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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Some Day
Non classifié
1 251
Piano & claviers
Piano seul
1 020
Piano, Voix
503
Piano, Voix et Guitare
337
Piano Facile
256
Orgue
96
Piano grosses notes
92
Instruments en Do
56
1 Piano, 4 mains
51
Accompagnement Piano
50
Accordéon
32
Piano Trio: piano, violon, violoncelle
11
Piano Quatuor: piano, violon, alto, violoncelle
8
Piano (partie séparée)
6
2 Pianos, 4 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Clavecin
2
Orgue, Piano (duo)
1
Orgue, Trompette (duo)
1
Ligne De Mélodie, Piano
1
1 Piano, 6 mains
1
Clavier
1
Accordéon, Voix
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
120
Guitare
94
Ligne De Mélodie, (Paroles) et Accords
50
Ukulele
29
Basse electrique
25
Paroles et Accords
17
Guitare (partie séparée)
10
Piano, Guitare (duo)
8
Banjo
6
Mandoline
4
Dulcimer
4
3 Guitares (trio)
3
2 Guitares (duo)
3
4 Guitares (Quatuor)
2
Ensemble de guitares
1
Guitare, Quatuor à cordes
1
Mandoline, Guitare (duo)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
474
Chorale 3 parties
109
Chorale 2 parties
79
Chorale TTBB
61
Chorale Unison
51
Pack Instrumental pour Chorale
49
Chorale SSAA
42
Voix seule
41
Voix Soprano, Piano
27
Voix duo, Piano
16
Voix Tenor, Piano
15
Voix Alto, Piano
9
Chorale
6
Voix Baryton, Piano
6
Voix haute
5
Voix basse, Piano
4
Voix Tenor
4
Voix duo
3
Chorale SSAATTBB
3
Voix Soprano
1
Chorale SSATB
1
Chorale SSATTB
1
+ 17 instrumentations
Retracter
Vents
Saxophone
160
Clarinette
152
2 Saxophones (duo)
143
Flûte traversière
121
Quatuor de Saxophones: 4 saxophones
92
Saxophone Alto
91
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
88
Flûte traversière et Piano
82
2 Flûtes traversières (duo)
73
Saxophone Alto et Piano
66
Clarinette et Piano
64
2 Clarinettes (duo)
61
Flûte, Hautbois, Clarinette, Basson
61
Saxophone Tenor
57
Saxophone (partie séparée)
50
Hautbois, Piano (duo)
50
Quintette de Saxophone: 5 saxophones
47
Quatuor de Clarinettes: 4 clarinettes
44
Saxophone Tenor et Piano
38
Hautbois (partie séparée)
34
Clarinette, Violon (duo)
29
Saxophone Soprano et Piano
26
Ensemble de saxophones
26
Flûte, Clarinette (duo)
25
2 Hautbois (duo)
25
Clarinette, Trompette (duo)
24
Saxophone, Clarinette (duo)
23
Ensemble de Clarinettes
23
Ensemble de Flûtes
21
Quintette de Clarinettes: 5 clarinettes
20
3 Saxophones (trio)
19
Hautbois, Basson (duo)
18
Hautbois, Clarinette (duo)
16
Flûte, Violon
16
3 Clarinettes (trio)
16
Flûte à Bec
15
Saxophone Baryton, Piano
14
Clarinette et Alto
12
Flûte, Saxophone (duo)
12
Flûte, Hautbois (duo)
12
Flûte, Alto (duo)
12
Hautbois
12
Quatuor de Flûtes : 4 flûtes
12
Flûte, Trompette (duo)
11
Hautbois, violon (duo)
10
Flute (partie séparée)
10
Quintette de Flûte : 5 flûtes
10
Trio de Flûtes: 3 flûtes
9
2 Flûte à bec (duo)
8
Hautbois, Flûte
7
Clarinette (partie séparée)
7
Ocarina
6
Flûte, Hautbois, Clarinette (trio)
4
Flûte à bec Soprano
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette Basse, Piano
3
Flûte, Violon et Violoncelle
3
Quatuor de Flûtes à bec
3
Cor Anglais
3
Cor anglais, Piano
3
Flûte, Violoncelle
2
Cornemuse
2
5 Flûtes à bec
2
2 Clarinettes, Piano
2
Flûte, Basson et Piano
2
Clarinette, Violoncelle (duo)
2
Clarinette, Harpe (duo)
2
Flûte, Violon, Piano
2
Flûte à bec Tenor
2
Hautbois, Violoncelle
2
Flûte et Guitare
2
Clarinette, Basson (duo)
2
Flûte, Clarinette, Piano (trio)
1
Flûte, Clarinette et Basson
1
Flûte irlandaise
1
Flûte, Tuba (duo)
1
Clarinette Basse
1
Clarinette, Trombone (duo)
1
Flûte à Bec, Piano
1
Hautbois, Trompette (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Trombone (duo)
1
Harmonica
1
Clarinette, Tuba
