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FLUTE
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
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HARMONICA
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MANDOLINE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Non classifié
108
PIANO & CLAVIERS
Piano seul
64
Piano Facile
17
Piano, Voix
11
Orgue
8
Piano, Voix et Guitare
5
Accompagnement Piano
1
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 8 mains
1
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 4 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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GUITARES
Guitare
7
Ukulele
2
4 Guitares (Quatuor)
2
Guitare notes et tablatures
1
Piano, Guitare (duo)
1
Ensemble de Ukulélés
1
Ensemble de guitares
1
Mandoline
1
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VOIX
Chorale SATB
30
Chorale 2 parties
6
Chorale 3 parties
5
Chorale TTBB
4
Voix duo
3
Chorale SSAA
2
Chorale Unison
1
Voix duo, Piano
1
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VENTS
Flûte traversière et Piano
17
Saxophone Alto et Piano
16
Quatuor de Saxophones: 4 saxophones
15
2 Saxophones (duo)
14
Clarinette et Piano
12
Saxophone Tenor et Piano
11
Hautbois, Piano (duo)
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Flûte traversière
10
Clarinette
9
Saxophone Alto
9
3 Saxophones (trio)
9
Saxophone (partie séparée)
7
Quintette de Saxophone: 5 saxophones
5
Saxophone, Clarinette (duo)
5
Flûte, Clarinette (duo)
5
Cor anglais, Piano
5
2 Clarinettes (duo)
5
Flûte, Hautbois, Clarinette (trio)
5
Clarinette, Trompette (duo)
4
Clarinette, Violon (duo)
4
Saxophone Soprano et Piano
4
2 Flûtes traversières (duo)
4
Flûte, Hautbois, Clarinette, Basson
4
Hautbois, Basson (duo)
3
Saxophone Baryton, Piano
3
Quatuor de Clarinettes: 4 clarinettes
3
Hautbois, Clarinette (duo)
3
Flûte, Saxophone (duo)
2
Quintette de Flûte : 5 flûtes
2
Ensemble de saxophones
2
Flûte, Trompette (duo)
2
Clarinette et Alto
2
Flûte, Alto (duo)
2
2 Hautbois (duo)
2
2 Flûte à bec (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Ensemble de Flûtes
1
Flûte à bec Soprano, Piano
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Clarinette et Basson
1
Trio de Flûtes: 3 flûtes
1
Ensemble de Clarinettes
1
Hautbois, Flûte
1
Flûte, Clarinette, Piano (trio)
1
Flûte irlandaise
1
Flûte à bec Tenor
1
Flûte, Hautbois, Piano (trio)
1
Clarinette Basse, Piano
1
Ensemble de Hautbois
1
Hautbois (partie séparée)
1
Clarinette, Basson (duo)
1
3 Clarinettes (trio)
1
Clarinette Basse
1
Harmonica
1
Quatuor de Flûtes à bec
1
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CUIVRES
Trompette, Piano
12
Trombone et Piano
11
Trompette
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trombone
7
Cor et Piano
7
Cor anglais, Piano
5
Trompette, Saxophone (duo)
4
Tuba et Piano
3
2 Trompettes (duo)
3
2 Trombones (duo)
3
Trompette, Trombone (duo)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de cuivres: 4 trombones
2
Trompette, Cor (duo)
2
Quatuor de cuivres: 4 cors
2
Trombone basse
2
3 Tubas (trio)
1
Ensemble de Trompettes
1
3 Cors (trio)
1
3 Euphoniums
1
Ensemble de Cors
1
2 Cors (duo)
1
Tuba
1
3 Trombones (trio)
1
Tuba et Orgue
1
2 Tubas (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
25
Violon et Piano
18
Violon
13
Violoncelle, Piano
11
Violoncelle (partie séparée)
11
Alto, Piano
9
Trio à cordes: 3 altos
6
2 Altos (duo)
5
2 Violons (duo)
3
Violon, Violoncelle (duo)
3
2 Violoncelles (duo)
3
Violon (partie séparée)
2
Violon, Clarinette, Piano (trio)
2
Violon, Alto (duo)
2
Harpe
2
Violon, Guitare (duo)
2
Trio à Cordes: 3 violoncelles
1
Alto seul
1
4 Violoncelles
1
Alto (partie séparée)
1
Trio à cordes: 3 violins
1
Violoncelle
1
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quatuor à cordes: 4 violons
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
26
Orchestre à Cordes
16
Orchestre de chambre
14
Orchestre
12
Ensemble de cuivres
8
Cloches
3
Ensemble Jazz
3
Ensemble de Percussions
3
Piano et Orchestre
1
Jazz combo
1
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AUTRES
Vous avez sélectionné:
The Free Movement
Orchestre
Partitions à imprimer
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1
The European Anthem
Orchestre
Orchestra - Digital Download Music from the last movement of the Ninth Symphony. Comp…
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Orchestra - Digital Download Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven (1770-1827). Arranged by Herbert von Karajan. This edition: score. Downloadable. Duration 2 minutes 15 seconds. Schott Music - Digital #Q2742. Published by Schott Music - Digital
The European Hymn is the hymn not only of the European Union but of Europe in a broader sense. The melody has been taken from the Ninth Symphony by Ludwig van Beethoven from 1823.<br> In the last movement of this symphony Beethoven set music to the 'Ode to Joy' by Friedrich von Schiller from 1785. This poem sprang from Schiller's idealistic vision of men who become brothers - a vision Beethoven shared with him.<br> In 1972 the Council of Europe adopted Beethoven's 'Ode to Joy' as its anthem. The well-known conductor Herbert von Karajan was commissioned to arrange three instrumental versions - for solo piano, wind orchestra and symphony orchestra. Without words, in the universal language of music, the anthem is an expression of the idealistic values of freedom, peace and solidarity which Europe stands for.<br> In 1985 the heads of state and government adopted the hymn as the EU's official anthem. It does not replace the national anthems of the member states, but rather celebrates common values as well as unity in diversity.<br> <br> The score of this offical anthem is exclusively available from the Schott publishing house.
