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Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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7
Trio à cordes: 3 violins
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Violoncelle, Piano
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Trio à Cordes: 2 violons, violoncelle
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Contrebasse (partie séparée)
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2 Violons (duo)
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Alto, Piano
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Harpe
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Trio à Cordes: violon, alto, violoncelle
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3
Contre Basse
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2 Altos (duo)
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Contrebasse, Piano (duo)
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Ensemble Jazz
43
Orchestre
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Orchestre à Cordes
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Fanfare
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Cloches
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Théorie de la musique
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Vous avez sélectionné:
That's All: Guitar
Orchestre
Partitions à imprimer
36 partitions trouvées
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Love Divine, All Loves Excelling--Full Score package
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.829338 Composed by Text: Charle…
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Full Orchestra - Level 4 - Digital Download SKU: A0.829338 Composed by Text: Charles Wesley / Music: Rowland H. Prichard. Arranged by Lyndell Leatherman. Celtic,Christian,Sacred. Score and parts. 61 pages. Leatherman Music Services #5775215. Published by Leatherman Music Services (A0.829338). For most of us, Charles Wesley's Love Divine, All Loves Excelling has traditionally been associated with the tune BEECHER. But if you are looking for a way to freshen up this classic hymn, may I offer this arrangement for your consideration. First, I wedded the text to the inspired Welsh tune: HYFRYDOL. Then I arranged the vocals in a flexible three-part format. Then I added a contemporary piano part with a bass line that can be played by the electric bass, and then I included the chord symbols for your guitarist(s). Finally, I orchestrated the piece for pretty much every instrument except trumpets and trombones (though they can adapt the clarinet and bassoon parts if you desire to add them in).
$24.99
22.92 €
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Orchestre
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Text: Charles Wesley / Music: Rowland H
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Lyndell Leatherman
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Love Divine, All Loves Excelling--Full Score package
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Leatherman Music Services
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SheetMusicPlus
Concerto for Electric Guitar and Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.809889 Composed by Robert E. Pr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.809889 Composed by Robert E. Proctor. Blues,Contemporary. Score and parts. 270 pages. R. E. Proctor #4800403. Published by R. E. Proctor (A0.809889). This concerto is in the traditional three movement format with the first and third movements being fast and the middle movement slow. The second and third movements are most like a blues work. The first movement is a rondo format, is not particularly bluesy. A Les Paul™ guitar would play particularly well in this movement. The second movement switches between the soloist as the distorted guitar sound to the vocalist as the clean guitar sound. The final movement is happy, upbeat, and lively good time blues. In the second and third movements in particular, the basses (cello, double bass) should be easily heard. At the end of the third movement, the precisionist on the drum set should improvise a loud, untimed measure, solo utilizing all the drums and cymbals in the set ending with four moderately paced and slowing beats on the snare drum. A momentary pause, then the final chord. The guitarist will need at least one foot pedal for distortion enabling him/her to switch between a clean sound and a distorted sound. The guitar should be the equivalent of a Fender™ Stratocaster or Telecaster guitar; a Gibson™ Les Paul would do nicely also. The music is partially fingered leaving the player the opportunity to interpret the part. The work is after the fashion of Chicago style blues of the 1960’s. The conductor and guitarist may wish to listen to recordings by the Paul Butterfield Blues Band, John Lee Hooker, John Mayall and the Blues Breakers, B.B. King, etc. to get a feel for the music of the 1960’s blues bands. It would be highly desirable to use an organ, for the 3rd movement, that can produce a Hammond B3™ with Leslie sound, as that instrument was widely used in blues of that period. Although some of the notes notated as harmonics (h) in the score can be played as fretted notes, playing them as natural and artificial harmonics provides an interesting change of tonality. The orchestral part is not particularly challenging. The concerto is approx. 17 minutes in length.
