hrp (or pno) stringsPerfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year!With Optional Lyrics (Reduced piano for solo voice or SATB choir sold separately):Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: https://youtu.be/9dgnKajSsE8 Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlFacebook page: https://www.facebook.com/jamesnathanielholland/
$12.95
11.82 €
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Orchestre
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James Nathaniel Holland
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Waltz of the Roses, for Orchestra, Pas de Deux / Theme from The Snow Queen, A Ballet
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James Nathaniel Holland
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SheetMusicPlus
From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathan…
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Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathaniel Holland #3142471. Published by James Nathaniel Holland (A0.730401). Tenor Aria From the Hillside from the 21st Century Opera ON THE WINGS OF THE SCARLET MESSENGER (Based on the Henry James novel, On the Wings of a Dove) here with full orchestral accompaniment. (Full score in concert pitch, voice, and individual parts included) This accompaniment can also be used with the solo and male ensemble that is contained in the full vocal score.Instrumentation: pic, fl12,ob12,eh,cl12,bcl,tenor sax, bsn12,hrn1234, trpt 12, trmb, btrm, timp, hand cym/egg shaker, hrp, voice, stringsDuration: 4:00 minutes (Sample here begins with extra measure) Video presentation at: https://www.youtube.com/watch?v=u47yb4kiE0Y Curious? Listen to the complete opera playlist en demo at: http://www.youtube.com/watch?v=Rr5x_aXnUMM&list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMa Adaptation, Libretto, and Music by James Nathaniel Holland Performance: James Nathaniel Holland, Tenor Orchestra: CH Symphony Group (Complete Duration: 2 hours) BRIEF SYNOPSIS: In the urban capital of Soon Rafa, lovers Mariana (Soprano) and Kai (Bass) cannot be together because of Mariana's disapproving wealthy Aunt (Mezzo-Soprano). Torn between love and financial security, an unlikely opportunity arises when a dying rich Occidental, Justin (Tenor) reveals his romantic interest in Kai. The couple plot a pretense to inherit Justin's money and be free to marry and live together. This aria occurs in Act I, Scene 2. Justin (tenor) has just hired a group of porters, including Kai (bass), to guide him through the jungles of the island to photograph the mythical bird, the Scarlet Messenger. Although the men insist it is a legend, Justin inspires them to persevere with him. Aria Libretto, Justin (tenor singing): From the hillside, something breaks free. Is it real? Or just illusion? Oh how I have to see you, feel that beauty. Upon your wings our souls must one day fly to heaven. Never doubt that you can find him, hiding among your dreams. For when you feel all hope is gone, that's when you spot his red wings, fiery bright. (to the group of porters) So come with me, all's not in vain. It is real, just not illusion. The day is fading fast, oh, so quickly. We'll be the first to see that blazing path of fire. The Scarlet Messenger! Oh how that would be the greatest gift of my life. Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html Music, Lyrics, Performance Copyright 2017 James Nathaniel Holland.
$15.95
14.56 €
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Orchestre
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James Nathaniel Holland
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From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
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James Nathaniel Holland
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SheetMusicPlus
Sunrise Calls. First Movement of Orchestral Suite 'Heliodorus'.
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1028487 Composed by Marcus Mota…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1028487 Composed by Marcus Mota. 20th Century,Contemporary,World. Score and parts. 13 pages. Marcus Mota #3539039. Published by Marcus Mota (A0.1028487). Orchestral Suite in seven movements. Here the first movement.The Suite was composed based on Heliodorus'Aithiopika. Aithiopika is an ancient greek novel that mixes love and adventure. This novel was so influent in Post-Renascence: Cervantes, Shakespeare, Racine loved it. Verdi's Aida argument is in part based on Aithiopika. In this first movement, we follow the first scenario of the novel: we are presented to the natural setting that opens the novel: we are facing on preliminary doubts and omens after the impact of the sunrise upon the creatures on stage. .
$5.00
4.56 €
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Orchestre
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Marcus Mota
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Sunrise Calls. First Movement of Orchestral Suite 'Heliodorus'.
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Marcus Mota
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SheetMusicPlus
EP!C!!!
