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TRI ET FILTRES
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Vous avez sélectionné:
Something Just Like This
Orchestre
Partitions à imprimer
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Mark Brymer: Something Just Like This (complete set of parts) - orchestra/band
Orchestre
Instantly printable sheet music by Mark Brymer for orchestra/band of MEDIUM skill level. /…
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Instantly printable sheet music by Mark Brymer for orchestra/band of MEDIUM skill level. / pop,rock
$19.99
18.36 €
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Orchestre
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Mark Brymer
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Virtualsheetmusic
From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathan…
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Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathaniel Holland #3142471. Published by James Nathaniel Holland (A0.730401). Tenor Aria From the Hillside from the 21st Century Opera ON THE WINGS OF THE SCARLET MESSENGER (Based on the Henry James novel, On the Wings of a Dove) here with full orchestral accompaniment. (Full score in concert pitch, voice, and individual parts included) This accompaniment can also be used with the solo and male ensemble that is contained in the full vocal score.Instrumentation: pic, fl12,ob12,eh,cl12,bcl,tenor sax, bsn12,hrn1234, trpt 12, trmb, btrm, timp, hand cym/egg shaker, hrp, voice, stringsDuration: 4:00 minutes (Sample here begins with extra measure) Video presentation at: https://www.youtube.com/watch?v=u47yb4kiE0Y Curious? Listen to the complete opera playlist en demo at: http://www.youtube.com/watch?v=Rr5x_aXnUMM&list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMa Adaptation, Libretto, and Music by James Nathaniel Holland Performance: James Nathaniel Holland, Tenor Orchestra: CH Symphony Group (Complete Duration: 2 hours) BRIEF SYNOPSIS: In the urban capital of Soon Rafa, lovers Mariana (Soprano) and Kai (Bass) cannot be together because of Mariana's disapproving wealthy Aunt (Mezzo-Soprano). Torn between love and financial security, an unlikely opportunity arises when a dying rich Occidental, Justin (Tenor) reveals his romantic interest in Kai. The couple plot a pretense to inherit Justin's money and be free to marry and live together. This aria occurs in Act I, Scene 2. Justin (tenor) has just hired a group of porters, including Kai (bass), to guide him through the jungles of the island to photograph the mythical bird, the Scarlet Messenger. Although the men insist it is a legend, Justin inspires them to persevere with him. Aria Libretto, Justin (tenor singing): From the hillside, something breaks free. Is it real? Or just illusion? Oh how I have to see you, feel that beauty. Upon your wings our souls must one day fly to heaven. Never doubt that you can find him, hiding among your dreams. For when you feel all hope is gone, that's when you spot his red wings, fiery bright. (to the group of porters) So come with me, all's not in vain. It is real, just not illusion. The day is fading fast, oh, so quickly. We'll be the first to see that blazing path of fire. The Scarlet Messenger! Oh how that would be the greatest gift of my life. Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html Music, Lyrics, Performance Copyright 2017 James Nathaniel Holland.
$15.95
14.65 €
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Orchestre
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James Nathaniel Holland
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From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
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James Nathaniel Holland
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SheetMusicPlus
EP!C!!!
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wint…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
36.73 €
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Orchestre
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
Intermezzo Sinfonico - Cavalleria Rusticana
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1355058 Composed by Pietro Masc…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1355058 Composed by Pietro Mascagni. Arranged by Alexander Geluk. 19th Century,Classical,Easter,Opera,Romantic Period. 9 pages. Fibonacci Music & Multimedia #939773. Published by Fibonacci Music & Multimedia (A0.1355058). Normally, an organ must be present for the performance of Mascagni's Intermezzo Sinfonico. The organ must support the unison passages with the harmonies. An organ on stage for - often just - this piece is not something orchestras are happy with. These parts provide an excellent alternative. 2 clarinets and 2 bassoons provide an ideal sound where the conductor can still choose to play the parts like a static organ, with no dynamic differences, or that the wind section moves along with the dynamic line of the strings. The dynamics of the strings are reflected in the wind parts, making it an easy choice for the performers. Be aware that this product only contains woodwind 'organ' parts for: 2x clarinets in A/Bb and 2x bassoons.Â
$19.50
17.91 €
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Orchestre
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Pietro Mascagni
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Alexander Geluk
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Intermezzo Sinfonico - Cavalleria Rusticana
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Fibonacci Music & Multimedia
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SheetMusicPlus
Pastoral Fantasy (066) Revised in 2004
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.922789 Composed by Hiro Fujikak…
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Full Orchestra - Level 4 - Digital Download SKU: A0.922789 Composed by Hiro Fujikake (Hiroyuki Fujikake). Contemporary. Score and parts. 83 pages. Mari Suzuki #6425063. Published by Mari Suzuki (A0.922789). Pastoral Fantasy (066) Revised in 2004Set: Score + Parts1st Mandolin, 2nd Mandolin, Mandola, Guitar, Mand Cello,Double Bass,Level: ★★★★Duration: 14min.(83 pages incl. front page and instruction)The most well performed piece.It was the second work for Hiro to compose a mandolin orchestra, the work was composing during June to July, 1975 and was first performed by Tokai Student Mandolin Association in August. The inspiration of this music came from fresh greenery in early summer. The title of Pastoral Fantasy is based on the image of pastoral scenery and it consists the theme of the music. The following is the construction of the music.1. Initial pastoral andante2. Introduction of fugue, develop freely3. Recreation of touching pastoral theme4. Powerful codaPlease do not stick with interpretation of the music, just feel the sounds, as you like. It would be great pleasure for the composer if this music means something to those who play or listen to it.
$100.00
91.83 €
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Orchestre
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Hiro Fujikake
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Pastoral Fantasy
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Mari Suzuki
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SheetMusicPlus
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