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CHANT - CHO…
CHARANGO
CITHARE
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COR ANGLAIS
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DOBRO - GUI…
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EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
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SYNTHE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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METHODE : TECHNIQUES
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OPERA
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POLKA
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Non classifié
1255
PIANO & CLAVIERS
Piano seul
559
Piano, Voix
230
Piano Facile
167
Instruments en Do
117
Piano, Voix et Guitare
83
Accompagnement Piano
40
Orgue
33
1 Piano, 4 mains
30
2 Pianos, 4 mains
26
Piano Trio: piano, violon, violoncelle
14
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Piano (partie séparée)
8
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano grosses notes
3
Accordéon
2
Clavecin
1
Clavier
1
Orgue, Piano (duo)
1
Instrumentations suivantes
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GUITARES
Ukulele
339
Guitare
80
Guitare notes et tablatures
70
Ligne De Mélodie, (Paroles) et Accords
17
Basse electrique
14
4 Guitares (Quatuor)
11
Mandoline, Piano (duo)
10
Mandoline
10
Paroles et Accords
8
Guitare (partie séparée)
6
Piano, Guitare (duo)
5
2 Guitares (duo)
5
Dulcimer
5
Basse électrique (partie séparée)
4
Banjo
4
Mandoline, Guitare (duo)
4
Instrumentations suivantes
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VOIX
Chorale SATB
282
Chorale 3 parties
91
Chorale TTBB
56
Chorale SSAA
33
Chorale 2 parties
33
Chorale Unison
29
Voix duo, Piano
22
Voix duo
8
Voix Soprano, Piano
6
Voix seule
5
Chorale
3
Voix Alto, Piano
3
Chorale SSATTB
2
Voix basse, Piano
1
Chorale SSAB, Piano
1
Voix Tenor, Piano
1
Voix moyenne, Piano
1
Voix haute
1
Instrumentations suivantes
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VENTS
Clarinette et Piano
230
Flûte traversière et Piano
217
Flûte traversière
126
Saxophone Alto
125
Flûte, Hautbois, Clarinette, Basson
122
Saxophone (partie séparée)
120
Saxophone Tenor
105
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
97
Quatuor de Saxophones: 4 saxophones
88
Clarinette
78
Saxophone Alto et Piano
55
Quatuor de Clarinettes: 4 clarinettes
51
Hautbois, Piano (duo)
49
Quintette de Saxophone: 5 saxophones
39
Hautbois (partie séparée)
39
Saxophone Soprano et Piano
38
2 Flûtes traversières (duo)
36
2 Saxophones (duo)
30
Saxophone Tenor et Piano
22
Quatuor de Flûtes : 4 flûtes
21
Clarinette (partie séparée)
21
3 Saxophones (trio)
20
2 Clarinettes (duo)
18
Ensemble de Flûtes
17
Trio de Flûtes: 3 flûtes
13
Ensemble de saxophones
12
3 Clarinettes (trio)
12
Flûte à bec Soprano
11
Flute (partie séparée)
11
Cor anglais, Piano
11
Harmonica
11
Quintette de Clarinettes: 5 clarinettes
10
Ensemble de Clarinettes
10
Flûte, Clarinette (duo)
8
Clarinette, Basson (duo)
7
Flûte, Violoncelle, Piano (trio)
7
Hautbois
7
Flûte à bec Alto
7
2 Flûte à bec (duo)
7
Quintette de Flûte : 5 flûtes
7
Flûte et Guitare
7
Cor Anglais
7
Saxophone Baryton, Piano
6
3 Flûtes à bec (trio)
4
Saxophone Soprano
4
Quatuor de Flûtes à bec
4
Clarinette Basse, Piano
4
Flûte et Trio à cordes
4
Saxophone Baryton
4
Saxophone, Clarinette (duo)
3
Flûte à Bec
3
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois, Basson (duo)
2
Clarinette, Guitare (duo)
2
Flûte irlandaise
2
Clarinette, Trompette (duo)
2
Flûte, Clarinette et Basson
2
Flûte, Hautbois, Clarinette (trio)
2
Piccolo
1
Hautbois, Clarinette (duo)
1
Hautbois, Guitare (duo)
1
Saxophone
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte traversière, Orgue (duo)
1
Ensemble De Flûte à bec
1
Flûte, Violon
1
4 Hautbois
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Violon (duo)
1
2 Hautbois (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec Tenor
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Alto (duo)
1
Flûte, Saxophone (duo)
1
Flute, harpe et violon
1
Clarinette, Violoncelle (duo)
1
Ensemble de Hautbois
1
Hautbois, Flûte
1
5 Flûtes à bec
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
113
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
108
Quatuor de Cuivres : 2 trompettes, trombone, tuba
81
Trompette, Piano
64
Trombone
64
Trompette (partie séparée)
