Partitions Numériques de Something So Right pour Orchestre

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TRI ET FILTRES

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Non classifié 52

PIANO & CLAVIERS

Piano seul 29 Piano, Voix 8 Piano, Voix et Guitare 7 Orgue 1 Instruments en Do 1

Piano Facile 1

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GUITARES

Guitare 7 Guitare notes et tablatures 4 Paroles et Accords 3 Ligne De Mélodie, (Paroles) et Accords 2 Ukulele 1

VOIX

Chorale 3 parties 4 Chorale SATB 4 Chorale TTBB 1

VENTS

Ensemble de saxophones 10 Quintette de Saxophone: 5 saxophones 5 Ensemble de Clarinettes 4 Ensemble de Flûtes 2 Quintette de Flûte : 5 flûtes 2

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1 Quatuor de Saxophones: 4 saxophones 1

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CUIVRES

Quatuor de Cuivres : 2 trompettes, trombone, tuba 8 Ensemble de Trombones 4 Ensemble de Trompettes 2 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2 Ensemble de Cors 1

2 Trombones (duo) 1 4 Tubas 1 2 Tubas (duo) 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 3 Ensemble de Violons 2 Ensemble d'Altos 2 4 Contrebasses 1 Contre Basse 1

Violon et Piano 1 Trio à Cordes: 2 violons, violoncelle 1

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PERCUSSIONS & ORCHESTRES

Orchestre 3 Ensemble de cuivres 3 Orchestre d'harmonie 2 Orchestre à Cordes 2 Fanfare 1

Jazz combo 1 Piano et Orchestre 1 Orchestre de chambre 1

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AUTRES

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Something So Right

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From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes

Orchestre

Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathan…(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathaniel Holland #3142471. Published by James Nathaniel Holland (A0.730401). Tenor Aria From the Hillside from the 21st Century Opera ON THE WINGS OF THE SCARLET MESSENGER (Based on the Henry James novel, On the Wings of a Dove) here with full orchestral accompaniment. (Full score in concert pitch, voice, and individual parts included) This accompaniment can also be used with the solo and male ensemble that is contained in the full vocal score.Instrumentation: pic, fl12,ob12,eh,cl12,bcl,tenor sax, bsn12,hrn1234, trpt 12, trmb, btrm, timp, hand cym/egg shaker, hrp, voice, stringsDuration: 4:00 minutes (Sample here begins with extra measure) Video presentation at: https://www.youtube.com/watch?v=u47yb4kiE0Y Curious? Listen to the complete opera playlist en demo at: http://www.youtube.com/watch?v=Rr5x_aXnUMM&list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMa Adaptation, Libretto, and Music by James Nathaniel Holland Performance: James Nathaniel Holland, Tenor Orchestra: CH Symphony Group (Complete Duration: 2 hours) BRIEF SYNOPSIS: In the urban capital of Soon Rafa, lovers Mariana (Soprano) and Kai (Bass) cannot be together because of Mariana's disapproving wealthy Aunt (Mezzo-Soprano). Torn between love and financial security, an unlikely opportunity arises when a dying rich Occidental, Justin (Tenor) reveals his romantic interest in Kai. The couple plot a pretense to inherit Justin's money and be free to marry and live together. This aria occurs in Act I, Scene 2. Justin (tenor) has just hired a group of porters, including Kai (bass), to guide him through the jungles of the island to photograph the mythical bird, the Scarlet Messenger. Although the men insist it is a legend, Justin inspires them to persevere with him. Aria Libretto, Justin (tenor singing): From the hillside, something breaks free. Is it real? Or just illusion? Oh how I have to see you, feel that beauty. Upon your wings our souls must one day fly to heaven. Never doubt that you can find him, hiding among your dreams. For when you feel all hope is gone, that's when you spot his red wings, fiery bright. (to the group of porters) So come with me, all's not in vain. It is real, just not illusion. The day is fading fast, oh, so quickly. We'll be the first to see that blazing path of fire. The Scarlet Messenger! Oh how that would be the greatest gift of my life. Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html Music, Lyrics, Performance Copyright 2017 James Nathaniel Holland.

$15.95 14.58 € #Orchestre #James Nathaniel Holland #From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes #James Nathaniel Holland #SheetMusicPlus

Only from Blood Does Freedom Grow (Full Score and Parts)

Orchestre

Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M H…(+)

Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to ﬁght for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning ﬂame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30

$68.00 62.17 € #Orchestre #Stanley M Hoffman #Stanley M Hoffman #Only from Blood Does Freedom Grow #stanleymhoffman.com #SheetMusicPlus

Four Impressions on Debussy (4 Piano Preludes - Full Orchestra) ? Score and Parts

Orchestre

Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debu…(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussyâ??s PrÃ©ludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puckâ??s DanceIV: The Sunken CathedralDebussyâ??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puckâ??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussyâ??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes â?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a â??symphonicâ?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly â??scherzoâ?? (Puckâ??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in Bâ? Bass Clarinet in Bâ? 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bâ? 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi Ã 4) Violin 2 (divisi Ã 4) Viola (divisi Ã 4) Violoncello (divisi Ã 4) Contrabass (B extension where possible) (divisi Ã 4)

$99.99 91.42 € #Orchestre #Claude Debussy #Ben Trigg #Four Impressions on Debussy #OlivePress Music #SheetMusicPlus