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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sons. Folk
Non classifié
145
Piano & claviers
Piano grosses notes
326
Orgue
283
Piano, Voix et Guitare
168
Piano Facile
138
Piano seul
80
Clavier
25
Piano, Voix
20
Piano Trio: piano, violon, violoncelle
5
Instruments en Do
5
Piano Quatuor: piano, 2 violons, violoncelle
4
Accompagnement Piano
3
1 Piano, 4 mains
3
2 Pianos, 4 mains
1
Accordéon
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
107
Guitare
21
Ukulele
18
Paroles et Accords
11
Ligne De Mélodie, (Paroles) et Accords
10
Mandoline
6
Basse electrique
4
2 Guitares (duo)
3
Banjo
3
Dulcimer
3
4 Guitares (Quatuor)
2
Guitare Pedal Steel
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
43
Voix Alto, Piano
35
Voix Soprano, Piano
26
Voix Tenor, Piano
26
Voix Baryton, Piano
26
Chorale 3 parties
12
Chorale Unison
11
Chorale 2 parties
6
Chorale TTBB
6
Voix haute
4
Voix seule
2
Chorale
1
Chorale SSAA
1
+ 8 instrumentations
Retracter
Vents
2 Saxophones (duo)
34
Flûte traversière
27
Clarinette
24
2 Flûtes traversières (duo)
22
Flûte traversière et Piano
19
Saxophone Alto et Piano
18
Saxophone Tenor et Piano
15
2 Clarinettes (duo)
13
Hautbois, Piano (duo)
13
Saxophone Alto
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Clarinette et Piano
8
Flûte, Clarinette (duo)
7
Saxophone Soprano et Piano
6
Quintette de Saxophone: 5 saxophones
5
Quatuor de Saxophones: 4 saxophones
5
Harmonica
5
Flûte, Hautbois, Clarinette, Basson
4
Saxophone Tenor
4
Hautbois
4
Saxophone Baryton, Piano
3
2 Hautbois (duo)
3
Saxophone, Clarinette (duo)
3
Hautbois (partie séparée)
3
Flûte et Guitare
3
Saxophone Soprano
2
Clarinette, Trompette (duo)
2
Clarinette, Violon (duo)
2
2 Saxophones, Piano
2
Flûte irlandaise
2
Saxophone Baryton
2
2 Flûte à bec (duo)
2
Flûte, Trompette (duo)
1
Saxophone et Harpe
1
Saxophone
1
Flûte, Violoncelle, Guitare
1
Hautbois, Basson (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Ocarina
1
Flûte, Saxophone (duo)
1
Ensemble de Flûtes
1
Saxophone (partie séparée)
1
Flûte à bec Alto, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette et Alto
1
Flûte, Alto (duo)
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Harpe (duo)
1
Flûte, Violon
1
Hautbois, Flûte
1
Hautbois, Clarinette (duo)
1
3 Saxophones (trio)
1
+ 47 instrumentations
Retracter
Cuivres
Trompette
20
2 Trompettes (duo)
19
Trompette, Trombone (duo)
18
Trompette, Piano
14
Trombone et Piano
11
Trombone
9
2 Trombones (duo)
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Cor et Piano
6
Cor
6
Tuba
4
Tuba et Piano
4
Quatuor de Cuivres
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
3 Trombones (trio)
1
Cor et Harpe
1
2 Tubas (duo)
1
Trompette, Harpe
1
+ 15 instrumentations
Retracter
Cordes
Violoncelle
35
Quatuor à cordes: 2 violons, alto, violoncelle
23
Violon
22
Alto seul
22
2 Violoncelles (duo)
21
Violoncelle, Piano
20
2 Violons (duo)
19
Violon et Piano
18
Violon, Violoncelle (duo)
16
Alto, Piano
12
Harpe
7
2 Harpes (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violon, Alto (duo)
5
2 Altos (duo)
5
Contrebasse, Piano (duo)
4
Contre Basse
2
Harpe, Violon (duo)
2
Trio à cordes: 3 violins
2
Alto et Harpe
1
Harpe, Voix
1
Harpe, Flûte (duo)
1
Trio à cordes: 3 altos
1
Piano Trio: Violon, Alto, Piano
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
16
Orchestre à Cordes
15
Ensemble de cuivres
7
Orchestre
6
Cloches
4
Quintette de Cuivres: autres combinaisons
3
Jazz combo
1
Xylophone, Piano
1
+ 3 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
Sons. Folk
Orchestre
Partitions à imprimer
6 partitions trouvées
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1
Negro Folk Symphony (first movement)
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Orchestre
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INTERMÉDIAIRE
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William Dawson
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John Donello
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Negro Folk Symphony
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John Donello
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1226023 By William Dawson. By William Dawson. Arranged by John Donello. 20th Century,Classical,Historic. Score and Pa...
