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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That Time of Day
Non classifié
1 475
Piano & claviers
Piano seul
564
Piano Facile
338
Piano, Voix
170
Piano, Voix et Guitare
112
Instruments en Do
87
Orgue
52
Accompagnement Piano
45
1 Piano, 4 mains
18
Piano Trio: piano, violon, violoncelle
11
Piano Quatuor: piano, violon, alto, violoncelle
6
2 Pianos, 4 mains
6
Piano Quatuor: piano, 2 violons, violoncelle
3
Accordéon
2
Orgue, Trompette (duo)
1
Piano grosses notes
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
61
Guitare
39
Ukulele
13
Basse electrique
8
2 Guitares (duo)
7
Banjo
4
Mandoline
4
Ligne De Mélodie, (Paroles) et Accords
4
Piano, Guitare (duo)
4
Guitare, Flûte, Clarinette
2
Dulcimer
1
Paroles et Accords
1
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
385
Chorale 2 parties
108
Chorale 3 parties
97
Chorale Unison
60
Voix duo, Piano
48
Chorale TTBB
43
Chorale SSAA
30
Voix Tenor, Piano
17
Voix duo
12
Voix Baryton, Piano
5
Voix seule
5
Voix Alto, Piano
5
Voix Soprano, Piano
4
Voix haute
2
Voix Tenor
2
Voix basse
1
+ 11 instrumentations
Retracter
Vents
2 Saxophones (duo)
206
Quatuor de Saxophones: 4 saxophones
137
Flûte traversière et Piano
99
2 Flûtes traversières (duo)
95
Clarinette et Piano
92
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
91
Saxophone Alto et Piano
90
Hautbois, Piano (duo)
87
2 Clarinettes (duo)
85
Flûte, Hautbois, Clarinette, Basson
79
Quintette de Saxophone: 5 saxophones
74
Saxophone Soprano et Piano
67
Clarinette
66
2 Flûte à bec (duo)
61
Flûte traversière
58
Saxophone Tenor et Piano
53
Saxophone Alto
51
Saxophone, Clarinette (duo)
46
Hautbois (partie séparée)
45
3 Saxophones (trio)
44
2 Hautbois (duo)
44
Quatuor de Clarinettes: 4 clarinettes
42
Quatuor de Flûtes : 4 flûtes
41
Clarinette, Violon (duo)
35
Flûte, Clarinette (duo)
34
Saxophone Baryton, Piano
32
Clarinette, Trompette (duo)
30
Saxophone (partie séparée)
28
Saxophone
25
Saxophone Tenor
25
Hautbois, Clarinette (duo)
25
Hautbois, Basson (duo)
23
Hautbois
19
Flûte, Saxophone (duo)
19
Flûte, Violon
19
3 Clarinettes (trio)
17
Ensemble de Clarinettes
17
Clarinette et Alto
17
Hautbois, Flûte
16
Flûte, Alto (duo)
16
Quintette de Clarinettes: 5 clarinettes
16
Ensemble de saxophones
16
Quintette de Flûte : 5 flûtes
15
Ensemble de Flûtes
15
Saxophone Soprano
10
Cor anglais, Piano
10
Flûte, Trompette (duo)
10
Clarinette, Trombone (duo)
9
Flûte, Hautbois (duo)
8
Trio de Flûtes: 3 flûtes
8
Saxophone Baryton
7
Flûte, Hautbois, Piano (trio)
7
Flûte, Clarinette et Basson
7
Quatuor de Flûtes à bec
7
Flûte à Bec
6
Flûte, Hautbois, Clarinette (trio)
6
Flûte, Hautbois, Basson
6
Flûte à bec Soprano
6
2 Clarinettes, Piano
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Clarinette Basse, Piano
5
Flûte, Violon, Piano
5
Clarinette, Violoncelle, Piano (trio)
5
Flûte, Clarinette, Piano (trio)
4
Flute (partie séparée)
4
Flûte, Violon et Violoncelle
4
2 Flûtes traversières, Piano
4
Flûte à bec Alto
4
Hautbois, Violoncelle
4
Clarinette, Basson (duo)
3
Clarinette, Violoncelle (duo)
3
Clarinette (partie séparée)
3
Hautbois, violon (duo)
3
Clarinette, Guitare (duo)
3
Cor Anglais
3
5 Flûtes à bec
2
3 Flûtes à bec (trio)
2
Flûte, Violoncelle
2
Flûte, trombone et piano
2
Ocarina
2
Flûte irlandaise
2
Clarinette, Harpe (duo)
2
Flûte et Guitare
2
Flûte, Alto et Piano
2
Flûte, Basson et Piano
2
Ensemble De Flûte à bec
2
Clarinette, trompette et piano
1
Saxophone et Guitare
1
Clarinette, Basson, Piano (trio)
1
Flûte à Bec, Piano
1
Cor anglais, Guitare (duo)
1
Flûte à bec Tenor
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violoncelle, Piano (trio)
1
Ensemble de Hautbois
1
Flûte traversière, Orgue (duo)
1
Hautbois, Harpe
1
Clarinette, Alto et Piano (trio)
1
Harmonica
1
Cor anglais et Harpe (duo)
1
Clarinette Basse
1
Saxophone et Orgue
1
+ 97 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
104
Trompette, Piano
89
Trombone et Piano
71
Cor et Piano
68
Trompette
66
2 Trombones (duo)
53
2 Trompettes (duo)
52
Quatuor de Cuivres : 2 trompettes, trombone, tuba
51
Cor
48
Trombone
46
Quatuor de Cuivres: 2 trompettes, Cor, trombone
46
Tuba
39
Tuba et Piano
34
Trompette, Saxophone (duo)
32
Trompette, Trombone (duo)
28
2 Cors (duo)
22
Quatuor de Cuivres
13
2 Tubas (duo)
12
2 Euphoniums (duo)
11
Euphonium, Piano (duo)
10
Cor anglais, Piano
10
Ensemble de Trombones
7
Trompette, Cor (duo)
7
Ensemble de Trompettes
7
Trompette (partie séparée)
4
Trio de Cuivres
4
Trombone (partie séparée)
3
Tuba et Orgue
3
