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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Speed
Sheetmusicplus
Non classifié
337
Piano & claviers
Piano seul
206
Piano Facile
128
Piano, Voix et Guitare
35
Piano, Voix
22
1 Piano, 4 mains
16
Orgue
10
Instruments en Do
4
Accordéon
3
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
1
2 Pianos, 4 mains
1
Piano grosses notes
1
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 6 mains
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
56
Guitare
27
Basse electrique
9
Ligne De Mélodie, (Paroles) et Accords
8
Banjo
8
Paroles et Accords
6
Ukulele
5
Dulcimer
4
Mandoline
4
4 Guitares (Quatuor)
2
2 Guitares (duo)
1
Mandoline, Guitare (duo)
1
3 Guitares (trio)
1
2 Dulcimers (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
39
Chorale 2 parties
10
Chorale 3 parties
9
Chorale TTBB
7
Chorale SSAA
5
Vents
Saxophone Tenor
22
2 Saxophones (duo)
17
Flûte traversière et Piano
16
Quatuor de Saxophones: 4 saxophones
16
2 Flûtes traversières (duo)
15
Flûte, Hautbois, Clarinette, Basson
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Clarinette et Piano
12
Flûte à bec Soprano
12
Flûte traversière
12
Saxophone (partie séparée)
11
Quatuor de Clarinettes: 4 clarinettes
11
Saxophone Alto
11
3 Clarinettes (trio)
9
Saxophone, Clarinette (duo)
8
Clarinette (partie séparée)
8
Saxophone Alto et Piano
8
Quatuor de Flûtes : 4 flûtes
8
2 Clarinettes (duo)
7
Clarinette, Violon (duo)
6
Clarinette
6
Flûte, Clarinette (duo)
5
Flûte et Guitare
5
Hautbois (partie séparée)
5
2 Flûte à bec (duo)
5
Flûte, Clarinette et Basson
4
Flûte irlandaise
4
Clarinette, Trompette (duo)
4
Hautbois, Clarinette (duo)
4
Saxophone Tenor et Piano
3
Flûte, Saxophone (duo)
3
Hautbois, Piano (duo)
3
Flûte, Violon
3
Clarinette et Alto
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Hautbois, Flûte
3
2 Hautbois (duo)
3
Hautbois, Basson (duo)
3
Harmonica
3
3 Saxophones (trio)
2
Saxophone et Guitare
2
Flûte, Trompette (duo)
2
Saxophone Soprano et Piano
2
Quintette de Clarinettes: 5 clarinettes
2
3 Flûtes à bec (trio)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Hautbois, Basson
2
Ensemble de saxophones
2
Saxophone
1
Flûte à bec, Guitare (duo)
1
Clarinette Basse, Piano
1
Clarinette, Guitare (duo)
1
Cor anglais, Guitare (duo)
1
Quintette de Flûte : 5 flûtes
1
Ensemble de Clarinettes
1
Flûte, Clarinette, Piano (trio)
1
Cor Anglais
1
Flûte, Violoncelle
1
Saxophone Soprano
1
Flute (partie séparée)
1
Ensemble de Flûtes
1
Flûte, Violon, Piano
1
Flûte, Alto (duo)
1
+ 58 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trompette
7
Cor
6
Trompette, Saxophone (duo)
6
Trompette (partie séparée)
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trombone
6
2 Trompettes (duo)
6
2 Trombones (duo)
4
Trombone (partie séparée)
4
Trombone et Piano
3
Trompette, Piano
3
Trompette, Trombone (duo)
3
Tuba et Piano
2
Euphonium, Piano (duo)
2
Tuba
2
Cor (partie séparée)
1
Euphonium, Tuba (duo)
1
Cor, Trompette, Trombone (trio)
1
Tuba (partie séparée)
1
Cor anglais, Guitare (duo)
1
Ensemble de Trombones
1
Trombone basse
1
Cor et Piano
1
2 Tubas (duo)
1
Cor Anglais
1
Quatuor de cuivres: 4 trompettes
1
2 Euphoniums et 2 Tubas
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
41
Harpe
35
Violon et Piano
20
Violon
20
2 Violons (duo)
10
Violon, Guitare (duo)
8
Violoncelle, Piano
7
Trio à Cordes: violon, alto, violoncelle
7
Violon (partie séparée)
7
Violoncelle
6
Alto seul
6
2 Violoncelles (duo)
5
Alto, Piano
5
Violon, Violoncelle (duo)
5
Alto (partie séparée)
4
2 Altos (duo)
4
Contre Basse
4
2 Harpes (duo)
3
Violon, Alto (duo)
3
Violoncelle , Guitare (duo)
2
Violoncelle (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: 2 violons, violoncelle
2
