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Piano seul
7402
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927
Accordéon
741
Piano Facile
458
Piano, Voix et Guitare
208
Instruments en Do
111
Orgue
72
1 Piano, 4 mains
63
2 Pianos, 4 mains
57
Piano grosses notes
23
Piano Trio: piano, violon, violoncelle
19
Accompagnement Piano
16
Piano Quatuor: piano, violon, alto, violoncelle
8
Piano (partie séparée)
6
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4
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3
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2
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2
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1
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478
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98
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40
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30
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12
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Saxophone (partie séparée)
161
Saxophone Soprano
135
Hautbois, Piano (duo)
121
Clarinette et Piano
116
Quatuor de Saxophones: 4 saxophones
114
Quatuor de Clarinettes: 4 clarinettes
89
Flûte, Hautbois, Clarinette, Basson
83
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81
2 Saxophones (duo)
79
2 Flûtes traversières (duo)
74
2 Clarinettes (duo)
52
Hautbois (partie séparée)
50
Saxophone Tenor et Piano
46
Quintette de Saxophone: 5 saxophones
41
Saxophone Soprano et Piano
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Quatuor de Flûtes : 4 flûtes
36
3 Clarinettes (trio)
31
Flûte et Guitare
29
3 Saxophones (trio)
24
Clarinette (partie séparée)
22
Trio de Flûtes: 3 flûtes
20
2 Hautbois (duo)
19
Quintette de Clarinettes: 5 clarinettes
17
Saxophone Baryton, Piano
16
Ensemble de saxophones
16
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14
Clarinette, Guitare (duo)
11
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11
Harmonica
9
Flûte à bec Soprano
9
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9
Clarinette Basse, Piano
9
Clarinette, Violon (duo)
8
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8
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6
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6
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2
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3 Flûtes à bec (trio)
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93
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90
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49
Trompette (partie séparée)
44
Tuba et Piano
44
Quatuor de cuivres: 4 trombones
33
Ensemble de Trompettes
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
33
2 Trombones (duo)
27
2 Trompettes (duo)
23
2 Cors (duo)
19
Euphonium, Piano (duo)
16
Cor (partie séparée)
14
Quatuor de cuivres: 4 cors
12
Quatuor de Cuivres
10
Ensemble de Trombones
9
Tuba (partie séparée)
8
2 Tubas (duo)
7
Cor anglais, Piano
6
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5
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5
Bass Clef Instruments
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5
Quatuor de cuivres: 4 trompettes
4
Ensemble de Cors
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Instruments en Fa
1
3 Trombones (trio)
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Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
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118
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109
Contre Basse
84
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68
Violon, Violoncelle (duo)
54
Trio à Cordes: violon, alto, violoncelle
51
2 Violoncelles (duo)
48
2 Violons (duo)
46
Contrebasse, Piano (duo)
42
Quintette à cordes: 2 violons, alto, violoncelle, basse
33
Alto (partie séparée)
30
Violon (partie séparée)
26
Violon, Alto (duo)
22
2 Altos (duo)
20
Trio à Cordes: 2 violons, violoncelle
18
Contrebasse (partie séparée)
18
4 Violoncelles
14
Violoncelle , Guitare (duo)
10
Alto, Guitare (duo)
10
Violon, Guitare (duo)
10
Trio à cordes: 3 violins
9
Alto, Violoncelle (duo)
9
Trio à Cordes: 3 violoncelles
9
Harpe, Flûte (duo)
7
Trio à cordes: 3 altos
6
Piano Trio: Violon, Alto, Piano
5
2 Harpes (duo)
4
Harpe, Quatuor à cordes
3
2 Contrebasses (duo)
3
3 Contrebasses
2
Harpe, Violon (duo)
2
Violon, Basson (duo)
2
Violon, Basse continue
2
Violon, Orgue
1
Harpe, Violoncelle (duo)
1
Ensemble de Violoncelles
1
Ensemble de Violons
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Ensemble d'Altos
1
Violoncelle, Basse continue
1
Violoncelle, Orchestre
1
Violoncelle, Contrebasse (duo)
1
Violon, Clarinette, Piano (trio)
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PERCUSSIONS & ORCHESTRES
Batterie
1811
Orchestre d'harmonie
390
Orchestre
356
Orchestre à Cordes
131
Orchestre de chambre
74
Ensemble Jazz
72
Ensemble de cuivres
68
Percussion
43
Percussion (partie séparée)
20
Ensemble de Percussions
18
Cloches
16
Fanfare
13
Batterie (partie séparée)
11
Jazz combo
10
Marimba
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Timbales (partie séparée)
1
Vibraphone
1
Instrumentation Flexible
1
Big band
1
Xylophone, Piano
1
Xylophone
1
2 Xylophones
1
Quatuor à Vent : 4 instruments à vents
1
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AUTRES
Formation musicale - Solfège
123
Théorie de la musique
53