Quatuor de cuivres: 4 trompettes
3
Cor Anglais
3
Tuba (partie séparée)
2
4 Tubas
2
Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Violoncelle et Piano
2
Ensemble de Cors
2
Trombone basse
1
Quatuor de cuivres: 4 trombones
1
Cor anglais, Guitare (duo)
1
Cor et Basson (duo)
1
2 Cors Anglais Et Pianoforte
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Cor et Harpe
1
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
228
Violon et Piano
135
Violon, Violoncelle (duo)
123
Alto, Piano
117
Violoncelle, Piano
93
Violon
91
Violoncelle
72
2 Violons (duo)
71
Trio à Cordes: violon, alto, violoncelle
62
Alto seul
55
2 Violoncelles (duo)
55
2 Altos (duo)
50
Quintette à cordes: 2 violons, alto, violoncelle, basse
47
Violon, Alto (duo)
46
Harpe
42
Contrebasse, Piano (duo)
28
Contre Basse
26
Trio à Cordes: 2 violons, violoncelle
17
2 Harpes (duo)
12
Trio à cordes: 3 violins
12
Violon, Basson (duo)
11
2 Contrebasses (duo)
11
4 Violoncelles
9
Trio à Cordes: 3 violoncelles
8
Alto (partie séparée)
8
Quatuor à cordes: 4 violons
6
Violon (partie séparée)
6
Trio à Cordes: 2 violons, alto
6
Alto, Violoncelle (duo)
6
Piano Trio: Violon, Alto, Piano
6
Quatuor à cordes : 4 altos
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Harpe, Voix
4
Harpe, Flûte (duo)
3
Ensemble de Violons
3
Violon, Clarinette, Piano (trio)
2
Trio à cordes: 3 altos
2
Ensemble d'Altos
2
Violoncelle (partie séparée)
2
4 Harpes
2
Violoncelle , Guitare (duo)
2
Ensemble de Violoncelles
1
Alto et Harpe
1
Alto, Guitare (duo)
1
Harpe, Violoncelle (duo)
1
2 Violons, Piano
1
4 Contrebasses
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Violon (duo)
1
Contrebasse (partie séparée)
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
331
Orchestre à Cordes
84
Orchestre
73
Ensemble de cuivres
42
Ensemble Jazz
33
Cloches
21
Orchestre de chambre
16
Jazz combo
13
Fanfare
8
Batterie
6
Ensemble de Percussions
5
Marimba
4
Percussion (partie séparée)
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Vibraphone
1
+ 12 instrumentations
Retracter
Autres
Instruments
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CONTREBASSE
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COR ANGLAIS
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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HAUTBOIS
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
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HAUTBOIS
LIVRES
LUTH
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That Time of Day
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73 partitions trouvées
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Waltz of the Roses, for Orchestra (High, Key of C), Pas de Deux / Theme from The Snow Queen, A Balle
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Orchestre
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INTERMÉDIAIRE
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James Nathaniel Holland
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Waltz of the Roses, for Orches
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.730417 Composed by James Nathaniel Holland. Holiday,Wedding. 35 pages. James Nathaniel Holland #3369855. Published by...
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Full Orchestra - Level 3 - SKU: A0.730417 Composed by James Nathaniel Holland. Holiday,Wedding. 35 pages. James Nathaniel Holland #3369855. Published by James Nathaniel Holland (A0.730417). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged in the key of C (HIGH) orchestral format. Intermediate level. Full score in concert pitch. Individual parts included. Â Can be used with any piano vocal arrangement in the same key.Instr: 1 picc, 12fl, 12 ob, eh, 12clb, bcl, 12bsn, 1234hrn, 123trp, 12trm, btrm,tba, chimes/tim, hrp (or pno) stringsPerfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year!With Optional Lyrics (Reduced piano for solo voice or SATB choir sold separately):Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$12.95
Waltz of the Roses, for Orchestra, Pas de Deux / Theme from The Snow Queen, A Ballet
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Orchestre
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INTERMÉDIAIRE
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James Nathaniel Holland
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Waltz of the Roses, for Orches
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.730411 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Wedding. Score and parts. 35 pages. James Natha...
