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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Good Ones
Non classifié
173
Piano & claviers
Piano seul
56
Piano, Voix et Guitare
37
Piano, Voix
21
Piano Facile
21
Orgue
6
Piano (partie séparée)
4
Instruments en Do
4
Accompagnement Piano
1
Clavecin
1
1 Piano, 4 mains
1
+ 5 instrumentations
Retracter
Guitares
Guitare notes et tablatures
23
Guitare
13
Ligne De Mélodie, (Paroles) et Accords
9
Guitare (partie séparée)
8
Ukulele
3
Mandoline
2
Dulcimer
2
Paroles et Accords
1
Basse electrique
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
54
Chorale TTBB
10
Chorale 2 parties
10
Chorale 3 parties
10
Chorale SSAA
7
Chorale Unison
6
Voix duo, Piano
4
Voix Soprano, Piano
1
Voix Tenor, Piano
1
Chorale SSAB, Piano
1
Chorale
1
+ 6 instrumentations
Retracter
Vents
Saxophone (partie séparée)
21
Saxophone Tenor et Piano
9
2 Saxophones (duo)
6
Clarinette et Piano
6
Flûte traversière et Piano
6
Quatuor de Saxophones: 4 saxophones
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Saxophone Soprano et Piano
4
Flûte, Hautbois, Clarinette, Basson
4
Quatuor de Clarinettes: 4 clarinettes
4
Hautbois (partie séparée)
3
2 Clarinettes (duo)
3
Saxophone Alto et Piano
3
Flûte traversière
3
Ensemble de Flûtes
3
Ensemble de saxophones
3
Saxophone Tenor
2
Clarinette, Basson (duo)
2
Clarinette
2
2 Flûtes traversières (duo)
2
Saxophone Alto
2
2 Hautbois (duo)
1
Flûte, Hautbois (duo)
1
Flute (partie séparée)
1
Trio de Flûtes: 3 flûtes
1
Clarinette Basse, Piano
1
Hautbois, Piano (duo)
1
Quintette de Saxophone: 5 saxophones
1
Flûte à bec Soprano
1
Clarinette, Harpe (duo)
1
Flûte, Clarinette (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois, Harpe
1
Ensemble de Clarinettes
1
Flûte à bec Alto
1
Ocarina
1
Saxophone Baryton, Piano
1
+ 32 instrumentations
Retracter
Cuivres
Quatuor de cuivres: 4 trombones
50
2 Trombones (duo)
35
Trombone (partie séparée)
19
Trompette (partie séparée)
15
3 Trombones (trio)
11
Ensemble de Trombones
11
Trombone
7
Trompette, Piano
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trombone et Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Cor
2
2 Euphoniums et 2 Tubas
2
Euphonium, Piano (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Tuba et Piano
2
Trompette
2
Quatuor de Cuivres
1
Quatuor de cuivres: 4 cors
1
Cor et Harpe
1
Cor et Piano
1
3 Trompettes (trio)
1
Trompette, Trombone (duo)
1
2 Cors (duo)
1
2 Trompettes (duo)
1
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
23
Violon et Piano
9
Violon
8
Contrebasse (partie séparée)
4
Violoncelle
4
Violoncelle, Piano
4
Violon, Violoncelle (duo)
3
Harpe
3
Violon, Alto (duo)
3
Alto, Piano
2
Piano Trio: Violon, Alto, Piano
2
Contre Basse
2
2 Harpes (duo)
2
Trio à Cordes: violon, alto, violoncelle
1
4 Violoncelles
1
2 Violoncelles (duo)
1
2 Violons (duo)
1
Alto (partie séparée)
1
2 Altos (duo)
1
Alto seul
1
Trio à Cordes: 2 violons, violoncelle
1
Alto, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
65
Orchestre
26
Ensemble de cuivres
24
Orchestre d'harmonie
19
Ensemble de Percussions
5
Orchestre à Cordes
4
Batterie (partie séparée)
4
Cloches
3
Jazz combo
2
Fanfare
2
Big band
1
Percussion
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TROMPETTE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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VIOLONCELLE
XYLOPHONE
style (tous)
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JEUX VIDEOS
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MARIAGE - AMOUR - BA…
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METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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RAGTIME
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Crtitères actifs :
The Good Ones
Orchestre
Partitions à imprimer
26 partitions trouvées
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26
The Glastry Pearl. Tone Poem Elegy For My Mum.