39
Quatuor de Cuivres: 2 trompettes, Cor, trombone
36
Trombone (partie séparée)
34
Cor
23
Trombone et Piano
22
Quatuor de cuivres: 4 trombones
17
Quatuor de Cuivres
17
Cor (partie séparée)
15
Cor et Piano
14
Tuba
14
Tuba et Piano
14
Cor anglais, Piano
11
2 Trompettes (duo)
10
2 Trombones (duo)
10
Quatuor de cuivres: 4 trompettes
9
Cor Anglais
7
Euphonium
6
Quatuor de cuivres: 4 cors
6
Tuba (partie séparée)
6
Trompette, Trombone (duo)
6
Trio de Cuivres
5
3 Trombones (trio)
5
Ensemble de Cors
5
Trompette, Cor (duo)
4
Ensemble de Trompettes
4
Ensemble de Trombones
4
Euphonium, Piano (duo)
4
4 Tubas
3
2 Cors (duo)
2
Tuba et Orgue
2
Trombone basse et Piano
2
Trompette, Saxophone (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Tubas (trio)
2
2 Tubas (duo)
2
3 Cors (trio)
2
Cor et Orgue
1
2 Trompettes, Clavier (piano ou orgue)
1
Tuba ou Euphonium ou Saxhorn
1
Euphonium, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
Trombone, Orgue
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
275
Violon et Piano
241
Alto, Piano
228
Violoncelle, Piano
219
Violoncelle
151
Violon
145
Alto seul
117
Harpe
40
Quintette à cordes: 2 violons, alto, violoncelle, basse
28
Alto (partie séparée)
27
Trio à Cordes: violon, alto, violoncelle
27
2 Violoncelles (duo)
24
2 Violons (duo)
23
Violon, Violoncelle (duo)
20
Violon (partie séparée)
18
Contre Basse
17
Contrebasse (partie séparée)
15
Trio à Cordes: 2 violons, violoncelle
12
Contrebasse, Piano (duo)
12
Violon, Alto (duo)
9
Quatuor à cordes : 4 altos
9
Harpe et mandoline
9
Alto, Violoncelle (duo)
8
2 Altos (duo)
7
4 Violoncelles
7
Trio à cordes: 3 violins
6
Violoncelle (partie séparée)
6
Harpe, Violon (duo)
4
Quatuor à cordes: 4 violons
4
Violoncelle, Contrebasse (duo)
3
Trio à cordes: 3 altos
3
Trio à Cordes: 3 violoncelles
3
Violon, Guitare (duo)
3
Harpe et Piano
2
4 Contrebasses
2
Alto et Harpe
2
Violoncelle , Guitare (duo)
2
Harpe, Voix
1
Ensemble de Violons
1
Ensemble d'Altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle, Basse continue
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Flûte (duo)
1
Violon, Orgue
1
Violoncelle, Orgue
1
2 Contrebasses (duo)
1
Harpe (partie séparée)
1
Harpe, Violon, Violoncelle
1
Alto, Orgue
1
Violoncelle, Orchestre
1
Ensemble de Violoncelles
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
234
Orchestre à Cordes
125
Orchestre
75
Ensemble Jazz
51
Batterie
41
Ensemble de cuivres
40
Cloches
34
Fanfare
29
Orchestre de chambre
24
Jazz combo
21
Batterie (partie séparée)
19
Percussion (partie séparée)
17
Ensemble de Percussions
8
Percussion
5
Marimba
3
Xylophone
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Vibraphone
1
Xylophone, Piano
1
Timbales (partie séparée)
1
Marimba, Piano (duo)
1
Piano et Orchestre
1
Instrumentations suivantes
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The European Anthem
Orchestre
Orchestra - Digital Download Music from the last movement of the Ninth Symphony. Comp…
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Orchestra - Digital Download Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven (1770-1827). Arranged by Herbert von Karajan. This edition: score. Downloadable. Duration 2 minutes 15 seconds. Schott Music - Digital #Q2742. Published by Schott Music - Digital
The European Hymn is the hymn not only of the European Union but of Europe in a broader sense. The melody has been taken from the Ninth Symphony by Ludwig van Beethoven from 1823.<br> In the last movement of this symphony Beethoven set music to the 'Ode to Joy' by Friedrich von Schiller from 1785. This poem sprang from Schiller's idealistic vision of men who become brothers - a vision Beethoven shared with him.<br> In 1972 the Council of Europe adopted Beethoven's 'Ode to Joy' as its anthem. The well-known conductor Herbert von Karajan was commissioned to arrange three instrumental versions - for solo piano, wind orchestra and symphony orchestra. Without words, in the universal language of music, the anthem is an expression of the idealistic values of freedom, peace and solidarity which Europe stands for.<br> In 1985 the heads of state and government adopted the hymn as the EU's official anthem. It does not replace the national anthems of the member states, but rather celebrates common values as well as unity in diversity.<br> <br> The score of this offical anthem is exclusively available from the Schott publishing house.