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Full Orchestra - Level 3 - SKU: A0.730411 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Wedding. Score and parts. 35 pages. James Nathaniel Holland #3367719. Published by James Nathaniel Holland (A0.730411). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American Costa Rican composer James Nathaniel Holland. Here arranged in the original orchestral format. Intermediate level. Full score in concert pitch. Individual parts included. Instr: 1 picc, 12fl, 12 ob, eh, 12clb, bcl, 12bsn, 1234hrn, 123trp, 12trm, btrm,tba, chimes/tim, hrp (or pno) stringsPerfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year!With Optional Lyrics (Reduced piano for solo voice or SATB choir sold separately):Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: https://youtu.be/9dgnKajSsE8 Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlFacebook page: https://www.facebook.com/jamesnathanielholland/
$12.95
CONJUNCTION: The Christmas Star of 2020
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Orchestre
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INTERMÉDIAIRE
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Noël
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Sta
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #649...
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Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
Yesterday
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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En Vogue
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Javier MartÃnez Maya
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Yesterday
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.742588 By En Vogue. By Caroline Riddick, Issac Phillips, John Lennon, and Paul McCartney. Arranged by Javier MartÃ...
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Full Orchestra - Level 3 - SKU: A0.742588 By En Vogue. By Caroline Riddick, Issac Phillips, John Lennon, and Paul McCartney. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 36 pages. Arte Nova Music Lab #6431889. Published by Arte Nova Music Lab (A0.742588). Yesterday is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon–McCartney. It was first released on the album Help! in August 1965, except in the United States, where it was issued as a single in September. The song reached number one on the US charts. It subsequently appeared on the UK EP Yesterday in March 1966 and made its US album debut on Yesterday and Today, in June 1966.McCartney's vocal and acoustic guitar, together with a string quartet, essentially made for the first solo performance of the band. It remains popular today and, with more than 2,200 cover versions, is one of the most covered songs in the history of recorded music. Yesterday was voted the best song of the 20th century in a 1999 BBC Radio 2 poll of music experts and listeners and was also voted the No. 1 pop song of all time by MTV and Rolling Stone magazine the following year. In 1997, the song was inducted into the Grammy Hall of Fame. Broadcast Music Incorporated (BMI) asserts that it was performed over seven million times in the 20th century.Taken from https://en.wikipedia.org/wiki/Yesterday_(Beatles_song)
$60.00
The Most Wonderful Time Of The Year
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Eddie Pola and George Wyle
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Bryan Kidd
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The Most Wonderful Time Of The
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BryanKiddMusic.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1298071 Composed by Eddie Pola and George Wyle. Arranged by Bryan Kidd. Christmas,Holiday,Standards. 112 pages. Bryan...
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Full Orchestra - Level 4 - SKU: A0.1298071 Composed by Eddie Pola and George Wyle. Arranged by Bryan Kidd. Christmas,Holiday,Standards. 112 pages. BryanKiddMusic.com #888023. Published by BryanKiddMusic.com (A0.1298071). A dazzling and most wonderful Holiday Season opener for full orchestra in Viennese-styled three-quarter time.The Most Wonderful Time of the Year was first introduced in 1963 by singer Andy Williams as the opening song for his second Christmas TV special. It was composed by the shows vocal director, George Wyle, along with Edward Pola. Apropos to Williams show, the song describes joyous family and friends seasonal activities that include scary ghost stories (a Victorian Christmas tradition think 'Dickens'). Â Among the artists who have covered the song are Pentatonix, Johnny Mathis, Garth Brooks, Amy Grant, Pattie LaBelle, and Harry Connick, Jr. A letter-size (8.5x11) score and complete set of instrumental parts are included with the set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED). For the Tabloid-size (11x17) score, click here. Please visit BryanKiddMusic.com With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C. Â Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.
$75.00
One Sows for the Benefit of Another Age - Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteF...
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Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
Game Of Thrones
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Orchestre
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DÉBUTANT
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Film/TV
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Ramin Djawadi
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Susie Winkworth winkmusic
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Game Of Thrones
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SheetMusicPlus
Easy Piano, Piano Accompaniment, Flute, Oboe, Clarinet, Alto Sax, Woodwind Choir or Ensemble, Trumpet, Horn in F, Violin, Viola, Cello, Double Bass, D...
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Easy Piano, Piano Accompaniment, Flute, Oboe, Clarinet, Alto Sax, Woodwind Choir or Ensemble, Trumpet, Horn in F, Violin, Viola, Cello, Double Bass, Drums, Xylophone, Percussion Ensemble, Guitar, Recorder, Flexemble, school ensemble, school orchestra, youth music - Easy/Beginner - Digital Download By Ramin Djawadi. Arranged by Susie Winkworth winkmusic.co.uk. Score, Set of Parts. 58 pages. Published by winkmusic.co.uk
The dynamic Game of Thrones theme, in an arrangement which brings the energy of the original to life. For Flexemble - perfect for school groups and education projects where the instrumentation needs to be flexible, you can mix and match so that everyone can join in.
