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4109
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4037
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1373
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615
Instruments en Do
488
Orgue
379
1 Piano, 4 mains
182
Accompagnement Piano
126
Piano Trio: piano, violon, violoncelle
124
Accordéon
59
2 Pianos, 4 mains
46
Orgue, Trompette (duo)
20
Piano Quatuor: piano, violon, alto, violoncelle
20
Piano Quintette: piano, 2 violons, alto, violoncelle
19
Piano grosses notes
16
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16
Clavecin
14
Piano Quatuor: piano, 2 violons, violoncelle
11
Orgue, Piano (duo)
9
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3
2 Pianos, 8 mains
2
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Guitare
479
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378
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145
Ukulele
138
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56
Guitare (partie séparée)
29
Basse electrique
28
Paroles et Accords
25
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23
Mandoline
19
Piano, Guitare (duo)
19
Dulcimer
19
Banjo
15
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8
Ensemble de guitares
7
Mandoline, Guitare (duo)
4
Guitare Pedal Steel
3
2 Ukuleles
3
Mandoline, Piano (duo)
2
Ukulele Baryton
2
Guitare, Quatuor à cordes
2
Guitare, Violon, Violoncelle (trio)
1
Orchestre à Plectres
1
2 Dulcimers (duo)
1
Ensemble de Ukulélés
1
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2548
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691
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502
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313
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263
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206
Voix duo, Piano
75
Voix Soprano, Piano
75
Voix haute
45
Voix Tenor, Piano
45
Voix duo
45
Voix Alto, Piano
39
Pack Instrumental pour Chorale
32
Voix seule
25
Voix Baryton, Piano
23
Voix moyenne, Piano
15
Chorale
12
Voix basse, Piano
8
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7
Chorale SSATB
5
Voix Mezzo-Soprano, Piano
5
Voix Soprano
5
Voix Tenor
4
Voix basse
3
Soli, choeur mixte et accompagnement
3
Voix, Guitare
3
Chorale SATBB
2
Chorale SSAB a cappella
2
Chorale SSAB, Piano
1
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1
Chorale SSATTB
1
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Flûte traversière et Piano
557
Quatuor de Saxophones: 4 saxophones
500
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
485
Hautbois, Piano (duo)
409
Clarinette et Piano
377
2 Saxophones (duo)
374
Flûte, Hautbois, Clarinette, Basson
346
Saxophone Alto et Piano
332
Quatuor de Clarinettes: 4 clarinettes
308
Clarinette
287
2 Flûtes traversières (duo)
250
Flûte traversière
244
2 Clarinettes (duo)
237
Quintette de Saxophone: 5 saxophones
209
Saxophone Tenor et Piano
199
Saxophone (partie séparée)
186
Saxophone Alto
184
Saxophone Soprano et Piano
160
Saxophone Tenor
135
3 Saxophones (trio)
132
Quatuor de Flûtes : 4 flûtes
129
Ensemble de saxophones
126
Saxophone, Clarinette (duo)
122
Ensemble de Clarinettes
111
Hautbois (partie séparée)
103
Cor anglais, Piano
102
Flûte, Clarinette (duo)
101
Saxophone Baryton, Piano
99
Clarinette, Violon (duo)
96
3 Clarinettes (trio)
88
Ensemble de Flûtes
82
Clarinette, Trompette (duo)
72
2 Hautbois (duo)
72
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72
Trio de Flûtes: 3 flûtes
69
Clarinette Basse, Piano
64
Flûte et Guitare
63
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62
Flûte, Violon
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Flûte, Violon, Piano
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Clarinette (partie séparée)
51
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Clarinette et Alto
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Flûte, Hautbois, Clarinette (trio)
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42
2 Flûte à bec (duo)
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Flûte, Trompette (duo)
38
Quintette de Flûte : 5 flûtes
37
Flûte, Alto (duo)
35
Flûte, Clarinette et Basson
35
2 Flûtes traversières, Piano
33
Saxophone Soprano
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Flûte, Violon et Violoncelle
30
Flute (partie séparée)
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Flûte à bec Soprano
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Flûte, Hautbois, Basson
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Quatuor de Flûtes à bec
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Hautbois, Clarinette, Basson (trio d'anches)
23
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22
Flûte à bec Soprano, Piano
20
Clarinette, Guitare (duo)
20
Clarinette, Violoncelle (duo)
18
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16
Flûte à bec Alto, Piano
16
Flûte à bec Alto
16
Harmonica
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Flûte, Hautbois (duo)
12
2 Clarinettes, Basson
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Ocarina
11
Flûte, Clarinette, Piano (trio)
11
2 Saxophones, Piano
10
Piccolo, Piano
10
3 Flûtes à bec (trio)
9
Hautbois
9
Clarinette, Harpe (duo)
9
Cor Anglais
9
Flûte, Harpe et Violoncelle