$17.99
16.12 €
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Orchestre
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Ludwig van Beethoven
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Herbert von Karajan
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The European Anthem
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Schott Music - Digital
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SheetMusicPlus
Only from Blood Does Freedom Grow (Full Score and Parts)
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M H…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00
60.92 €
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Orchestre
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom Grow
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stanleymhoffman.com
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SheetMusicPlus
Death Theme
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1284734 Composed by Ennio Morri…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1284734 Composed by Ennio Morricone. Arranged by John Langley (at Studio Orchestrations). 20th Century,Broadway,Chamber,Film/TV,Musical/Show. Score and Parts. 14 pages. Www.studio-orchestrations.com #875911. Published by www.studio-orchestrations.com (A0.1284734). This is one of Ennio Morricone's most evocative and yearning themes from the Kevin Costner and Sean Connery classic THE UNTOUCHABLES directed by Brian De Palma. The theme comes where Malone has been brutally/mortally shot and wounded and gives Elliott Ness, his friend, the critical information to enable him to arrest Al Capone's bookeeper before dying. Malone's murder is one of the most unexpected and shocking moments on celluloid when it happens but Morricone's theme is full of pathos and lament for a much loved character.For your event/concert of film music, this is a short but always moving piece that hopefully will fit around your other programming ideas. In a market where loud film music is all the rage, this offers a beautiful sorbet to an evening of movie classics.This arrangement is written for Solo Alto Saxophone (Default solo instrument)Solo Alto Flute* (alternative solo instrument)Acoustic guitar (or Harp)*Strings* Morricone does use Alto Flute to play a version of this theme earlier in the soundtrack and this can make a contemplative and quiet version of the same music so your group can choose instrumentation, esepcially where no saxophone is available in your group or concert; also if your group doesn't have a guitar then this can be played by Harp as well.
$80.00
71.67 €
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Orchestre
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Ennio Morricone
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Death Theme
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www.studio-orchestrations.com
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SheetMusicPlus
The Great Escape March
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1454722 Composed by Al Stillman…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1454722 Composed by Al Stillman and Elmer Bernstein. Arranged by John Langley / Studio Orchestrations. Film/TV,Historic,March,Patriotic,Thriller. 106 pages. Www.studio-orchestrations.com #1033795. Published by www.studio-orchestrations.com (A0.1454722). The Great Escape (1963) is one of the great American epic war adventure films starring some of the greatest actors of the age like Steve McQueen, James Garner, Richard Attenborough, Charles Bronson, Donald Pleasence, James Coburn, David McCallum, Gordon Jackson, among many others. The soundtrack was composed by Elmer Bernstein who had enjoyed great acclaim for his music for the 1960 epic The Magnificent 7 (also starrring Steve McQueen). The Great Escape March theme is regarded as one of the best loved war film themes harnessing both a British and an American patriotic flavour in its themes. Its bitter sweet jauntiness successfully catches the mood of the film, the optimism and indominatable spirit of the prisoners always hell bent on trying to escape, and the German march theme also makes a brief appearance to reflect all the voices in the narrative of the story. Other film composers have used a similar approach using a jaunty march theme like Bernstein does - notably The bridge over the river Kwai and A bridge too far - while other composers have tried (arguably) less successfully to encapsulate appropriate pathos alongside that optimism in the 'optimistic' themes.This arrangement is a great bite sized orchestral excerpt appropriate for any concert of film music, or military war/historic themes. INSTRUMENTATION:FlutePiccolo2 Oboes2 Clarinets2 Bassoons4 Horns4 Trumpets3 TrombonesTubaTimpani3 Percussion [Bass Drum/Cymbals/2 Side Drums]StringsFeel free to browse other similar titles on this website written by John langley and Paul Campbell at www.studio-orchestrations.com
$100.00
89.58 €
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Orchestre
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Al Stillman and Elmer Bernstein
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The Great Escape March
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www.studio-orchestrations.com
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SheetMusicPlus
The Girl I Mean To Be
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1282824 By The Secret Garden En…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1282824 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age,Opera,Singer/Songwriter. Score and Parts. 31 pages. Alberto Caeiro #874067. Published by Alberto Caeiro (A0.1282824). This arrangement for orchestra and voice, is made for young and youth orchestra, with a simple and homogeneous writing.The orchestral formation contains:1 Flute1 clarinet1 Oboe1 Basson1 Trumpet1 Horn2 Violins1 Viola1 Cello1 Double Bass4 percussion instruments1 Voice SoloThe entire arrangement is mindful of the range of the instruments, making it not too difficult to play and allowing for the exploration of the timbres of the woodwind, brass instruments and the string Instruments.The arrangement has a different introduction and ending than the original, but it does not change the tonality or form of the original piece. This makes it more interesting by incorporating percussion in both parts.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.