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Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
9.2 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobscot River
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Thomas Oboe Lee
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SheetMusicPlus
La Línea de la Concepción "La Sinfonía del Silencio"
Orchestre
Full Orchestra - Level 1 - Digital Download SKU: A0.1365197 By Alicia DomÃnguez …
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Full Orchestra - Level 1 - Digital Download SKU: A0.1365197 By Alicia DomÃnguez Arcos Sonay. By Alicia DomÃnguez Arcos. Arranged by Alicia DomÃnguez Arcos. Classical,Contemporary,Instructional,Multicultural,Traditional,World. 82 pages. Alicia Dominguez #949514. Published by Alicia Dominguez (A0.1365197). The charm lies in the fact that complete silence does not occur, where there is an audience you can hear the ambient sound: The sum of the breaths, the small movements, coughs... The sound qualities of the air itself and the reverberation of the room. The spectator suddenly discovers that the piece of music is composed of the sounds that surround him and of which he is not usually aware, including his own breathing, the beating of his heart or even the plaintive sound of his own shoes. In society, noise, as in this case, sound in music is present in our daily lives, forgetting to appreciate and the importance of silence. Silence does not have to give a feeling of fear. Appreciate silence, giving it that perception of inner peace and balance, equally linked to perseverance, that perseverance that occurs with music, with its constancy and persistence making it flow. Thus, just as each musical figure has its corresponding silence representing its same value and duration. Although the painter Pablo Picasso said that you have to learn the rules like a professional to be able to break them like an artist, reaffirming what Don Blas Infante, father of the Andalusian homeland (Spain), said: any paper on the ground must always be read , since any role can be important. Music scores and the time spent making them do not take the degree of value in human beings of this century. When they own it for themselves.https://youtu.be/GvEx1Bn2HS8?si=IW1ZUw1yFcJzz0uf
$7.00
6.45 €
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Orchestre
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Alicia DomÃnguez Arcos Sonay
#
Alicia DomÃnguez Arcos
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La Línea de la Concepción "La Sinfonía del Silencio"
#
Alicia Dominguez
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.02 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.02 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Pleistocene Epoch: The Great Ice Age
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.918684 Composed by Jenni Brando…
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Full Orchestra - Level 4 - Digital Download SKU: A0.918684 Composed by Jenni Brandon. Contemporary. Score and parts. 11 pages. Jenni Brandon Music #5709179. Published by Jenni Brandon Music (A0.918684). Pleistocene Epoch: The Great Ice Age for solo Bass Clarinet (JB 121) by Jenni Brandon. This piece tells the story of the La Brea Tar Pits in Los Angeles and some of the extinct animals found in the tar that roamed the area over 10,000 years ago. Recording found on Song of California: Music for Winds and Piano by Jenni Brandon, Jenni Brandon Music. Duration 9:00Multi-movement work:I. Asphalt: Gurgling up from the depths, oozing ; II. Smilodon Fatalis: Sabertoothed Cat; III. Mammuthus Columbi: Columbian Mammoth; IV. Canis Dirus: Dire WolfProgramming: Concert and ContestJenni Brandon Musicwww.jennibrandon.comASCAP
$12.00
11.05 €
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Orchestre
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Jenni Brandon
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III
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Pleistocene Epoch: The Great Ice Age
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Jenni Brandon Music
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SheetMusicPlus
La Califfa
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1103613 Composed by Ennio Morri…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1103613 Composed by Ennio Morricone. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 26 pages. Kevin Riley #706884. Published by Kevin Riley (A0.1103613). N the Emilia province of Italy, out of solidarity with the workers fired from another failed company, the workers occupy the factory of self-made industrialist Annibale Doberdò. In dealing with the situation, he starts negotiations. An employee, the beautiful and fiery Irene, nicknamed Califfa, whose worker-husband was killed during a demonstration, meets with Doberdò. He wants to induce the strikers back to work and they show uncertainty between the directives of their union and the incitements to violence by extremists. Irene becomes Doberdò's lover and asks the workers to listen to the industrialist's proposals for renewal of working terms and worker participation in the factory management. The riots, however, continue. The industrialist's stance is badly received by other employers. While he returns from yet another meeting with his lover, Doberdò is killed by assassins.