7
Hautbois, Violoncelle
7
2 Clarinettes, Piano
7
Flûte à Bec, Piano
7
Hautbois, violon (duo)
7
3 Hautbois
7
Flûte, Hautbois, Piano (trio)
6
Saxophone, Basson (duo)
6
Flûte, Violoncelle, Piano (trio)
6
Ensemble De Flûte à bec
6
Flûte à bec Tenor
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Saxophone et Guitare
6
Hautbois, Guitare (duo)
5
Flûte, Basson et Piano
5
Cor anglais, Guitare (duo)
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Piccolo
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Flûte irlandaise
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Cornemuse
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Quintette de Clarinette: Clarinette, Quatuor à Cordes
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2 Cors Anglais Et Pianoforte
4
Clarinette, Trombone (duo)
4
Flûte, Trombone (duo)
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5 Flûtes à bec
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Hautbois, Harpe
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2 Hautbois et Basson
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Hautbois et alto (duo)
3
Ensemble à vent
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Flûte, alto et harpe
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Clarinette, Violoncelle, Piano (trio)
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Flûte à bec Alto, Basse continue
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Flûte traversière, Basse continue
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Flûte, Violon, Violoncelle et Piano
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Flûte traversière, Orgue (duo)
3
Saxophone et Orgue
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Flute, harpe et violon
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Hautbois, Clarinette et Piano (Trio)
2
Saxophone
2
Saxophone Baryton
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Flûte, Hautbois, Violon
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Saxophone et Harpe
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Flûte de Pan
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Clarinette Basse
1
Clarinette, Contrebasse (duo)
1
Saxophone et Piano
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Melodica
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2 Flûtes à bec, Piano
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Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Saxophone, Violon (duo)
1
Ensemble de Hautbois
1
Flûte, Alto et Piano
1
Flute, Cor (duo)
1
Clarinette, Alto et Piano (trio)
1
Flûte et Trio à cordes
1
Instruments en Mib
1
Saxophone et violoncelle
1
Hautbois, Basson et Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Flûtes à bec, Guitare
1
Clarinette, Orgue
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Basson, Piano (trio)
1
4 Hautbois
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
671
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420
Trombone et Piano
275
Trompette
262
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Cor et Piano
181
Trombone
144
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122
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114
Trompette (partie séparée)
112
2 Trompettes (duo)
112
Ensemble de Trompettes
106
Cor anglais, Piano
102
Trombone (partie séparée)
99
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90
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86
Quatuor de cuivres: 4 trombones
82
Tuba et Piano
79
Cor
75
Quatuor de Cuivres: 2 trompettes, Cor, trombone
73
Ensemble de Trombones
73
Trompette, Trombone (duo)
69
2 Cors (duo)
60
Tuba
50
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36
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30
3 Trombones (trio)
28
Tuba (partie séparée)
23
2 Tubas (duo)
18
3 Trompettes (trio)
17
Trompette, Cor (duo)
16
Ensemble de Cors
15
Trio de Cuivres
15
2 Euphoniums et 2 Tubas
15
Quatuor de cuivres: 4 trompettes
13
Euphonium
11
Tuba et Orgue
10
Cor Anglais
9
Euphonium, Tuba (duo)
8
4 Tubas
7
Cor et Harpe
7
Trombone, Orgue
6
3 Tubas (trio)
6
Trompette, violon (duo)
6
Cor anglais, Guitare (duo)
5
3 Cors (trio)
5
2 Euphoniums (duo)
4
2 Cors Anglais Et Pianoforte
4
Trombone, Violon (duo)
4
Bass Clef Instruments
4
Trompette, Harpe
4
Trombone basse et Piano
4
2 Trompettes, Clavier (piano ou orgue)
4
Cor, Violoncelle (duo)
4
Trompette, Basson (duo)
3
Trombone, Tuba (duo)
3
Trombone, Cor (duo)
3
Clarinette, Cor (duo)
3
Trombone basse
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Tuba (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone, violoncelle (duo)
2
Trompette, Violoncelle et Piano
2
Cornet A Pistons
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Trompette, Trombone, Piano
2
2 Trombones, Piano
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Ensemble de Tubas
1
Cor, Tuba (duo)
1
Cor et Orgue
1
2 Cors, Piano
1
Trombone et orchestre
1
Trompette, Violoncelle (duo)
1
Instruments en Sib
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1414
Violon et Piano
853
Violoncelle, Piano
472
Violon
460
Alto, Piano
341
Violon, Violoncelle (duo)
303
Violoncelle
293
2 Violons (duo)
270
Harpe
234
Trio à Cordes: violon, alto, violoncelle
228
2 Violoncelles (duo)
186
Violon, Alto (duo)