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Orchestre
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AVANCÉ
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Geraldine
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The Glastry Pearl. Tone Poem E
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldin...
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Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Orchestre
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AVANCÉ
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Contemporain
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Adrian Gagiu
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Symphony No. 4 "Homage to
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Publishe...
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Full Orchestra - Level 5 - SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
Soldiers of the Cross - Orchestral Score and Parts
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Orchestre
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Musique Sacrée
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Pepper Choplin
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SAB â?? 55/1124L
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Soldiers of the Cross - Orches
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Orchestra - SKU: LX.30-2458L Composed by Pepper Choplin. Sacred Anthem, Good Friday, Holy Week. Orchestral Score and Parts. 51 pages. Lorenz Publishing ...
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Orchestra - SKU: LX.30-2458L Composed by Pepper Choplin. Sacred Anthem, Good Friday, Holy Week. Orchestral Score and Parts. 51 pages. Lorenz Publishing - Digital Sheet Music #e30/2458L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-2458L). This haunting portrayal of Calvary focuses on the soldiers as they wager for Jesusâ?? robe, hear Him take His final breath, and stand in silent wonder at the cross. The traditional spiritual Jacobâ??s Ladder brilliantly establishes the somber mood while moving the agonizing story forward, scene by scene. The vocals are simple, lending clarity and drama to the text, and the sparse yet artful accompaniment perfectly complements the whole. (From the cantata Come, Touch the Robe. SATB â?? 55/1123L; SAB â?? 55/1124L.) Instrumentation: Flute, Oboe, Clarinet, 2 F Horns, 2 Trumpets, 2 Trombones, 2 Percussion, Piano, Violin 1 and 2, Viola, Cello, Bass.
$49.95
Rosary Sonatas: The Visitation
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Visitation
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081580 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1081580 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 47 pages. JMJ Arrangements #685702. Published by JMJ Arrangements (A0.1081580). In those days, Mary arose and went with haste into the hill country, to a city of Judah, and she entered the house of Zechariah and greeted Elizabeth. And when Elizabeth heard the greeting of Mary, the babe leaped in her womb; and Elizabeth was filled with the Holy Spirit and she exclaimed with a loud cry, 'Blessed are you among women, and blessed is the fruit of your womb! And why is this granted me, that the mother of my Lord should come to me? For behold, when the voice of your greeting came to my ears, the babe in my womb leaped for joy. And blessed is she who believed that there would be a fulfillment of what was spoken to her from the Lord.' And Mary said, “'My soul magnifies the Lord, and my spirit rejoices in God my Savior, for he has regarded the low estate of his handmaiden. For behold, henceforth all generations will call me blessed; for he who is mighty has done great things for me, and holy is his name. And his mercy is on those who fear him from generation to generation. He has shown strength with his arm, he has scattered the proud in the imagination of their hearts, he has put down the mighty from their thrones, and exalted those of low degree; he has filled the hungry with good things, and the rich he has sent empty away. He has helped his servant Israel, in remembrance of his mercy, as he spoke to our fathers, to Abraham and to his posterity for ever.' And Mary remained with her about three months, and returned to her home. (Luke 1:39-56 RSV-CE).
$19.99
Kommos (Lamentation) / "When the World Moved On" - Extracted Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723...
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Full Orchestra - Level 4 - SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661...
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Full Orchestra - Level 4 - SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Santa Falls from the Housetop
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Orchestre
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INTERMÉDIAIRE
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M
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M
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Santa Falls from the Housetop
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M. L. Daniels
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.834139 Composed by M. L. Daniels. Arranged by M. L. Daniels. 20th Century,Christmas,Contemporary. Score and parts. 57...