1
Ensemble de Hautbois
1
Clarinette, Contrebasse (duo)
1
Hautbois, trombone (duo)
1
Saxophone et Orgue
1
3 Flûtes à bec (trio)
1
2 Cors Anglais Et Pianoforte
1
Flute, Cor (duo)
1
Flûte à bec Alto
1
Clarinette, trompette et piano
1
Flûte, Alto et Piano
1
Hautbois et alto (duo)
1
Flûte, Hautbois, Piano (trio)
1
+ 91 instrumentations
Retracter
Cuivres
Trompette
129
Trombone
115
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
100
Quatuor de Cuivres : 2 trompettes, trombone, tuba
56
Trompette, Piano
50
Trombone et Piano
47
Cor
42
Cor et Piano
37
Trompette (partie séparée)
36
Trombone (partie séparée)
33
2 Trompettes (duo)
32
2 Trombones (duo)
32
Quatuor de Cuivres: 2 trompettes, Cor, trombone
27
Tuba et Piano
25
Quatuor de Cuivres
23
Trompette, Saxophone (duo)
19
Tuba
19
Trompette, Trombone (duo)
19
2 Cors (duo)
11
Euphonium, Piano (duo)
11
Quatuor de cuivres: 4 trombones
9
Ensemble de Trompettes
9
Ensemble de Trombones
6
Cor (partie séparée)
6
Tuba (partie séparée)
6
4 Tubas
5
2 Tubas (duo)
4
Quatuor de cuivres: 4 cors
4
Euphonium
4
2 Euphoniums (duo)
4
2 Euphoniums et 2 Tubas
3
Trio de Cuivres
3
3 Trompettes (trio)
3
Cor Anglais
3
Cor anglais, Piano
3
Ensemble de Cors
2
Quatuor de cuivres: 4 trompettes
2
Trombone, Tuba (duo)
2
Trompette, Cor (duo)
2
Trompette, Tuba (duo)
1
Trombone, Violon (duo)
1
Tuba et Orgue
1
2 Cors Anglais Et Pianoforte
1
Trompette, Violoncelle et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Euphonium, Tuba (duo)
1
+ 42 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
221
Violon et Piano
129
Violon
113
Violon, Violoncelle (duo)
89
Violoncelle, Piano
89
Violoncelle
87
Harpe
73
2 Violons (duo)
68
Alto seul
66
Violon, Alto (duo)
62
Alto, Piano
62
2 Altos (duo)
43
2 Violoncelles (duo)
40
Trio à Cordes: violon, alto, violoncelle
34
Alto, Violoncelle (duo)
27
Trio à Cordes: 2 violons, violoncelle
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Contrebasse, Piano (duo)
13
Violon (partie séparée)
12
Alto (partie séparée)
12
Contrebasse (partie séparée)
9
Contre Basse
9
Harpe, Voix
6
2 Harpes (duo)
5
Piano Trio: Violon, Alto, Piano
5
Harpe, Flûte (duo)
4
Harpe, Violon (duo)
4
Ensemble de Violons
3
Trio à Cordes: 3 violoncelles
3
2 Contrebasses (duo)
3
Violoncelle (partie séparée)
3
Quatuor à cordes: 4 violons
3
4 Violoncelles
3
Ensemble d'Altos
3
Violon, Guitare (duo)
2
Trio à cordes: 3 violins
2
Trio à cordes: 3 altos
2
Alto et Harpe
2
Violon, Clarinette, Piano (trio)
2
Violoncelle , Guitare (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle, Contrebasse (duo)
2
Quatuor à cordes : 4 altos
2
Violon, Tuba (duo)
1
Violoncelle, Orgue
1
Trio à Cordes: 2 violons, alto
1
4 Contrebasses
1
2 Violons, Piano
1
Harpe, Violoncelle (duo)
1
Flûte, Contrebasse (duo)
1
Violon, Basson (duo)
1
Harpe et Piano
1
Alto et Basson
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
514
Orchestre à Cordes
116
Orchestre
97
Ensemble Jazz
64
Batterie
60
Ensemble de cuivres
55
Cloches
40
Jazz combo
31
Orchestre de chambre
23
Marimba
10
Ensemble de Percussions
7
Fanfare
7
Batterie (partie séparée)
7
Percussion (partie séparée)
5
Xylophone, Piano
4
Xylophone
3
Conga
1
Voix Mezzo-Soprano, Orchestre
1
Piano et Orchestre
1
2 Marimbas
1
Bongos
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
+ 18 instrumentations
Retracter
Autres
Théorie de la musique
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Instruments
ACCORDEON
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AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
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LUTH, THEOR…
MANDOLINE
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PERCU. ORCH…
PERCUSSION
