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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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COUNTRY
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FUNK
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LATIN - BOSSA - WORL…
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METAL - HARD
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OPERA
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Non classifié
714
PIANO & CLAVIERS
Piano seul
676
Piano Facile
242
1 Piano, 4 mains
53
Piano, Voix
47
Orgue
30
Accompagnement Piano
26
Piano, Voix et Guitare
19
2 Pianos, 4 mains
8
Piano Trio: piano, violon, violoncelle
5
Instruments en Do
4
Clavecin
3
1 Piano, 6 mains
2
Piano grosses notes
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
1
2 Pianos, 8 mains
1
Orgue, Trompette (duo)
1
Clavier
1
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GUITARES
Guitare notes et tablatures
38
Dulcimer
28
Guitare
26
Basse electrique
16
Ligne De Mélodie, (Paroles) et Accords
8
Ukulele
4
2 Dulcimers (duo)
2
Banjo
2
2 Guitares (duo)
2
Piano, Guitare (duo)
2
Mandoline, Guitare (duo)
1
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VOIX
Chorale SATB
267
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101
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93
Chorale 2 parties
70
Chorale TTBB
26
Chorale SSAA
18
Voix duo, Piano
16
Voix moyenne, Piano
2
Chorale SSATTB
1
Voix seule
1
Voix Tenor, Piano
1
Chorale SSATB
1
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VENTS
2 Saxophones (duo)
223
Saxophone, Clarinette (duo)
113
2 Clarinettes (duo)
107
2 Flûtes traversières (duo)
92
Clarinette, Violon (duo)
86
Clarinette, Trompette (duo)
78
Flûte, Clarinette (duo)
53
Flûte traversière et Piano
52
Clarinette et Alto
45
Hautbois, Basson (duo)
44
Flûte, Violon
43
Hautbois, Clarinette (duo)
43
Flûte, Alto (duo)
42
2 Hautbois (duo)
42
Flûte, Saxophone (duo)
40
Flûte, Trompette (duo)
37
Quatuor de Saxophones: 4 saxophones
36
Hautbois, Flûte
34
Clarinette et Piano
34
Saxophone Alto et Piano
27
Flûte, Hautbois, Clarinette, Basson
26
Saxophone (partie séparée)
25
Quatuor de Clarinettes: 4 clarinettes
21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Saxophone Tenor et Piano
16
Clarinette
16
Hautbois, Piano (duo)
14
Flûte à bec Soprano
14
Flûte traversière
13
Ensemble de Flûtes
11
Clarinette (partie séparée)
11
Hautbois (partie séparée)
11
Quatuor de Flûtes : 4 flûtes
10
3 Saxophones (trio)
10
Saxophone Alto
10
Cor Anglais
9
Trio de Flûtes: 3 flûtes
9
Flûte, Hautbois (duo)
8
Saxophone Soprano et Piano
8
Ensemble de Clarinettes
7
Hautbois, violon (duo)
7
3 Clarinettes (trio)
7
Saxophone Tenor
7
3 Flûtes à bec (trio)
7
Flute (partie séparée)
6
Clarinette Basse, Piano
6
Ensemble de saxophones
5
Cor anglais, Piano
4
Clarinette, Trombone (duo)
3
Flûte traversière, Orgue (duo)
3
Flûte et Guitare
2
Quintette de Clarinettes: 5 clarinettes
2
2 Saxophones, Piano
2
Clarinette, Guitare (duo)
2
Quintette de Saxophone: 5 saxophones
2
Ensemble à vent
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violoncelle
1
Hautbois
1
Flûte à bec Alto, Piano
1
Clarinette, Basson (duo)
1
Clarinette Basse
1
Saxophone Baryton, Piano
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Violoncelle (duo)
1
Flûte, Violon, Piano
1
2 Flûtes traversières, Piano
1
2 Flûte à bec (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à Bec
1
2 Hautbois, 2 Cors et 2 Bassons
1
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CUIVRES
Trompette, Saxophone (duo)
81
2 Trombones (duo)
43
Trompette, Trombone (duo)
41
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
41
2 Trompettes (duo)
40
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trombone et Piano
18
Trombone (partie séparée)
14
Cor et Piano
13
Trompette
12
Trompette, Piano
11
Trompette (partie séparée)
11
Trombone
10
Cor Anglais
9
Cor (partie séparée)
9
Euphonium, Piano (duo)
8
3 Trompettes (trio)
6
Tuba et Piano
6
Euphonium
5
Cor
4
2 Cors (duo)
4
Cor anglais, Piano
4
Tuba (partie séparée)
3
Cornet A Pistons
3
Trio de Cuivres
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de cuivres: 4 trombones
2
2 Euphoniums et 2 Tubas
2
Quatuor de Cuivres
2
3 Trombones (trio)
1
Tuba
1
Ensemble de Trombones
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Cors
1
Trompette, Violoncelle et Piano
1
2 Tubas (duo)
1
Quatuor de cuivres: 4 cors
1
Trombone et orchestre
1
Trompette, Tuba (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
135
Violon, Violoncelle (duo)
62
2 Altos (duo)
54
Violon, Alto (duo)