$60.00
55.25 €
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Orchestre
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Ennio Morricone
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Kevin Riley
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La Califfa
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Kevin Riley
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SheetMusicPlus
Someone In The Crowd
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.734160 Composed by Justin Hurwi…
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Full Orchestra - Level 4 - Digital Download SKU: A0.734160 Composed by Justin Hurwitz. Arranged by Daryl McKenzie. Contemporary,Film/TV. Score and parts. 219 pages. Daryl McKenzie #6596775. Published by Daryl McKenzie (A0.734160). Arranged in the style of the La La Land Cast recording for Vocal with Backing Vocals and Pops Orchestra (Picc, 2 Flutes, 2 Oboes, 2 Clarinets, B Clar., 2 Bassoons, 5 Saxes, 4 F Horns, 4 Trumpets, 4 Trombones, Tuba , Piano, Keyboards, Guitar, Bass, Drums, Timpani, Percussion, Harp, Vln 1, Vln 2, Vla, Vcl, CB) Key of Eb
$99.99
92.07 €
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Orchestre
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Justin Hurwitz
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Daryl McKenzie
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Someone In The Crowd
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Daryl McKenzie
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SheetMusicPlus
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
35.91 €
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Orchestre
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Manuel de Espinosa de los Monteros (1730-1810)
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Keith Terrett
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Viva La Vida
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.734137 By Coldplay. By Chris Ma…
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Full Orchestra - Level 3 - Digital Download SKU: A0.734137 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Daryl McKenzie. Pop,Rock. Score and Parts. 284 pages. Daryl McKenzie #6479337. Published by Daryl McKenzie (A0.734137). Commissioned by the Gozzo Youth Wind Band and Orchestra, Malta 2018 (see review on SMP). Arranged for Voice  and Pops Orchestra (or Big Band). Picc, 2Fl, 2Ob, 2Cl, BCl, 2Bsn, 2Alto Saxes, 2 Tenor Saxes, Bari Sax, 4 Hns, 4 Trpts, 4 Trbs, Tuba, Piano, Guitar, Bass Guitar, Drum Kit, Timps, Mallet Percussion, Percussion, Vln1, Vln2, Vla, VCl, CB.NB There are scores and parts included in both the Keys of Ab (same Key as Coldplay) and in G. They are clearly marked. Print the key you wish to use and don't mix then up! More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: http://www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
92.07 €
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Orchestre
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Coldplay
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Daryl McKenzie
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Viva La Vida
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Daryl McKenzie
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SheetMusicPlus
Zima la noire d'imprévu // The black Zima..# ISRC 10259
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018811 Composed by Réal Dub…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018811 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069325. Published by Réal Dubois (A0.1018811). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
1.83 €
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Orchestre
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Réal Dubois
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Zima la noire d'imprévu // The black Zima..# ISRC 10259
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Réal Dubois
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SheetMusicPlus
La veillée chez l'voisin d'imprévu // Partying at the neighbour's.. # ISRC 10241
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018800 Composed by Réal Dub…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018800 Composed by Réal Dubois & Marcel Messervier. Arranged by Réal Dubois & Gaétane Poitras & Marcel Messervier. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069265. Published by Réal Dubois (A0.1018800). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
1.83 €
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Orchestre
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Réal Dubois & Marcel Messervier
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La veillée chez l'voisin d'imprévu // Partying at the neighbour's.. # ISRC 10241
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Réal Dubois
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SheetMusicPlus
La tournée des Belltones d'imprévu // The Belltones two step.. # ISRC 10251
Orchestre
Full Orchestra - Digital Download SKU: A0.1018799 Composed by Réal Dubois. Arran…
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Full Orchestra - Digital Download SKU: A0.1018799 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069263. Published by Réal Dubois (A0.1018799). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
1.83 €
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Orchestre
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Réal Dubois
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La tournée des Belltones d'imprévu // The Belltones two step.. # ISRC 10251
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Réal Dubois
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SheetMusicPlus
- La randonnée d'imprévu // The hike..# ISRC 10262
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018798 Composed by Gaétane …
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018798 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic,Contemporary,Film/TV,Folk,Standards. Score and parts. 1 pages. Réal Dubois #2069259. Published by Réal Dubois (A0.1018798). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
1.83 €
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Orchestre
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Gaétane Poitras
