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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Solo De Concert
Non classifié
118
Piano & claviers
Piano seul
406
Piano, Voix
16
Piano Facile
10
1 Piano, 4 mains
5
Orgue
5
Instruments en Do
3
Piano Trio: piano, violon, violoncelle
2
Clavecin
1
Piano, Voix et Guitare
1
+ 4 instrumentations
Retracter
Guitares
Guitare
55
Guitare notes et tablatures
9
Ligne De Mélodie, (Paroles) et Accords
8
Ensemble de guitares
2
Ukulele
1
Voix
Chorale SATB
14
Voix duo, Piano
11
Voix duo
11
Voix haute
10
Voix basse, Piano
9
Chorale 2 parties
7
Voix Baryton, Piano
6
Chorale 3 parties
5
Voix moyenne, Piano
3
Voix basse
3
Voix Soprano, Piano
3
Voix Tenor, Piano
2
Chorale SSAA
2
Voix seule
2
Voix Alto, Piano
1
+ 10 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
105
Quatuor de Clarinettes: 4 clarinettes
80
Quatuor de Flûtes : 4 flûtes
55
Ensemble de Clarinettes
52
Quintette de Saxophone: 5 saxophones
50
Ensemble de saxophones
48
Saxophone Alto et Piano
35
Clarinette
27
Flûte traversière
22
Clarinette et Piano
21
Trio de Flûtes: 3 flûtes
21
Saxophone Soprano et Piano
20
Quintette de Clarinettes: 5 clarinettes
20
Quatuor de Flûtes à bec
19
Saxophone Tenor et Piano
17
Ensemble de Flûtes
15
Saxophone Alto
15
Flûte traversière et Piano
14
Quintette de Flûte : 5 flûtes
13
Hautbois, Piano (duo)
11
Saxophone Tenor
11
Saxophone (partie séparée)
9
Cor anglais, Piano
8
Saxophone et Piano
6
Hautbois (partie séparée)
5
Ensemble De Flûte à bec
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Hautbois
2
Saxophone Soprano
2
Saxophone Baryton
2
2 Clarinettes (duo)
2
2 Flûtes traversières (duo)
2
2 Saxophones (duo)
2
Saxophone
1
Saxophone, Clarinette (duo)
1
Clarinette Basse, Piano
1
Flûte à bec Soprano
1
Ensemble de Hautbois
1
Flûte, Clarinette (duo)
1
Flûte à bec Soprano, Piano
1
Clarinette (partie séparée)
1
Flûte traversière, Orgue (duo)
1
3 Flûtes à bec (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone Baryton, Piano
1
Clarinette, Guitare (duo)
1
2 Saxophones, Piano
1
+ 42 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
84
Quatuor de Cuivres : 2 trompettes, trombone, tuba
73
Trompette
29
Ensemble de Trompettes
21
Quatuor de cuivres: 4 trombones
16
Ensemble de Trombones
15
Quatuor de Cuivres
14
Trombone
13
Trombone et Piano
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Cor
9
Cor anglais, Piano
8
Cor et Piano
8
Trompette, Piano
7
Ensemble de Cors
6
Tuba
5
Tuba et Piano
4
Euphonium, Piano (duo)
4
Quatuor de cuivres: 4 trompettes
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trompette (partie séparée)
3
Quatuor de cuivres: 4 cors
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Trio de Cuivres
2
Trombone (partie séparée)
2
2 Trombones (duo)
1
Cor et Orgue
1
2 Trompettes (duo)
1
Euphonium
1
Cornet A Pistons
1
Trompette, Cor (duo)
1
Trombone, Orgue
1
Trombone et orchestre
1
+ 28 instrumentations
Retracter
Cordes
Violon
40
Violon et Piano
24
Violoncelle, Piano
22
Violoncelle
21
Alto seul
13
Alto, Piano
7
Quatuor à cordes: 2 violons, alto, violoncelle
7
Ensemble de Violons
6
Harpe
5
Alto (partie séparée)
4
Contre Basse
4
Violon, Alto (duo)
2
Violon (partie séparée)
2
Violoncelle, Orgue
1
Harpe, Violon (duo)
1
Violon, Orgue
1
Alto, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
Alto, Orgue
1
Contrebasse (partie séparée)
1
Ensemble de Violoncelles
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
234
Ensemble de cuivres
108
Orchestre d'harmonie
66
Ensemble de Percussions
40
Orchestre
19
Orchestre à Cordes
19
Ensemble Jazz
6
Vibraphone
2
Cloches
1
Quintette de Cuivres: autres combinaisons
1
Fanfare
1
Orchestre, Violon
1
+ 7 instrumentations
Retracter
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
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HAUTBOIS
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LUTH, THEOR…
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MARIMBA
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SAXOPHONE
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VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Solo De Concert
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19 partitions trouvées
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1
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik ...