*NOW WITH HORN IN F*
Descant Recorder/Flute 1: Intermediate
Descant Recorder/Flute 2: Easy (B, A, G only)
Oboe: Fairly easy
Clarinet 1 in Bb: Intermediate
Clarinet 2: Easy
Alto Sax 1: Intermediate
Alto Sax 2: Easy
Horn in F: Fairly easy
Trumpet: Fairly easy
Guitar: notated and chord parts, fairly easy
Keyboard: Fairly easy
Percussion: bass or low drum, glockenspiel, cymbals
Violin 1: Intermediate
Violin 2: Easy/Intermediate
Violin 3/Viola: Easy (no low 2nd fingers)
Cello: Easy/Intermediate
Bass: Fairly easy
Easy Violin: open strings only
Easy Cello: open strings and 1st fingers only
Teacher Guide Piano
Teacher Guide Treble Clef in C
Teacher Guide Treble Clef in Bb
Teacher Guide Cello
Core Score
Full Score
Winkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world.
$35.00
Con Te Partiro (time To Say Goodbye)
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Orchestre
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INTERMÉDIAIRE
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Andrea Bocelli
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Flavio Regis Cunha
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Con Te Partiro
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Flavio Regis Cunha
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1139872 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha. 20th Century,C...
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Full Orchestra - Level 3 - SKU: A0.1139872 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Opera,Pop,Wedding. Score and Parts. 59 pages. Flavio Regis Cunha #740145. Published by Flavio Regis Cunha (A0.1139872). Introducing the most romantic and emotive piece of music composed by two legendary Italian artists - Lucio Quarantotto and Francesco Sartori - 'Con Te Partiro (Time to Say Goodbye). This timeless piece of music has the power to hit the heartstrings and the mind in equal measure. It is the perfect choice for any orchestra or group of musicians wanting to create an atmosphere of emotion in their performance. Â Let this venerable music take your performance to a new level of excellence as you transport your audience to a world of romance and deep emotion. 'Con Te Partiro (Time to Say Goodbye) will be sure to create a powerful, lasting impression on even your toughest critics. Â Download your copy today and add a classic touch to your music.Sheet music download, complete score and all individual instruments and voice parts. Advanced Intermediate.Format: Concert, 9 x 12 inches59 pages.Time To Say Goodbye (FULL SCORE) Con te partiro for Soprano, Tenor and Orchestra. Andrea Bocelli and Sarah Brightman: Time To Say Goodbye. Live From Teatro Del Silenzio, Italy / 2007 Artist Andrea Bocelli & Sarah Brightman Composers Frank Peterson, Lucio Quarantotto, Francesco Sartori Complete version of TIME TO SAY GOODBYE from Andrea Bocelli & Sarah Brightman for Soprano, Tenor, Choir and Orchestra.Orchestration: FLUTE 1, FLUTE 2, OBOE 1, OBOE 2, CLARINET 1 IN Bb, CLARINET 2 IN Bb, BASSOON 1, BASSOON 2 , HORN 1 IN F, HORN 2 IN F, HORN 3 IN F, TRUMPET 1 IN Bb, TRUMPET 2 IN Bb, TROMBONE 1, TROMBONE 2, BASS TROMBONE, TUBA, PERCUSSION (Timpani, Snare Drum, Bass Drum, Cymbals) - 4 players, HARP, PIANO, CHOIR (SATB), VIOLIN 1, VIOLIN 2, VIOLA, VIOLONCELLO, DOUBLE BASS.Program NotesCon Te Partiro (Time To Say Goodbye), composed by Lucio Quarantotto and Francesco Sartori, is an Italian aria of immense power and emotional intensity. The iconic performance of the song was delivered by world renowned artists Andrea Bocelli and Sarah Brightman at the Teatro del Silenzio in Italy during 2007. The song emerged from a commingling of their beautiful voices in perfect harmony, ultimately delivering an emotionally charged performance that transcended beyond language barriers and touched the souls of people around the world. Â This heartfelt performance of Con Te Partiro (Time To Say Goodbye) takes its audience on a journey. From the emotion-filled verses, to the powerful build up of the instruments supporting the crescendo of the chorus, the energy and emotion reach a crescendo before slowly fading out to a beautiful and melancholic farewell. The combination of affective singing and passionate playing of the instruments created an intimate atmosphere, leaving the audience with a sense of heartache and clarity. Â This song represents a beautiful goodbye to a loved one, and the emotions portrayed echo each listener's hope for a meaningful and beautiful farewell. With its powerful vocals and evocative arrangement, Con Te Partiro (Time to Say Goodbye) by Lucio Quarantotto and Francesco Sartori will remain a timeless classic.
$89.99
The Twelve Days of Christmas
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Orchestre
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INTERMÉDIAIRE
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Noël
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Alex Tinlin
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Alex Tinlin
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The Twelve Days of Christmas
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Alex Tinlin
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1144688 By Alex Tinlin. By Alex Tinlin. Arranged by Alex Tinlin. Christmas,Holiday. 21 pages. Alex Tinlin #745021. Pu...
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Full Orchestra - Level 3 - SKU: A0.1144688 By Alex Tinlin. By Alex Tinlin. Arranged by Alex Tinlin. Christmas,Holiday. 21 pages. Alex Tinlin #745021. Published by Alex Tinlin (A0.1144688). My arrangement for Small Orchestra of the traditional Christmas Carol 'The Twelve Days of Christmas'. Please note that bar 34 should be repeated as often as necessary, so that these lines may be sung in reverse order, each time ending with Six geese a-laying.