Contrebasse, Piano (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto, Guitare (duo)
1
4 Violoncelles
1
Harpe et mandoline
1
Trio à cordes: 3 violins
1
Alto, Violoncelle (duo)
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
213
Orchestre à Cordes
35
Batterie
18
Orchestre
10
Percussion (partie séparée)
10
Ensemble de Percussions
10
Ensemble de cuivres
10
Cloches
7
Ensemble Jazz
7
Fanfare
6
Jazz combo
2
Orchestre de chambre
2
Xylophone, Piano
1
Xylophone
1
Bodhran
1
Caisse Claire
1
Piano et Orchestre
1
Vibraphone
1
+ 13 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Partitions à imprimer
10 partitions trouvées
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1
The Cross Kirk and the lang walk
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Orchestre
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INTERMÉDIAIRE
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Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. H...
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Full Orchestra - Level 3 - SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. Hambone Music #1020661. Published by Hambone Music (A0.1440683). A dramatic film-type composition capturing the journey of a novice monk during 15th Century Scotland. For orchestras of an intermediate standard. Ahaunting french horn solo is followed by a dramatic trek utilising the whole orchestra to the end where the horn to round the piece off.Inspired by an old ruined church in my town called the 'Cross Kirk' the history of which can be found here: https://www.britainexpress.co.uk/attr... Part 1 (0 - 2:24) It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 (2:26 -3:37) It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 (3:37 - 6:02) The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train (4:30) where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights (4:55). The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. (5:02) No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 (6:03 - 8:12) The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters (6:30). As he closes his eyes, his mind returns to the knights and a smile crosses his face (8:01) as he gently drifts off to sleep, as the final bell of the day tolls.
$49.99
Whirling-bass clarinet solo
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Phil Beaman
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Whirling-bass clarinet solo
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Phil Beaman
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.845000 Composed by Phil Beaman. Concert,Contemporary,Instructional,New Age. Score and parts. 1 pages. Phil Beaman #60...
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Full Orchestra - Level 4 - SKU: A0.845000 Composed by Phil Beaman. Concert,Contemporary,Instructional,New Age. Score and parts. 1 pages. Phil Beaman #6063455. Published by Phil Beaman (A0.845000). Whirling, for unaccompanied instrumental solo, is my musical interpretation of the act and feeling of whirling. It contains whirling broken chords at Prestissimo speed; a frenzied but controlled perpetual motion etude. The piece is a giant chord progression with each whirling chord lasting 8 bars. This piece creates a unique, fun, and impressive performance. Or show your technique and make a friendly speed challenge with your colleagues!
$3.99
Concerto for Clarinet and Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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William Grosvenor Neil
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Concerto for Clarinet and Orch
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.980597 Composed by William Grosvenor Neil. Contemporary. Score and parts. 66 pages. TheComposerStudio.Com, LLC #66625...