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Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik...
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Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
Saint Saens Morceau de concert, Op.154 for Harp and Orchestra (Complete parts without Solo Harp Part
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Orchestre
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INTERMÉDIAIRE
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Classique
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Saint Saens
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Amir Awad
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Saint Saens Morceau de concert
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Amir Awad
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.772394 Composed by Saint Saens. Arranged by Amir Awad. Romantic Period. Score and parts. 76 pages. Amir Awad #6304515...
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Full Orchestra - Level 3 - SKU: A0.772394 Composed by Saint Saens. Arranged by Amir Awad. Romantic Period. Score and parts. 76 pages. Amir Awad #6304515. Published by Amir Awad (A0.772394). Morceau de concert, Op.154 for Harp and OrchestraOrchestral parts without the solo harp part
$30.00
O Holy Night (Cantique de Noel) Adolphe Adam Orchestral Accompaniment in Bb
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Adolphe-Charles Adam
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James Nathaniel Holland
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O Holy Night
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.730362 Composed by Adolphe-Charles Adam. Arranged by James Nathaniel Holland. Christmas,Romantic Period. Score and pa...
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Full Orchestra - Level 4 - SKU: A0.730362 Composed by Adolphe-Charles Adam. Arranged by James Nathaniel Holland. Christmas,Romantic Period. Score and parts. 61 pages. James Nathaniel Holland #2926305. Published by James Nathaniel Holland (A0.730362). The timeless Christmas classic O Holy Night (Cantique de Noel) by French composer Adolphe Adam. Orchestral accompaniment to be used with any James Nathaniel Holland vocal or soloists arrangement in Bb (Medium Low Voice (A to F) and SATB Chorus included in score and parts). Full Score in concert pitch and all respective instrument parts included. Soloist in treble clef. Some archaic text changed.Sold separately: Piano vocal score arrangements. Piano vocal score for baritone (bass clef) and Chorus.Usually programmed with Carol (Villagers All This Frosty Morn) for SATB Choir and Orchestra. Also available on this site. http://www.sheetmusicplus.com/title/carol-villagers-all-this-frosty-morn-arranged-for-satb-chorus-an..... Orchestration:fl12, ob12, eh, clBb12, bsn12, hF12, trBb12, trom12, tuba, timp, hand cym/gckspl, harp(or piano/org), soloist/SATB choir (can be interchanged with any solos or duets), stringsArranger's website: https://www.facebook.com/jamesnathanielholland/
$21.95
El Tango De Roxanne
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Tango
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Baz Luhrmann, Craig Pearce, Go
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John Langley
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El Tango De Roxanne
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1250907 Composed by Baz Luhrmann, Craig Pearce, Gordon Sumner, and Mariano Mores. Arranged by John Langley. 21st Cent...