51
2 Violons (duo)
49
2 Violoncelles (duo)
48
Violon et Piano
30
Harpe
29
Violon
28
Violoncelle
23
Trio à Cordes: violon, alto, violoncelle
22
Alto seul
18
Trio à Cordes: 2 violons, violoncelle
18
Alto, Piano
18
Violoncelle, Piano
18
Violon (partie séparée)
17
Trio à cordes: 3 violins
11
Contrebasse (partie séparée)
8
Contrebasse, Piano (duo)
6
Trio à Cordes: 2 violons, alto
5
Violoncelle (partie séparée)
5
Violoncelle, Contrebasse (duo)
5
Alto (partie séparée)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Piano Trio: Violon, Alto, Piano
2
Contre Basse
2
2 Contrebasses (duo)
2
Violon, Guitare (duo)
2
Trio à cordes: 3 altos
1
Violon, Trompette et Piano
1
Harpe, Trombone (duo)
1
Violoncelle , Guitare (duo)
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto, Violoncelle (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
625
Orchestre à Cordes
141
Cloches
107
Ensemble de cuivres
29
Ensemble Jazz
27
Batterie
22
Orchestre
18
Ensemble de Percussions
14
Percussion (partie séparée)
9
Jazz combo
9
Fanfare
8
Percussion
7
Orchestre de chambre
5
Marimba
5
Batterie (partie séparée)
2
Vibraphone
2
2 Xylophones
1
Caisse Claire
1
Timbales (partie séparée)
1
Marimba, Piano (duo)
1
Bodhran
1
2 Caisses Claires (duo)
1
Ensemble d'École
1
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AUTRES
Formation musicale - Solfège
1
Vous avez sélectionné:
Syncopation
Orchestre
Partitions à imprimer
18 partitions trouvées
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Fritz Kreisler - Petite Suite, "Marche Miniature Viennoise", "Syncopation", "Tambourin chinois", Orc
Orchestre
Full Orchestra - Digital Download SKU: A0.1008424 Composed by Fritz Kreisler. Arran…
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Full Orchestra - Digital Download SKU: A0.1008424 Composed by Fritz Kreisler. Arranged by Arkady Leytush. 20th Century. Score and parts. 84 pages. Arkady Leytush #6569361. Published by Arkady Leytush (A0.1008424). ..... if I do not work on order, then the choice of material takes quite a long time. And now I thought a lot if I could use these world-famous hits by Kreisler written for violin and piano, which will be transferred to the orchestra. However, my desire to emphasize my deepest respect and love for their author pushed me to do so. The result is a 3-part suite, which I tentatively called Petite Suite (10 min.) I hope that even in such an electronic sound it should leave an impression. In each part of my transcription for orchestra, I found a place for a solo violin, initially indicating the original sound of each piece.
$60.00
54.76 €
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Orchestre
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Fritz Kreisler
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Arkady Leytush
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Fritz Kreisler - Petite Suite, "Marche Miniature Viennoise", "Syncopation", "Tambourin chinois", Orc
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Arkady Leytush
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SheetMusicPlus
Minuet and Trio - Score Only
Orchestre
Full Orchestra - Level 1 - Digital Download SKU: A0.1416009 By Mark Burnip. By Mark…
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Full Orchestra - Level 1 - Digital Download SKU: A0.1416009 By Mark Burnip. By Mark Burnip. Arranged by Mark Burnip. Classical. 4 pages. Mark S Burnip #997702. Published by Mark S Burnip (A0.1416009). This is a simple Miuet and Trio in the Handilian Classical style, it's quite short so suitable for a Junior Orchestra.If you wish to purchase I can send individual parts and any help for performance.A very vibrant melody with syncopation to give interest.
$1.99
1.82 €
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Orchestre
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Mark Burnip
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Mark Burnip
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Minuet and Trio - Score Only
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Mark S Burnip
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SheetMusicPlus
Arizona Centennial Overture - Orchestra Version
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.755101 Composed by Sy Brandon. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.755101 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 124 pages. Sy Brandon #3384577. Published by Sy Brandon (A0.755101). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close.The score prints on legal size paper and the parts on letter.