$59.99
53.74 €
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Orchestre
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The Secret Garden Ensemble
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Alberto Caeiro
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The Girl I Mean To Be
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Alberto Caeiro
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SheetMusicPlus
One Sows for the Benefit of Another Age - Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vander…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
44.78 €
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Orchestre
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Kyle Vanderburg
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One Sows for the Benefit of Another Age - Orchestra
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NoteForge
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SheetMusicPlus
THE GREAT WALL CONCERTO For Piano & Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1316174 By ROBERT VAN HORNE. By…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1316174 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World. 175 pages. White Piano International Publishing #904561. Published by White Piano International Publishing (A0.1316174). THE GREAT WALL CONCERTO for Piano & Orchestra by ROBERT VAN HORNE175 PagesPiano & Full Orchestra – AdvancedConductor Score & All Instrumental Parts IncludedApprox. Duration 13 minutes; 30 secondsComposing THE GREAT WALL CONCERTO for Piano & Orchestra was a journey of inspiration, passion, and deep personal connection for me. Having traveled to China, I was most impressed with seeing the Great Wall. Years later, I composed a musical work for piano and orchestra - a creative and classic concerto that captures the Great Wall's grandeur and majestic attraction.My first visit to the Great Wall of China was in 1983 while engaged as a pianist onboard a cruise ship that sailed the waters of Asia. My first impression seeing the Great Wall and the scenic landscape surrounding it, was one of awe and amazement.At that time, I did not realize the lasting effect this memorable attraction would have on me. Inspired and motivated by several cherished Chinese excursions to the Great Wall during my cruise ship engagement, I began the monumental task of scoring music for piano and orchestra several years later. An excerpt from 2008 Music Teacher of California Magazine review states “…The Great Wall Concerto is pleasant to listen to and has a retro 1940’s movie soundtrack mood about it - Rachmaninoff style chords against melodies in the strings...Listening to this piece, I imagined a film starring Joan Fontaine and Claude Rains as star crossed lovers fleeing their respective spouses on a visit to China.â€After many years of offering the score directly to Music Directors around the world, I am now publishing THE GREAT WALL CONCERTO with Sheet Music Plus and Sheet Music Direct.THE GREAT WALL CONCERTO is an ideal work for professional, semi-professional, pops, college and university orchestras as well as community orchestras. It can be added to any concert program featuring a guest piano soloist, and a violinist or erhu soloist.The Conductor’s Score and all Instrumental Parts are legibly notated with phrasing, dynamics, accents, and musical word descriptions. All the individual instrument parts have easy page turns with large readable scores.This 2006 recording of THE GREAT WALL CONCERTO is for demo purposes only. Except for the piano, all other instruments are digital samples. This recording does not include all the instrumental parts being heard. THE GREAT WALL CONCERTO arrangement for Two Pianos, Four Hands is also available and published by White Piano International Publishing. Robert Van Horne is a member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$59.99
53.74 €
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Orchestre
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ROBERT VAN HORNE
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THE GREAT WALL CONCERTO For Piano & Orchestra
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White Piano International Publishing
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SheetMusicPlus
Fooling Yourself (the Angry Young Man)
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1352032 By Styx. By Tommy Shaw.…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1352032 By Styx. By Tommy Shaw. Arranged by Robert Bradshaw. 20th Century,Pop,Rock. 86 pages. Robert Bradshaw #936861. Published by Robert Bradshaw (A0.1352032). This arrangement for full orchestra and guitar does NOT include the vocal part. Also, the backing vocals are included in the woodwind section. It calls for a rather advanced violinist and principal flute.
$49.99
44.78 €
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Orchestre
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Styx
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Robert Bradshaw
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Fooling Yourself
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Robert Bradshaw
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SheetMusicPlus
Theme From Shaft
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1446171 By Isaac Hayes. By Isaa…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1446171 By Isaac Hayes. By Isaac Hayes. Arranged by Kevin Riley. 20th Century,Disco,Film/TV,Funk,Pop. 72 pages. Kevin Riley #1025993. Published by Kevin Riley (A0.1446171). One of the greatest factors contributing to Shaft's wild success and lasting appeal is its memorable musical score, a revolutionary funk/soul masterpiece. Hayes auditioned for the role of Shaft but was asked to compose the musical score instead. Vulgar, shallow, and crudely done, Shaft distinguished itself mainly by having the best musical score of the year. Isaac Hayes's sensual, moody background music added to the texture of the film.This version does not have a need for the guitar track that was in the original.
$80.00
71.67 €
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Orchestre
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Isaac Hayes
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Kevin Riley
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Theme From Shaft
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Kevin Riley
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SheetMusicPlus
007 - From the 1963 motion picture 'FROM RUSSIA WITH LOVE'
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download By John Barry. Arranged by …
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Full Orchestra - Advanced Intermediate - Digital Download By John Barry. Arranged by Gregory John Harper. Score, Set of Parts. 56 pages. Published by Gregory Harper
Programme notes: Although John Barry had written 50% of the original 'James Bond' theme for 1962's Dr. No (and orchestrated the whole thing), he felt the need to create a new piecefor 007's second on-screen outing that was entirely his own. Using Elmer Bernstein's'Magnificent Seven' theme as inspiration, he crafted a tune that was full of adventure and awe. Although the '007' theme presented here was not adopted by the cinema-goers as the definitive Bond music, it demonstrates Barry's ability to orchestrate and compose in the style of the classic 40s & 50s Hollywood pictures. The theme has been used in several Bondmovies since - mainly as a secondary theme for scenes that wish to depict Bond's heroism more than his swagger and charisma.<br> <br> Conductor's Notes: When the strings take the melody at 'D', they should 'soar'! While the piece lacks melodic or harmonic development, it does show off each section of the orchestra.Make sure all dynamic markings are strictly adhered to as the melody may get overpowered otherwise. The lead trumpet part is a transcription of Derek Watkins' original performance and is very high in places. In the event of having no harpist, the glissandos may be played on a transposed electronic keyboard so thatthe white notes are tuned to a E Major scale (transpose up a major 3rd). The rest of the harp part should be played on a non-transposed keyboard. The piece should fade out to nothing so make sure all eyes areon the conductor as they will need to guide each player through the dynamic changes from 'G' onwards.