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Full Orchestra - Level 4 - SKU: A0.1250907 Composed by Baz Luhrmann, Craig Pearce, Gordon Sumner, and Mariano Mores. Arranged by John Langley. 21st Century,Broadway,Film/TV,Latin,Musical/Show,Pop. Score and Parts. 169 pages. Www.studio-orchestrations.com #845188. Published by www.studio-orchestrations.com (A0.1250907). This arrangement is a full symphonic 'filmic' transcription of this iconic modern classic song sung by Ewan MacGregor and the cast of the movie soundtrack uncut. There are some optional instruments (2nd guitar, 2nd keyboard, even SATB choir) but there is a feature guitar and violin solo part. In it’s fullest form this orchestration is very colourful and dramatic, but conductors and concert organisers would be able to omit some additional instruments to taste to fit their specific orchestral line-up needs without degrading the high impact of the song and this orchestrated version.With clear, concise typeset parts [with page turns all properly formatted for practical use by the individual players] this chart would make a stunning dramatic feature item in any concert with orchestra and soloist(s).  Suitable for professional or advanced inetrmediate orchestrasThe instrumentation comprises:2 FlutesPiccoloOboe Cor Anglais2 ClarinetsBass Clarinet2 Bassoons4 French Horns3 Trumpets3 TrombonesTubaTimpani2 Percussion [Cymbals/Bass Drum]HarpPiano (keyboard 1)Keyboard 2 [Optional]2 Acoustic guitars [2nd Optional]Bass GuitarDrum Kit2 SoloistsSATB Chorus  [Optional]StringsYou might also be interested in my orchestration of Come What May:https://www.sheetmusicplus.com/title/come-what-may-digital-sheet-music/22530128.
$120.00
Double Concerto for Flute and Guitar (SCORE ONLY)
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Orchestre
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Apostolos Paraskevas
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Double Concerto for Flute and
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Silver Sickle Publications
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SheetMusicPlus
Full Orchestra - SKU: A0.942100 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 121 pages. Silver Sickle Publication...
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Full Orchestra - SKU: A0.942100 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 121 pages. Silver Sickle Publications #6253447. Published by Silver Sickle Publications (A0.942100). Constitution Article 91 (Double Concerto for flute and guitar in one movement). A quite demanding concerto from a technical point of view, unfolds many sonorities for both solo instruments as well as orchestra, including dense texture, polyphony, and a flavor of minimalism just before the end. After an agitated orchestra introduction, the flute enters with a lamenting and painful melody. The guitar takes over by introducing the core motivic elements of the work. Flute and guitar join in a chase-like duet with virtuosic passages in both instruments, accompanied by the orchestra in a frenzied commotion. The slow and almost distorted cadenza (with the snare drum) comes as a surprise and at the same time as a moment of relief. The tension increases as propulsive rhythms drive through the finale and build with rapid agitation to the end. The title of the work, Constitution Article 91, refers to a part of the former Greek constitution used by the dictatorship between 1967 and 1974 to abolish democracy in Greece. Certain rhythms in the work come from a fearsome and agitated speech that the dictator delivered to the academicians in 1973 following the students movement against the tyranny. Constitution Article 91 is a real tour de force for the soloists. In this colorful work, Apostolos Paraskevas shows us that a meeting point can be found between advanced contemporary idioms and evocations of an almost popular style. This music is notable for its rhythmic verve, its melodic grace, and its emotional depth. It has genuine substance, but speaks directly to the listener-a rare and welcome achievement. John Daverio/Musicologist
$35.00
El Tango De Roxanne
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Orchestre
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AVANCÉ
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Baz Luhrmann, Craig Pearce, Go
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Jennifer Lindberg
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El Tango De Roxanne
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Yayabe Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1494076 Composed by Baz Luhrmann, Craig Pearce, Gordon Sumner, and Mariano Mores. Arranged by Jennifer Lindberg. Clas...
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Full Orchestra - Level 5 - SKU: A0.1494076 Composed by Baz Luhrmann, Craig Pearce, Gordon Sumner, and Mariano Mores. Arranged by Jennifer Lindberg. Classical,Pop,Rock. 102 pages. Yayabe Music #1070686. Published by Yayabe Music (A0.1494076). Arranged for rock orchestra - full symphony orchestra, plus vocals, bass, keyboard, and drums.Starts in the original key of G minor as performed by The Police, then modulates to the Moulin Rouge tango in C minor and E minor before arriving back at G minor. Ends with a quotation of Verdi's Dies Irae and some hard rock drums. Includes a substantial concertmaster solo.Vocal Range:Vocie 1: G3 to G5 (soprano)Voice 2: Bb3 to D5 (alto)Voice 3: Eb3 to G4 (tenor)Instrumentation:2 flute + piccolo2 oboe + english horn2 clarinet + bass clarinet1 tenor sax2 bassoon4 horn3 trumpet2 trombonetubaelectric bassdrum settimpanibass drumkeyboardharp (electric lever harp, but can use pedal harp)voices (2 lead, 2 or more backup)violins 1 and 2violacellocontrabass.