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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Some Day
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Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
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Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
Symphony of Somerset
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Colin G Dance
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Symphony of Somerset
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Dance is With Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1106330 Composed by Colin G Dance. 20th Century,Contemporary,Folk,Traditional. Score and parts. 181 pages. Dance is W...
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Full Orchestra - Level 4 - SKU: A0.1106330 Composed by Colin G Dance. 20th Century,Contemporary,Folk,Traditional. Score and parts. 181 pages. Dance is With Music #709450. Published by Dance is With Music (A0.1106330). With everything that's been happening recently, I can't quite beleive this myself, but I actually wrote a symphonic work in a week flat! It's called 'Symphony of Somerset' - although it's more of a symphonic suite that a symphony, but I'll stick with it! It's based on a selection of Somerset Folk Songs which have been 'worked on' shall we say.The work is being premiered by Exeter Symphony Orchestra on Saturday 18th March 2023 at Holy Trinity Church in Exmouth, Devon, UK. Exciting stuff! I better have a look at the tuba part...!
$115.00
Happy Birthday to You!
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Orchestre
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FACILE
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Traditional
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Keith Christopher
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Happy Birthday to You!
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Keith Christopher Music
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1151504 Composed by Traditional. Arranged by Keith Christopher. Standards,Traditional. Score and parts. 24 pages. Kei...
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Full Orchestra - Level 2 - SKU: A0.1151504 Composed by Traditional. Arranged by Keith Christopher. Standards,Traditional. Score and parts. 24 pages. Keith Christopher Music #751694. Published by Keith Christopher Music (A0.1151504). A simple arrangement of the ever-popular birthday song. It features a quick intro and supports group or solo vocal singing in a comfortable key for most voices. Surprise somebody special with this added treat to their birthday! May be used by concert band as the string parts are optional. Also available separately for brass ensemble, woodwind ensemble, saxophone ensemble, and string ensemble. Optional piano part included.
$40.00
Some Love Never Dies
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Orchestre
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INTERMÉDIAIRE
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Ronald J
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Some Love Never Dies
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Ronald J Karle
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.907632 Composed by Ronald J. Karle. Contemporary,Holiday,Pop,Rock,Wedding. Score and parts. 47 pages. Ronald J Karle ...
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Full Orchestra - Level 3 - SKU: A0.907632 Composed by Ronald J. Karle. Contemporary,Holiday,Pop,Rock,Wedding. Score and parts. 47 pages. Ronald J Karle #3416007. Published by Ronald J Karle (A0.907632).