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Full Orchestra - Level 3 - SKU: A0.1226023 By William Dawson. By William Dawson. Arranged by John Donello. 20th Century,Classical,Historic. Score and Parts. 217 pages. John Donello #822050. Published by John Donello (A0.1226023). Performance:https://www.youtube.com/watch?v=eOVzrM3xJoI (19:00)The only transcription available till now is handwritten and extremely sloppy. I have done my best to provide a more legible option.Read about the piece:https://www.npr.org/sections/deceptivecadence/2020/06/26/883011513/someone-finally-remembered-william-dawsons-negro-folk-symphony.
$50.00
The American Seasons (violin solo part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$22.50
The American Seasons (2nd violins part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
$15.00
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
Manuel De Falla - The Four Spanish Pieces, #2 Cubana, Orchestrated by Arkady Leytush, Full Orchestra
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Orchestre
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Contemporain
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Manuel de Falla
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Arkady Leytush
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Manuel De Falla - The Four Spa
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008418 Composed by Manuel de Falla. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady Leytush #64407...
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Full Orchestra - SKU: A0.1008418 Composed by Manuel de Falla. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady Leytush #6440739. Published by Arkady Leytush (A0.1008418). This remarkably colorful part gives great pleasure with its liberation, colorfulness and originality of the Spanish and Cuban musical traditions. Written in three-part form, this music in particular is notable for its peculiar rhythms and metric comparisons. If in the 1st and last parts I use quite recognizable percussion instruments such as: Triangle, Snare Drum, Castanets, Cymbals, Gong, which indicates more Spanish traditions in classical music, then in the middle part it is mostly Cuban folk music, colored and emphasized by such percussion as: Claves, Cowbell, Bongo and Conga Drums. Undoubtedly, the percussion instruments in this part of my transcription are a very recognizable element, but not the only one that can be determined with careful listening.
$20.00
When the Saints Go Marching In - Vocal with Orchestra Key of D
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Daryl McKenzie
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When the Saints Go Marching In
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.718075 Composed by Traditional. Arranged by Daryl McKenzie. Folk,Patriotic,Traditional. Score and parts. 70 pages. Da...
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Full Orchestra - Level 4 - SKU: A0.718075 Composed by Traditional. Arranged by Daryl McKenzie. Folk,Patriotic,Traditional. Score and parts. 70 pages. Daryl McKenzie #4641671. Published by Daryl McKenzie (A0.718075). When the Saints Go Marching In - St.Kilda Football Club theme song. Arranged for the Melbourne Symphony Orchestra for the Australian Rules Football League (AFL) Grand Final 2010.Voice, Picc, Fl, 2OB, 2Cl, 2Bsn, 4 FHns, 3 Trpts, 3 Trbs, Tba, Timp, 2 Perc, Drum Kit, Bass Guitar, Harp, Vln1, Vln2, Vla, Vcl, CB.Note: St.Kilda Football Club lyrics not included due to copyright reasons (Google them if needed)Version for Marching Band key of F (singalong key) also available on SMPMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$59.99
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Sons. Folk