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Full Orchestra - Level 3 - SKU: A0.834139 Composed by M. L. Daniels. Arranged by M. L. Daniels. 20th Century,Christmas,Contemporary. Score and parts. 57 pages. M. L. Daniels #13363. Published by M. L. Daniels (A0.834139). This orchestra music is just for fun, as you can hear when the audience laughs at the end of the recording. Someone must tell the audience what to expect in order to get a good response. The music is made up mostly of public domain Christmas music, woven together in unusual ways, including different melodies appearing at the same time. The audience is told that Santa has had too much Christmas Cheer to drink, and the smears in the trombones indicate his condition. Half the fun is when the melodies bump into each other, and when pieces of Stars and Stripes and National Emblem March find their way into the mix. At the end, the music indicates Santa is falling, and lands with a big thud. Enjoy!
$25.00
Were You There
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Gospel Spirituel
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Traditional Spiritual
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James Goodwin
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Were You There
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James Goodwin
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1377570 Composed by Traditional Spiritual. Arranged by James Goodwin. Christian,Easter,Holiday,Religious. 56 pages. J...
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Full Orchestra - Level 4 - SKU: A0.1377570 Composed by Traditional Spiritual. Arranged by James Goodwin. Christian,Easter,Holiday,Religious. 56 pages. James Goodwin #763335. Published by James Goodwin (A0.1377570). This is a full orchestra arrangement of the spiritual, Were You There. It uses 2 flutes, oboe, clarinet, 2 horns, 2-3 trumpets, 2-3 trombones, optional bassoon, tuba, full strings, piano, keyboard strings, guitar, bass guitar, and drum set. It is a very moving arrangement centering on the 1st, 3rd, and 4th verses of the original song.
$60.00
Home on the Range - for symphony orchestra (optional sing-along)
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Orchestre
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INTERMÉDIAIRE
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Lyrics by Brewster M
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Evan Halloin
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Home on the Range - for sympho
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Evan Halloin
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1075450 Composed by Lyrics by Brewster M. Higley, Music by Daniel E. Kelley. Arranged by Evan Halloin. Classical,Folk...
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Full Orchestra - Level 3 - SKU: A0.1075450 Composed by Lyrics by Brewster M. Higley, Music by Daniel E. Kelley. Arranged by Evan Halloin. Classical,Folk,Patriotic,Traditional. Score and parts. 118 pages. Evan Halloin #679638. Published by Evan Halloin (A0.1075450). Home on the Range is arranged here for full symphony orchestra, with and option to perform it as an audience sing-along. There is a short intro, 4 verses and choruses, and a short coda. Each verse and chorus is slightly different, like a series of variations.This arrangement was originally created for the Kansas City Symphony's Symphony in the Flint Hills event in 2022, an annual outdoor concert which traditionally ends with a crowd singing along to this, the state song of Kansas. The key is a friendly E flat, and the text is provided on the second page of the score. There are parts for:the sing-along vocal part 2 flutes, 2 oboes, 2 clarinets in B flat, 2 bassoons optional piccolo, English horn, bass clarinet, contrabassoon 4 horns in F, 3 trumpets in C, 2 trombones, bass trombone, tuba Timpani, 2 percussionists (glockenspiel, triangle, suspended cymbal), harp violin I, violin II, viola, cello, double bassI mean, it's a good tune! Score is 11 x 17 and parts are 9 x 12 size. Adobe Acrobat will easily shrink to fit letter size paper.
$60.00
Joy Has Dawned
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Orchestre
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Various Writers and Arr
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Joy Has Dawned
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Hope Publishing - Digital
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SheetMusicPlus
Orchestra - SKU: H1.8975DP Instrumental parts. 826 pages. Hope Publishing - Digital #8975DP. Published by Hope Publishing - Digital (H1.8975DP). Comp...