135
Violon (partie séparée)
131
Trio à Cordes: 2 violons, violoncelle
117
Alto seul
115
2 Altos (duo)
113
Quintette à cordes: 2 violons, alto, violoncelle, basse
100
Alto (partie séparée)
80
2 Harpes (duo)
74
Contrebasse, Piano (duo)
65
Alto, Violoncelle (duo)
55
Contrebasse (partie séparée)
54
Contre Basse
53
4 Violoncelles
53
Trio à cordes: 3 violins
47
Trio à Cordes: 3 violoncelles
34
Violon, Guitare (duo)
34
Violoncelle (partie séparée)
31
Violoncelle, Contrebasse (duo)
22
Quatuor à cordes: 4 violons
20
Harpe, Flûte (duo)
19
Ensemble de Violons
19
Violoncelle , Guitare (duo)
18
Piano Trio: Violon, Alto, Piano
18
Ensemble d'Altos
18
Trio à Cordes: 2 violons, alto
15
Trio à cordes: 3 altos
13
Alto, Guitare (duo)
13
Harpe, Violon (duo)
11
2 Violons, Piano
11
Violon, Basson (duo)
10
2 Contrebasses (duo)
10
Quatuor à cordes : 4 altos
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Harpe, Violoncelle (duo)
8
Alto et Basson
6
4 Contrebasses
5
Harpe, Voix
5
Alto et Harpe
4
Flûte, Contrebasse (duo)
4
Violon, Basse continue
4
Violon, Orgue
3
Trio à cordes
3
Harpe et Piano
2
3 Contrebasses
2
Violon, Clarinette, Piano (trio)
2
Harpe et mandoline
2
Autoharp
2
Ensemble de Violoncelles
2
Harpe, Trombone (duo)
2
Violoncelle, Orchestre
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violoncelle, Basse continue
1
Violoncelle, Orgue
1
3 Harpes
1
Violon, Violoncelle, Clarinette
1
4 Harpes
1
Harpe, Violon, Violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
3421
Orchestre à Cordes
976
Orchestre
666
Ensemble de cuivres
391
Ensemble Jazz
242
Orchestre de chambre
235
Cloches
186
Jazz combo
70
Fanfare
51
Ensemble de Percussions
43
Percussion (partie séparée)
36
Batterie
24
Batterie (partie séparée)
18
Marimba
14
Xylophone, Piano
10
Vibraphone
10
Percussion
5
2 Xylophones
4
Xylophone
3
Orchestre, Violon
3
Cajon
2
Caisse Claire
2
Bongos
2
Quintette de Cuivres: autres combinaisons
2
Piano et Orchestre
2
Quatuor à Vent : 4 instruments à vents
1
2 Marimbas
1
Instrumentation Flexible
1
Marimba, Piano (duo)
1
Ensemble d'École
1
Conga
1
Vibraphone et Marimba
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
1
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Montenegrin National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.746971 Composed by Montenegrin …
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Full Orchestra - Level 3 - Digital Download SKU: A0.746971 Composed by Montenegrin folk song. Arranged by Keith Terrett. 20th Century,Multicultural,Patriotic,Praise & Worship,Traditional,World. 27 pages. Keith Terrett #5205655. Published by Keith Terrett (A0.746971). The National Anthem of Montenegro arranged for Symphony Orchestra. There are versions for Brass Quintet & String Orchestra in my on-line stores.Oj, svijetla majska zoro (Montenegrin Cyrillic: „Ој, Ñвијетла мајÑка зоро, trans. Oh, Bright Dawn of May) is the official National anthem of Montenegro adopted in 2004. Before becoming the anthem, it was a popular folk song of the Montenegrins, with many variations of its text. The oldest one is dated to the 2nd half of the 19th century, known as Oh, Bright Dawn of Heroism, oh!, a popular Montenegrin folk song.It was played in public for the first time in 1863 in the national theater in Belgrade. It was a component song of the Battle of Grahovo or blood feud in Montenegro (Бој на Грахову или крвна оÑвета у Црној Гори) heroic play in three parts. It is unknown if the text’s authors are also the play’s, namely the following Montenegrin composer/writers: the father of Marko Car Jovan Car and an unknown Obrad Vitković. The play and the Montenegrin folk song was also played/sung in the National Theater again in 1870 and 1876. Its first record in Montenegro itself dates to 1887, when it was included into the regular school program of Montenegrin national songs for pupils in the 3rd grade. It was reconfirmed in the teacher’s plan for Montenegrin schools of 1888, which speculates that it must have been an established folk song for decades by then.Sekule Drljević, party strongman of a minor political party which was active in the Yugoslavian Kingdom in Montenegro known as the Montenegrin Federalist Party, rewrote the text and published it in 1937 in the book of then’s Croatian writer of Montenegrin origins Savić Marković Å tedimlija known as Crvena Hrvatska (Red Croatia), which confounded the thesis not of a Serb ethnic origin of the Montenegrins, which was the dominant one back then, but rather from the Croats. Its name was Eternal Ours… (VjeÄna naÅ¡a). When Nikola Hercigonja wrote down Oh, Bright Dawn of May shortly after WWII ended after 1945, he erroneously concluded that Drljević was the original wholesale author of this song, which also led to its considerable decline in popularity as a Montenegrin folk song altogether.The song survived until today under various names as a popular Montenegrin folk song under the name Oh, Bright Dawn of May (Oj svijetla majska zoro). This version of the song has been one of the several versions proposed in 1993 during the first discussion on the official anthem, however, on which there was no consensus because of the disputed melodic value.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates on my Olympic anthems!