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- La randonnée d'imprévu // The hike..# ISRC 10262
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Réal Dubois
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SheetMusicPlus
La petite outarde d'imprévu // The little bustard ..# ISRC 10258
Orchestre
Full Orchestra - Digital Download SKU: A0.1018796 Composed by Gaétane Poitras. A…
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Full Orchestra - Digital Download SKU: A0.1018796 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic,Contemporary,Film/TV,Folk,Standards. Score and parts. 1 pages. Réal Dubois #2069253. Published by Réal Dubois (A0.1018796). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
1.83 €
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Orchestre
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Gaétane Poitras
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La petite outarde d'imprévu // The little bustard ..# ISRC 10258
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Réal Dubois
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SheetMusicPlus
El Noi de la Mare (for Orchestra)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.515228 Composed by Traditional.…
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Full Orchestra - Level 3 - Digital Download SKU: A0.515228 Composed by Traditional. Arranged by Kenneth Abeling. 20th Century,Christian,Christmas,Sacred. Score and parts. 45 pages. LINCOLN MUSIC PUBLICATIONS #5992147. Published by LINCOLN MUSIC PUBLICATIONS (A0.515228). El Noi de la Mare (The Child of the Mother) is a very popular Catalan Christmas song arranged here for full Orchestra. This beautiful orchestration is a perfect addition to any Orchestra’s Christmas or Holiday Seasons repertoire. This is an intermediate level arrangement with a playing time of approximately 4:15. To view and listen to this piece in its entirety as well hundreds of other small ensemble arrangements and transcriptions by Kenneth Abeling please visit: https://lincolnmusicpublications.com/
$55.00
50.64 €
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Orchestre
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Traditional
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Kenneth Abeling
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El Noi de la Mare
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Albeniz/Leytush – “La Vega”, (The Alhambra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1076412 Composed by Isaac Alben…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1076412 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. Score and parts. 96 pages. Arkady Leytush #680568. Published by Arkady Leytush (A0.1076412). Orchestra: Piccolo, Flute, Oboe, English Horn, Clarinet in B flat, Soprano Saxophone, Bass Clarinet, 2 Bassoons, 4 Horns in F, 2 Trumpets in B flat, 2 Trombones, Bass Trombone, Tuba, Timpani, Percussion: Triangle, Castanets, Maracas, Snare drum, Cymbals, Gong, Tam-tam, Bass drum, Harp and Strings. - Advanced Intermediate - Digital Download Composed by Isaac Albeniz (1860-1909). Arranged by Arkady Leytush. Romantic Period, Impressionistic, Repertoire, European. 96 pages. Published by Arkady Leytush (S0.616185). Item Number: S0.616185 The composition of La Vega completed in 1897. It is interesting to note that Albeniz almost completely abandoned the composition of piano works after La Vega, although his fame was mainly focused on the works for this instrument. Although La Vega was planned as part of a cycle of melodies written on poems by his patron Money-Coutts and was therefore used as an independent piece of an orchestra suite, this work was originally composed for piano. According to the autographed dating found on the last page of the manuscript, Albeniz finished La Vega at first on January 26, 1897 in Auteuil, in a Paris neighborhood. In the course of the following weeks, decided to make profound changes. He deleted the last five pages of the Vega, added six at the beginning and composed a different ending of seven more pages. This revision ended in Paris on February 14, 1897, and Albeniz wrote down on the last page: La Alhambra, symphonic suite on poems by F. B. Money-Coutts: nº 1: La Vega. La Vega is an evocation of the Granada plains on the edge of the city, a musical reflection, as the composer put it, contemplated from the Alhambra Palace. Claude Debussy, on hearing Albeniz play the piece, enthusiastically told him of his wish to immediately go and discover Granada.
$60.00
55.25 €
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Orchestre
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Isaac Albeniz
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A
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Albeniz/Leytush – “La Vega”,
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Arkady Leytush
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SheetMusicPlus
Beyond The Sea
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1077231 By Bobby Darin. By Albe…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1077231 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show,Standards. Score and parts. 32 pages. Kevin Riley #681399. Published by Kevin Riley (A0.1077231). Versions of the song have appeared frequently in films and television shows. The song is featured during the ending credits of Disney/Pixar's 2003 animated film Finding Nemo. The song is played prominently in the 2007 video game BioShock. The X-Files episode Beyond the Sea is named for the song, which is playing on the boat owned by Dana Scully's father. The song plays in the background during a scene in the 1990 film Goodfellas while the characters are preparing food in prison. A version of the song by Kathryn Williams is the theme song for the British TV Show The Cafe broadcast on Sky1. The song plays in the official trailer for the 2018 film The Meg. In the 2020 horror film A Quiet Place Part II, the song is played on loop over the radio as a signal to guide survivors to an island. In an episode of the television show Lost (TV Series), the song is part of a code that needs to be decyphered in the episode Whatever the Case May Be. The plot delves into the original Frech recording of La Mer, heard as a French dub of the closing credits of the film Finding Nemo.