$19.95
18.3 €
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Orchestre
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Robert E
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Concerto for Electric Guitar and Orchestra
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R. E. Proctor
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SheetMusicPlus
Concerto for Guitar and Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.809837 Composed by Robert E. Pr…
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Full Orchestra - Level 5 - Digital Download SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by R. E. Proctor (A0.809837). Concerto for Guitar and Orchestra – Description and performance notes. The concerto provides a challenge for the performer and is delightful to the listener. It is written in the standard three movement concerto format: fast – slow – fast. A variety of musical colors, rhythms, and techniques are used. The first movement begins with an Adagio section which is marked Poco Rubato, followed by Allegro for the balance of the movement. The second movement is darker, and perhaps, a little sullen. The third movement is bright and harkens back to the guitar’s Spanish roots. The movement is happy and light, it has an abrupt and unexpected ending. Throughout the concerto the guitarist will use a wide range of techniques. The full sound spectrum of the guitar is utilized. The guitarist is asked to perform several rapid arpeggios (noted as Finger Roll) wherein the performer utilizes the thumb and fingers to rapidly play the notes in a chord. In other places, chords are to be played with three fingers playing up and the thumb to play down, using the nail (Flamenco style) – up and down referring to pitch. In the first movement, the thumb is used to tap the sound board. The guitar part is partially edited with suggested fingerings for clarity of intent. The balance is left for to the performer’s interpretation. In the second movement there is a completed tremolo section which requires the player to include the little or c finger. The inclusion of the c finger keeps the melodic line following without interruption. The second movement also has the melody played in artificial harmonics with the thumb playing simple a bass line. The third movement is the shortest. It has a challenging arpeggio pattern that uses the fingers strumming up and the thumb strumming down with rapid chord changes. The movements are in 4/4, 6/8, and 3/4 time respectively. Duration is approx. 13:18.
$19.95
18.3 €
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Orchestre
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Robert E
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Concerto for Guitar and Orchestra
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R. E. Proctor
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SheetMusicPlus
Call On Me
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1496626 By Eric Prydz. By Dave …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1496626 By Eric Prydz. By Dave Hollister, Dave Le Chaine Hollister, Eric Prydz, Erick S Sermon, Joe Sample, Steve Winwood, and Will Jennings. Arranged by Steve Pycroft. 21st Century,Classical,Disco,Pop. 63 pages. Steve Pycroft #1073148. Published by Steve Pycroft (A0.1496626). This unique orchestral arrangement of Eric Prydz' number 1 hit 'Call On Me is by arranger Steve Pycroft. Founder and Musical Director of Kaleidoscope Orchestra, Steve has spent the last 20 years reimagining electronic and dance music songs for orchestra. His unique style brings emotion and feeling to the powerful melodies and catchy hooks that form the basis of dance anthems such as this one. Steve takes the structures and turns them into something fresh, while still staying true to the vibe of the originals. Sure to bring a smile to faces of the performers as well as audiences, this arrangement brings a fresh perspective to a classic pop tune.This arrangement is for full orchestra. 2x flutes, 2x oboes, 2x clarinets, Alto Saxophone, Tenor Saxophone, 2x bassoons, 2x french horns, 2x trumpets, 2x tenor trombones, 1x bass trombone, 2x percussion (tambourine + cymbals), drum kit, bass guitar and a full string section. There's also a chord sheet for other musicians (such as guitarists and keyboard players) to be able to perform.This purchase includes a Transposed Score & all instrumental parts.
$119.99
110.05 €
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Orchestre
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Eric Prydz
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Steve Pycroft
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all instrumental parts.
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Call On Me
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Steve Pycroft
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SheetMusicPlus
A Dance of Clowns (from A Midsummer Night's Dream): Mallets
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016357_M1 Mallets. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016357_M1 Mallets. Composed by Felix Bartholdy Mendelssohn. Arranged by Jerry Brubaker. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016357_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016357_M1). UPC: 038081472041.A fantastic arrangement of music from Shakespeare's play, A Midsummer Night's Dream, that is true to the original but eminently playable, this transcription will fit any concert. (1:45) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
2.75 €
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Orchestre
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Felix Bartholdy Mendelssohn
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Jerry Brubaker
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Festival.