$36.00
32.93 €
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Orchestre
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Montenegrin folk song
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Keith Terrett
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Montenegrin National Anthem for Symphony Orchestra
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Keith Terrett
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SheetMusicPlus
Bulgarian National Anthem (Orchestre national d'Île-de-France Edition)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1470455 By Keith Terrett. By Ts…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1470455 By Keith Terrett. By Tsvetan Radoslavov. Arranged by Keith Terrett. 20th Century,Contest,Festival,Historic,Multicultural,Patriotic,World. 30 pages. Keith Terrett #1048173. Published by Keith Terrett (A0.1470455). The national anthem of Bulgaria arranged for Symphony Orchestra, Mila Rodino (Мила Родино [miɫɐ rɔdino], translated as Dear Motherland or Dear native land) is the current national anthem of Bulgaria.There are alternative versions for Symphony & Brass Quintet in my stores.It is based on the music and text of the song Gorda Stara Planina by Tsvetan Radoslavov, written and composed as he left to fight in the Serbo-Bulgarian War in 1885. The anthem was adopted in 1964. The text has been changed many times, most recently in 1990.Between 1886 and 1944, the Bulgarian national anthem was Shumi Maritsa (Шуми Марица); from 1950 to 1964, it was My Bulgaria, land of heroes (Balgariyo mila, zemya na geroi, Българийо мила, земя на герои); in the brief period between these two, it was the march Republiko nasha, zdravey (Републико наша, здравей!).Originally written and composed by a Bulgarian student in 1885, as he went off to fight in the Serbo-Bulgarian war, the song was titled “Горда Стара планина” (“Gorda Stara planina”) [Proudly Rise the Balkan Peaks]. The original lyrics have undergone revisions since its original composition, the latest after the fall of the communist government in 1990 where verses not in the original lyrics speaking of friendship with Russia, the Communist Party, and fallen fighters were removed. As the national anthem its name comes from the first line of the chorus rather than the first line of the verse.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates & news on my Olympic bid!Need anthems for your next event, e-mail me your requirements. I can supply high quality MP3's of any of my national anthem arrangements. Contact Publisher.
$39.99
36.58 €
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Orchestre
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Keith Terrett
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Keith Terrett
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Brass Quintet in my stores
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Bulgarian National Anthem
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Keith Terrett
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SheetMusicPlus
Rosary Sonatas: The Crucifixion
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1081697 Composed by Heinrich Ig…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 95 pages. JMJ Arrangements #685818. Published by JMJ Arrangements (A0.1081697). [S]tanding by the cross of Jesus were his mother, and his mother’s sister, Mary the wife of Clopas, and Mary Magdalene. When Jesus saw his mother, and the disciple whom he loved standing near, he said to his mother, 'Woman, behold, your son!' Then he said to the disciple, 'Behold, your mother!' And from that hour the disciple took her to his own home. After this Jesus, knowing that all was now finished, said (to fulfil the scripture), 'I thirst.' A bowl full of vinegar stood there; so they put a sponge full of the vinegar on hyssop and held it to his mouth. When Jesus had received the vinegar, he said, 'It is finished'; and he bowed his head and gave up his spirit. Since it was the day of Preparation, in order to prevent the bodies from remaining on the cross on the sabbath (for that sabbath was a high day), the Jews asked Pilate that their legs might be broken, and that they might be taken away. So the soldiers came and broke the legs of the first, and of the other who had been crucified with him; but when they came to Jesus and saw that he was already dead, they did not break his legs. But one of the soldiers pierced his side with a spear, and at once there came out blood and water. He who saw it has borne witness—his testimony is true, and he knows that he tells the truth—that you also may believe. For these things took place that the scripture might be fulfilled, 'Not a bone of him shall be broken.' And again another scripture says, 'They shall look on him whom they have pierced.' --John 19:25-37.
$34.99
32.01 €
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Orchestre
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Crucifixion
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JMJ Arrangements
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SheetMusicPlus
The Glastry Pearl. Tone Poem Elegy For My Mum.
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
182.95 €
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Orchestre
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Geraldine
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The Glastry Pearl. Tone Poem Elegy For My Mum.
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Geraldine
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SheetMusicPlus
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
45.69 €
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Orchestre
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Adrian Gagiu
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Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Adrian Gagiu
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SheetMusicPlus
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
9.14 €
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Orchestre
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds of the Islands
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Thomas Oboe Lee
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SheetMusicPlus
Rosary Sonatas: The Resurrection
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1081705 Composed by Heinrich Ig…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1081705 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 151 pages. JMJ Arrangements #685830. Published by JMJ Arrangements (A0.1081705). [W]hen the sabbath was past, Mary Magdalene, and Mary the mother of James, and Salome, bought spices, so that they might go and anoint him. And very early on the first day of the week they went to the tomb when the sun had risen. And they were saying to one another, 'Who will roll away the stone for us from the door of the tomb?' And looking up, they saw that the stone was rolled back; for it was very large. And entering the tomb, they saw a young man sitting on the right side, dressed in a white robe; and they were amazed. And he said to them, 'Do not be amazed; you seek Jesus of Nazareth, who was crucified. He has risen, he is not here; see the place where they laid him. But go, tell his disciples and Peter that he is going before you to Galilee; there you will see him, as he told you.' And they went out and fled from the tomb; for trembling and astonishment had come upon them; and they said nothing to any one, for they were afraid. Now when [Christ] rose early on the first day of the week, he appeared first to Mary Magdalene, from whom he had cast out seven demons. She went out and told those who had been with him, as they mourned and wept. But when they heard that he was alive and had been seen by her, they would not believe it. --Mark 16:1-11 (RSV-CE).