$49.99
[Van de Vate] Krakow Concerto
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Orchestre
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Contemporain
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Nancy Van de vate
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[Van de Vate] Krakow Concerto
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American Composers Alliance Inc.
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SheetMusicPlus
Full Orchestra - SKU: A0.953077 Composed by Nancy Van de vate. 20th Century. Score and parts. 59 pages. American Composers Alliance Inc. #4635467. Publi...
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Full Orchestra - SKU: A0.953077 Composed by Nancy Van de vate. 20th Century. Score and parts. 59 pages. American Composers Alliance Inc. #4635467. Published by American Composers Alliance Inc. (A0.953077). A concerto for percussion and orchestra - instrumentation: 3(3+picc)3(3+EH)22 - 4331 - timp, 6 perc, hp, pno/cel - percussion solo - strings.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$16.95
Caprice for Horn (on Bellini's "Souvenir de la Sonnambule")
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Orchestre
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AVANCÉ
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Classique
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Heinrich Hübler
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Caprice for Horn
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Trevor Denyer
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1287713 Composed by Heinrich Hübler. Arranged by Transcribed and typeset by Susan & Trevor Denyer. 19th Century,Ro...
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Full Orchestra - Level 5 - SKU: A0.1287713 Composed by Heinrich Hübler. Arranged by Transcribed and typeset by Susan & Trevor Denyer. 19th Century,Romantic Period. Score and Parts. 117 pages. Trevor Denyer #878700. Published by Trevor Denyer (A0.1287713). Carl Heinrich Hübler was born in Wachwitz, near Dresden on 4th December 1822 and was the horn player in the Dresden Royal Court orchestra from 1844 until his retirement in 1891.This Caprice on the theme from Bellini's Souvenir de la Sonnambule is a delightful addition to the repertoire that deserves to be performed much more often and demonstrates Hübler's knowledge of orchestration as well as an intimate connection to the solo instrument.He also wrote a Concerto for Four Horns after being inspired by hearing Schumann's Koncertstück for Four Horns in a private performance which Schumann attended. There is also a Horn Concerto.As usual with my work, print the parts double-sided as presented and the page turns will work.
$35.00
[Van de Vate] Concerto for Viola and Orchestra
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Orchestre
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Contemporain
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Nancy Van de vate
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[Van de Vate] Concerto for Vio
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American Composers Alliance Inc.
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SheetMusicPlus
Full Orchestra - SKU: A0.953069 Composed by Nancy Van de vate. 20th Century. Score and parts. 41 pages. American Composers Alliance Inc. #4635441. Publi...
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Full Orchestra - SKU: A0.953069 Composed by Nancy Van de vate. 20th Century. Score and parts. 41 pages. American Composers Alliance Inc. #4635441. Published by American Composers Alliance Inc. (A0.953069). Scored for viola and large orchestra - instrumentation: 3(3+picc)3(3+EH)3(3+bcl)3(3+cbsn) - 433(3=btbn)1 - timp, 3 perc, pno, hp, cel - solo viola - strings.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$25.95
Canongia - Clarinet Concerto No.3 in E flat major
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Orchestre
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Classique
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José Avelino Canongia
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J
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Canongia - Clarinet Concerto N
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J.G. Cuco Barber
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SheetMusicPlus
Full Orchestra - SKU: A0.1305630 Composed by José Avelino Canongia. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Period. Score an...