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Full Orchestra - Level 5 - SKU: A0.980597 Composed by William Grosvenor Neil. Contemporary. Score and parts. 66 pages. TheComposerStudio.Com, LLC #6662561. Published by TheComposerStudio.Com, LLC (A0.980597). Composed in collaboration with clarinetist Dr. Corey Mackey, this three-movement concerto presents three distinct musical impressions led by the lyrically virtuosic clarinet solo. Each movement progressively gains a broader perspective of time and space, from the minute movements of the hummingbird, broadening to the majesty of mountains and ending with a vast impression of traveling through the universe at the speed of light. Movement one, Trochilidae-Allegro, celebrates the brilliant animation of the hummingbird. Emily Dickenson called it a resonance of emerald, a rush of cochineal. The clarinet solo imitates its mercurial flight darting and hovering in and around the orchestra. The second movement, Spiritual Adaptation to Higher Altitudes-Adagio, illustrates he slow and dramatic ascent of the clarinet through a broad and majestic orchestral soundscape culminating with an ecstatic summit vista. The third movement, Scherzo at the Speed of Light-Vivace, presents a sonic impression of sound and light in the universe, the clarinet spinning and gliding effortlessly through space arriving triumphantly in its home key of Bb in the final measures.Published by TheComposerStudio.Com, LLC. Parts rental https://www.thecomposerstudio.com/concerto/#tab-15865 More info: thecomposerstudio@gmail.com williamneil.net.
$40.00
Total Eclipse Of The Heart
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Orchestre
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AVANCÉ
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Bonnie Tyler
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Todd Sheehan
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Total Eclipse Of The Heart
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Todd Sheehan
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1374806 By Bonnie Tyler. By Jim Steinman. Arranged by Todd Sheehan. 20th Century,Classical,Contemporary,Pop. 114 page...
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Full Orchestra - Level 5 - SKU: A0.1374806 By Bonnie Tyler. By Jim Steinman. Arranged by Todd Sheehan. 20th Century,Classical,Contemporary,Pop. 114 pages. Todd Sheehan #959339. Published by Todd Sheehan (A0.1374806).  Perfect for an 80's Night Concert - or a Total Solar Eclipse! An exciting, full orchestra reproduction of the Bonnie Tyler classic Total Eclipse of the Heart - from her 1983 album Faster Than the Speed of Night.  A fully-instrumental arrangement.  No vocal parts.  Instrumentation: 2222 - 4331 - 4P (incl. drs) - hp - pf - ebass - str
$50.00
RAGING FURIES - Goettinnen der Rache
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der
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Fajora Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,...
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Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
Carson Cooman: Remembering Tomorrow: Trombone Concerto (2004) for trombone and orchestra), score plu
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Remembering Tom
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #3035627. Pu...
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Full Orchestra - Level 5 - SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #3035627. Published by Musik Fabrik Music Publishing (A0.533655). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$29.95
Carson Cooman: Remembering Tomorrow: Trombone Concerto - Score Only
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Remembering Tom
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533654 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3035625. Pu...
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Full Orchestra - Level 5 - SKU: A0.533654 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3035625. Published by Musik Fabrik Music Publishing (A0.533654). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$25.95
Kabuki Pieces, Op. 20
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Orchestre
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AVANCÉ
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Chris Knapp
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Kabuki Pieces, Op. 20
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Chris Knapp
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1373704 Composed by Chris Knapp. 21st Century,Classical,Contemporary. 52 pages. Chris Knapp #958094. Published by Chr...
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Full Orchestra - Level 5 - SKU: A0.1373704 Composed by Chris Knapp. 21st Century,Classical,Contemporary. 52 pages. Chris Knapp #958094. Published by Chris Knapp (A0.1373704). Kabuki pieces takes influence and inspiration from Japanese Kabuki theatre productions. In this work, the main aspects of Kabuki theatre are explored through the 'deconstructed' Orchestra. Kabuki theatre employs the principles of jo-ha-kyu which helps sets the pace for a dramatic play. Jo-ha-kyustates that a play should start slow, get quicker and end fast. Kabuki employs this technique over a series of 5 acts, hence this composition uses 5 movements and the pace of the work as a whole speeds up as it moves through.1. Introduction - Like with all good pieces of theatre, the first act sets the scene and establishes characters. In this compositon, the scene is set by the Cello accompanied by a selection of percussion (a characteristic trait of Kabuki theatre).2. Battle #1 - In Kabuki theatre there are always a number of battles, these usually occur during the 2nd and 4th acts. This composition similarly mimics the chaos of a battle and features the Woodwind section.3. Tragedy - During the 3rd act, a Tragedy or emotional event usually occurs, thus this composition hopes to mirror that with an emotional outpouring of melodic ideas introducing the Brass.4. Battle #2 - In the 2nd battle of this work, the feature is placed more on the Xylophone who takes a solo role and sets out a frantic tune which provides the basis for a Fugue of sorts picked up by the Strings.5. Conclusion - The conclusion to most Kabuki plays are satisfying and short, this is mirrored by the very brief conclusion to this work.