$5.99
Pride (In The Name Of Love)
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Orchestre
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FACILE
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Clivelles & Cole
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Paul Lorenz
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Pride
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Paul Lorenz
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1488545 By Clivelles & Cole. By U2. Arranged by Paul Lorenz. Broadway,Musical/Show,Pop,Rock. 70 pages. Paul Lorenz #1...
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Full Orchestra - Level 2 - SKU: A0.1488545 By Clivelles & Cole. By U2. Arranged by Paul Lorenz. Broadway,Musical/Show,Pop,Rock. 70 pages. Paul Lorenz #1065412. Published by Paul Lorenz (A0.1488545). Pride (In the Name of Love) Sheet Music - for Orchestra, Choir and Band Unlock the beauty of U2's iconic song Pride (In the Name of Love) with our exclusive sheet music, expertly arranged by renowned composer Paul Lorenz. Perfect for orchestra, choir, and band, this arrangement brings a fresh, classical twist to the beloved rock anthem, making it a must-have for any music ensemble. Discover the Power of Pride (In the Name of Love) Sheet Music Our Pride (In the Name of Love) sheet music captures the essence of U2's powerful message and melody, allowing musicians to connect with their audience on a deeper level. Whether you're a seasoned performer or a passionate amateur, this arrangement is designed to elevate your musical performance. Versatile Arrangements for Orchestra, Choir, and Band Paul Lorenz's arrangement of Pride (In the Name of Love) is crafted to suit various ensembles, including orchestras, choirs, and bands. This versatility makes it ideal for concerts, recitals, and special performances, ensuring that each musician can shine. Download Pride (In the Name of Love) Sheet Music PDF For your convenience, our Pride (In the Name of Love) sheet music is available for immediate download in PDF format. This allows you to start practicing right away and ensures that you always have a high-quality copy at your fingertips. Why Choose Paul Lorenz's Pride (In the Name of Love) Sheet Music? Paul Lorenz Music is renowned for its commitment to quality and innovation in classical music. Our Pride (In the Name of Love) sheet music stands out with the following features: High-Quality Arrangement: Each note is meticulously arranged to ensure a seamless blend of classical and rock elements. Professional Collaboration: Arranged in collaboration with top-tier musicians and recorded in world-class studios like Abbey Road. Audience Engagement: This crossover sheet music appeals to both classical music lovers and U2 fans, ensuring a memorable performance. Elevate Your Performance with U2 Sheet Music Adding Pride (In the Name of Love) to your repertoire not only enriches your musical collection but also offers a unique opportunity to connect with a wide range of audiences. This arrangement by Paul Lorenz is crafted to inspire both performers and listeners alike. Get Your Pride (In the Name of Love) Piano Sheet Music Today Don't miss out on the chance to bring this iconic song to life with your ensemble. Visit sheetmusicdirect.com and download your Pride (In the Name of Love) sheet music today. Embrace the power of music with Paul Lorenz's exquisite arrangement and make your next performance unforgettable. Conclusion Pride (In the Name of Love) sheet music, arranged by Paul Lorenz, is a testament to the fusion of classical and contemporary music. Perfect for orchestras, choirs, and bands, this arrangement brings new life to a timeless song. Download your copy now and experience the magic of U2's music through the lens of classical excellence.
$149.90
The Kisses of Love - Orchestral Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Bill Fortenberry, Jordan Grigg
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The Kisses of Love - Orchestra
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Bill Fortenberry
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.997114 Composed by Bill Fortenberry, Jordan Grigg. Christian,Contemporary,Holiday,Love,Pop,Wedding. Score and parts. ...
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Full Orchestra - Level 4 - SKU: A0.997114 Composed by Bill Fortenberry, Jordan Grigg. Christian,Contemporary,Holiday,Love,Pop,Wedding. Score and parts. 71 pages. Bill Fortenberry #6208211. Published by Bill Fortenberry (A0.997114). If the opening scene of Disney's Up! were a musical, this is the song that they would sing. Fortenberry and Grigg have crafted an endearing portrayal of true love - the kind of love that lasts a lifetime and never fades.
$9.99
The Imaginary Invalid Opera, Instrument Parts 1 of 2 (Woodwinds, Brass, Perc.)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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The Imaginary Invalid Opera, I
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.730518 Composed by James Nathaniel Holland. Broadway,Contemporary,Jazz,Musical/Show,Opera. Score and parts. 326 pages...