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A Dance of Clowns
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.93 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.93 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.93 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
A Hard Day's Night - Beatles for Orchestra
Orchestre
Full Orchestra, String Orchestra - Intermediate - Digital Download By The Beatles. Ar…
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Full Orchestra, String Orchestra - Intermediate - Digital Download By The Beatles. Arranged by Javier Martínez Maya. Score, Set of Parts. 41 pages. Published by Arte Nova Music Lab
A Hard Day's Night is the third studio album by the English rock band the Beatles, released on 10 July 1964 by Parlophone, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. In contrast to the Beatles' first two albums, all 13 tracks on A Hard Day's Night were written by John Lennon and Paul McCartney, showcasing the development of their songwriting partnership.<br> <br> The album includes the song "A Hard Day's Night", with its distinctive opening chord, and "Can't Buy Me Love", both transatlantic number-one singles for the band. Several of the songs feature George Harrison playing a Rickenbacker 12-string electric guitar, a sound that was influential on the Byrds and other groups in the folk rock movement.A Hard Day's Night is the third studio album by the English rock band the Beatles, released on 10 July 1964 by Parlophone, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. In contrast to the Beatles' first two albums, all 13 tracks on A Hard Day's Night were written by John Lennon and Paul McCartney, showcasing the development of their songwriting partnership.<br> <br> The album includes the song "A Hard Day's Night", with its distinctive opening chord, and "Can't Buy Me Love", both transatlantic number-one singles for the band. Several of the songs feature George Harrison playing a Rickenbacker 12-string electric guitar, a sound that was influential on the Byrds and other groups in the folk rock movement.
$60.00
55.03 €
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Orchestre
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The Beatles
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Javier Martínez Maya
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A Hard Day's Night - Beatles for Orchestra
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Arte Nova Music Lab
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SheetMusicPlus
You've Got To Hide Your Love Away
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.742589 By The Beatles. By John …
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Full Orchestra - Level 3 - Digital Download SKU: A0.742589 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 54 pages. Arte Nova Music Lab #6431891. Published by Arte Nova Music Lab (A0.742589). You've Got to Hide Your Love Away is a song by the English rock band the Beatles. It was written and sung by John Lennon (though credited to Lennon–McCartney) and released on the album Help! in August 1965.Lennon said of the song, That's me in my Dylan period again. I am like a chameleon, influenced by whatever is going on. If Elvis can do it, I can do it. If the Everly Brothers can do it, me and Paul can. Same with Dylan. The song is an early example of John self-reflecting in his writing, which had begun with songs such as I'm a Loser in the summer of 1964. Lennon wrote the song at home, wanting another song for the film Help!. The song is just basically John doing Dylan, Paul McCartney confirmed.The song is similar to a folkish strophic form and uses a Dylanesque acoustic guitar figure in compound duple time, chiefly acoustic accompaniment, no backing voices and light percussion from brushed snare, tambourine and maraca. A flute, however, replaces the harmonica that Dylan typically used. Taken from https://en.wikipedia.org/wiki/You%27ve_Got_to_Hide_Your_Love_Away
$60.00
55.03 €
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Orchestre
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The Beatles
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Javier MartÃnez Maya
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You've Got To Hide Your Love Away
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Arte Nova Music Lab
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SheetMusicPlus
Revive Us Again - 8 Core Orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.742696 Composed by Public Domain. Arrange…
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Full Orchestra - Digital Download SKU: A0.742696 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 84 pages. AnderKamp Music #3637273. Published by AnderKamp Music (A0.742696). Beginning with a free tempo brass chorale, this arrangement has a steady, moving 3/4 feel throughout the piece. There are some really nice call and response moments throughout the orchestra on the ‘Hallelujah’ and ‘Thine the Glory’ sections. This is a beautiful, worship ballad that works well as an offertory or as a special. This arrangement begins in the Key of F and changes keys to the Key of G. You don’t have to have a rhythm section to play this piece. It’s nice if you do but it’s not critical. Not at all. As long as you have a piano player, they can play the written out piano part.As true to the entire series, this arrangement features playable, easy to read rhythms for all sections.The 8 Core Orchestra is a full orchestra series designed to work with a core group of 8 players plus piano/rhythm.8 Core instrumentation:2 woodwinds, 2 trumpets, 1 horn, 2 trombones and 1 bass trombone or tubaFull instrumentation:2 flutes, oboe, 2 clarinets, bassoon/bass clarinet, 3 trumpets, 2 horns, 2 trombones, 1 bass trombone/tuba, 2 violins, viola, cello, double bass, harp, percussion (2 players), timpani, piano, electric bass, guitar(s) and drums (guitar and drums read from rhythm chart)
$49.99
45.85 €
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Orchestre
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Public Domain
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Jeff D
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Revive Us Again - 8 Core Orchestra
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AnderKamp Music
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SheetMusicPlus
It Ain't What You Do
Orchestre
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797809 By Bananarama. B…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797809 By Bananarama. By James Young and Sy Oliver. Arranged by Derek Hasted. Contemporary. Score and parts. 23 pages. Derek Hasted #6205715. Published by Derek Hasted (A0.797809). T'AINT WHAT YOU DO - 5 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This arrangement was inspired by the Bananarama & Fun Boy Three release, but in a nod to the fact that this piece was written many years before it was re-worked, I’ve taken it back still further in time, and the piece begins slowly and stately, like a Pavane, before moving to a busy Madrigal and finally to Big Band Shuffle.The piece suits 5 guitars, but a large ensemble will, of course, make a bigger and more compelling sound.It is ideal for a mixed ability group - the lower parts can all be played in first position whereas the upper parts go as high as the ninth position.This arrangement is based on a version that was played in concert by the Hampshire Guitar Orchestra - it’s pretty much guaranteed to get feet tapping in the audience...I hope you enjoy this piece!