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Orchestra - SKU: H1.8975DP Instrumental parts. 826 pages. Hope Publishing - Digital #8975DP. Published by Hope Publishing - Digital (H1.8975DP). Composed by Various Writers and Arr. Lloyd Larson.Christmas Musical The message of Christmas is a message of joy - and becomes the central theme that is woven throughout this 37-minute musical by Lloyd Larson. Easily learned, this work contains eight selections of both new and familiar carols and spirituals, including Keith Getty's powerful song, 'Joy Has Dawned. ' The work is dynamically arranged for SATB choirs and orchestra, and is filled with the joy of the season, which congregations will find appealing, as the message embraces the hope that we have in both the good days and the bad - that joy has dawned upon the world - giving us something to celebrate!A Christmas musical composed and arranged by Lloyd Larson, orchestrated by Ed Hogan. Included parts: Conductor's Score, 2 Flutes, Oboe (or Soprano Sax or Clarinet)*, 2 Clarinets, Bassoon (or Bass Clarinet)*, 3 Horns (or Alto Sax or Clarinet)*, 3 Trumpets (or Alto Sax)*, 2 Trombones (or Tenor Sax or Baritone T.C.)*, Tuba, Percussion, Harp, Piano, 2 Violins, Viola (or Clarinet)*, Cello, Double Bass/Electric Bass, String Reduction, *Alternate Parts on CD-ROM.
$399.00
How Firm a Foundation - 8 Core Orchestra
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Orchestre
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Musique Sacrée
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Gospel Spirituel
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Public Domain
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Jeff D
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How Firm a Foundation - 8 Core
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AnderKamp Music
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SheetMusicPlus
Full Orchestra - SKU: A0.742692 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and p...
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Full Orchestra - SKU: A0.742692 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 74 pages. AnderKamp Music #3637263. Published by AnderKamp Music (A0.742692). This arrangement has a ‘little’ bit of the feel of a Bruce Hornsby type song for the piano and rhythm section. Though it has some life and energy to it, there are no tricky rhythms in this arrangement. This should be a pretty easy arrangement to pull together with limited rehearsal time that sounds GREAT! This arrangement begins in the Key of Eb and changes keys to F. You don’t have to have a rhythm section to play this piece. It’s great if you do, but it’s not critical. As long as you have a piano player, they can play the written out piano part and you are good to go. As true to the entire series, this arrangement features playable, easy to read rhythms for all sections.The 8 Core Orchestra is a full orchestra series designed to work with a core group of 8 players plus piano/rhythm.8 Core instrumentation:2 woodwinds, 2 trumpets, 1 horn, 2 trombones and 1 bass trombone or tubaFull instrumentation:2 flutes, oboe, 2 clarinets, bassoon/bass clarinet, 3 trumpets, 2 horns, 2 trombones, 1 bass trombone/tuba, 2 violins, viola, cello, double bass, harp, percussion (2 players), timpani, piano, electric bass, guitar(s) and drums (guitar and drums read from rhythm chart)
$49.99
Popular
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Stephen Schwartz
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Popular
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1473266 Composed by Stephen Schwartz. Arranged by John Langley / Studio Orchestrations. Broadway,Comedy,Film/TV,Hallo...
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Full Orchestra - Level 4 - SKU: A0.1473266 Composed by Stephen Schwartz. Arranged by John Langley / Studio Orchestrations. Broadway,Comedy,Film/TV,Halloween,Musical/Show. 128 pages. Www.studio-orchestrations.com #1051065. Published by www.studio-orchestrations.com (A0.1473266). Popular is a comedy song (made famous and 'popular' by Kristen Chenoweth) taken from the Tony award winning Broadway musical WICKED, written by Stephen Schwartz. It subsequently opened in London's West End to great acclaim and in numerous theatres across the world. It is the prequel to the ever popular WIZARD of OZ and the origins of how the two main witches evolved into their infamous Good and Wicked personas. The central roles were created brilliantly by Idina Menzel and Kristen Chenoweth creating an enduring modern classic. This orchestration follows the key and structure of the original show with solo voice and concert orchestra:Instrumentation:2 Flutes2 Oboes2 Clarinets2 Bassoons4 Horns3 Trumpets3 TrombonesTubaTimpani2-3 Percussion [Mark Tree/Triangle/Wood Block/Tambourine/Finger Cyms./Glockenspiel/Xylophone/Vibraphone]HarpPiano(Optional 2nd Keyboard)Electric GuitarBass GuitarDrum KitStrings Look out for other similar orchestrations by John Langley and Paul Campbell at www.Studio-Orchestrations.com.