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Full Orchestra - Level 4 - SKU: A0.730518 Composed by James Nathaniel Holland. Broadway,Contemporary,Jazz,Musical/Show,Opera. Score and parts. 326 pages. James Nathaniel Holland #6129949. Published by James Nathaniel Holland (A0.730518). Instrument Parts 1 of 2 (Woowinds, Brass, Perc) . Full score, piano vocal score and individual parts (strings) sold separately. Moliere's 300 year old play Le malade imaginaire is adapted into a three act comedic opera by American composer James Nathaniel Holland (adaption, music and libretto). It's the story of a hypochondriac, studio mogul who is willing to marry off his daughter to his celebrity doctor's son to save on expenses. From the other side, his ambitious, hypocritical wife is trying to swindle his fortune. Only his long-time secretary and partner can save him and unite his daughter with the young man who she actually loves. Set in 1930's Los Angeles, Hollywood with early jazz elements, quasi musical numbers that will delight and tickle your audiences today. A small cast opera of about 8 singers (2 tenors, soprano, mezzo, coloratura, 2 baritones, and bass baritone) with no chorus and relatively small sized orchestra, this piece is perfect for any university or small opera house, and it's libretto is originally in English. Suitable for all audiences. Duration: 1 hour and 45 minutes. Playlist link: https://www.youtube.com/playlist?list=PLEcbVsA36MCvU97UVaZdWAPdzkN8woFtw (Ver. 2022 with 2 new arias).
$34.95
The Imaginary Invalid Opera, Instrument Parts 2 of 2 (Strings)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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The Imaginary Invalid Opera, I
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.730519 Composed by James Nathaniel Holland. Broadway,Contemporary,Jazz,Musical/Show,Opera. Score and parts. 165 pages...
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Full Orchestra - Level 4 - SKU: A0.730519 Composed by James Nathaniel Holland. Broadway,Contemporary,Jazz,Musical/Show,Opera. Score and parts. 165 pages. James Nathaniel Holland #6131385. Published by James Nathaniel Holland (A0.730519). Instrument Parts 1 of 2 (Woowinds, Brass, Perc) . Full score, piano vocal score and individual parts (strings) sold separately. Moliere’s 300 year old play Le malade imaginaire is adapted into a three act comedic opera by American composer James Nathaniel Holland (adaption, music and libretto). It’s the story of a hypochondriac, studio mogul who is willing to marry off his daughter to his celebrity doctor’s son to save on expenses. From the other side, his ambitious, hypocritical wife is trying to swindle his fortune. Only his long-time secretary and partner can save him and unite his daughter with the young man who she actually loves. Set in 1930’s Los Angeles, Hollywood with early jazz elements, quasi musical numbers that will delight and tickle your audiences today. A small cast opera of about 8 singers (2 tenors, soprano, mezzo, coloratura, 2 baritones, and bass baritone) with no chorus and relatively small sized orchestra, this piece is perfect for any university or small opera house, and it’s libretto is originally in English. Suitable for all audiences. Duration: 1 hour and 45 minutes. Playlist link: https://www.youtube.com/playlist?list=PLEcbVsA36MCvU97UVaZdWAPdzkN8woFtw (Ver. Revised 2022 with 2 new arias).
$25.95
Showtime!
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Orchestre
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AVANCÉ
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Danny Elfman
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Patrick Sheehan
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Showtime!
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Patrick Sheehan
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1270415 By Danny Elfman. By Danny Elfman. Arranged by Patrick Sheehan. Film/TV,Holiday. Score and Parts. 67 pages. Pa...
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Full Orchestra - Level 5 - SKU: A0.1270415 By Danny Elfman. By Danny Elfman. Arranged by Patrick Sheehan. Film/TV,Holiday. Score and Parts. 67 pages. Patrick Sheehan #862812. Published by Patrick Sheehan (A0.1270415). Transcribed from the soundtrack of the 1989 Geffen Company film “Beetlejuiceâ€INSTRUMENTATION: Piccolo, Flute I, Flute II, Bassoon I, Bassoon II, Clarinet I (Bb), Clarinet II (Bb), Contrabass Clarinet (Bb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Trombone I, Trombone II, Trombone III, Tuba I, Tuba II, Snare Drum, Bass Drum, Crash Cymbals, Triangle, Claves, Xylophone, Calliope I, Calliope II, Celesta, Piano, Organ, Violin I, Violin II, Viola, Cello, ContrabassABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
Bramshill Concert Rondo
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Stephen Lines
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Bramshill Concert Rondo
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Stephen Lines
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.957733 Composed by Stephen Lines. Contemporary. Score and parts. 99 pages. Stephen Lines #26285. Published by Stephen...
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Full Orchestra - Level 3 - SKU: A0.957733 Composed by Stephen Lines. Contemporary. Score and parts. 99 pages. Stephen Lines #26285. Published by Stephen Lines (A0.957733). Bramshill was written to commemorate the 50th anniversary of the police staff college and was premiered by the British Police Symphony Orchestra in 2008. In 2011 it undertook some quite serious revision. Bramshill House was until recently the home of the Police Staff College. In 1953 the Home Office purchased Bramshill from Lord Brocket. There is evidence that the site has been inhabited since the time of Domesday and the Norman Conquest. The present building was constructed principally by Edward Zouche, 11th Baron Zouche of Harringworth, between c. 1605-1625. The music is written in large ternary form as a concert rondo. There are features within which depict and draw together various facets of the early history of Bramshill House as a Jacobean structure with that of its current role as the police staff college. After a declamatory eighteen bar opening in the key of C minor the piece leads towards the principal theme - it is introduced by the horn, quietly accompanied by chords from the clarinets dipping in and out of the chalumeau register - a haunting, ethereal theme that depicts the mystery of the ancient building and its numerous reported wraiths. The theme develops and is pronounced giacoso in the strings with light accompaniment in the higher woodwinds. A restatement of the main theme is followed by a section, fugato; this depicts a police officer on the beat in the early hours of a cold, wet, winter’s night. This theme transmutes into a quasi-stately dance such as may have been performed in Bramshill’s great withdrawing room or the long gallery in the 1600’s. A series of 6/3 chords then develop into what sounds akin to a police siren; the section culminates in a wash of sound with police theme, stately dance and siren sounding simultaneously. In the final section, the principal theme is reiterated in various guises and sub-themes are further explored.
