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--INSTRUMENTS--
ACCORDEON
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Spanish Melody
Non classifié
54
Piano & claviers
Piano seul
63
Piano, Voix
24
Accompagnement Piano
9
Piano, Voix et Guitare
8
Piano Facile
7
1 Piano, 4 mains
6
Instruments en Do
6
Piano Trio: piano, violon, violoncelle
4
Piano grosses notes
3
Orgue
2
Piano (partie séparée)
1
+ 6 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
128
Guitare
20
Guitare notes et tablatures
18
Guitare (partie séparée)
3
Ukulele
3
2 Guitares (duo)
1
Ensemble de guitares
1
+ 2 instrumentations
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Voix
Chorale SATB
23
Chorale 3 parties
17
Chorale 2 parties
8
Chorale Unison
5
Chorale TTBB
3
Voix haute
2
Chorale SSAA
2
Voix seule
2
+ 3 instrumentations
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Vents
Saxophone (partie séparée)
9
Flûte traversière et Piano
9
Quatuor de Saxophones: 4 saxophones
8
3 Saxophones (trio)
8
Clarinette et Piano
8
Saxophone Alto et Piano
8
Hautbois, Piano (duo)
7
Flûte, Hautbois, Clarinette, Basson
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Saxophone Alto
6
Saxophone Tenor et Piano
6
Flûte traversière
6
Quintette de Saxophone: 5 saxophones
5
Saxophone Soprano et Piano
5
Flûte, Hautbois, Clarinette (trio)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette
3
2 Flûtes traversières (duo)
3
Saxophone Tenor
2
Saxophone Baryton, Piano
2
Hautbois
2
Saxophone Soprano
2
Saxophone Baryton
2
Flute (partie séparée)
2
Flûte et Guitare
2
Quatuor de Clarinettes: 4 clarinettes
2
Cor anglais, Piano
1
2 Clarinettes (duo)
1
2 Saxophones (duo)
1
Flûte, Clarinette (duo)
1
Flûte, Clarinette, Piano (trio)
1
Quatuor de Flûtes : 4 flûtes
1
+ 27 instrumentations
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Cuivres
Trombone (partie séparée)
8
Trompette
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trompette, Piano
6
Trompette (partie séparée)
5
Trombone et Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Tuba et Piano
3
Cor et Piano
3
Cor (partie séparée)
2
Tuba
2
Trombone
2
Cor
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Cor anglais, Piano
1
Quatuor de cuivres: 4 cors
1
Tuba (partie séparée)
1
Ensemble de Trombones
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 trombones
1
+ 15 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
23
Violon et Piano
11
Alto, Piano
9
Violon
6
Trio à Cordes: violon, alto, violoncelle
5
Trio à Cordes: 2 violons, violoncelle
5
Violoncelle, Piano
5
Alto seul
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
4 Violoncelles
3
Violoncelle
3
Contre Basse
2
Contrebasse (partie séparée)
2
Contrebasse, Piano (duo)
2
Violoncelle , Guitare (duo)
2
Harpe
1
Alto, Guitare (duo)
1
Violon, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Voix
1
+ 15 instrumentations
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Orchestre & Percussions
Ensemble Jazz
5
Orchestre de chambre
5
Orchestre d'harmonie
5
Cloches
4
Orchestre à Cordes
4
Orchestre
3
Ensemble de cuivres
3
Percussion (partie séparée)
2
Marimba, Piano (duo)
1
Batterie (partie séparée)
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
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CORNET
DEEJAY
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FLUTE DE PAN
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FORMATION MUSI…
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Vous avez sélectionné:
Spanish Melody
Orchestre
Partitions à imprimer
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Come, Christians Join to Sing with Mozart's Alleluia
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Trad
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Laird Halling
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Come, Christians Join to Sing
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Laird Halling
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1412978 Composed by Trad. Spanish melody, Wolfgang Amadeua Mozart. Arranged by Laird Halling. Christian,Classical,Sac...
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Full Orchestra - Level 4 - SKU: A0.1412978 Composed by Trad. Spanish melody, Wolfgang Amadeua Mozart. Arranged by Laird Halling. Christian,Classical,Sacred. 55 pages. Laird Halling #994983. Published by Laird Halling (A0.1412978). The classic hymn Come, Christians Join to Sing calls the congregation to worship, and is combined here with music from Mozart's Alleluia for a fun classical opener, offertory, or special feature. This arrangement is also available for string ensemble.
$79.99
COME, CHRISTIANS, JOIN TO SING
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Traditional Spanish Melody
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Robert Bailey
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COME, CHRISTIANS, JOIN TO SING
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Robert Bailey
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1299109 Composed by Traditional Spanish Melody. Arranged by Robert Bailey. Christian,Classical,Religious,Sacred,Spiri...
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Full Orchestra - Level 4 - SKU: A0.1299109 Composed by Traditional Spanish Melody. Arranged by Robert Bailey. Christian,Classical,Religious,Sacred,Spiritual. Score and Parts. 53 pages. Robert Bailey #888962. Published by Robert Bailey (A0.1299109). Hymn for orchestra.
$80.00
Concerto for Guitar and Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Robert E
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Concerto for Guitar and Orches
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by ...
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Full Orchestra - Level 5 - SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by R. E. Proctor (A0.809837). Concerto for Guitar and Orchestra – Description and performance notes. The concerto provides a challenge for the performer and is delightful to the listener. It is written in the standard three movement concerto format: fast – slow – fast. A variety of musical colors, rhythms, and techniques are used. The first movement begins with an Adagio section which is marked Poco Rubato, followed by Allegro for the balance of the movement. The second movement is darker, and perhaps, a little sullen. The third movement is bright and harkens back to the guitar’s Spanish roots. The movement is happy and light, it has an abrupt and unexpected ending. Throughout the concerto the guitarist will use a wide range of techniques. The full sound spectrum of the guitar is utilized. The guitarist is asked to perform several rapid arpeggios (noted as Finger Roll) wherein the performer utilizes the thumb and fingers to rapidly play the notes in a chord. In other places, chords are to be played with three fingers playing up and the thumb to play down, using the nail (Flamenco style) – up and down referring to pitch. In the first movement, the thumb is used to tap the sound board. The guitar part is partially edited with suggested fingerings for clarity of intent. The balance is left for to the performer’s interpretation. In the second movement there is a completed tremolo section which requires the player to include the little or c finger. The inclusion of the c finger keeps the melodic line following without interruption. The second movement also has the melody played in artificial harmonics with the thumb playing simple a bass line. The third movement is the shortest. It has a challenging arpeggio pattern that uses the fingers strumming up and the thumb strumming down with rapid chord changes. The movements are in 4/4, 6/8, and 3/4 time respectively. Duration is approx. 13:18.
$19.95
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