$39.99
36.58 €
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Orchestre
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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for it was very large
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Rosary Sonatas: The Resurrection
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JMJ Arrangements
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SheetMusicPlus
Latvian National Anthem for Symphony Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By K…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By KÄrlis Baumanis. Arranged by Keith Terrett. 20th Century,Patriotic,Praise & Worship,Traditional. 26 pages. Keith Terrett #906430. Published by Keith Terrett (A0.1317749). He national anthem of Latvia arranged for SymphonyOrchestra.The music and lyrics were written in 1873 by KÄrlis Baumanis, a teacher, who was part of the Young Latvian nationalist movement. It has been speculated that Baumanis may have borrowed part of the lyrics from a popular song which was sung to tune of God Save the Queen, modified them and set them to music of his own. Baumanis's lyrics were different from the modern ones: he used the term Baltics synonymously and interchangeably with Latvia and Latvians, so Latvia was actually mentioned only at the beginning of the first verse. Later the term Latvia was removed and replaced with Baltics to avoid a ban on the song. This has led to the misapprehension that the term Latvia was not part of the song until 1920, when it was chosen as national anthem and the word Baltics was replaced with Latvia.During the annexation of Latvia by the Soviet Union, the singing of Dievs, svÄ“tÄ« Latviju! was banned. The Soviet republic of Latvia had its own anthem. Dievs, svÄ“tÄ« Latviju! was restored as the state anthem of Latvia on 15 February 1990, a very short period before Latvian independence was restored.The anthem's tune was modernized with a new F major version that is used since 2014, formerly a G major version was used on LTV's sign-on and sign-offs daily from 2011 up to 2013.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.Love anthems, join me on twitter, sound cloud and facebook for updates.
$39.99
36.58 €
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Orchestre
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Keith Terrett
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Keith Terrett
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Latvian National Anthem for Symphony Orchestra
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Keith Terrett
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SheetMusicPlus
The Great Cathedral
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.995852 Composed by Andrew Straw…
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Full Orchestra - Level 4 - Digital Download SKU: A0.995852 Composed by Andrew Strawn. Contemporary,Romantic Period. Score and parts. 125 pages. Andrew Strawn #4726553. Published by Andrew Strawn (A0.995852). Dedicated to the Notre Dame Cathedral in Paris which caught fire during the writing of this piece. The Great Cathedral is a long-anticipated work. I have had the primary chorale melody for nearly a year prior to the time of publication. So it seems rather overdue to complete it. Being the first large work for orchestra I have composed in a while, it was certainly a challenge. Nevertheless, this piece has come together just as I wanted it to. Written for full orchestra, choir, harp, piano, and organ, The Great Cathedral is a colossal work. It features the principal violinist and travels through a variety of orchestrations. From a French revolution-style march, swelling chorales, fugal expositions, and dissonate sforzandos this piece transforms the primary melody across the score. I am proud to have finally completed this work and I hope you enjoy, The Great Cathedral. In the event a choir is unavailable, choir parts have been cued in the organ. The organ would then play on a reed setting.Includes a legal-sized score and a letter-sized set of parts.
$55.00
50.31 €
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Orchestre
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Andrew Strawn
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The Great Cathedral
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Andrew Strawn
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SheetMusicPlus
Flute Concerto The Hummingbird Full Orchestral Score and Individual Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730455 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730455 Composed by James Nathaniel Holland. Contemporary,Jazz. 217 pages. James Nathaniel Holland #3545937. Published by James Nathaniel Holland (A0.730455). Full Orchestral Score and Individual PartsA New Concerto for Flute and Orchestra The Hummingbird from contemporary American composer James Nathaniel Holland in three movements. A fun and light-hearted piece. Why the hummingbird? Those cute, little, delicate creatures that just want to go about their business admiring the flowers. After living in Costa Rica for some time it couldn’t be farther from the truth, they are aggressive birds that pick a fight with anything that comes into their territory. But let’s talk about this concerto. It first began with the composer’s desire to write a concerto for flute. Influenced by the 3/8 rhythm of the piano sonatas of Alessandro Scarlatti. Hence, the first movement was born with its sort of here, there, and here again quality which reminded me of the many hummingbirds that I’ve seen in Costa Rica. The first movement also contains a quality of jazz to it and is a nice addition to the flute concerto repertoire. The second movement is slow and straight forward. It is relax time that only a flute can evoke. The third is a sort of Mozart styled third Rondo movement. But as you will listen there are some elements that have nothing to do with Mozart. The harmonies are modern as well as some of the rhythmic aspects.Â
$45.95
42.03 €
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Orchestre
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James Nathaniel Holland
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Flute Concerto The Hummingbird Full Orchestral Score and Individual Parts
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James Nathaniel Holland
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SheetMusicPlus
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
9.14 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobscot River
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Thomas Oboe Lee
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SheetMusicPlus
Lockdown Themes
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1140067 Composed by Don Bowyer.…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1140067 Composed by Don Bowyer. 20th Century,Classical,Contemporary,Contest,Festival. Score and parts. 73 pages. Dolphin Don's Music School #740323. Published by Dolphin Don's Music School (A0.1140067). During Malaysia's third Covid-19 Lockdown, in January 2021, I composed a short piece for solo trombone each day for 14 days, performing them each evening in an online stream from my apartment balcony. This work fleshes out the themes from Lockdown Miniatures #1 and #4. The first two themes, from Lockdown Miniatures #1 (subtitled Here We Go Again), reflect the angst and uncertainty of beginning yet another lockdown — with all businesses once again closed, police roadblocks preventing movement beyond the neighborhood, and all human contact reduced to a small screen. The third theme, from Lockdown Miniatures #4 (subtitled Loss), is meant to express the raw emotion associated with losing loved ones over the previous ten months. This piece was recorded by the London Symphony Orchestra, conducted by Miran Vaupotic, on 26 February 2022 as part of a project by Parma Recordings. The album, titled Sparks: Eye of London, was released in October 2022 on Navona Records.