$39.99
36.5 €
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Orchestre
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Sy Brandon
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Arizona Centennial Overture - Orchestra Version
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Sy Brandon
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SheetMusicPlus
West Coast Suite
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.932391 Composed by Jim Hopson. …
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Full Orchestra - Level 5 - Digital Download SKU: A0.932391 Composed by Jim Hopson. 20th Century,Contemporary. Score and parts. 154 pages. Phonos Music #5375681. Published by Phonos Music (A0.932391). For standard large orchestra: 2, 2, 2, 2 - 4, 3, 3, 1, timp, strDuration: ~11 minutes, 3 contiguous movementsJim Hopson's 'West Coast Suite' is a new, exciting orchestral piece inspired by the majestic geography of the Pacific Northwest. Featuring beautiful melodies that soar over driving, syncopated rhythms, this piece makes for an exciting overture for any Pops, Classics, or Canadian Content programme.From the composer: This Suite is written in three contiguous movements, named for Vancouver, BC’s most iconic features: ‘City’, ‘Sea’, and ‘Mountains’. ‘City’ opens with a flourish of harmonic architecture which morphs into a decidedly cosmopolitan syncopated groove, reflecting the city’s bustling energy. ‘Sea’ features a simple, plaintive melody supported by gently undulating waves of harmony which slowly build to a tempestuous climax and then recede into calmness. ‘Mountains’ begins as a gentle stroll through the North Shore’s idyllic peaks. The final movement gradually builds velocity, culminating in a breakneck sprint up North Vancouver’s infamous ‘Grouse Grind’.For more information about the composer: www.phonosmusic.com
$55.00
50.2 €
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Orchestre
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Jim Hopson
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West Coast Suite
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Phonos Music
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SheetMusicPlus
Rejoice, the Lord Is King
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1396274 Composed by Charles Wes…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1396274 Composed by Charles Wesley. Arranged by Laird Halling. Christian,Easter,Funk,Latin,Praise and Worship. 69 pages. Laird Halling #979663. Published by Laird Halling (A0.1396274). This is a cheerful syncopated rendition of the popular hymn Rejoice, the Lord Is King arranged for full orchestra. This makes a great prelude, offertory or special feature. It is nonseasonal but could be a great choice for Palm Sunday or Easter.Funky Latin brass and rhythm parts are contrasted by sweeping string and woodwind lines. The middle breakdown section showcases the rhythm and percussion, with an expanding pyramid of instruments. Your players will love playing this fun chart!
$74.99
68.44 €
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Orchestre
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Charles Wesley
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Laird Halling
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Rejoice, the Lord Is King
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Laird Halling
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SheetMusicPlus
Prisoner Of The Sea
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1128362 By Marc Douyon. By Marc…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1128362 By Marc Douyon. By Marc Douyon. Classical,Contest,Festival,Film/TV. Score and parts. 263 pages. Marc Douyon #728982. Published by Marc Douyon (A0.1128362). Prisoner Of The Sea is a symphonic poem in which the composer recalls when He almost drowned at sea. Images of wave crashing, turbulent waters, imminent tragedy, as well as happy moments, are all succeeding as the music progresses. Many sections that contrast in character, exhibit themes that are repeated, transformed, or varied. Meter and tempo changes, mixed harmonies, and rhythmic syncopations help the story to unfold with dramatic musical associations.