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wint…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
36.51 €
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Orchestre
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
Oh Come All Ye Faithful (Adeste Fideles) (Letter Format)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.978432 Composed by John Francis…
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Full Orchestra - Level 4 - Digital Download SKU: A0.978432 Composed by John Francis Wade. Arranged by Sandstone Music. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 51 pages. Sandstone Music #6057721. Published by Sandstone Music (A0.978432). The first publication in the new Sandstone Epic Christmas Collection, this new arrangement of 'Oh Come, All Ye Faithful' is for full orchestra when you want to impress the audience! Including three verses of this carol, this arrangement is suitable for choirs and / or audiences to sing along to. A brand new fanfare opening has been included, as well as links between verses so the tempo can continue. If your choir or audience wish to sing the standard David Willcocks descant in the third verse ('Sing choirs of angels'), this will fit with this arrangement. If more verses are required, verse 2 can be easily repeated.Christmas carols for full orchestra are virtually impossible to find, so the Sandstone Epic Christmas Collection solves this problem. Suitable for use by churches, schools, colleges and universities as well as amateur and professional orchestras, these arrangements add a new interest to existing well-known and well-loved carols, meaning you can include them in your Christmas programme for your choir or for audience participation.
$79.99
73 €
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Orchestre
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John Francis Wade
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Sandstone Music
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Oh Come All Ye Faithful
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Sandstone Music
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SheetMusicPlus
Oh Come All Ye Faithful (Adeste Fideles) (A4 Format)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.978433 Composed by John Francis…
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Full Orchestra - Level 4 - Digital Download SKU: A0.978433 Composed by John Francis Wade. Arranged by Sandstone Music. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 53 pages. Sandstone Music #6057723. Published by Sandstone Music (A0.978433). The first publication in the new Sandstone Epic Christmas Collection, this new arrangement of 'Oh Come, All Ye Faithful' is for full orchestra when you want to impress the audience! Including three verses of this carol, this arrangement is suitable for choirs and / or audiences to sing along to. A brand new fanfare opening has been included, as well as links between verses so the tempo can continue. If your choir or audience wish to sing the standard David Willcocks descant in the third verse ('Sing choirs of angels'), this will fit with this arrangement. If more verses are required, verse 2 can be easily repeated.Christmas carols for full orchestra are virtually impossible to find, so the Sandstone Epic Christmas Collection solves this problem. Suitable for use by churches, schools, colleges and universities as well as amateur and professional orchestras, these arrangements add a new interest to existing well-known and well-loved carols, meaning you can include them in your Christmas programme for your choir or for audience participation.
$79.99
73 €
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Orchestre
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John Francis Wade
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Sandstone Music
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Oh Come All Ye Faithful
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Sandstone Music
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SheetMusicPlus
CONJUNCTION: The Christmas Star of 2020
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
86.7 €
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Orchestre
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Star of 2020
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WheatMyer Music
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SheetMusicPlus
Testament Cues - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1265999 Composed by James Horne…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1265999 Composed by James Horner. Arranged by Chris Siddall. Film/TV. 48 pages. Chris Siddall Music Publishing #858732. Published by Chris Siddall Music Publishing (A0.1265999). 1983 saw the release of director Lynne Littman’s adaptation of Carol Amen’s short story The Last Testament. Originally produced for PBS’s “American Playhouseâ€, the quality of the movie was considered so high that Paramount decided to purchase the rights for a full theatrical release, and received an Oscar nomination for lead actress Jane Alexander.Testament is an unreservedly stark and disturbing experience, following a suburban family as they endure the effects of nuclear fallout.At this point in his career James Horner had already hit the mainstream with his immense science fiction music, with this project falling between his two Star Trek offerings.  His work here is built for an ensemble of only ten players, usually consisting of duets or solo horn or woodwind performances, with the occasional addition of a small choir.  Whilst having an overall sombre tone, there are moments of hope and unexpected heroism, and Horner’s score is an excellent example of how much can be achieved with a small ensemble.Now musicians, music students, conductors – any music lover – can study the complete score from Testament in this high-quality edition, carefully reproduced and edited from the original handwritten manuscript.Includes foreword by Testament director, Lynne Littman.