$4.99
4.58 €
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Orchestre
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Bananarama
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Derek Hasted
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It Ain't What You Do
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Derek Hasted
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SheetMusicPlus
Mary, Did You Know?
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1294555 By Kathy Mattea. By Bud…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1294555 By Kathy Mattea. By Buddy Greene and Mark Lowry. Arranged by John Langley (Studio Orchestrations). Advent,Christian,Christmas,Contemporary,Religious. Score and Parts. 74 pages. Www.studio-orchestrations.com #884929. Published by www.studio-orchestrations.com (A0.1294555). A beautiful Christmas worship song that has become a popular modern classic which has undergone many different arrangements and treatments over the years. This version [in A Minor] can be used in its written form, but can be performed without all listed instruments and also augmented to taste using guitar, drums, hammond organ even though these are not actually scoredInstrumentation:2 FlutesOboeClarinetBassoon2 French HornsTrumpetTromboneTimpani2 PercussionHarpPianoBass GuitarMezzo-Soprano SoloOptional SATB ChorusStringsPlease note the attached YouTube featuring Hayley Westenra is not the same key nor arrangement but is a useful guide as to structure and timbre/feel of arrangementOther related titles written by John Langley (Studio Orchestrations) which maybe of interest include:A Million Dreams (The Greatest Showman)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1305770/Product.aspxWhen you believe (The Prince of Egypt) https://www.sheetmusicdirect.com/en-US/se/ID_No/1369099/Product.aspxCome what may (Moulin Rouge)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1346777/Product.aspxEl Tango de Roxanne (Moulin Rouge) https://www.sheetmusicdirect.com/en-US/se/ID_No/1346335/Product.aspxMaadowlark (The Baker's Wife)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1372145/Product.aspxDiamonds are forever  (Title song)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1372605/Product.aspxBarcelona [Freddie Mercury/Montserrat Caballe)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1305928/Product.aspxSummer Wine [Lee Hazelwood/Nancy Sinatra]  https://www.sheetmusicdirect.com/en-US/se/ID_No/1151500/Product.aspxMalone's death (The Untoucahables) https://www.sheetmusicdirect.com/en-US/se/ID_No/1380919/Product.aspx.
$110.00
100.89 €
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Orchestre
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Kathy Mattea
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Mary, Did You Know?
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www.studio-orchestrations.com
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SheetMusicPlus
Mary, Did You Know?
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1294538 By Kathy Mattea. By Bud…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1294538 By Kathy Mattea. By Buddy Greene and Mark Lowry. Arranged by John Langley (Studio Orchestrations). Advent,Christian,Christmas,Contemporary,Religious. Score and Parts. 76 pages. Www.studio-orchestrations.com #884911. Published by www.studio-orchestrations.com (A0.1294538). A beautiful Christmas worship song that has become a popular modern classic which has undergone many different arrangements and treatments over the years. This version [in C Minor] can be used in its written form, but can be performed without all listed instruments and also augmented to taste using guitar, drums, hammond organ even though these are not actually scoredInstrumentation:2 FlutesOboeClarinetBassoon2 French HornsTrumpetTromboneTimpani2 PercussionHarpPianoBass GuitarMezzo-Soprano SoloOptional SATB ChorusStringsPlease note the attached YouTube featuring Hayley Westenra is not the same key nor arrangement but is a useful guide as to structure and timbre/feel of arrangementOther related titles written by John Langley (Studio Orchestrations) which maybe of interest include:A Million Dreams (The Greatest Showman)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1305770/Product.aspxWhen you believe (The Prince of Egypt) https://www.sheetmusicdirect.com/en-US/se/ID_No/1369099/Product.aspxCome what may (Moulin Rouge)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1346777/Product.aspxEl Tango de Roxanne (Moulin Rouge) https://www.sheetmusicdirect.com/en-US/se/ID_No/1346335/Product.aspxMaadowlark (The Baker's Wife)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1372145/Product.aspxDiamonds are forever  (Title song)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1372605/Product.aspxBarcelona [Freddie Mercury/Montserrat Caballe)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1305928/Product.aspxSummer Wine [Lee Hazelwood/Nancy Sinatra]  https://www.sheetmusicdirect.com/en-US/se/ID_No/1151500/Product.aspxMalone's death (The Untoucahables) https://www.sheetmusicdirect.com/en-US/se/ID_No/1380919/Product.aspx.