$60.00
55.25 €
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Orchestre
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Bobby Darin
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Kevin Riley
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Beyond The Sea
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Kevin Riley
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SheetMusicPlus
Caprice for Horn (on Bellini's "Souvenir de la Sonnambule")
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1287713 Composed by Heinrich H…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1287713 Composed by Heinrich Hübler. Arranged by Transcribed and typeset by Susan & Trevor Denyer. 19th Century,Romantic Period. Score and Parts. 117 pages. Trevor Denyer #878700. Published by Trevor Denyer (A0.1287713). Carl Heinrich Hübler was born in Wachwitz, near Dresden on 4th December 1822 and was the horn player in the Dresden Royal Court orchestra from 1844 until his retirement in 1891.This Caprice on the theme from Bellini's Souvenir de la Sonnambule is a delightful addition to the repertoire that deserves to be performed much more often and demonstrates Hübler's knowledge of orchestration as well as an intimate connection to the solo instrument.He also wrote a Concerto for Four Horns after being inspired by hearing Schumann's Koncertstück for Four Horns in a private performance which Schumann attended. There is also a Horn Concerto.As usual with my work, print the parts double-sided as presented and the page turns will work.
$35.00
32.23 €
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Orchestre
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Heinrich Hübler
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Caprice for Horn
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Trevor Denyer
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SheetMusicPlus
La Passerella Di Addio
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1302948 Composed by Nino Rota. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1302948 Composed by Nino Rota. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Film/TV,Instructional. Score and Parts. 166 pages. Flavio Regis Cunha #892557. Published by Flavio Regis Cunha (A0.1302948). 🎶 Unleash Your Orchestra's Potential with 'Otto e Mezzo for Orchestra'! 🎶Calling all maestros, musicians, and music aficionados! Elevate your performances to extraordinary heights with 'La Passerella Di Addio for Orchestra,' a magnum opus meticulously composed by the legendary Italian film composer, Nino Rota, and brilliantly arranged by the maestro Flavio Regis Cunha.✨ Why 'La Passerella Di Addio for Orchestra' Stands Apart: ✨🌟 Cinematic Grandeur: Immerse your audience in the captivating melodies that defined the golden era of Italian cinema. Nino Rota's timeless composition, brought to life by Flavio Regis Cunha, resonates with emotive richness, painting vivid musical landscapes that stir the soul.🌟 Unmatched Versatility: Break free from the constraints of standard ensemble formats! 'La Passerella Di Addio for Orchestra' is a musical chameleon, seamlessly adapting to the unique dynamics of school orchestras, and professional ensembles. Its adaptive brilliance ensures a performance that is nothing short of spectacular, tailored to your specific setting.🌟 Masterful Arrangement: Dive into the nuances of expertly crafted sheet music. Flavio Regis Cunha's arrangement strikes the perfect balance between complexity and accessibility, catering to musicians of all levels. Whether you're a seasoned virtuoso or a budding talent, this composition challenges and inspires, fostering musical growth.🌟 Spellbinding Storytelling: Every note in 'Otto e Mezzo for Orchestra' narrates a story, evoking emotions that linger long after the performance concludes. From the delicate whispers to the powerful crescendos, experience the enchanting journey that this composition offers, leaving your audience enthralled and yearning for more.🎻 Unlock Limitless Musical Horizons - Get Your Copy Now! 🎻Don't miss this chance to infuse your orchestra with the magic of 'La Passerella Di Addio for Orchestra.' Whether you're orchestrating a divine church recital, a spirited school concert, or a professional orchestral masterpiece, this sheet music is your passport to musical brilliance.🎵 Transform Ordinary Moments into Extraordinary Memories! 🎵Order your copy today and embark on a musical odyssey that transcends boundaries. Let the melodies of Nino Rota and the expertise of Flavio Regis Cunha redefine your orchestra's legacy. Elevate your performances, mesmerize your audience, and create memories that resonate for a lifetime.🔥 **Seize the Baton and Make Your Orchestra's Mark! Order Now! 🔥Level: Advanced intermediate Format: Concert, 9 x 12 inchesSize: 166 pagesContent: Full Score and Parts)PLUS!!! Engraved with Urtext Kapellmeister Music Font.