$22.50
TAPS A Rembrance
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Orchestre
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INTERMÉDIAIRE
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Traditional
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Ken Litton
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TAPS A Rembrance
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Artist of Note, Inc.
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 2...
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Full Orchestra - Level 3 - SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 28 pages. Artist of Note, Inc. #822125. Published by Artist of Note, Inc. (A0.1226101). TAPS  A Remembrance   Bb Solo Trumpet, Narrator, Piano/Organ/Orchestra, optional SATB Choir  > 2:00TAPS - A Remembrance is ideal for the kinds of brief but important Memorial Day and/or Independence Day observances so often called for in our time.The poignant narration recalls the story of United States Army Sergeant Keith Clark playing the bugle call know today as Taps for the interment of President John F. Kennedy (November of 1963). As author William Manchester later wrote, “The 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†that the whole world heard, and that remains part of our national heritage.The background arrangement (optionally with chorus) heightens the emotion of the story until both give way to a regulation trumpet solo version that includes the grace note error and fades at the end. The orchestration is done in a 4 Part + format that lends itself to optional performance by any section of the orchestra (originally for brass alone).The choral octavo carries the complete narration (also see below) with accompaniment (playable by/adaptable to organ) and the solo trumpet part (all that’s really needed to perform the piece) along with permission to reproduce the octavo for optional choir/ensemble.The choral writing involves divisi only at two easily sung cadence points.And, it can be performed by just the brass and the narrator.For those who may not know the story:CBS News video of A Bugle Call Remembered Gathering 11/16/2013  [01:15]  https://www.youtube.com/watch?v=E3u2qKWQ8io----NARRATOR:  Since the mid 1800s the bugle call known today as Taps has heralded rest for the weary, as well as comfort and encouragement in times of deep personal and collective grief.** music beginsAt about 3:00 p.m. on November 24th 1963, as the nation mourned the assassination of President John F. Kennedy, United States Army Sergeant Keith Clark raised his bugle at Arlington National Cemetery [†with thoughts of I Corinthians 15:51 in mind, “The trumpet shall soundâ€].Clearly broadcast throughout the country and around the world, the 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†as author William Manchester put it. But, as another observer** noted: “Like the crack in the Liberty Bell, it remains part of our national heritage.â€(Taps solo Trumpet with intentional error at m.14 continues)________† Optional text** Ed Hunter for www.TapsForever.com.
$29.99
Rhapsody in Blue
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Orchestre
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AVANCÉ
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George Gershwin
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Rhapsody in Blue
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Arianna Cunningham
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1359676 Composed by George Gershwin. Arranged by Arianna Cunningham, Darren Rodney. Classical,Film/TV,Historic,Jazz,S...
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Full Orchestra - Level 5 - SKU: A0.1359676 Composed by George Gershwin. Arranged by Arianna Cunningham, Darren Rodney. Classical,Film/TV,Historic,Jazz,Standards. 206 pages. Arianna Cunningham #944147. Published by Arianna Cunningham (A0.1359676). As many of you know, Rhapsody in Blue is one of George Gershwin's most famous and iconic pieces of music history, if not, of all time! But in case you guys don't know, there are actually 3 different versions of the same piece Gershwin wrote.These 3 versions include: The original Jazz Band 1924 version, 1927 version, and the most iconic well-known full symphony orchestra 1942 version that everyone plays nowadays. Not only that, but in the 1942 version, the extended part of the Shuffle Theme, as well as the extended Piano Cadenzas have been cut for duration time.So, in honor of Gershwin's Legacy, I've put together a special arrangement written for a full orchestra, and it even includes tons of heavy influences taken mostly from the 1924 version, even taking influences from different live performances that are inspired.These changes include the following:Adding back in the extended shuffle theme and Piano CadenzasAdded a Harp Part to make the arrangement a little Phil Spitalny Hour Of Charm-esque flavor to it.Brought back in the Bari Sax and Orchestral Piano parts, even though they sort of look different from the original score.Swapped a few solo/soli sections here and there while still keeping some of the 1924/42 elements (for instance the 2 Violin Soli, or Low Instruments Soli) in tact.You obviously get the idea.A huge thanks to one of my newest and closest friends who also have arranging experiences Darren Rodney for helping me put this incredible arrangement together!
$35.00
Calling All Workers
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Orchestre
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AVANCÉ
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Eric Coates
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Kevin Riley
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Calling All Workers
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1493082 By Eric Coates. By Eric Coates. Arranged by Kevin Riley. 20th Century,Patriotic. 91 pages. Kevin Riley #10697...