$98.00
89.88 €
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Orchestre
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Kathy Mattea
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Mary, Did You Know?
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www.studio-orchestrations.com
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SheetMusicPlus
Circle Of Life
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1436894 By Elton John. By Elton…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1436894 By Elton John. By Elton John and Tim Rice. Arranged by Georg Wiesinger. Film/TV,Multicultural,Pop,World. 62 pages. Georg Wiesinger #1016960. Published by Georg Wiesinger (A0.1436894). Bring the iconic sounds of Disney’s The Lion King to life with this masterful orchestral arrangement of Circle of Life, composed by the legendary Elton John and Tim Rice. This arrangement, commissioned by the esteemed Bruckner Orchestra Linz, is a faithful transcription of the beloved song as heard in the film, meticulously crafted for a full symphony orchestra.This arrangement captures the essence and grandeur of the original, ensuring an authentic and stirring performance that will resonate with audiences. With parts for strings, woodwinds (3/3/3/2), brass (4/3/3/1), percussion (4 players), solo, and more (harp, e-piano, bass-guitar), this arrangement allows each section of the orchestra to shine, delivering the powerful and emotional experience that Circle of Life is known for.Key Features:Authenticity: Faithfully transcribed to match the film’s version, ensuring a familiar and beloved sound.Versatility: Perfect for concert performances, special events, and themed programs.Professional Quality: Commissioned by a world-class orchestra, reflecting high standards of musicality and craftsmanship.Comprehensive Parts: Includes full score and individual parts for each section of the orchestra.Ideal for orchestras looking to add a timeless and emotionally impactful piece to their repertoire, this arrangement of Circle of Life promises to captivate and inspire audiences of all ages. Bring the magic and majesty of the African savanna to your concert hall with this stunning orchestral arrangement.
$100.00
91.72 €
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Orchestre
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Elton John
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Georg Wiesinger
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Circle Of Life
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Georg Wiesinger
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SheetMusicPlus
Dance The Night
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1464010 By Dua Lipa. By Andrew …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1464010 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Harry O'Brien. 21st Century,Disco,Film/TV,Funk,Pop. 80 pages. Harry O'Brien #1042722. Published by Harry O'Brien (A0.1464010). A Grade 3.5 Intermediate orchestra arrangement of Dua Lipa's disco-funk hit from the 2023 Barbie movie. An exciting arrangement that challlenges all sections to play complicated funk rhythms and the melody at times throughout the song.Comes with Full Score and parts for the following instruments:PiccoloFlutes 1 & 2Oboe 1 & 2Clarinets in Bb 1 & 2Bass Clarinet in BbBassoonHorn in F 1 & 2Trumpets in Bb 1-3Trombones 1 & 2Bass TromboneTubaPercussion I (Drum Set)Percussion II (Tambourine, sus. cymbal)Percussion III (Xylophone)TimpaniPiano (Optional)Violin IViolin IIViolaVioloncelloContrabass (opt. Electric Bass)About the arranger:Harry O'Brien is an emerging composer, arranger, guitarist and music educator in Sydney, Australia. His rock/jazz performance background, orchestral and film composition studies at Sydney Conservatorium, along with being an experienced conductor/director of school-level concert bands and guitar ensembles, give him a highly versatile and distinct arranging sound, one which understands the role every instrument can play in a school band. Arrangements for professional orchestras have been performed in venues around Australia including the State Theatre and Her Majesty's Theatre Adelaide. Website: https://obrienharry08.wixsite.com/music
$70.00
64.2 €
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Orchestre
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Dua Lipa
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Harry O'Brien
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2
Oboe 1 &
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Dance The Night
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Harry O'Brien
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SheetMusicPlus
Life On Mars