$69.99
62.7 €
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Orchestre
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John Barry
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Gregory John Harper
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007 - From the 1963 motion picture 'FROM RUSSIA WITH LOVE'
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Gregory Harper
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SheetMusicPlus
The Parting Glass
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1032233 Composed by Scottish Tr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1032233 Composed by Scottish Traditional. Arranged by Josiah V. Smiddy. Folk,World. Score and parts. 31 pages. Josiah V. Smiddy #4615131. Published by Josiah V. Smiddy (A0.1032233). This arrangement of The Parting Glass is written for full orchestra with tacet percussion and modeled after the style of the of the Irish supergroup, Celtic Woman. The Parting Glass is in the same vein as Auld Lang Syne but is still sung traditionally by the Irish though not so much by the Scottish. The original lyrics from this song describe a person bidding farewell to a good friend who is leaving and my not return. This arrangement opens with a cadenza solo from the principal cello that is intended to set the tone of the piece in that sorrowful dismissal of a good friend. It is intentionally written with basic instrumentation. It does not stretch the ranges too far, but still provides some technical and musical challenges to your ensemble. This would be a great performance piece for a high school or community orchestra.
$30.00
26.87 €
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Orchestre
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Scottish Traditional
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Josiah V
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The Parting Glass
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Josiah V. Smiddy
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SheetMusicPlus
The Horses
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.750517 By Rickie Lee Jones. By …
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Full Orchestra - Level 3 - Digital Download SKU: A0.750517 By Rickie Lee Jones. By Rickie Lee Jones and Walter Becker. Arranged by Matt Amy. Contemporary. Score and parts. 72 pages. Matt Amy Music #5008161. Published by Matt Amy Music (A0.750517). This arrangement was performed by Daryl Braithwaite with the Australian Philharmonic Orchestra and does not contain a vocal part.
$75.00
67.19 €
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Orchestre
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Rickie Lee Jones
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Matt Amy
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The Horses
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Matt Amy Music
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SheetMusicPlus
Karrinyup Fanfare
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1205401 Composed by Ben Clapton…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1205401 Composed by Ben Clapton. Classical,Contemporary. Score and parts. 103 pages. Ben Clapton #803587. Published by Ben Clapton (A0.1205401). An Orchestral Fanfare, written for the Metropolitan Symphony Orchestra, Perth. 2 Flutes (2nd doubling Piccolo), 2 Oboes, 2 Bb Clarinet, 2 Bassoon, 4 French Horns, 2 Trumpets in Bb, 2 Trombones, 1 Tuba, 4 Percussion (Timpani, Bass Drum, Snare Drum, Cymbals), Harp, StringsComposer's notes:2022 was a year that sparked inspiration for me. I am not talking about just one spark either, but a series that beautifully led me to the creation of my piece. After seeing the 2022 MetSO program it was evident that it lightly using the Brass players, and I knew they were feeling a bit underutilised. Which sparked the first idea in my mind to write a piece that would take full advantage of their skills, and heavily use brass instruments. The program coincided with the 45th Anniversay of the Orchestra which started it life as the Karrinyup Symphony Orchestra. Rekindling the orchestra’s relationship with the City of Stirling and returning to the City of Stirling as a rehearsal venue in 2023, was another spark of inspiration which led me towards the piece’s naming… the ‘Karrinyup Fanfare’. The last spark of inspiration was a query inside my mind. The opening of the piece contrasts two somewhat conflicting meanings of the word Karrinyup. During an Aboriginal Studies unit, I discovered that Karrinyup is a Noongar word that translates to “the place where there are spidersâ€. However, this differs from the City of Stirling official meaning of the name Karrinyup on the website. It states the word means “the place where Kangaroos drinkâ€, possibly because it sounds much more pleasant and doesn’t inspire the fear that spiders often do. It was this contrary interpretation of the word ‘Karrinyup’ which provided the final spark of inspiration I needed for this composition. You see, when you listen to the opening, the theme jumps up and down through the horns, and represents the Kangaroo – Yongka. Whilst as the fanfare continues, you will notice the second theme – the crawling strings represent the spider – Kar. I hope you enjoy it as much as I did creating it. May it, and this new year, spark inspiration for you.
$75.00
67.19 €
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Orchestre
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Ben Clapton
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Karrinyup Fanfare
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Ben Clapton
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SheetMusicPlus
Manuel De Falla - The Four Spanish Pieces, #3 Montañesa, Orchestrated by Arkady Leytush, Full Orchestra
Orchestre
Full Orchestra - Digital Download Composed by Manuel de Falla (1876-1946). Arranged b…
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Full Orchestra - Digital Download Composed by Manuel de Falla (1876-1946). Arranged by Arkady Leytush. 20th Century. Score. 22 pages. Published by Arkady Leytush
Montañesa, subtitled as"landscape", is the only one of the four that does not refer to aspecific territory. Indeed, the leisurely and calm air of the work seemsto bring to mind a landscape, someone contemplating a place calmly.