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Full Orchestra - SKU: A0.1305630 Composed by José Avelino Canongia. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Period. Score and Parts. 136 pages. J.G. Cuco Barber #895083. Published by J.G. Cuco Barber (A0.1305630). Work Title Clarinet Concerto No.3 in E flat majorComposer Canongia, José AvelinoKey E flat majorMovements/Sections 3 movements: Allegro maestoso Andantino Allegro Dedication à S. M. Don Fernando second Roi de PortugalAverage Duration 19 minutesComposer Time Period RomanticPiece Style RomanticInstrumentation Solo: clarinet (Bâ™)Orchestra: 2 flutes, 2 oboes, 2 clarinets (Bâ™), 2 bassoons, 2 horns (F), 2 trumpets (Bâ™), trombone, timpani, strings.
$45.00
O Holy Night; Cantique de Noel - Solo Bass Clarinet
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Orchestre
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INTERMÉDIAIRE
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Noël
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Adam, Adolph
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O Holy Night; Cantique de Noel
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Music-Scores.com
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.721609 Composed by Adam, Adolph. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert,Sacred,Spiritual. Sco...
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Full Orchestra - Level 3 - SKU: A0.721609 Composed by Adam, Adolph. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert,Sacred,Spiritual. Score and parts. 2 pages. Music-Scores.com #4846431. Published by Music-Scores.com (A0.721609). Cantique de Noel, or O Holy Night. The setting of a poem by Cappeau which was written to celebrate the renovation of the Church organ in Roquemaure, on the west of the Rhone. This arrangement has an option to improvise, and is for unaccompanied Bass Clarinet.Duration up to 3 minutes, 30 seconds.Arranged by Anne Christopherson and www.music-scores.com
$5.95
Waltz of the Roses, for Orchestra, Pas de Deux / Theme from The Snow Queen, A Ballet
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Orchestre
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INTERMÉDIAIRE
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James Nathaniel Holland
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Waltz of the Roses, for Orches
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.730411 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Wedding. Score and parts. 35 pages. James Natha...
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Full Orchestra - Level 3 - SKU: A0.730411 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Wedding. Score and parts. 35 pages. James Nathaniel Holland #3367719. Published by James Nathaniel Holland (A0.730411). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American Costa Rican composer James Nathaniel Holland. Here arranged in the original orchestral format. Intermediate level. Full score in concert pitch. Individual parts included. Instr: 1 picc, 12fl, 12 ob, eh, 12clb, bcl, 12bsn, 1234hrn, 123trp, 12trm, btrm,tba, chimes/tim, hrp (or pno) stringsPerfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year!With Optional Lyrics (Reduced piano for solo voice or SATB choir sold separately):Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: https://youtu.be/9dgnKajSsE8 Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlFacebook page: https://www.facebook.com/jamesnathanielholland/
$12.95
Waltz of the Roses, for Orchestra (High, Key of C), Pas de Deux / Theme from The Snow Queen, A Balle
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Orchestre
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INTERMÉDIAIRE
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James Nathaniel Holland
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Waltz of the Roses, for Orches
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.730417 Composed by James Nathaniel Holland. Holiday,Wedding. 35 pages. James Nathaniel Holland #3369855. Published by...
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Full Orchestra - Level 3 - SKU: A0.730417 Composed by James Nathaniel Holland. Holiday,Wedding. 35 pages. James Nathaniel Holland #3369855. Published by James Nathaniel Holland (A0.730417). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged in the key of C (HIGH) orchestral format. Intermediate level. Full score in concert pitch. Individual parts included. Â Can be used with any piano vocal arrangement in the same key.Instr: 1 picc, 12fl, 12 ob, eh, 12clb, bcl, 12bsn, 1234hrn, 123trp, 12trm, btrm,tba, chimes/tim, hrp (or pno) stringsPerfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year!With Optional Lyrics (Reduced piano for solo voice or SATB choir sold separately):Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$12.95
Chevalier De Sangreal
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Orchestre
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AVANCÉ
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Hans Zimmer
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Chevalier De Sangreal
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Rel...