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1464081 By David Bowie. By Davi…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1464081 By David Bowie. By David Bowie. Arranged by Kevin Riley. 20th Century,Pop. 42 pages. Kevin Riley #1042792. Published by Kevin Riley (A0.1464081). Life on Mars? is a song by the English singer-songwriter David Bowie, first released on his 1971 album Hunky Dory. Bowie wrote the song as a parody of Frank Sinatra's My Way. Life on Mars? was recorded on 6 August 1971 at Trident Studios in London, and was co-produced by Bowie and Ken Scott. Bowie's backing band consisted of guitarist and string arranger Mick Ronson, bassist Trevor Bolder, drummer Mick Woodmansey and Strawbs member Rick Wakeman on piano. Life on Mars? is primarily a glam rock ballad, with elements of cabaret and art rock; it has a complex structure that includes chord changes throughout. The lyrics are about a girl who goes to a cinema to escape reality, and include surreal images that reflect optimism and the effects of Hollywood.At the height of Bowie's fame as Ziggy Stardust, RCA Records issued Life on Mars? as a single on 22 June 1973 in the United Kingdom, where it peaked at number three. To promote the single, photographer Mick Rockfilmed a video that shows Bowie in make-up and a turquoise suit singing the song against a white backdrop. Bowie frequently performed Life on Mars? during his concerts and the song has appeared on numerous compilation albums. Scott remixed the song in 2003 and 2016, the latter being a stripped down mix.Life on Mars? is considered by commentators as one of Bowie's greatest songs, and one of the best songs of all time. Critics have praised Bowie's vocal performance and growth as a songwriter. The song's title was given to the British television series Life on Mars, and films and other television programmes have included Life on Mars?. Artists including Barbra Streisand, and Nine Inch Nails members Trent Reznor and Atticus Ross, have recorded cover versions of the song; and following Bowie's death in 2016, Life on Mars? was frequently chosen as a tribute to the artist.
$70.00
64.2 €
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Orchestre
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David Bowie
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Kevin Riley
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Life On Mars
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Kevin Riley
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SheetMusicPlus
September
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1251034 By Earth Wind and Fire.…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1251034 By Earth Wind and Fire. By Al McKay, Allee Willis, and Maurice White. Arranged by Richard DeRosa. Hip-Hop,Pop,R & B. Score and Parts. 108 pages. Richard DeRosa #845321. Published by Richard DeRosa (A0.1251034). Arranged for full orchestra supported by electric guitar, electric bass, and drums. It contains all of the music elements within Earth Wind and Fire's original recording. The lead vocal melody is scored for the violins with bowings that will help players capture the expressive phrasing within this R&B style. Articulations are abundant to help all players capture the style. The electric bass line is transcribed exactly to help capture the fundamental rhythm section feel for the orchestra. The mp3 MIDI demo will be a helpful performance guide as well. The performance level is intermediate to advanced. The performance time is 3:30.
$65.00
59.62 €
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Orchestre
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Earth Wind and Fire
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Richard DeRosa
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September
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Richard DeRosa
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SheetMusicPlus
Joy!
Orchestre
Orchestration with MP3 - Digital Download SKU: H1.8724DP Arranged by Joel Raney. Ch…
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Orchestration with MP3 - Digital Download SKU: H1.8724DP Arranged by Joel Raney. Christmas, Sacred. Set of Instrumental Parts. 616 pages. Hope Publishing - Digital #8724DP. Published by Hope Publishing - Digital (H1.8724DP). Christmas Musical Telling the Christmas story through six dynamic choral settings, Joel Raney brings his masterful ability to compose new and creative rhythms that showcase his grasp of the gospel style to this impactful presentation for SATB choirs. Christmas carols like you've never heard before, all performed with an interspersing of scripture readings. Accompaniment can be provided by just piano, or Ed Hogan's lively orchestration or a smaller set of rhythm parts. Performance time is 25-minutes making this ideal for fitting into a Christmas worship service or as a separate musical program. Orchestration: Conductor's Score, Flute, Oboe(or Soprano Sax or Clarinet), Clarinet, 2 Trumpets (or Alto Sax), Alto Sax, Tenor Sax, 2 Trombones or Tenor Sax or Baritone T. C. , Percussion, Piano, Synth, Guitar/Bass, Drums, Violins 1 and 2, Viola, Cello/Bassoon and String Reduction for Keyboard. Rhythm Parts: Conductor's Score, Percussion, Piano, Synth, Guitar/Bass, Drums and String Reduction for Keyboard. The Publisher grants permission to the purchaser to print parts from the CD-ROM for the use in your church's performance.