$190.50
173.86 €
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Orchestre
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Marc Douyon
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Prisoner Of The Sea
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Marc Douyon
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
91.27 €
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Orchestre
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Divinum Mysterium
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century…
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
68.45 €
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Orchestre
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Symphony No. 1 ... Fallen Angels (1993, rev. 1995)
Orchestre
Full Orchestra - Digital Download SKU: A0.869366 Composed by Thomas Oboe Lee. 20th …
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Full Orchestra - Digital Download SKU: A0.869366 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 89 pages. Thomas Oboe Lee #33639. Published by Thomas Oboe Lee (A0.869366). Instrumentation: 2222-2211-timp-perc-hp-pf-strings. Program note. SYMPHONY No.1, subtitled Fallen Angels and commissioned by Bruce Hangen and the Omaha Symphony Orchestra, is in three movements - I. Prince of Darkness II. Waltz!!!III. Lilith's Lament. The first movement begins in a dark, underground world, the world of the Prince of Darkness. Melodies emerge, growing, evolving gradually ... transforming ... finally, explosively ... into a syncopated danse macabre. The movement ends, agitatedly, in a quasi-scherzo fashion, scurrying from the lower depths of the orchestra to a heavenly cadence in C major. The second movement is a dance for the Prince and Lilith. [In talmudic lore, Lilith was regarded as a devilish being, and as Adam's first wife.] Each segment of this movement begins at first cautiously, and then very quickly reaches an ecstatic outburst of shouts and exclamations. A middle trio section offers a contrast of lyric introspection and contemplation. The third and last movement is rather sad and melancholy. Ironically, it is again in C major. The solo flute coupled with two bassoons is the main feature, with a Gil Evans-like wind choir floating in and out ... The work is dedicated to Miles, the original Prince of Darkness.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-1-fallen-angels-1993-rev-1995
$9.99
9.12 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 1 ... Fallen Angels
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Thomas Oboe Lee
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SheetMusicPlus
Leroy Anderson: The Syncopated Clock - full orchestra (full score)
Orchestre
Instantly printable sheet music by Leroy Anderson for full orchestra (full score) of MEDIU…
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Instantly printable sheet music by Leroy Anderson for full orchestra (full score) of MEDIUM skill level. / pop,children,standards,instructional,inspirational
$9.99
9.12 €
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Orchestre
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Leroy Anderson
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Virtualsheetmusic
Leroy Anderson: The Syncopated Clock (COMPLETE) - full orchestra
Orchestre
Instantly printable sheet music by Leroy Anderson for full orchestra of MEDIUM skill level…
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Instantly printable sheet music by Leroy Anderson for full orchestra of MEDIUM skill level. / pop,children,standards,instructional,inspirational
$79.99
73 €
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Orchestre
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Leroy Anderson
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Virtualsheetmusic
Leroy Anderson: The Syncopated Clock - full orchestra (full score)
Orchestre
Instantly printable sheet music by Leroy Anderson for full orchestra (full score) of MEDIU…
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Instantly printable sheet music by Leroy Anderson for full orchestra (full score) of MEDIUM skill level. / pop,children,standards,instructional,inspirational
$8.99
8.2 €
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Orchestre
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Leroy Anderson
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Virtualsheetmusic
Leroy Anderson: The Syncopated Clock (COMPLETE) - full orchestra
Orchestre
Instantly printable sheet music by Leroy Anderson for full orchestra of MEDIUM skill level…
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Instantly printable sheet music by Leroy Anderson for full orchestra of MEDIUM skill level. / pop,children,standards,instructional,inspirational
$73.99
67.53 €
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Orchestre
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Leroy Anderson
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Virtualsheetmusic
The Syncopated Clock: Piano Accompaniment
Orchestre
By Leroy Anderson (1908-1975). For Full Orchestra. Instructional. Part. 4 pages. Published…
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By Leroy Anderson (1908-1975). For Full Orchestra. Instructional. Part. 4 pages. Published by Alfred Music - Digital Sheet Music
$3.00
2.74 €
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Orchestre
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Leroy Anderson
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The Syncopated Clock: Piano Accompaniment
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Syncopated Clock: 2nd Bassoon
Orchestre
By Leroy Anderson (1908-1975). For Full Orchestra. Instructional. Part. 2 pages. Published…
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By Leroy Anderson (1908-1975). For Full Orchestra. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00
2.74 €
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Orchestre
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Leroy Anderson
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The Syncopated Clock: 2nd Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Syncopated Clock: 1st & 2nd Oboe
Orchestre
By Leroy Anderson (1908-1975). For Full Orchestra. Instructional. Part. 2 pages. Published…
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By Leroy Anderson (1908-1975). For Full Orchestra. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00
2.74 €
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Orchestre
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Leroy Anderson
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The Syncopated Clock: 1st & 2nd Oboe
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Syncopated Clock: Score
Orchestre
By Leroy Anderson (1908-1975). For Full Orchestra. Instructional. Score. 16 pages. Publish…
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By Leroy Anderson (1908-1975). For Full Orchestra. Instructional. Score. 16 pages. Published by Alfred Music. Digital Sheet Music
$10.00
9.13 €
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Orchestre
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Leroy Anderson
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The Syncopated Clock: Score
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
The Syncopated Clock: Score
Orchestre
By Leroy Anderson (1908-1975). For Full Orchestra. Instructional. Score. 8 pages. Publishe…
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By Leroy Anderson (1908-1975). For Full Orchestra. Instructional. Score. 8 pages. Published by Alfred Music. Digital Sheet Music
$9.00
8.21 €
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Orchestre
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Leroy Anderson
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The Syncopated Clock: Score
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
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