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Full Orchestra - Level 5 - SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Religious,Thriller. 102 pages. Www.studio-orchestrations.com #1010904. Published by www.studio-orchestrations.com (A0.1430275). From the 2006 Ron Howard film adaptation of Dan Brown's The Da Vinci Code, this track is taken from the soundtrack which underscores the final late night walk by Robert Langdon (played by Tom Hanks) through the streets of Paris to (possibly and hopefully) conclude his long and testing quest to seek the Holy Grail. No spoilers however. If you've not seen it, then add it to your playlist!The film's soundtrack evokes great emotion throughout and whatever criticisms there may have been over the years about the book, the story, the film etc.. this is definitely one of Hans Zimmer's finest emotional and thought provoking soundtrack scores, drawing from a huge range of musical influences, from the big symphonic oceanic sounscapes to the intimate vocal solo and choral plainchant that are peppered throughout the score. It is an example of how a soundtrack can really make a massive difference to what some might describe glibly as a popcorn movie.Very much like Time in Inception Zimmer takes a relatively simple harmonic and melodic trope and adds layers of melodic counter melody and rhythmic building to create an awe inspiring and (let's face it BIG!) climax, supporting the narrative of the film and story but also creating music that can be taken away from the cinematic experience and enjoyed for its own sake.This orchestration emulkates as closely as possible the soundtrack. Some licence has been taken with the addition of 2 Trumpets which build the climax with the upper strings. SATB choir is also scored as per the original soundtrack but optional as it is mostly covered by orchestral instruments and is also a very brief appearance but - at least for the sopranos - extremely challenging for anyone apart from a professional specialist choral ensemble. The synth section of the keyboard part in the opening pages can also be optional, adding some background sounds that Zimmer is so renowned for (this may be beyond the budget of some performing groups we appeciate). However the piano cues later in the piece are highly desirable as they add a percussive support to the strings.We commend this score to anyone buidling a program of film music for their orchestral event, particularly if you are wishing to include some more modern concert ideas, and in particular a Hans Zimmer classic.INSTRUMENTATON:2 Flutes2 Oboes2 Clarinets2 Bassoons1 Contra-Bassoon (Optional)4 Horns2 Trumpets3 Trombones1 TubaTimpani2 Percussion[Cymbals/Suspp.Cymbal/Bass Drum/Tubular Bells]KeyboardSATB Choir [Optional]Strings.
$150.00
Flauta Carioca (2000) for flute and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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2222-2221-timp-2perc-strings
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Flauta Carioca
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869354 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 88 pa...
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Full Orchestra - Level 4 - SKU: A0.869354 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 88 pages. Thomas Oboe Lee #15873. Published by Thomas Oboe Lee (A0.869354). Instrumentation: solo flute & 2222-2221-timp-2perc-strings. Program note: I lived in São Paulo, Brazil, during my teenage years, from 1959 to 1966. Consequently, the samba and the bossa nova are forever engraved into my heart. So, when Larry Tamburri, Executive Director of the New Jersey Symphony Orchestra, proposed that I write a flute concerto for Bart Feller, principal flutist of the NJSO, he (Larry) thought it would be most appropriate if I wrote something inspired by my musical experiences in Brazil. The result is Flauta Carioca, literally meaning, flute in the manner of the people of Rio de Janeiro. The work is in three movements. The first is a chôro, an instrumental ensemble music that features a soloist that is often virtuosic when it is fast, and lyrical when it is slow. The second movement is a bossa nova. It features Bart on the alto flute and the music is very luscious and sexy. The listener can fantasize about Rio and the beach at Ipanema. The last movement begins with a slow introduction, a pastorale. Without a break, a forró enters in the strings, followed immediately by the percussion. Forró is party music, and this last movement is all about dancing. As a matter of fact, Bart wants to party all night ... The evening finally ends when someone turns the light out!!!Audio link: https://thomasoboelee.bandcamp.com/album/flauta-carioca-2000.
$9.99
Once Upon A December
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Lynn Ahrens and Stephen Flaher
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Once Upon A December
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1294475 Composed by Lynn Ahrens and Stephen Flaherty. Arranged by John Langley (for Studio Orchestrations). Broadway,...