$35.00
31.94 €
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Orchestre
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James Horner
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Chris Siddall
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Testament Cues - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Rosary Sonatas: The Crucifixion
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1081697 Composed by Heinrich Ig…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 95 pages. JMJ Arrangements #685818. Published by JMJ Arrangements (A0.1081697). [S]tanding by the cross of Jesus were his mother, and his mother’s sister, Mary the wife of Clopas, and Mary Magdalene. When Jesus saw his mother, and the disciple whom he loved standing near, he said to his mother, 'Woman, behold, your son!' Then he said to the disciple, 'Behold, your mother!' And from that hour the disciple took her to his own home. After this Jesus, knowing that all was now finished, said (to fulfil the scripture), 'I thirst.' A bowl full of vinegar stood there; so they put a sponge full of the vinegar on hyssop and held it to his mouth. When Jesus had received the vinegar, he said, 'It is finished'; and he bowed his head and gave up his spirit. Since it was the day of Preparation, in order to prevent the bodies from remaining on the cross on the sabbath (for that sabbath was a high day), the Jews asked Pilate that their legs might be broken, and that they might be taken away. So the soldiers came and broke the legs of the first, and of the other who had been crucified with him; but when they came to Jesus and saw that he was already dead, they did not break his legs. But one of the soldiers pierced his side with a spear, and at once there came out blood and water. He who saw it has borne witness—his testimony is true, and he knows that he tells the truth—that you also may believe. For these things took place that the scripture might be fulfilled, 'Not a bone of him shall be broken.' And again another scripture says, 'They shall look on him whom they have pierced.' --John 19:25-37.
$34.99
31.93 €
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Orchestre
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Crucifixion
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JMJ Arrangements
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SheetMusicPlus
Divinum Mysterium
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century…
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
68.45 €
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Orchestre
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
What Child We Sing?
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.976706 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976706 Composed by Robert Myers. 20th Century,Christian,Christmas,Contemporary,Sacred. Score and parts. 46 pages. WheatMyer Music #4604745. Published by WheatMyer Music (A0.976706). The title,What Child We Sing, is a play on two traditional Christmas carols, What Child Is This and Sing We Now of Christmas, which are the basis of this new work. What Child Is This is almost always paired wth the 16th Century English tune, Greensleeves, a ballad of unrequited love. Both the text and tune of Sing We Now of Christmas come from a traditional French Christmas carol, Noel Nouvelet, believed to be even older than Greensleeves. These two traditional Christmas carols blend together in several ways so as to make the compilation into one work a natural result. Both tunes are set in a minor mode with a very similar narrow melodic range that effortlessly flow together. The question of what child lies in the manger is answered in the refrain of Sing We Now of Christmas with the proclamation, Sing We Noel, the King is born, Noel. The result turns out not to be a medley but a melding of two distincts into one union, What Child We Sing?What Child We Sing best works in the Advent or Christmas seasons with its strong exposition of traditional Christmas carols and would be suitable in a sacred concert or as a prelude, offertory, or reflective music in either liturgical or unstructured service. It has sufficient artistic metric to be suitable for the concert stage as well, although it is not at all difficult, being suitable for intermediate or higher level musicians.
$75.00
68.45 €
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Orchestre
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Robert Myers
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What Child We Sing?