$375.00
343.94 €
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Orchestre
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Joel Raney
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Joy!
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Hope Publishing - Digital
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SheetMusicPlus
Death Theme
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1284734 Composed by Ennio Morri…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1284734 Composed by Ennio Morricone. Arranged by John Langley (at Studio Orchestrations). 20th Century,Broadway,Chamber,Film/TV,Musical/Show. Score and Parts. 14 pages. Www.studio-orchestrations.com #875911. Published by www.studio-orchestrations.com (A0.1284734). This is one of Ennio Morricone's most evocative and yearning themes from the Kevin Costner and Sean Connery classic THE UNTOUCHABLES directed by Brian De Palma. The theme comes where Malone has been brutally/mortally shot and wounded and gives Elliott Ness, his friend, the critical information to enable him to arrest Al Capone's bookeeper before dying. Malone's murder is one of the most unexpected and shocking moments on celluloid when it happens but Morricone's theme is full of pathos and lament for a much loved character.For your event/concert of film music, this is a short but always moving piece that hopefully will fit around your other programming ideas. In a market where loud film music is all the rage, this offers a beautiful sorbet to an evening of movie classics.This arrangement is written for Solo Alto Saxophone (Default solo instrument)Solo Alto Flute* (alternative solo instrument)Acoustic guitar (or Harp)*Strings* Morricone does use Alto Flute to play a version of this theme earlier in the soundtrack and this can make a contemplative and quiet version of the same music so your group can choose instrumentation, esepcially where no saxophone is available in your group or concert; also if your group doesn't have a guitar then this can be played by Harp as well.
$80.00
73.37 €
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Orchestre
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Ennio Morricone
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Death Theme
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www.studio-orchestrations.com
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SheetMusicPlus
Last Of The Summer Wine Theme
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.850553 Composed by Ronald Hazle…
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Full Orchestra - Level 3 - Digital Download SKU: A0.850553 Composed by Ronald Hazlehurst. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 24 pages. Kevin Riley #457258. Published by Kevin Riley (A0.850553). Composer and conductor Ronnie Hazlehurst, who also produced themes for such series as Are You Being Served?, Yes Minister, and Only Fools and Horses, created the theme for the show. The BBC initially disliked Hazlehurst's theme, feeling it was not proper for a comedy programme to have such mellow music. He was asked to play the music faster for more comedic effect but eventually his original slower version was accepted. A jauntier, upbeat version was played by a brass band in the episode Full Steam Behind. The theme, an instrumental work, featured lyrics three times. The 1981 Christmas special, Whoops, had two verses of lyrics written by Roy Clarke that were performed over the closing credits. The 1983 film, Getting Sam Home, used those two verses, with an additional two and played them over the opening credits. Another altered version was sung during Compo's funeral in the 2000 episode Just a Small Funeral. Bill Owen also wrote a different version of the lyrics but this version was never used during an episode of the show. Composing the score for each episode until his death in 2007, Hazlehurst spent an average of ten hours per episode watching scenes and making notes for music synchronisation. Hazlehurst then recorded the music using an orchestra consisting of a guitar, harmonica, two violins, a viola, cello, accordion, horn, bass, flute, and percussion. The distinctive harmonica was played by Harry Pitch, who had featured in the 1970 one-hit-wonder Groovin With Mr Bloe. The harmonica part is included in this arrangement but it is cued in the Flute 1 part if one is not available.