$140.00
Aires Nacionales Mexicanos, Op. 558 (Potpourri) - 8-1/2"x11" ORCHESTRAL PARTS ONLY
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Mexican law and custom
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Miguel Rios Toledano
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Joel Jacklich (ASCAP)
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Aires Nacionales Mexicanos, Op
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Joel Jacklich
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score a...
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Full Orchestra - Level 4 - SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.
$65.00
Aires Nacionales Mexicanos, Op. 558 (Potpourri) 11"x17" SCORE ONLY
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Mexican law and custom
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Miguel Rios Toledano
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Joel Jacklich (ASCAP)
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Aires Nacionales Mexicanos, Op
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Joel Jacklich
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score a...
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Full Orchestra - Level 4 - SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 48 pages. Joel Jacklich #2075453. Published by Joel Jacklich (A0.723122). NOTE: Full Score is formatted for 11x17. Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The score is formatted for 11x17 paper. The parts (found separately) are in standard letter page format (8-1/2x11).
$25.00
THREE ANIMAL SAYINGS 3--A FLEA CAN TROUBLE A LION--orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Alan Edgar
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THREE ANIMAL SAYINGS 3--A FLEA
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Alan Edgar Ted Moon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.903755 Composed by Alan Edgar. 20th Century,Children. Score and parts. 25 pages. Alan Edgar Ted Moon #3054461. Publis...
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Full Orchestra - Level 4 - SKU: A0.903755 Composed by Alan Edgar. 20th Century,Children. Score and parts. 25 pages. Alan Edgar Ted Moon #3054461. Published by Alan Edgar Ted Moon (A0.903755). Third of a set of musical tellings of sayings and proverbs from around the world. Good for a children's concert. This very short piece opens by depicting the open savanna and the roar of Lion. A fanfare welcomes him, then we hear his confident march and another roar. However, he is plagued by many fleas, who perform a jazz waltz between bites and jumps. At the end, helpless Lion staggers away, cheeky fleas still biting. First performance was by York Guildhall Orchestra under Simon Wright. The children in the audience could be invited to state the moral of this Kenyan saying: A flea can trouble a lion more than the lion can harm a flea. The movement uses flute doubling on referee's whistle, piccolo, 2 oboes (one doubling on swanee whistle), 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, untuned percussion, harp and strings. Duration: 2minutes.
$11.00
Ballade For An Entablature
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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All Women's Orchestra, Norwich
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Ballade For An Entablature
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1314855 By All Women's Orchestra, Norwich, UK. Conducted by Sarah Chadwick. By Geraldine (Denny) Green. 21st Century,...
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Full Orchestra - Level 4 - SKU: A0.1314855 By All Women's Orchestra, Norwich, UK. Conducted by Sarah Chadwick. By Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 56 pages. Geraldine (Denny) Green at Oakmountmusic #903616. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314855). ALL PURCHASES COME WITH SCORE AND PARTSThis short piece is very dear to my heart and lasts only about 3 minutes. It was written down in 1988 when I was 19, but had been with me in my head since I was about 8. Back then I had no idea how to write down full orchestral music, but after all my teenage years spent feeding off the Great Masters and studying their brilliant orchestrations in scores, I finally made an attempt at notating this florid little piece when I was at college (London College of Music) in 1988. Not wishing to waste it, I have now revised it and finally prepared its score and parts for performance.InstrumentationPiccolo, 2 flutes, 2 oboes, 2 Bflat clarinets, 2 bassoons, 2 French horns in F, 2 Bflat Trumpets, 2 Trombones, Bass trombone, Glock, 2 harps, celesta, large string section to accommodate divisi into 3 for all except the basses.Duration – 3 minutes approx.All the parts are fairly straightforward, except the harps and celesta, which I believe to be of some challenge.If it was to find a place in a concert programme, I believe it would be a lovely encore – a really loving way to send your audience home from a great night out. A thank you to the audience. A Good Night To All kind of piece, full of love and delight.