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Full Orchestra - Level 5 - SKU: A0.1493082 By Eric Coates. By Eric Coates. Arranged by Kevin Riley. 20th Century,Patriotic. 91 pages. Kevin Riley #1069754. Published by Kevin Riley (A0.1493082). Music While You Work was a daytime radio programme of continuous live popular music broadcast in the United Kingdom twice daily on workdays from 23 June 1940 ]until 29 September 1967 by the BBC. Initially, the morning edition was generally broadcast on the BBC Home Service at 10:30am, with the afternoon edition at 3pm on the Forces/General Forces Programme - and after the war on the BBC Light Programme. Between August 1942 and July 1945, a third edition was broadcast at 10:30pm for night-shift workers.The programme began in World War II with the idea that playing non-stop popular/light music at an even tempo would help factory workers become more productive.[4][5] It originally consisted of live music (light orchestras, dance bands, brass and military bands and small instrumental ensembles). In order to make studios more available during the day, it was decided in 1963 that the shows would be pre-recorded (often in the evening or on Sundays).
$70.00
Horizons
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Orchestre
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INTERMÉDIAIRE
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Nick Elliott
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Horizons
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Nick Elliott
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1418381 By Nick Elliott. By Nick Elliott. 21st Century,Classical,Contemporary. 117 pages. Nick Elliott #999942. Publi...
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Full Orchestra - Level 3 - SKU: A0.1418381 By Nick Elliott. By Nick Elliott. 21st Century,Classical,Contemporary. 117 pages. Nick Elliott #999942. Published by Nick Elliott (A0.1418381). “Horizons†intends to demonstrate through music the beautiful imagery of nature in Atlantic Canada. The musical imagery expressed in this tone poem is largely inspired by the Acadian forest, Fundy National Park and other geographical features of Atlantic Canada. This tone poem is split into two movements: Sunrise and Sunset. “Horizons aims to reveal what a sunrise and a sunset on the horizon would sound like in Atlantic Canada. In essence “Horizons†aims to create that picture in the listener mind through music. Horizons is a tone poem that seeks to encapsulate the breathtaking nature found in Atlantic Canada. Drawing its inspiration from the lush Acadian forest,  majestic Fundy National Park, and the diverse geographical landscapes that define Atlantic Canada, this piece vividly translates the essence of these natural wonders into sound. The composition is divided into two movements, Sunrise and Sunset, each crafted to convey the unique ambiance and colors of the Atlantic horizon at these times of the day.In Horizons, orchestral textures are pivotal in painting the auditory landscape. The intricate layering of instrumental timbres and dynamics is akin to the interplay of light and shadow across the landscape. The delicate whispers of the woodwinds evoke the gentle rustle of leaves in the Acadian forest at dawn, while the bold, resonant brass mirrors the dramatic hues that streak the sky at dusk. Strings weave throughout, like the constant ebb and flow of the tides at Fundy Bay. Through Horizons, listeners are invited to embark on an auditory journey that mirrors the experience of witnessing a sunrise and sunset on the Atlantic horizon. The orchestral textures serve as dynamic and integral components of the narrative, bringing to life the serene beauty and the vibrant tapestry of Atlantic Canada's natural landscapes through music.
$50.00
Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
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Orchestre
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INTERMÉDIAIRE
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Opera
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Classique
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Johann Simon Mayr
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Concerto n° 1 for cembalo
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1317490 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio & Michele Galvagno. 19th Century,Instructional,...
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Full Orchestra - Level 3 - SKU: A0.1317490 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio & Michele Galvagno. 19th Century,Instructional,Opera,Romantic Period. 110 pages. Artistic Score Engraving di Galvagno Michele #906154. Published by Artistic Score Engraving di Galvagno Michele (A0.1317490). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible.A reduction for two pianos is available under Catalogue N° ASE 0051, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$45.00
EP!C!!!
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Au...
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Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
A Salute to the Big Bands: Cello
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Orchestre
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Methodes
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Calvin Custer
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A Salute to the Big Bands: Cel
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017093_VC1 Cello. Arranged by Calvin Custer. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00...
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Full Orchestra - SKU: AX.00-PC-0017093_VC1 Cello. Arranged by Calvin Custer. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017093_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017093_VC1). UPC: 029156178791.Go back to the heyday of the Big Band era with the music of Glenn Miller, Benny Goodman and others. Calvin Custer takes you on a musical trip with this medley of the big hits from that time. Titles include April in Paris, Serenade in Blue, Sing, Sing, Sing, Pennsylvania 6-5000 and more! (7:54).
$3.00
A Salute to the Big Bands: Flute
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Orchestre
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Methodes
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Calvin Custer
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A Salute to the Big Bands: Flu
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017093_F1 Flute. Arranged by Calvin Custer. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-...
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Full Orchestra - SKU: AX.00-PC-0017093_F1 Flute. Arranged by Calvin Custer. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017093_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017093_F1). UPC: 029156178791.Go back to the heyday of the Big Band era with the music of Glenn Miller, Benny Goodman and others. Calvin Custer takes you on a musical trip with this medley of the big hits from that time. Titles include April in Paris, Serenade in Blue, Sing, Sing, Sing, Pennsylvania 6-5000 and more! (7:54).
$3.00
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That Time of Day