$5.95
CONJUNCTION: The Christmas Star of 2020
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Orchestre
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INTERMÉDIAIRE
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Noël
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Sta
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #649...
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Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
The Way Of The Cross
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Orchestre
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INTERMÉDIAIRE
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Joseph Pugh
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The Way Of The Cross
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Joseph Pugh
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.854882 Composed by Joseph Pugh. Contemporary,Easter,Sacred. Score and parts. 28 pages. Joseph Pugh #5286161. Publishe...
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Full Orchestra - Level 3 - SKU: A0.854882 Composed by Joseph Pugh. Contemporary,Easter,Sacred. Score and parts. 28 pages. Joseph Pugh #5286161. Published by Joseph Pugh (A0.854882). This is an orchestrated arrangement of a song I did on my I'm Not Going To Give Uo The Battle CD released in 2004 on the Pugh Production label. I had fun with this one but the meaning of the song is so very powerful I hope some day you can hear the CD version.
$35.00
EP!C!!!
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Au...
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Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobsc
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149...
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Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
Festival
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Mike Lyons
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Festival
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Lyons Music Services
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #72126...
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Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with ‘sunrise’ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendors’ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think it’s all over, there’s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
$55.00
Someday
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Orchestre
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INTERMÉDIAIRE
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Donna Summer
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Juan Villodre
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Someday
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Juan Villodre
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1340073 By Donna Summer. By Alan Menken and Stephen Schwartz. Arranged by Juan Villodre. Broadway,Children,Film/TV,Mu...
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Full Orchestra - Level 3 - SKU: A0.1340073 By Donna Summer. By Alan Menken and Stephen Schwartz. Arranged by Juan Villodre. Broadway,Children,Film/TV,Musical/Show,Pop. 40 pages. Juan Villodre #925738. Published by Juan Villodre (A0.1340073). Arrange for voice and full orchestra.
$49.99
Somewhere In My Memory (from Home Alone) - Conductor Score (Full Score)
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Orchestre
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John Williams
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Larry Moore
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Somewhere In My Memory
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Composed by John Williams. Arranged by Larry Moore. Christmas, Film/TV, Holiday. Conductor Score (Full Score). 6 pages. Duration 135. Published by Hal Leonard -...
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Composed by John Williams. Arranged by Larry Moore. Christmas, Film/TV, Holiday. Conductor Score (Full Score). 6 pages. Duration 135. Published by Hal Leonard - Digital Sheet Music (HX.146375). - Conductor Score (Full Score) - Christmas,Film/TV,Holiday - Hal Leonard - Digital Sheet Music
$7.50
John Williams: Somewhere in My Memory (arr. Mark Hayes) (COMPLETE) - orchestra/band
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Orchestre
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INTERMÉDIAIRE
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Noël
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John Williams
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Virtualsheetmusic
Instantly printable sheet music by John Williams for orchestra/band of MEDIUM skill level. / christmas,holiday,winter,advent,carol,festival
Instantly printable sheet music by John Williams for orchestra/band of MEDIUM skill level. / christmas,holiday,winter,advent,carol,festival
$64.99
John Williams: Somewhere In My Memory (from Home Alone) (COMPLETE) - orchestra
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Orchestre
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INTERMÉDIAIRE
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Noël
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Film/TV
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John Williams
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Virtualsheetmusic
Instantly printable sheet music by John Williams for orchestra of MEDIUM skill level. / christmas,film/tv,holiday,movies,advent,carol,festival
Instantly printable sheet music by John Williams for orchestra of MEDIUM skill level. / christmas,film/tv,holiday,movies,advent,carol,festival
$43.99
The Glastry Pearl. Tone Poem Elegy For My Mum.
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Orchestre
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AVANCÉ
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Geraldine
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The Glastry Pearl. Tone Poem E
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldin...
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Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
Sleazy Louise
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Richard Bowyer
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Sleazy Louise
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Richard Bowyer
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1009742 Composed by Richard Bowyer. Contemporary. Score and parts. 66 pages. Richard Bowyer #2026973. Published by Ri...