$50.00
45.86 €
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Orchestre
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Ronald Hazlehurst
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Kevin Riley
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Last Of The Summer Wine Theme
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Kevin Riley
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SheetMusicPlus
Blinding Lights
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1497131 By The Weeknd. By Abel …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1497131 By The Weeknd. By Abel Tesfaye, Ahmad Balshe, Jason Quenneville, Max Martin, and Oscar Holter. Arranged by Steve Pycroft. 21st Century,Classical,Contemporary,Pop. 93 pages. Steve Pycroft #1073553. Published by Steve Pycroft (A0.1497131). From arranger Steve Pycroft, this is a super fun arrangement of the infectious, record breaking song 'Blinding Lights' by The Weeknd.Founder and Musical Director of Kaleidoscope Orchestra Steve Pycroft, has spent the last 20 years reimagining electronic and dance music songs for orchestra. His unique style brings emotion and feeling to the powerful melodies and catchy hooks that form the basis of pop songs such as this one. Steve takes the structures of the original songs and turns them into something fresh, while still staying true to the vibe of the original. Sure to bring a smile to faces of the performers as well as audiences, this arrangement brings a fresh perspective to a modern classic.This arrangement is for full orchestra. 2x flutes, 2x oboes, Alto Saxophone, 2x clarinets, 2x bassoons, 2x french horns, 2x trumpets, 2x tenor trombones, 1x bass trombone, 2x percussion (tambourine + cymbals), drum kit, bass guitar and a full string section - featuring a solo string quartet. There's also a chord sheet for other musicians (such as guitarists and keyboard players) to be able to perform.This purchase includes a Transposed Score & all instrumental parts as PDFs.
$169.99
155.91 €
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Orchestre
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The Weeknd
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Steve Pycroft
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Blinding Lights
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Steve Pycroft
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SheetMusicPlus
Yesterday
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.742588 By En Vogue. By Caroline…
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Full Orchestra - Level 3 - Digital Download SKU: A0.742588 By En Vogue. By Caroline Riddick, Issac Phillips, John Lennon, and Paul McCartney. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 36 pages. Arte Nova Music Lab #6431889. Published by Arte Nova Music Lab (A0.742588). Yesterday is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon–McCartney. It was first released on the album Help! in August 1965, except in the United States, where it was issued as a single in September. The song reached number one on the US charts. It subsequently appeared on the UK EP Yesterday in March 1966 and made its US album debut on Yesterday and Today, in June 1966.McCartney's vocal and acoustic guitar, together with a string quartet, essentially made for the first solo performance of the band. It remains popular today and, with more than 2,200 cover versions, is one of the most covered songs in the history of recorded music. Yesterday was voted the best song of the 20th century in a 1999 BBC Radio 2 poll of music experts and listeners and was also voted the No. 1 pop song of all time by MTV and Rolling Stone magazine the following year. In 1997, the song was inducted into the Grammy Hall of Fame. Broadcast Music Incorporated (BMI) asserts that it was performed over seven million times in the 20th century.Taken from https://en.wikipedia.org/wiki/Yesterday_(Beatles_song)
$60.00
55.03 €
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Orchestre
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En Vogue
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Javier MartÃnez Maya
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Yesterday
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Arte Nova Music Lab
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SheetMusicPlus
Hope!
Orchestre
(Guitar, Hand Drum, Keyboard, Percussion) - Digital Download SKU: H1.8834DP Arrange…
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(Guitar, Hand Drum, Keyboard, Percussion) - Digital Download SKU: H1.8834DP Arranged by Joel Raney. Christmas, Sacred. Set of Instrumental Parts. 728 pages. Hope Publishing - Digital #8834DP. Published by Hope Publishing - Digital (H1.8834DP). Christmas Musical Following up on the success of last year's gospel Christmas cantata, Joy!, Joel Raney once again brings his masterful ability to compose new and creative rhythms that showcase his grasp of the gospel style to Hope! The Christmas story unfolds through six compelling choral settings for SATB voices. Scripture readings guide us to the manger and reflect on the promise of hope we find in Christ's birth. Accompaniment can be provided by just piano, or Ed Hogan's lively orchestration, or a smaller set of rhythm parts. Performance time is 25-minutes, making this ideal for fitting into a Christmas worship service or as a separate musical program. Rhythm parts: Conductor's Score, Percussion, Piano, Synth, Guitar/Bass, Capo Guitar (3 songs), Drums and String Reduction for Keyboard. Orchestrations: Conductor's Score, Flute, Oboe (or Soprano Sax* or Clarinet*), Clarinet, 2 Trumpets (or Alto Sax*), Alto Sax, Tenor Sax, 2 Trombones (or Tenor Sax* or Baritone T. C. *), Percussion, Piano, Synth, Guitar/Bass (Capo Guitar on 3 songs*), Drums, Violins 1 and 2, Viola, Cello/Bassoon (or Bass Clarinet*)and String Reduction for Keyboard. *Parts are included on the CD-ROM. The publisher grants permission to the purchaser to print parts from the CD-ROM for use in your church's performance.
$399.00
365.95 €
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Orchestre
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Joel Raney
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Hope!
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Hope Publishing - Digital
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SheetMusicPlus
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