$65.00
59.46 €
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Orchestre
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Don Bowyer
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Lockdown Themes
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Dolphin Don's Music School
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SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1 (Woodwinds and Brass)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Holland #4800547. Published by James Nathaniel Holland (A0.730492). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 1 (Woodwinds and Brass). Piano Score, Full Orchestral Score, Individual Parts (Part 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$70.25
64.26 €
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Orchestre
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James Nathaniel Holland
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1
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James Nathaniel Holland
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SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Full Orchestral Score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730493 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730493 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 370 pages. James Nathaniel Holland #4800668. Published by James Nathaniel Holland (A0.730493). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. FULL ORCHESTRAL SCORE (with stage directions). Piano Score, Individual Parts (Parts 1 and 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$32.50
29.73 €
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Orchestre
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James Nathaniel Holland
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Full Orchestral Score
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James Nathaniel Holland
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SheetMusicPlus
The Cross Kirk and the lang walk
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. Hambone Music #1020661. Published by Hambone Music (A0.1440683). A dramatic film-type composition capturing the journey of a novice monk during 15th Century Scotland. For orchestras of an intermediate standard. Ahaunting french horn solo is followed by a dramatic trek utilising the whole orchestra to the end where the horn to round the piece off.Inspired by an old ruined church in my town called the 'Cross Kirk' the history of which can be found here: https://www.britainexpress.co.uk/attr... Part 1 (0 - 2:24) It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 (2:26 -3:37) It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 (3:37 - 6:02) The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train (4:30) where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights (4:55). The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. (5:02) No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 (6:03 - 8:12) The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters (6:30). As he closes his eyes, his mind returns to the knights and a smile crosses his face (8:01) as he gently drifts off to sleep, as the final bell of the day tolls.
$49.99
45.73 €
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Orchestre
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Graham Hamilton
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The Cross Kirk and the lang walk
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Hambone Music
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SheetMusicPlus
I Write The Songs
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1043121 By Barry Manilow. By Br…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 57 pages. Kevin Riley #647831. Published by Kevin Riley (A0.1043121). I Write the Songs is a popular song written by Bruce Johnston in 1975 and released on his album Going Public in 1977. Barry Manilow's version reached number one on the Billboard Hot 100 chart in January 1976 after spending two weeks atop the Billboard adult contemporary chart in December 1975. It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977. Billboard ranked it as the No. 13 song of 1976. The original version was recorded by Captain & Tennille, who worked with Johnston in the early 1970s with the Beach Boys. It appears on their 1975 album Love Will Keep Us Together. The first release of I Write the Songs as a single was by teen idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Johnston. Cassidy's version reached number 11 on the UK Singles Chart in August of that year. Johnston has stated that, for him, the I in the song is God, and that songs come from the spirit of creativity in everyone. He has said that the song is not about his Beach Boys bandmate Brian Wilson. Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Cash Box said of Manilow's version Good work Barry describing the song as melodic, ballad-like beginning grows into an operatic crescendo, all done in clear production that all age groups will appreciate.
$70.00
64.03 €
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Orchestre
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Barry Manilow
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Kevin Riley
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I Write The Songs
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Kevin Riley
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SheetMusicPlus
Rosary Sonatas: The Nativity
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1081583 Composed by Heinrich Ig…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1081583 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Christmas,Classical,Sacred. Score and parts. 46 pages. JMJ Arrangements #685705. Published by JMJ Arrangements (A0.1081583). [W]hile [Joseph and Mary] were there, the time came for her to be delivered. And she gave birth to her first-born son and wrapped him in swaddling cloths, and laid him in a manger, because there was no place for them in the inn. And in that region there were shepherds out in the field, keeping watch over their flock by night. And an angel of the Lord appeared to them, and the glory of the Lord shone around them, and they were filled with fear. And the angel said to them, 'Be not afraid; for behold, I bring you good news of a great joy which will come to all the people; for to you is born this day in the city of David a Savior, who is Christ the Lord. And this will be a sign for you: you will find a babe wrapped in swaddling cloths and lying in a manger.' And suddenly there was with the angel a multitude of the heavenly host praising God and saying, 'Glory to God in the highest, and on earth peace among men with whom he is pleased!' When the angels went away from them into heaven, the shepherds said to one another, 'Let us go over to Bethlehem and see this thing that has happened, which the Lord has made known to us.' And they went with haste, and found Mary and Joseph, and the babe lying in a manger. And when they saw it they made known the saying which had been told them concerning this child; and all who heard it wondered at what the shepherds told them. But Mary kept all these things, pondering them in her heart. And the shepherds returned, glorifying and praising God for all they had heard and seen, as it had been told them. (Luke 2:6-20 RSV-CE).