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Full Orchestra - Level 3 - SKU: A0.1009742 Composed by Richard Bowyer. Contemporary. Score and parts. 66 pages. Richard Bowyer #2026973. Published by Richard Bowyer (A0.1009742). Fat Fred and Sleazy Louise Got together one day; Fat Fred was easy to please, And she was going his way.... This is a reworking of a fun piece I originaally wrote over 30 years ago, and I have to admit that after all this time I can't actually remember why I gave it the title Sleazy Louise. But in the slow, smoochy middle section (not included in the sample recording) you'll hear that there is something a bit disreputable, down-at-heel and nicotine-stained about this lady. Scored for full orchestra, including alto and tenor saxophones, there are optional additional parts for baritone saxophone, Eb horn, treble clef trombone in Bb, easy violin and descant recorder. The violin cues in the clarinet part should only be played if the violins need reinforcing. Sleazy Louise has been performed in several countries, notably when some orchestral players fitted silly words to it and sang it to startled onlookers in Red Square, Moscow!
$50.00
Autumn tableau
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Dario Duarte
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Autumn tableau
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Dario Duarte
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1080608 By Dario Duarte. By Dario Duarte. Classical,Contemporary,Folk,Multicultural,World. Score and parts. 45 pages....
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Full Orchestra - Level 4 - SKU: A0.1080608 By Dario Duarte. By Dario Duarte. Classical,Contemporary,Folk,Multicultural,World. Score and parts. 45 pages. Dario Duarte #684825. Published by Dario Duarte (A0.1080608). The piece consists of a description of a small tableau with an autumn theme in an idyllic town. In the region of the Latin American Andes, more precisely the tableau called ayacuchano is an art form very representative of the folklore of the region. Taking this idea of micro-stories, the work narrates four scenes of a day that begins at dawn and ends with the town's festival. Each story corresponds to the four sections of the music, which are performed successively. First tableau: Autumn morning lights. The change of season is perceived in the ashen morning lights of the autumn season, the sun rises lightly with a slight warmth, giving the ochre color that dominates the landscape a sense of tranquility and reflectiveness. The mood of this piece is one of contemplation. Second tableau: Noon in the town The tableau opens. It is midday. The whole town is busy with preparations for the harvest festival celebration. The music goes by with the sounds of the town and the joy of the inhabitants for the important festivity they are about to share as a community. The whole town is a great hustle and bustle. You hear barrel organs, feel the excitement of hanging banners and decorating the houses for the main parade. Third tableau. Little song for siesta time. A nostalgic voice sings an old folk song to lull the children to sleep. The voices of other adults of the town intertwine to sing a song to the sleeping children. It is a tender song that recovers the stillness and tranquility of the town at the hour when everyone returns to their homes to rest. Fourth tableau: Night of celebration. Harvest Festival The first chords of the town band can be heard in the distance, a melody invites to enter with enthusiasm to the place where the festival will take place. The dance begins, the band plays energetically and everyone participates in a dance of joy. In the most important moment of the party, the town's hymn is played, everyone joins in one voice to sing the song that distinguishes them. And now: the announcement of the winners of the harvest contest. Someone is honored and everyone applauds vigorously. Then the dancing continues again. Everyone occupies the center of the dance floor and enjoys being part of a colorful celebration of unity for the town. Instragram (to be contacted by the instrumental parts): @darioduartenunez.
$15.99
In Bleak Midwinter's Moonlight - Full Orchestra
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Orchestre
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INTERMÉDIAIRE
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Noël
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French Canadian Carol and Gust
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Mark R Lewis
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In Bleak Midwinter's Moonlight
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Mark R Lewis
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1375804 Composed by French Canadian Carol and Gustav Holst. Arranged by Mark R Lewis. Christmas,Holiday,Religious,Sac...