$45.00
It Was I (SATB w/ Full Orchestra)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Jim Ailor
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It Was I
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ResurrectionSong
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.978287 Composed by Jim Ailor. Christian,Easter,Sacred. Score and parts. 16 pages. ResurrectionSong #6323495. Publishe...
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Full Orchestra - Level 4 - SKU: A0.978287 Composed by Jim Ailor. Christian,Easter,Sacred. Score and parts. 16 pages. ResurrectionSong #6323495. Published by ResurrectionSong (A0.978287). Jim Ailor has created an unsettling sense of discomfort as we witness the crucifixion and realize that we are the ones that belong on the cross, not Christ. Inspired by Isaiah 53:5, He was wounded for our transgressions . . . and a driving reminder that He was hung on the cross . . . for our wrongdoing. (Gal. 3:13) Appropriate for Lent, Ash Wednesday, Maundy Thursday, Good Friday and Tenebrae services.
$2.25
It Was I (Instrumental Parts)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Jim Ailor
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It Was I
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ResurrectionSong
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.978293 Composed by Jim Ailor. Christian,Easter,Sacred. Score and parts. 94 pages. ResurrectionSong #6323675. Publishe...
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Full Orchestra - Level 4 - SKU: A0.978293 Composed by Jim Ailor. Christian,Easter,Sacred. Score and parts. 94 pages. ResurrectionSong #6323675. Published by ResurrectionSong (A0.978293). INSTRUMENTAL PARTS. Jim Ailor has created an unsettling sense of discomfort as we witness the crucifixion and realize that we are the ones that belong on the cross, not Christ. Inspired by Isaiah 53:5, He was wounded for our transgressions . . . and a driving reminder that He was hung on the cross . . . for our wrongdoing. (Gal. 3:13) Appropriate for Lent, Ash Wednesday, Maundy Thursday, Good Friday and Tenebrae services.
$30.00
It Was I (Conductor Score)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Jim Ailor
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It Was I
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ResurrectionSong
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.978292 Composed by Jim Ailor. Christian,Easter,Sacred. Score and parts. 29 pages. ResurrectionSong #6323667. Publishe...
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Full Orchestra - Level 4 - SKU: A0.978292 Composed by Jim Ailor. Christian,Easter,Sacred. Score and parts. 29 pages. ResurrectionSong #6323667. Published by ResurrectionSong (A0.978292). Conductor Score. Jim Ailor has created an unsettling sense of discomfort as we witness the crucifixion and realize that we are the ones that belong on the cross, not Christ. Inspired by Isaiah 53:5, He was wounded for our transgressions . . . and a driving reminder that He was hung on the cross . . . for our wrongdoing. (Gal. 3:13) Appropriate for Lent, Ash Wednesday, Maundy Thursday, Good Friday and Tenebrae services.
$15.00
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pag...
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Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Lead On O King Eternal - 8 Core Orchestra
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Orchestre
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Musique Sacrée
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Gospel Spirituel
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Public Domain
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Jeff D
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Lead On O King Eternal - 8 Cor
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AnderKamp Music
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SheetMusicPlus
Full Orchestra - SKU: A0.742694 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and p...