$34.99
32.01 €
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Orchestre
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Nativity
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JMJ Arrangements
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SheetMusicPlus
Halloween Theme
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1102324 By John Carpenter. By J…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1102324 By John Carpenter. By John Carpenter. Arranged by Kevin Riley. 20th Century,Film/TV,Halloween. Score and Parts. 44 pages. Kevin Riley #705731. Published by Kevin Riley (A0.1102324). Halloween is a 1978 American independent slasher film directed and scored by John Carpenter, co-written with producer Debra Hill, and starring Jamie Lee Curtis (in her film debut) and Donald Pleasence, with P. J. Soles and Nancy Kyes appearing in supporting roles. The plot centers around a mental patient, Michael Myers, who was committed to a sanitarium for murdering his babysitting teenage sister on Halloween night when he was six years old. Fifteen years later, he escapes and returns to his hometown, where he stalks a female babysitter and her friends, while under pursuit by his psychiatrist. Filming took place in Southern California in May 1978; the work premiered in October, whereupon it grossed $70 million, becoming one of the most profitable independent films of all time. Primarily praised for Carpenter's direction and score, many critics credit the film as the first in a long line of slasher films inspired by Alfred Hitchcock's Psycho (1960), and Bob Clark's Black Christmas (1974). It is considered one of the greatest and most influential horror films ever made. In 2006, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant. Halloween spawned a film franchise comprising thirteen films which helped construct an extensive backstory for its antagonist Michael Myers, sometimes narratively diverging entirely from previous installments. A direct sequel of the film was released in 1981. A remake was released in 2007, which was followed by a sequel in 2009. An eleventh installment, which serves as a direct sequel to the original film that retcons all previous sequels, was released in 2018; this was followed by two direct sequels: Halloween Kills (2021) and the upcoming Halloween Ends (2022). Additionally, a novelization, a video game and comic book series have been based on the film.
$70.00
64.03 €
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Orchestre
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John Carpenter
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Kevin Riley
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Halloween Theme
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Kevin Riley
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SheetMusicPlus
Another First Time
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1015133 Composed by Jennifer At…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1015133 Composed by Jennifer Athena Galatis. Contemporary. Score and parts. 30 pages. StyloRouge #6430439. Published by StyloRouge (A0.1015133). Emotional Cinematic Music for Full Orchestra. Composer Jennifer Athena Galatis.
$9.99
9.14 €
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Orchestre
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Jennifer Athena Galatis
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Another First Time
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StyloRouge
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SheetMusicPlus
United States of America National Anthem for Symphony Orchestra (KT Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by John Stafford Smith (30 …
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Full Orchestra - Intermediate - Digital Download Composed by John Stafford Smith (30 March 1750 – 21 September 1836). Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 28 pages. Published by Music for all Occasions
The national anthem of the USA arranged for full orchestra. There are also versions for Brass Quintet & String Orchestra in my stores.<br> <br> <br> "The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the Defence of Fort M'Henry, a poem written on September 14, 1814, by the then 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory.<br> <br> The poem was set to the tune of a popular British song written by John Stafford Smith for the Anacreontic Society, a men's social club in London. "To Anacreon in Heaven" (or "The Anacreontic Song"), with various lyrics, was already popular in the United States. Set to Key's poem and renamed "The Star-Spangled Banner", it soon became a well-known U.S. patriotic song. With a range of 19 semitones, it is known for being very difficult to sing. Although the poem has four stanzas, only the first is commonly sung today.<br> <br> "The Star-Spangled Banner" was recognized for official use by the United States Navy in 1889, and by U.S. President Woodrow Wilson in 1916, and was made the national anthem by a congressional resolution on March 3, 1931 (46 Stat. 1508, codified at 36 U.S.C. § 301), which was signed by President Herbert Hoover.<br> <br> Before 1931, other songs served as the hymns of U.S. officialdom. "Hail, Columbia" served this purpose at official functions for most of the 19th century. "My Country, 'Tis of Thee", whose melody is identical to "God Save the Queen", the United Kingdom's national anthem, also served as a de facto national anthem. Following the War of 1812 and subsequent U.S. wars, other songs emerged to compete for popularity at public events, among them "America the Beautiful", which itself was being considered before 1931, as a candidate to become the national anthem of the United States.<br> <br> John Stafford Smith (30 March 1750 – 21 September 1836) was a British composer, church organist, and early musicologist. He was one of the first serious collectors of manuscripts of works by Johann Sebastian Bach.<br> <br> Stafford Smith is best known for writing the music for "The Anacreontic Song", which became the tune for the US patriotic song "The Star-Spangled Banner" following the War of 1812, and in 1931 was adopted as the national anthem of the United States.<br> <br> Love anthems, then join me on twitter, instagram, facebook & soundcloud for updates.The national anthem of the USA arranged for full orchestra. There are also versions for Brass Quintet & String Orchestra in my stores.