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Full Orchestra - Level 3 - SKU: A0.1375804 Composed by French Canadian Carol and Gustav Holst. Arranged by Mark R Lewis. Christmas,Holiday,Religious,Sacred,Traditional. 70 pages. Mark R Lewis #960352. Published by Mark R Lewis (A0.1375804). In Bleak Midwinter's Moonlight is a medley of two Christmas carols, In the Bleak Midwinter and Twas in the Moon of Wintertime. The first carol was originally written as a poem by Christina Rossetti and published in 1872. It has been set to music several times, but the tune most associated with the text, Cranham, was composed in 1906 by Gustav Holst. The second carol is a French-Canadian Christmas carol first written by a Jesuit missionary in 1642. This tune is also called the Huron Carol.This medley is written for orchestra with 3-5 octave bell choir and goes back and forth between the two carols several times. Every time the carol changes there is a key change, sometimes between related major and minor keys and sometimes between two closely related keys. The melody is carried by the low, middle, and high ranges of the bells at some point in the piece and the accompanying voices are quite active throughout most of arrangement. Within the orchestra parts, the melody switches between woodwinds, brass, and strings several times, exploring several different sound colors throughout the piece.In Bleak Midwinter's Moonlight is between the level 3 and level 4 range of difficulty. There are definitely passages that will require work and the multiple key changes require multiple handbell changes, but bell changes are never very abrupt and accidentals only happen in the transition passages. The most difficult part will probably be making sure the melody is always heard even when it is buried below active accompaniment. A few times the bass bells have quick passages that will require sharing of bells or a lot of practice. For orchestra, this piece should be playable by most intermediate players, though some brass parts push the comfortable extremes of the instrument.
$34.99
One Sows for the Benefit of Another Age - Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteF...
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Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
Christmas In Killarney
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Orchestre
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INTERMÉDIAIRE
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Noël
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Frank Weldon and John Redmond
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Paul Hemmer
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Christmas In Killarney
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PJMS MUSIC
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.798388 Composed by Frank Weldon and John Redmond. Arranged by Paul Hemmer. Contemporary. Score and parts. 57 pages. P...
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Full Orchestra - Level 3 - SKU: A0.798388 Composed by Frank Weldon and John Redmond. Arranged by Paul Hemmer. Contemporary. Score and parts. 57 pages. PJMS MUSIC #6591187. Published by PJMS MUSIC (A0.798388). Christmas in Killarney is an Irish-American Christmas song written by John Redmond and Frank Weldon in 1950 and recorded by many artists including Bing Crosby, Dennis Day, Bobby Vinton, Anne Murray and the Irish Rovers and a popular instrumental version by Percy Faith. This arrangement spotlights an SATB Chorus, a full instrumental chorus and then interpolates the Irish folk tune Christmas Day in the Morning featuring the string section in a contrapuntal soli section. The chorus returns for the finale. Add some Irish spirit to your concert with this delightful American/Irish standard.
$60.00
Interlude for Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Richard E Brown
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Interlude for Orchestra
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Dacker Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.814805 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 133 pages. Dacker Music #5733885. Publis...
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Full Orchestra - Level 4 - SKU: A0.814805 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 133 pages. Dacker Music #5733885. Published by Dacker Music (A0.814805). This composition represents a major revision of one of my earliest attempts to write for orchestra, way back in 1966. Revisiting it after over a half-century of languishing in the drawer, I was shocked to find some surprisingly worthwhile material. While it little resembles something I would write today, I managed to rework it into a legitimate and enjoyable piece of music, 54 years in the making. Grade 4 - Duration 7:20 Price includes license to make as many copies of parts as needed
$60.00
Let It Snow! Let It Snow! Let It Snow!
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Orchestre
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DÉBUTANT
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Jazz
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Lady Antebellum
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Susie Winkworth winkmusic
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Let It Snow! Let It Snow! Let
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winkmusic.co.uk
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SheetMusicPlus
Full Orchestra - Level 1 - SKU: A0.847150 By Lady Antebellum. By Jule Styne. Arranged by Susie Winkworth winkmusic.co.uk. Jazz. Score and parts. 24 page...