$17.99
16.57 €
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Orchestre
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Ludwig van Beethoven
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Herbert von Karajan
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The European Anthem
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Schott Music - Digital
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SheetMusicPlus
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
9.2 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobscot River
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Thomas Oboe Lee
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SheetMusicPlus
'Spring' from The Four Seasons
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.994957 Composed by Antonio Viva…
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Full Orchestra - Level 4 - Digital Download SKU: A0.994957 Composed by Antonio Vivaldi. Arranged by Chris Knapp. Baroque,Classical. Score and parts. 46 pages. Chris Knapp #599741. Published by Chris Knapp (A0.994957). This vibrant arrangement of the first movement from the Four Seasons, is a great one for pushing an amateur orchestra, allowing soloist opportunities for Clarinet, Flute and Violin 1. N.B: Part for Clarinet are A for this arrangement - parts in Bb are far too difficult under the fingers in my experience. However, parts in Bb are available for free on request after purchase.
$35.99
33.14 €
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Orchestre
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Antonio Vivaldi
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Chris Knapp
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'Spring' from The Four Seasons
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Chris Knapp
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.2 €
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Orchestre
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
Carson Cooman: Flute Concerto (2006) for flute and orchestra, score and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533762 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3043953. Published by Musik Fabrik Music Publishing (A0.533762). Flute Concerto (2006) was commissioned by flutist Judith von Hopf and theKiev Philharmonic and premiered by them under the direction of GuidoLamell. The work is in two movements: Chanson and Fantasy Variations.The first movement, Chanson, is an extended “song†that develops through avariety of textures. The opening song material is centered around G#. In turn,this G# is revealed to be a quasi-dominant of a D centered sonority. (A briefcoda returns to G#, in preparation for the D center of the second movement.)The second movement, Fantasy Variations, is cast as two presentations ofthe theme surrounding five free variations, plus a coda. The theme serves asthe basis of the musical material for each variation as well as the structuraltemplate for each. Also, each variation contains material referring backspecifically to the previous variation.The opening theme is declamatory and massive. The first variation is fastand limber. The second variation is introspective and stratified. The thirdvariation is fleeting. The fourth variation is distant and spare. The fifthvariation is fast and driving. The final theme begins whispered and slowlyregains its declamatory nature before a brief and intense coda ends the workin a blaze.This item is the score and the solo part only. The orchestral parts are on rental from the publisher. The piano reduction is for sale as a seperate item.Instrumentation2 Flutes (2nd dbl. Picc.)2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 Bassoons4 Horns in F/Bb2 Trumpets in C2 TrombonesTubaPercussion (2 players)I: tubular bells, crotales, bass drum, whip/slapstickII: vibraphone (motor off), snare drum(Percussion I needs one rosined bow.Percussion II needs one rosined bow.)PianoSolo Flute(If necessary, discreet amplification of the soloist is acceptable.)Violin IViolin IIViolaCelloContrabass(at least two players [ideally more] must have machine extension to low C)
$25.95
23.9 €
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Orchestre
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Carson Cooman
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Carson Cooman: Flute Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Seasons Turn (Andante from Symphony No. 1)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.734883 Composed by Joseph Haspe…
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Full Orchestra - Level 4 - Digital Download SKU: A0.734883 Composed by Joseph Hasper. Contemporary. Score and parts. 27 pages. Joseph Hasper #4345893. Published by Joseph Hasper (A0.734883). The second movement of Joseph Hasper's Symphony No. 1. This is such a touching movement that it may be played separately from the symphony, and therefore has been given its own title.Scored for 2.2.2.2, 4.3.2.1, timp, perc, stringsThis purchase is for the score only and is available for immediate digital download. For a FREE set of parts after purchasing a score please contact info@josephhasper.com.  