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Full Orchestra - Level 4 - SKU: A0.1294475 Composed by Lynn Ahrens and Stephen Flaherty. Arranged by John Langley (for Studio Orchestrations). Broadway,Christmas,Film/TV,Historic,Musical/Show. Score and Parts. 110 pages. Www.studio-orchestrations.com #884842. Published by www.studio-orchestrations.com (A0.1294475). This beautiful haunting vocal ballad waltz is a much loved classic from the world of animated movies, featured in truly star-studded film ANASTASIA (voiced by Meg Ryan, John Cusack, Kelsey Grammer Hank Azaria & Kirsetn Dunst among many others). Written by Lynn Ahrens Stephen Flaherty, the writing team behind Tony award winning Broadway musical RAGTIME, this beautifully crafted song would fit any concert evening of music from animated classics, film, musicals and Christmas events.This arrangement is written for soprano soloist, full orchestra and optional choir. The orchestration is flexible and can be perfoirmed with smaller wind and brass forces if required.Instrumentation:2 FlutesOboeCor Anglais2 Clarinets2 Bassoons4 French Horns3 Trumpets3 TrombonesTubaTimpani2 PercussionHarpPianoSoprano soloistSATB Chorus [Optional]StringsOther related titles written by John Langley (Studio Orchestrations) which maybe of interest include:A Million Dreams (The Greatest Showman) https://www.sheetmusicdirect.com/en-US/se/ID_No/1305770/Product.aspxWhen you believe (The Prince of Egypt) https://www.sheetmusicdirect.com/en-US/se/ID_No/1369099/Product.aspxCome what may (Moulin Rouge)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1346777/Product.aspxEl Tango de Roxanne (Moulin Rouge) https://www.sheetmusicdirect.com/en-US/se/ID_No/1346335/Product.aspxMaadowlark (The Baker's Wife)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1372145/Product.aspxDiamonds are forever (Title song)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1372605/Product.aspxBarcelona [Freddie Mercury/Montserrat Caballe)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1305928/Product.aspxSummer Wine [Lee Hazelwood/Nancy Sinatra]  https://www.sheetmusicdirect.com/en-US/se/ID_No/1151500/Product.aspxMalone's death (The Untoucahables) https://www.sheetmusicdirect.com/en-US/se/ID_No/1380919/Product.aspx.
$110.00
Death Theme
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Ennio Morricone
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Death Theme
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1284734 Composed by Ennio Morricone. Arranged by John Langley (at Studio Orchestrations). 20th Century,Broadway,Chamb...
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Full Orchestra - Level 4 - SKU: A0.1284734 Composed by Ennio Morricone. Arranged by John Langley (at Studio Orchestrations). 20th Century,Broadway,Chamber,Film/TV,Musical/Show. Score and Parts. 14 pages. Www.studio-orchestrations.com #875911. Published by www.studio-orchestrations.com (A0.1284734). This is one of Ennio Morricone's most evocative and yearning themes from the Kevin Costner and Sean Connery classic THE UNTOUCHABLES directed by Brian De Palma. The theme comes where Malone has been brutally/mortally shot and wounded and gives Elliott Ness, his friend, the critical information to enable him to arrest Al Capone's bookeeper before dying. Malone's murder is one of the most unexpected and shocking moments on celluloid when it happens but Morricone's theme is full of pathos and lament for a much loved character.For your event/concert of film music, this is a short but always moving piece that hopefully will fit around your other programming ideas. In a market where loud film music is all the rage, this offers a beautiful sorbet to an evening of movie classics.This arrangement is written for Solo Alto Saxophone (Default solo instrument)Solo Alto Flute* (alternative solo instrument)Acoustic guitar (or Harp)*Strings* Morricone does use Alto Flute to play a version of this theme earlier in the soundtrack and this can make a contemplative and quiet version of the same music so your group can choose instrumentation, esepcially where no saxophone is available in your group or concert; also if your group doesn't have a guitar then this can be played by Harp as well.
$80.00
CONJUNCTION: The Christmas Star of 2020
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Orchestre
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INTERMÉDIAIRE
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Noël
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Sta
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #649...
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Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
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