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Full Orchestra - Level 1 - SKU: A0.847150 By Lady Antebellum. By Jule Styne. Arranged by Susie Winkworth winkmusic.co.uk. Jazz. Score and parts. 24 pages. Winkmusic.co.uk #4886827. Published by winkmusic.co.uk (A0.847150). Enjoy a Christmas holiday classic for easy string ensemble (and Teacher Guide Piano). Featuring interest for every player in the group, this is perfect for festive parties and seasonal events.Core partsViolin 1: Fairly easyViolin 2: Fairly easy - some 2nd fingers, 1st finger back and extensionsViolin 3/Viola: Easy - 1st position, high 2nd onlyCello 1: Fairly easy - 1st position, extended 4th fingerCello 2: Easy - 1st position, 2nd and 3rd fingers usedBass: EasyOptional partsViolin 4 - open strings onlyCello 3 - open strings onlyTeacher Guide Piano - fairly easyWinkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world.
$20.00
Rhapsody in Blue
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Orchestre
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AVANCÉ
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George Gershwin
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Rhapsody in Blue
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Arianna Cunningham
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1359676 Composed by George Gershwin. Arranged by Arianna Cunningham, Darren Rodney. Classical,Film/TV,Historic,Jazz,S...
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Full Orchestra - Level 5 - SKU: A0.1359676 Composed by George Gershwin. Arranged by Arianna Cunningham, Darren Rodney. Classical,Film/TV,Historic,Jazz,Standards. 206 pages. Arianna Cunningham #944147. Published by Arianna Cunningham (A0.1359676). As many of you know, Rhapsody in Blue is one of George Gershwin's most famous and iconic pieces of music history, if not, of all time! But in case you guys don't know, there are actually 3 different versions of the same piece Gershwin wrote.These 3 versions include: The original Jazz Band 1924 version, 1927 version, and the most iconic well-known full symphony orchestra 1942 version that everyone plays nowadays. Not only that, but in the 1942 version, the extended part of the Shuffle Theme, as well as the extended Piano Cadenzas have been cut for duration time.So, in honor of Gershwin's Legacy, I've put together a special arrangement written for a full orchestra, and it even includes tons of heavy influences taken mostly from the 1924 version, even taking influences from different live performances that are inspired.These changes include the following:Adding back in the extended shuffle theme and Piano CadenzasAdded a Harp Part to make the arrangement a little Phil Spitalny Hour Of Charm-esque flavor to it.Brought back in the Bari Sax and Orchestral Piano parts, even though they sort of look different from the original score.Swapped a few solo/soli sections here and there while still keeping some of the 1924/42 elements (for instance the 2 Violin Soli, or Low Instruments Soli) in tact.You obviously get the idea.A huge thanks to one of my newest and closest friends who also have arranging experiences Darren Rodney for helping me put this incredible arrangement together!
$35.00
Where Eagles Dare (Theme)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Ron Goodwin
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Kevin Riley
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Where Eagles Dare
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1363816 Composed by Ron Goodwin. Arranged by Kevin Riley. 20th Century,Film/TV. 56 pages. Kevin Riley #948214. Publis...
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Full Orchestra - Level 4 - SKU: A0.1363816 Composed by Ron Goodwin. Arranged by Kevin Riley. 20th Century,Film/TV. 56 pages. Kevin Riley #948214. Published by Kevin Riley (A0.1363816). Where Eagles Dare is a 1968 British-American action adventure war thriller spy film directed by Brian G. Hutton and starring Richard Burton, Clint Eastwood and Mary Ure. It follows a Special Operations Executive team of men attempting to save a captured American General from the fictional Schloß Adlerfortress, except the mission turns out not to be as it seems. It was filmed in Panavision using the Metrocolor process, and was distributed by Metro-Goldwyn-Mayer. Alistair MacLean wrote the screenplay, his first, at the same time that he wrote the novel of the same name. Both became commercial successes.The film involved some of the top filmmakers of the day and was shot on location in Austria and Bavaria. Hollywood stuntman Yakima Canutt was the second unit director and shot most of the action scenes; British stuntman Alf Joint doubled for Burton in many sequences, including the fight on top of the cable car; award-winning conductor and composer Ron Goodwin wrote the film score; and future Oscar-nomineeArthur Ibbetson worked on the cinematography. Where Eagles Dare received mostly positive critical reaction, with praise for the action sequences, musical score and the performances of Burton and Eastwood, and is considered a classic.
$70.00
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