<br> <br> <br> "The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the Defence of Fort M'Henry, a poem written on September 14, 1814, by the then 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory.<br> <br> The poem was set to the tune of a popular British song written by John Stafford Smith for the Anacreontic Society, a men's social club in London. "To Anacreon in Heaven" (or "The Anacreontic Song"), with various lyrics, was already popular in the United States. Set to Key's poem and renamed "The Star-Spangled Banner", it soon became a well-known U.S. patriotic song. With a range of 19 semitones, it is known for being very difficult to sing. Although the poem has four stanzas, only the first is commonly sung today.<br> <br> "The Star-Spangled Banner" was recognized for official use by the United States Navy in 1889, and by U.S. President Woodrow Wilson in 1916, and was made the national anthem by a congressional resolution on March 3, 1931 (46 Stat. 1508, codified at 36 U.S.C. § 301), which was signed by President Herbert Hoover.<br> <br> Before 1931, other songs served as the hymns of U.S. officialdom. "Hail, Columbia" served this purpose at official functions for most of the 19th century. "My Country, 'Tis of Thee", whose melody is identical to "God Save the Queen", the United Kingdom's national anthem, also served as a de facto national anthem. Following the War of 1812 and subsequent U.S. wars, other songs emerged to compete for popularity at public events, among them "America the Beautiful", which itself was being considered before 1931, as a candidate to become the national anthem of the United States.<br> <br> John Stafford Smith (30 March 1750 – 21 September 1836) was a British composer, church organist, and early musicologist. He was one of the first serious collectors of manuscripts of works by Johann Sebastian Bach.<br> <br> Stafford Smith is best known for writing the music for "The Anacreontic Song", which became the tune for the US patriotic song "The Star-Spangled Banner" following the War of 1812, and in 1931 was adopted as the national anthem of the United States.<br> <br> Love anthems, then join me on twitter, instagram, facebook & soundcloud for updates.
$39.00
35.68 €
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Orchestre
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John Stafford Smith
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Keith Terrett
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United States of America National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
There Is Sweet Music
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.787361 Composed by Edward Elgar…
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Full Orchestra - Level 4 - Digital Download SKU: A0.787361 Composed by Edward Elgar. Arranged by Greg Bartholomew. 20th Century,Concert,Standards,World. Score and parts. 22 pages. Burke & Bagley #4793345. Published by Burke & Bagley (A0.787361). This is an orchestra arrangement of Elgar's choral setting of the Tennyson poem, There Is Sweet Music. Scored for single winds, horn in F, and strings. 1111 1000 Strings. Duration approx. 3'45. Among the best-known compositions of Sir Edward Elgar (1857-1934) are his orchestral works, the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies among them. He is also known for his choral works, including The Dream of Gerontius, chamber music and songs. Elgar’s 1907 set of Four Part Songs, choral miniatures for unaccompanied mixed chorus, are some of the most challenging in the repertoire. The first of these, setting a poem by Alfred, Lord Tennyson (1809-1892), There Is Sweet Music presents a particularly special challenge to the singers, as apparently the first music ever published composed in two simultaneous keys. The men are in G major throughout, while the women are in A-flat major, two harmonically distant keys. Nevertheless, the music never sounds particularly dissonant and the effect is gentle. Choral conductor Dr. Gary D. Cannon noted an orchestral quality in Elgar’s choral writing and suggested the possibility that There Is Sweet Music might be transcribed for orchestra, giving the men’s parts to the strings and the women’s parts to the winds. Composer Greg Bartholomew accepted this challenge and produced this arrangement.
$35.00
32.02 €
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Orchestre
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Edward Elgar
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Greg Bartholomew
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There Is Sweet Music
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Burke & Bagley
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Extracted Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
28.81 €
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Orchestre
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.29 €
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Orchestre
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Battle Beyond The Stars - Main Theme - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1318829 Composed by James Horne…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1318829 Composed by James Horner. Arranged by Chris Siddall. Film/TV. 12 pages. Chris Siddall Music Publishing #907464. Published by Chris Siddall Music Publishing (A0.1318829). 1980’s Battle Beyond the Stars saw James Horner explode onto the Hollywood scoring scene. Whilst it wasn’t the first movie he scored, it was certainly the one that made everyone sit up and pay attention, and the exuberant writing most likely led to his appointment as composer on Star Trek II: The Wrath of Khan.  In fact, Battle Beyond the Stars is also where Horner made the acquaintance of then art director James Cameron, with the pair later collaborating on Aliens, Titanic and Avatar. Several moments within the Battle Beyond the Stars score will sound very familiar to fans of Horner’s Star Trek and Aliens scores!Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$9.99
9.14 €
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Orchestre
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James Horner
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Chris Siddall
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Battle Beyond The Stars - Main Theme - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
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