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Full Orchestra - SKU: A0.742694 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 75 pages. AnderKamp Music #3637269. Published by AnderKamp Music (A0.742694). This arrangement is an orchestra driven piece. It features the brass section throughout in a majestic sort of way. You don’t have to have a rhythm section to play this piece. A simple snare drum would do the trick to keep the drive going. But even if you don’t have a snare drum/drummer, as long as you have a piano player, they can play the written out piano part and you are good to go!As true to the entire series, this arrangement features playable, easy to read rhythms for all sections.The 8 Core Orchestra is a full orchestra series designed to work with a core group of 8 players plus piano/rhythm.8 Core instrumentation:2 woodwinds, 2 trumpets, 1 horn, 2 trombones and 1 bass trombone or tubaFull instrumentation:2 flutes, oboe, 2 clarinets, bassoon/bass clarinet, 3 trumpets, 2 horns, 2 trombones, 1 bass trombone/tuba, 2 violins, viola, cello, double bass, harp, percussion (2 players), timpani, piano, electric bass, guitar(s) and drums (guitar and drums read from rhythm chart)
$49.99
La cucaracha - brass orchestra
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Orchestre
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INTERMÉDIAIRE
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Traditional
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Zoran Radanovic
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La cucaracha - brass orchestra
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Zoran Radanovic
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1000803 Composed by Traditional. Arranged by Zoran Radanovic. Folk,Latin,World. Score and parts. 28 pages. Zoran Rada...
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Full Orchestra - Level 3 - SKU: A0.1000803 Composed by Traditional. Arranged by Zoran Radanovic. Folk,Latin,World. Score and parts. 28 pages. Zoran Radanovic #6425023. Published by Zoran Radanovic (A0.1000803). The arrangement is made for a brass orchestra( 2 C trumpets, 1 Bb cornet, 1 horn in F, 1 Bb trumpet, 4 trombones, 2 alto trombones and 1 tuba). The musicians need very good concentration because of the music score (solo, accompaniment, dynamics, gradually adding instruments to the score).Das Arrangement ist für ein Blechbläserorchester (2 C-Trompeten, 1 B-Kornett, 1 Horn in F, 1 B-Trompete, 4 Posaunen, 2 Altposaunen und 1 Tuba). Die Musiker brauchen aufgrund der Musikpartitur eine sehr gute Konzentration (Solo, Begleitung, Dynamik, schrittweise Hinzufügen von Instrumenten zur Partitur). Aranžman je napravljen za limeni puhaÄki orkestar (2 C trube, 1 Bb kornet, 1 rog u F, 1 Bb truba, 4 trombona, 2 alt trombuna i 1 tuba). Glazbenicima je potrebna vrlo dobra koncentracija zbog glazbene partiture (solo, pratnja, dinamika, postupno dodavanje instrumenata u partituru). A hangszerelés rézfúvós zenekarra készült (2 C trombita, 1 Bb korona, 1 F kürt, 1 Bb trombita, 4 harsona, 2 alt harsona és 1 tuba). A zenészeknek nagyon jó koncentrációra van szükségük a kották miatt (szóló, kÃséret, dinamika, fokozatosan csatlakoznak a hangszerek).
$9.99
Agitate
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Joe Wiedemann
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Agitate
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Joe Wiedemann
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1011584 Composed by Joe Wiedemann. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 181 ...
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Full Orchestra - Level 4 - SKU: A0.1011584 Composed by Joe Wiedemann. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 181 pages. Joe Wiedemann #3416427. Published by Joe Wiedemann (A0.1011584). Each instrument section here has a chance to stir the pot. A real lesson in articulation, this moody piece offers challenging parts for talented orchestras. Lively tremelos and staccatos generate agitation, contrasted by slow and sometimes ominous, foreboding melodies. It makes a good show-starter before more standard repertoire.Duration 8:20Scored for: Piccolo, Flutes I-II, Oboes I-II, Clarinets I-II alt. Bass Cl., Bassoons, Horns in F I-II, Trumpets I-II, Trombones I-II, Tuba, Snare Drum, Cymbals, 3 Timpani, Violins I-II, Violas, Cellos, Contrabass
$19.99
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The Good Ones