$20.00
17.92 €
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Orchestre
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Manuel de Falla (1876-1946)
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Arkady Leytush
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Manuel De Falla - The Four Spanish Pieces, #3 Montañesa, Orchestrated by Arkady Leytush, Full Orchestra
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Arkady Leytush
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SheetMusicPlus
Paris Without You
Orchestre
Tenor Saxophone Solo with Orchestra - Digital Download SKU: IZ.OMW223 Composed by P…
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Tenor Saxophone Solo with Orchestra - Digital Download SKU: IZ.OMW223 Composed by Phil Sims. Score and Parts. 268 pages. Imagine Music - Digital #OMW223. Published by Imagine Music - Digital (IZ.OMW223). 8.5 x 11 inches.The Waking, by Theodore Roethke, is an enigmatic villanelle written in 1953, a year after he got married. In it the poet puts forward various ideas about life and how to live it. A villanelle is based on repeated lines (a refrain) that connects each stanza as the poem progresses.Theodore Roethke's poetry is known for its exploration of the self through reflection on family and nature; there is plenty of depth and technical skill. His mental illness also caused him to look into the darkness from time to time, recording his inner life in personal poems.Growing up, he spent lots of time in his father's garden and greenhouses and soil and plants and roots and things often turn up in his work. In fact the greenhouse, for Roethke, was a symbol 'for the whole of life, a womb, a heaven-on-earth.'The Waking doesn't contain a greenhouse but it does have symbolism and takes the reader into unexpected places. It is both introspective and positive in its outlook.
$120.00
107.5 €
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Orchestre
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Phil Sims
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Paris Without You
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Imagine Music - Digital
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SheetMusicPlus
La Línea de la Concepción "La Sinfonía del Silencio"
Orchestre
Full Orchestra - Level 1 - Digital Download SKU: A0.1365197 By Alicia DomÃnguez …
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Full Orchestra - Level 1 - Digital Download SKU: A0.1365197 By Alicia DomÃnguez Arcos Sonay. By Alicia DomÃnguez Arcos. Arranged by Alicia DomÃnguez Arcos. Classical,Contemporary,Instructional,Multicultural,Traditional,World. 82 pages. Alicia Dominguez #949514. Published by Alicia Dominguez (A0.1365197). The charm lies in the fact that complete silence does not occur, where there is an audience you can hear the ambient sound: The sum of the breaths, the small movements, coughs... The sound qualities of the air itself and the reverberation of the room. The spectator suddenly discovers that the piece of music is composed of the sounds that surround him and of which he is not usually aware, including his own breathing, the beating of his heart or even the plaintive sound of his own shoes. In society, noise, as in this case, sound in music is present in our daily lives, forgetting to appreciate and the importance of silence. Silence does not have to give a feeling of fear. Appreciate silence, giving it that perception of inner peace and balance, equally linked to perseverance, that perseverance that occurs with music, with its constancy and persistence making it flow. Thus, just as each musical figure has its corresponding silence representing its same value and duration. Although the painter Pablo Picasso said that you have to learn the rules like a professional to be able to break them like an artist, reaffirming what Don Blas Infante, father of the Andalusian homeland (Spain), said: any paper on the ground must always be read , since any role can be important. Music scores and the time spent making them do not take the degree of value in human beings of this century. When they own it for themselves.https://youtu.be/GvEx1Bn2HS8?si=IW1ZUw1yFcJzz0uf
$7.00
6.27 €
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Orchestre
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Alicia DomÃnguez Arcos Sonay
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Alicia DomÃnguez Arcos
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La Línea de la Concepción "La Sinfonía del Silencio"
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Alicia Dominguez
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SheetMusicPlus
Symphony No.1
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.511812 Composed by Han-Ki Kim. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.511812 Composed by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Score and parts. 186 pages. Han-Ki Kim #6440929. Published by Han-Ki Kim (A0.511812). Symphony No.1 “KangKangSullae†Symphony No. 1 has the name “KangKangSullaeâ€, and the composer is like any other korean composer. “What does it mean to be Korean?†With the question, he is trying to compose such works. A Korean work means a work that contains Korean emotions and spirit, and the melody of “KangKangSullae†has been handed down through a long history to this day, so it can be said that it is a keepsake containing the soul of Korea. With this in mind, the theme of “KangKangSullae†was cited in the 4th movement, and it was named as a representative name for the Symphony as an element that forms the basic character of this movement.For reference, the origin of “KangKangSullae†is from women's circular dance. It was because they valued the relationship between each other. They held hands, sang and danced, and it was a representative event to commemorate the full moon and the harvest.The first movement is in 6/8 time, and two contrasting themes, masculine and feminine, appear in normal sonata form.The second movement crosses the natural harmonics of the violin and the normal playing method in 4/4 time, expressing oriental excellence and emotion.The third movement is composed in a short ABA form with a humorous lightness and weight in 3/8 time.The fourth movement quoted the theme of “Ganggangsullae†in 8/12 time, and was composed in the form of variations that change with various personalities, sometimes majestic, sometimes sobbing, calmly, etc.Attached Music file is only 1st. movement, it's just for a reference.