$25.00
23.02 €
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Orchestre
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Joseph Hasper
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Seasons Turn
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Joseph Hasper
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SheetMusicPlus
Selections from NEW WORLD SYMPHONY
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1153609 By Antonin Dvorak. By A…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1153609 By Antonin Dvorak. By Antonin Dvorak. Arranged by Marc GARETTO. 19th Century,Chamber,Classical,Romantic Period,Standards. Score and Parts. 79 pages. Marc GARETTO - Harmonie Editions #753874. Published by Marc GARETTO - Harmonie Editions (A0.1153609). A shortened and easier version, adapted for modern full orchestra. Including extracts from the 4 movements of the original symphony no 9 Opus 95 Many free world transposed parts on request.
$88.00
81.03 €
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Orchestre
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Antonin Dvorak
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Marc GARETTO
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Selections from NEW WORLD SYMPHONY
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Marc GARETTO - Harmonie Editions
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SheetMusicPlus
TE DEUM - Score Only
Orchestre
Full Orchestra - Digital Download SKU: A0.1112762 Composed by LORENZO ONDARRA QUINT…
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Full Orchestra - Digital Download SKU: A0.1112762 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 84 pages. OE OFICINA #714754. Published by OE OFICINA (A0.1112762). Para 4 voces mixtas y orquesta sinfónica - I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodÃa gregoriana del Te Deum – himno de acción de gracias – alternando la melodÃa del Tonus Solemnis y del Tonus Simplex. La melodÃa gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodÃa gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.
$24.99
23.01 €
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Orchestre
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LORENZO ONDARRA QUINTANA
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TE DEUM - Score Only
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OE OFICINA
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SheetMusicPlus
TE DEUM Reducción para piano y 4 voces mixtas - Score Only
Orchestre
Full Orchestra - Digital Download SKU: A0.1112703 Composed by LORENZO ONDARRA QUINT…
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Full Orchestra - Digital Download SKU: A0.1112703 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 48 pages. OE OFICINA #714716. Published by OE OFICINA (A0.1112703). Para 4 voces mixtas y orquesta sinfónica - REDUCCIÓN A 4 voces mixtas y piano In I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodÃa gregoriana del Te Deum – himno de acción de gracias – alternando la melodÃa del Tonus Solemnis y del Tonus Simplex. La melodÃa gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodÃa gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.
$14.90
13.72 €
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Orchestre
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LORENZO ONDARRA QUINTANA
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TE DEUM Reducción para piano y 4 voces mixtas - Score Only
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OE OFICINA
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SheetMusicPlus
3 Pieces for Orchestra
Orchestre
Orchestra - Digital Download SKU: S9.Q54206 Based on a piano music by Karl Amade…
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Orchestra - Digital Download SKU: S9.Q54206 Based on a piano music by Karl Amadeus Hartmann. Composed by Hans Werner Henze and Karl Amadeus Hartmann. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q54206. Published by Schott Music - Digital (S9.Q54206). These are free arrangements of three movements from Hartmann’s Piano Sonata ‘27. April 1945.’ Hartmann wrote the Sonata after witnessing endless columns of emaciated prisoners leaving the Dachau concentration camp. The music contains quotes from Jewish folk tunes and from revolutionary songs of the International Worker’s Movement. It is a declaration of pity and outrage and of solidarity with the victims of Nazi Fascism. (from: Hans Werner Henze, Ein Werkverzeichnis 1946-96 [ED 8579])3 (2. auch Picc., 3. auch Picc. u. Altfl.) · 2 · Engl. Hr. · 2 · Bassklar. · Heckelphon · Altsax. (auch Tenorsax.) · 2 · Kfg. - 4 · 3 · 3 · 1 - P. S. (hg. Beck. · 3 Tamt. [h./m./t.] · Tomt. · kl. Tr. [mit Schnarrs.] · gr. Tr. · gr. Tr. [mit Beck.] · Fingerzimb. · Röhrengl. · Glsp. · Vibr. · Marimba) (2 Spieler) - Hfe. · Cel. · Klav. - Str.
$30.99
28.54 €
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Orchestre
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Hans Werner Henze and Karl Amadeus Hartmann
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3 Pieces for Orchestra
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Schott Music - Digital
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SheetMusicPlus
Exaudi - Cantata for Orchestra and Choir (score)
Orchestre
Full Orchestra - Digital Download SKU: A0.1009861 Composed by CAPONNETTO, Alfredo. …
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Full Orchestra - Digital Download SKU: A0.1009861 Composed by CAPONNETTO, Alfredo. 20th Century,Christian,Contemporary,Sacred. Score and parts. 113 pages. Europa Edition Ltd #3515323. Published by Europa Edition Ltd (A0.1009861). Exaudi is a cantata in three movements for symphony orchestra and SATB choir, by the Scotland-based Italian composer Alfredo Caponnetto. It symbolizes a spiritual journey through our innermost hopes and afflictions. The words are taken freely from Psalm 55, and in this new layout their meaning becomes more universal, crossing the line between religion and philosophy.
$14.99
13.8 €
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Orchestre
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CAPONNETTO, Alfredo
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Exaudi - Cantata for Orchestra and Choir
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Europa Edition Ltd
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SheetMusicPlus
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