$35.99
Origins
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Origins
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.755154 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 174 pages. Sy Brandon #3408009. Published ...
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Full Orchestra - Level 4 - SKU: A0.755154 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 174 pages. Sy Brandon #3408009. Published by Sy Brandon (A0.755154). Origins musically represents three important recent scientific explorations of space and matter that are designed to give humans a better understanding of the origins of the universe and the origins of life. The first movement, Black Holes and Cyclotrons, represents the quest to understand and reproduce the relationship between gravitation and energy that scientists believe caused the big bang and our ever-expanding universe. The music of this movement represents the danger inherent in these explorations into the unknown. There are sections of the movement that are lighter in nature that depict subatomic particles dancing around in a particle accelerator. The end of the movement increases in tempo reflecting the ever-increasing speeds of particle accelerators and the gravitational pull of black holes. The Surface of Mars is the title of the second movement that depicts NASA’s Mars Exploration Rover Mission. The rovers Spirit and Opportunity have explored the surface of Mars and have revealed the surface as being mostly a barren landscape void of life. The outer sections of this movement reflect this discovery. The middle section of the movement represents the excitement of one of the rovers finding indications of water having existed on Mars and therefore the possibility that life may have also existed. The third movement, Window Into Deep Space, is a tribute to the Hubble Space Telescope. This movement has many uplifting sections as the Hubble Space Telescope has provided views of the universe never before seen from Earth. It also has sections of anxiety as this mission was wrought with several failures that nearly derailed it. The promise of increased understanding of our universe is reflected in the ending of this composition. The score prints on legal size paper and the parts on letter.
$39.95
Live And Let Die
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Wings
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Kevin Riley
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Live And Let Die
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1284109 By Wings. By Linda McCartney and Paul McCartney. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and...
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Full Orchestra - Level 4 - SKU: A0.1284109 By Wings. By Linda McCartney and Paul McCartney. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and Parts. 60 pages. Kevin Riley #875342. Published by Kevin Riley (A0.1284109). Live and Let Die is the theme song of the 1973 James Bond film of the same name, performed by the British–American rock band Wings. Written by English musician Paul McCartney and his wife Linda McCartney, it reunited McCartney with former Beatlesproducer George Martin, who produced the song and arranged the orchestra. McCartney was contacted to write the song by the film's producers Harry Saltzman and Albert R. Broccoli before the screenplay was finished. Wings recorded Live and Let Die during the sessions for Red Rose Speedway in October 1972 at AIR Studios. It was also the first rock song to open a Bond film. Another version by B. J. Arnau also appears in the film.Upon release, Live and Let Die was the most successful Bond theme up to that point, reaching No. 1 on two of the three major US charts (though it only reached No. 2 on the Billboard Hot 100) and No. 9 on the UK Singles Chart. The song also received positive reviews from music critics and continues to be praised as one of McCartney's best songs. It became the first Bond theme song to be nominated for the Academy Award for Best Original Song, but ultimately lost the award to Barbra Streisand's The Way We Were. It won the Best Arrangement Accompanying Vocalist(s) at the 16th Annual Grammy Awardsin 1974.Wings performed Live and Let Die live during their concert tours and McCartney continues to play it on his solo tours, often using pyrotechnics during the instrumental breaks. It has been covered by several bands, including Guns N' Roses, whose version appears on their 1991 album Use Your Illusion I. One of the more popular covers of the song, their version was nominated for the Grammy Award for Best Hard Rock Performanceat the 35th Annual Grammy Awards in 1993. In 2012, McCartney was awarded the Million-Air Award from Broadcast Music, Inc. (BMI), for more than 4 million performances of the song in the US.
$70.00
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