$45.00
40.31 €
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Orchestre
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Han-Ki Kim
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Symphony No.1
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Han-Ki Kim
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SheetMusicPlus
Orchestral Excerpts for Tuba with Piano accompaniment, Volume 2 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1036106 Composed by Various. Ar…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1036106 Composed by Various. Arranged by Takahiro Kim. Classical,Romantic Period. Score and parts. 116 pages. Gordon Cherry #641207. Published by Gordon Cherry (A0.1036106). Below is a description of Volume 2 of Orchestral Excerpts for Tuba with Piano accompaniment arranged by Japanese Tubist Takahiro Kim. This new edition includes the following music: Piano accompaniments to the orchestral excerpts from major works for Tuba. This edition does not include a separate Tuba (the tuba part is in the piano accompaniment part though), however, if the performer needs these parts, they are readily available in the Complete Collection of Low Brass Orchestra Music compiled by Gordon Cherry. Many tuba players (at any level) will play in an orchestra or practice the tuba part of a piece as part of their studies. You will also have the opportunity to listen to reference recordings and study those pieces. In this textbook, I have arranged the tuba part so that it can be played with piano accompaniment. Some pieces are difficult to understand from the orchestral soundtrack alone. I have transcribed the piano part as simply as possible. By doing so, you will be able to clearly understand the relationship between the phrases, accompaniment patterns, harmonies, rhythms, and the relationship between the tuba part and the orchestra. I have included many parts other than the ones to be played in the audition pieces. This is because I want you to practice with a strong image of the musicality and sound feeling used in those pieces. I think you will be able to fully understand the outline of the music. Bruckner: Symphony No. 4-9 - You may only have the opportunity to practice the sections for auditions, such as No. 4 (4th movement) and No. 7 (4th movement). However, by practicing other sections as well, you will be able to study the ideal style, sounds, and harmonies that are appropriate for Bruckner's symphonies. By referring to the piano part, you will be able to understand the harmony very quickly. Mendelssohn: A Midsummer Night’s Dream Overture - If you have a chance to practice with a pianist, try practicing at a slower tempo so that you can visualize the ideal tone and nuance of articulation for bass tuba while feeling the harmonic background of the piano playing. Of course, mp3 files will also help you. Mussorgsky: Pictures at an Exhibition - Each section is very unique, so it is best to practice with a clear purpose. In Bydlo, everything is arranged for concert use. So it will be possible to play it in a real concert or orchestral situation. If you play with the accompaniment in mind, your approach to the phrases will surely change. I recommend that you practice all sections of Pictures at an Exhibition with a pianist at a slow tempo. When you listen to recordings or practice by yourself, it may be difficult to pay attention to each harmony. Knowing a clear harmonic standard will help you take your sound and articulation in a more ideal direction.
$30.00
26.87 €
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Orchestre
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doing so, you will be able to clearly understand the relationship between the phrases, accompaniment patterns, harmonies, rhythms, and the relationship between the tuba part and the orchestra
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Various
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Takahiro Kim
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Orchestral Excerpts for Tuba with Piano accompaniment, Volume 2 - Score Only
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Gordon Cherry
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SheetMusicPlus
Orchestraining No. 01 [Orchestra]
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1224099 Composed by Juan MarÃ…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1224099 Composed by Juan MarÃa Solare. 19th Century,20th Century,21st Century,Classical,Instructional. Score and Parts. 20 pages. Juan Maria Solare #820190. Published by Juan Maria Solare (A0.1224099). Orchestraining is a cycle of orchestral studies, each of which focuses on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The particular study Orchestraining Nr. 01 focuses on the subject of simultaneous attacks, presenting a series of staccato chords in different parts of the bar. The piece will be played twice, with different dynamics and (partly) different performing techniques (particularly in the strings: pizzicato vs. arco).Orchestraining No. 01 - simultaneous attacks*Orchestraining es un ciclo de estudios orquestales, cada uno de los cuales tematiza diferentes aspectos de la ejecución. Estos estudios están concebidos especÃficamente para orquestas no profesionales; sin embargo, cualquier orquesta mejorará si toca alguna de estas piezas durante los ensayos. Siempre es necesario cuidar la afinación y muchos otros aspectos de la ejecución orquestal.Adicionalmente, estos estudios son también útiles para estudiantes de dirección orquestal. Por ejemplo, es imprescindible saber cómo dirigir un ataque simultáneo de un acorde que no comienza en el uno, sino una corchea después del tercer tiempo.Comencé a escribir estos estudios hacia 2013, cuando asumà la dirección de la Bremer Orchestergemeinschaft y noté la ausencia total de repertorio de este tipo. Como pianista estoy acostumbrado a los estudios de Carl Czerny o a tocar escalas. Cada instrumentista, individualmente, conoce sobradamente estudios de técnica para su instrumento. Sin embargo no existen, o no conozco, estudios similares para la técnica de ejecución orquestal y las dificultades especÃficas de ensamblaje que ésta requiere. El ciclo Orchestraining intenta cubrir esta laguna.El estudio Orchestraining Nr. 01 en particular trata el tema de los ataques simultáneos, presentando una serie de acordes staccato en distintas partes del compás. La obra se tocará dos veces, con distintas dinámicas y (en parte) con distintas técnicas de ejecución (particularmente en las cuerdas: pizzicato vs. arco).
$5.00
4.48 €
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Orchestre
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Juan MarÃa Solare
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Orchestraining No. 01 [Orchestra]
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Juan Maria Solare
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SheetMusicPlus
Orchestraining No. 5b [Orchestra]
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1432030 By Juan Maria Solare. B…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1432030 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 20 pages. Juan Maria Solare #1012510. Published by Juan Maria Solare (A0.1432030). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The fifth etude focuses again on tuning and intonantion and comes in two versions: for wind ensemble and for the full orchestra.
$5.00
4.48 €
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Orchestre
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Juan Maria Solare
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Orchestraining No. 5b [Orchestra]
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Juan Maria Solare
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SheetMusicPlus
EP!C!!!