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WheatMyer Music
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SheetMusicPlus
All Time High
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1393785 By Rita Coolidge. By Jo…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrations). Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977256. Published by www.studio-orchestrations.com (A0.1393785). This classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days. Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. In this version we have the original Rita Coolidge performancxe key (starting in E major) which is dusky and mellow but is also available on this website a semitone/half-step higher (strarting in F major) which might suit some female performers ranges better.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00
109.52 €
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Orchestre
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Rita Coolidge
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All Time High
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www.studio-orchestrations.com
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SheetMusicPlus
American Patriotic Music for All, Volume 1 (Flexible Orchestra)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.742743 Composed by Various. Arr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.742743 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 401 pages. Custom Chamber Music #350877. Published by Custom Chamber Music (A0.742743). 2nd edition - new and improved.Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has seven songs and over 14 minutes of music that both you and your audience are sure to love. Each song is also available separately from the publisher link above.These arrangements can be played with anywhere from 3 to 7 parts, with a great deal of flexibility in instrumentation. This makes it ideal for bands of all types (full orchestra, string orchestra, chamber orchestra, school, community, or professional). This is one of the most versatile collections you'll ever use!The songs included in Volume 1 are:The Star-Spangled Banner (US National Anthem), by John Stafford Smith.America the Beautiful, by Samuel Ward.Battle Hymn of the Republic (Mine Eyes Have Seen the Glory).My Country, 'Tis of Thee (America, known as God Save the King/Queen in England).Stars and Stripes Forever, by John Philip Sousa.Washington Post March, by John Philip Sousa.Semper Fidelis, by John Philip Sousa.Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts. The difficulty level ranges from medium-easy to medium-advanced. The arrangements respect the original style of the composers while greatly expanding the instrument flexibility.This collection contains a full score, as well as individual parts in all the appropriate clefs and transpositions to support the following ensembles:Brass trio, quartet, quintet, and sextet.Woodwind trio, quartet, quintet, and sextet.String trio, quartet, quintet, and sextet.Clarinet trio, quartet, quintet, and sextet.Saxophone trio, quartet, and quintet.Mixed trio, quartet, quintet, and sextet (all with optional percussion).Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.The parts are described as follows:Part 1: Main melody. Piccolo, Flute, Oboe, Bb Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.Part 2: Main harmony, possibly some B-section melody. Bb Clarinet, Alto Clarinet, Alto Saxophone, Bb Trumpet, Violin, Viola.Part 3: Other harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, C/Bb Euphonium, Violin, Viola, Cello.Part 4: Main bass line. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5: Other harmony. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 6: Main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.Part 7: Optional percussion (snare drum, bass drum, cymbal) that can be added to any of the above combinations, or skipped entirely.We recommend the following combinations:Trio: Parts 1, 2, 4 (#4 works better than #3 for trio).Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Sextet: Parts 1, 2, 3, 4, 5, 6.Septet: Part 1, 2, 3, 4, 5, 6, 7.Be sure to also check out our three volumes of Christmas Carols for All!
$45.00
41.07 €
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Orchestre
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Various
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Randy Calistri-Yeh
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American Patriotic Music for All, Volume 1
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Custom Chamber Music
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SheetMusicPlus
Latvian National Anthem for Symphony Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By K…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By KÄrlis Baumanis. Arranged by Keith Terrett. 20th Century,Patriotic,Praise & Worship,Traditional. 26 pages. Keith Terrett #906430. Published by Keith Terrett (A0.1317749). He national anthem of Latvia arranged for SymphonyOrchestra.The music and lyrics were written in 1873 by KÄrlis Baumanis, a teacher, who was part of the Young Latvian nationalist movement. It has been speculated that Baumanis may have borrowed part of the lyrics from a popular song which was sung to tune of God Save the Queen, modified them and set them to music of his own. Baumanis's lyrics were different from the modern ones: he used the term Baltics synonymously and interchangeably with Latvia and Latvians, so Latvia was actually mentioned only at the beginning of the first verse. Later the term Latvia was removed and replaced with Baltics to avoid a ban on the song. This has led to the misapprehension that the term Latvia was not part of the song until 1920, when it was chosen as national anthem and the word Baltics was replaced with Latvia.During the annexation of Latvia by the Soviet Union, the singing of Dievs, svÄ“tÄ« Latviju! was banned. The Soviet republic of Latvia had its own anthem. Dievs, svÄ“tÄ« Latviju! was restored as the state anthem of Latvia on 15 February 1990, a very short period before Latvian independence was restored.The anthem's tune was modernized with a new F major version that is used since 2014, formerly a G major version was used on LTV's sign-on and sign-offs daily from 2011 up to 2013.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.Love anthems, join me on twitter, sound cloud and facebook for updates.
$39.99
36.5 €
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Orchestre
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Keith Terrett
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Keith Terrett
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Latvian National Anthem for Symphony Orchestra
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Keith Terrett
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Orchestre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
10.03 €
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Orchestre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
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