$89.99
82.86 €
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Orchestre
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Nino Rota
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Flavio Regis Cunha
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La Passerella Di Addio
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Flavio Regis Cunha
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SheetMusicPlus
Overture to "La Siemaylio" - Classical Orchestra (Set of Parts)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.945576 Composed by Tony Matthew…
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Full Orchestra - Level 4 - Digital Download SKU: A0.945576 Composed by Tony Matthews. Classical,Contemporary,Romantic Period. Score and parts. 120 pages. Archway Publications #6319245. Published by Archway Publications (A0.945576). In classical times, if i were alive,This would be what I'd contrive.This type of work is fun to write.Now. what lays ahead for... La Siemaylio? The full score is available at:https://sheetmusicplus.com/title/1008609
$31.00
28.55 €
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Orchestre
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Tony Matthews
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Overture to "La Siemaylio" - Classical Orchestra
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Archway Publications
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SheetMusicPlus
Delius: La Calinda (from Koanga) for Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1308584 By Frederick Delius. By…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1308584 By Frederick Delius. By Frederick Delius. Arranged by Flavio Regis Cunha. 19th Century,Classical,Contest,Festival,Film/TV. Score and Parts. 26 pages. Flavio Regis Cunha #897825. Published by Flavio Regis Cunha (A0.1308584). Another of Delius’s best-known works falls into the same category as The Walk to the Paradise Garden, being an interlude from an opera that is now rarely heard in full. Koanga predates A Village Romeo and Juliet by just four years and comes from the composer’s Bohemian years in Paris during the 1890s. Delius himself considered it his best opera to date. It was his third after Irmelin and The Magic Fountain and it drew on his experiences in the orange groves of Florida. The hero of the opera, Koanga, is an African prince and voodoo priest, now working as a slave on a Mississippi plantation. Delius incorporated a traditional Martinique dance from the seventeenth century into the plot, for which he wrote a small musical interlude, borrowing from something he had written earlier in his first orchestral work, the Florida Suite. When his trusty companion and scribe Eric Fenby arranged the interlude for orchestra in 1938 – some forty years later – it quickly became another hardy perennial on concert programmes up and down the land.
$49.99
46.03 €
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Orchestre
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Frederick Delius
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Flavio Regis Cunha
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Delius: La Calinda
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Flavio Regis Cunha
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SheetMusicPlus
La Clemenza di Tito
Orchestre
Orchestra - Digital Download SKU: S9.Q4475 Overture. Composed by Wolfgang Am…
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Orchestra - Digital Download SKU: S9.Q4475 Overture. Composed by Wolfgang Amadeus Mozart. This edition: study score. Ernst Eulenburg - Orchestra. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q4475. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4475). With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$9.99
9.2 €
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Orchestre
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Wolfgang Amadeus Mozart
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La Clemenza di Tito
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Symphony No. 83 G minor, "La Poule"
Orchestre
Orchestra - Digital Download SKU: S9.Q4415 Paris No. 2. Composed by Franz Jo…
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Orchestra - Digital Download SKU: S9.Q4415 Paris No. 2. Composed by Franz Joseph Haydn. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q4415. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4415). Key: G minor.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$11.99
11.04 €
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Orchestre
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Franz Joseph Haydn
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Symphony No. 83 G minor, "La Poule"
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Ce qu'on entend sur la montagne
Orchestre
Orchestra - Digital Download SKU: S9.Q50143 Symphonic Poem No. 1. Composed b…
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Orchestra - Digital Download SKU: S9.Q50143 Symphonic Poem No. 1. Composed by Franz Liszt. This edition: study score. Ernst Eulenburg - Orchestra. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q50143. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q50143). With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$17.99
16.57 €
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Orchestre
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Franz Liszt
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Ce qu'on entend sur la montagne
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Symphony No. 85 Bb major, "La Reine"
Orchestre
Orchestra - Digital Download SKU: S9.Q21357 Paris No. 4. Composed by Franz J…
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Orchestra - Digital Download SKU: S9.Q21357 Paris No. 4. Composed by Franz Joseph Haydn. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q21357. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21357). Key: B flat major. German • English.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$11.99
11.04 €
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Orchestre
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Franz Joseph Haydn
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Symphony No. 85 Bb major, "La Reine"
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
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