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wint…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
35.83 €
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Orchestre
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
Rap Symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.882396 Composed by David Chesky…
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Full Orchestra - Level 5 - Digital Download SKU: A0.882396 Composed by David Chesky. Contemporary,Jazz. Score and parts. 69 pages. Pamaluc Music #18967. Published by Pamaluc Music (A0.882396). The Rap Symphony for large orchestra featuring two rappers is about a transitional society, a society that is shifting from the word to the image. Our civilization once used to believe in depth and reading and art; now abstract thought is changing into a simplistic, superficial society where one is consumed with the quick Starbucks or Twitter fix. It's all lightness of being today. We don't celebrate anticipation anymore, people don't want to put the time in. This symphony is about the collapse of that whole ethos. The phrase in the lyrics that says 'kill the philharmonic' doesn't mean that literally. It's a metaphor for a society that has no use for the philharmonic. We're losing these things. Pretty soon John Coltrane and Miles Davis, along with all jazz and classic music, will become museum pieces. We used to have a culture that cherished these, but in a super simplistic society, there's just no room for them. Duration 19.38 min 3fl./ 2ob./ 2cl./ B.Cl/ 2bs./ cbsn/ 4hrns./ 3 tpts./ 3tbns./ tuba / tymp./ 6 perc./ harp/ strings View the video here https://www.youtube.com/watch?v=8XAuO9Rm3Cs.
$4.98
4.46 €
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Orchestre
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David Chesky
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Rap Symphony
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Pamaluc Music
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SheetMusicPlus
Ponder Anew
Orchestre
Full Orchestra - Digital Download SKU: A0.976722 Composed by LOBE DEN HERREN. Arran…
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Full Orchestra - Digital Download SKU: A0.976722 Composed by LOBE DEN HERREN. Arranged by Robert Myers. Christian,Contemporary,Sacred. Score and parts. 64 pages. WheatMyer Music #4808643. Published by WheatMyer Music (A0.976722). Joachim Leander's Praise to the LORD, the Almighty, as translated by Catherine Winkworth, has consistently been one of the most published hymns in the English language since the mid-20th Century. Its anonymously composed tune, LOBE DEN HERREN, almost exclusively paired with this text since the 17th Century, is also much loved. Even J.S. Bach found it suitable to feature in his 137th cantata. The title of this arrangement, Ponder Anew, as taken from the commonly used third stanza of the hymn, Ponder anew what the Almighty can do, invites one to consider afresh the attributes and works of Almighty God as one listens to this completely new setting of the tune. This arrangement for orchestra features three variations of the complete hymn tune utilizing metrical and harmonic changes to maintain focus on the tune and its text. These are bracketed via repetitions of the first five tune pitches in harmonic planing over a crescendoed pedal tone producing steadily increasing tension with unexpected resolutions of the beginning and concluding phrases. The music in not particularly difficult and should be readily playable by high school or higher level musicians. Yet, both musicians and audience will find the work interesting and enjoyable with music that reflects the majesty and mystery of its subject. Robert Myers S.D.G.INSTRUMENTATION Picc, Fl1, 2 Oboe 1, 2 Bb Cl 1, 2 + Bass Cl Bsn 1 Hn 1, 2 Tpt 1, 2, 3 Tbn 1, 2, 3 Tuba Timpani Perc. 1 (glock, crash cym, sus cym, ride cym, mark tree, claves, tam tam) Perc. 2 or Drum Set (snare, bass drum, toms (lo/mid/hi), crash cym, finger cym or triangle, ride cym, sys cym) Vln 1, 2 VlaVC DB
$75.00
67.19 €
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Orchestre
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LOBE DEN HERREN
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Robert Myers
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Ponder Anew
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WheatMyer Music
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SheetMusicPlus
Come, Thou Long-Expected Jesus - Full Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1148784 Composed by Rowland H P…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1148784 Composed by Rowland H Prichard. Arranged by Mark R Lewis. Christmas,Holiday,Religious. Score and Parts. 35 pages. Mark R Lewis #748921. Published by Mark R Lewis (A0.1148784). Come, Thou Long-Expected Jesus is a lovely Advent hymn. The text was written by Charles Wesley and has been used in Advent services regularly since it was written in the 1740s. The text has been set to many tunes but the one used in this version is Hyfrydol, This tune was written by Rowland Prichard about 100 years after Wesley's text and is used extensively in many hymnals but especially for this particular text. This arrangement is for orchestra with optional 3-5 octave handbell choir. The handbell arrangement unusual in that the 4 octave version does require the use of the F3 bell. Other than that this is a relatively simple, if thickly orchestrated, arrangement. There are three sections using different methods of music making, the first is a fairly straightforward setting, the second focuses on short sounds in the melody which is also in the lower voices, and the third explores musical canon before bringing back a more traditional musical setting. There are two distinct parts for most instruments with a few splitting more. Flutes, trumpets, and trombones have three parts. The trombone 3 part is intended to be bass trombone but should be playable on regular trombone and if any section only has two divisions, the lower voice should have more players unless otherwise notated. That applies to flutes and trumpets as well. There are four horn parts that do not split. The timpani part should be playable on two drums with active pedaling to change notes mid-piece, although four drums is perfectly acceptable.
$34.99
31.34 €
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Orchestre
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Rowland H Prichard
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Mark R Lewis
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Come, Thou Long-Expected Jesus - Full Orchestra
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Mark R Lewis
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SheetMusicPlus
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