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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Natural
Non classifié
387
Piano & claviers
Piano seul
260
Piano, Voix et Guitare
62
Piano Facile
54
Piano, Voix
37
Instruments en Do
15
Orgue
11
2 Pianos, 4 mains
8
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
5
Accompagnement Piano
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano (partie séparée)
2
Piano grosses notes
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
1
1 Piano, 6 mains
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
141
Guitare
87
Basse electrique
36
Ligne De Mélodie, (Paroles) et Accords
18
Guitare (partie séparée)
6
2 Guitares (duo)
5
Ukulele
5
3 Guitares (trio)
4
Dulcimer
2
Banjo
2
4 Guitares (Quatuor)
1
Ensemble de guitares
1
Paroles et Accords
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
132
Chorale 3 parties
39
Chorale 2 parties
22
Chorale Unison
11
Chorale SSAA
11
Chorale TTBB
8
Voix seule
3
Voix Tenor, Piano
3
Voix haute
3
Voix moyenne, Piano
2
Voix basse, Piano
2
Chorale
1
Soli, choeur mixte et accompagnement
1
Voix duo
1
Chorale SSAATTBB
1
Voix duo, Piano
1
Voix Soprano, Piano
1
Chorale SSAB a cappella
1
Chorale SSAB, Piano
1
+ 14 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
76
Flûte traversière et Piano
26
Saxophone (partie séparée)
25
Clarinette et Piano
15
Flûte, Hautbois, Clarinette, Basson
14
2 Saxophones (duo)
12
Saxophone Alto et Piano
11
Hautbois, Piano (duo)
9
Quatuor de Saxophones: 4 saxophones
8
Ensemble de Clarinettes
8
Quatuor de Clarinettes: 4 clarinettes
7
Flûte traversière
7
Clarinette
7
2 Flûtes traversières (duo)
7
Saxophone Soprano et Piano
7
Clarinette (partie séparée)
7
Hautbois (partie séparée)
6
2 Clarinettes (duo)
6
2 Hautbois (duo)
5
Saxophone Tenor et Piano
5
3 Clarinettes (trio)
4
Clarinette, Violon (duo)
3
Saxophone, Clarinette (duo)
3
Ensemble de Flûtes
3
Saxophone Alto
3
Flute (partie séparée)
3
Quatuor de Flûtes : 4 flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
Saxophone Tenor
3
Clarinette, Violoncelle (duo)
2
Flûte, Violon, Piano
2
Flûte, Violoncelle
2
2 Flûte à bec (duo)
2
Hautbois, Clarinette (duo)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Violon
2
Cor anglais, Piano
2
Piccolo, Piano
2
Flûte et Guitare
2
Flûte à bec Soprano
2
Saxophone Baryton, Piano
1
Flûte, Clarinette (duo)
1
Quintette de Saxophone: 5 saxophones
1
2 Saxophones, Piano
1
Hautbois
1
Flûte à bec Alto
1
Clarinette et Alto
1
Flûte à bec Soprano, Piano
1
Hautbois, Violoncelle
1
Instruments en Mib
1
Flûte, Trompette (duo)
1
Hautbois, Orgue
1
Hautbois, Basson (duo)
1
Hautbois, Flûte
1
Flûte, Saxophone (duo)
1
Cor Anglais
1
Ensemble de saxophones
1
+ 52 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Trompette (partie séparée)
19
Trombone (partie séparée)
18
Cor et Piano
12
Trompette, Piano
10
Trompette
9
Trombone et Piano
8
Trombone
8
Cor
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
2 Trombones (duo)
6
2 Trompettes (duo)
5
Tuba (partie séparée)
4
Cor (partie séparée)
4
Trompette, Trombone (duo)
4
Trompette, Saxophone (duo)
2
Ensemble de Trombones
2
2 Cors (duo)
2
Quatuor de Cuivres
2
Cor anglais, Piano
2
Tuba
2
Tuba et Piano
2
2 Tubas (duo)
1
Ensemble de Trompettes
1
Ensemble de Tubas
1
Instruments en Sib
1
Bass Clef Instruments
1
Quatuor de cuivres: 4 trombones
1
Euphonium
1
Cor Anglais
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
75
Violon et Piano
29
Harpe
28
Violoncelle, Piano
17
Alto, Piano
14
Violon
14
Violon, Violoncelle (duo)
11
Violon (partie séparée)
11
Violoncelle
8
2 Violons (duo)
8
Alto (partie séparée)
7
Contre Basse
7
Contrebasse (partie séparée)
7
Violon, Alto (duo)
5
2 Violoncelles (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Alto seul
4
Contrebasse, Piano (duo)
3
2 Altos (duo)
3
Harpe, Flûte (duo)
2
2 Harpes (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
2 Violons, Piano
1
Violon, Clarinette, Piano (trio)
1
Violon, Basson (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violon, Guitare (duo)
1
Violoncelle, Basse continue
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
115
Orchestre à Cordes
77
Fanfare
70
Orchestre
48
Ensemble Jazz
20
Ensemble de cuivres
14
Orchestre de chambre
11
Jazz combo
8
Batterie
7
Marimba
6
Percussion (partie séparée)
6
Cloches
6
Batterie (partie séparée)
3
Piano et Orchestre
2
Vibraphone
2
Ensemble de Percussions
2
Orchestre, Violon
1
+ 12 instrumentations
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AUTOHARPE
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BASSE
BASSON
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Vous avez sélectionné:
The Natural
Orchestre
Partitions à imprimer
48 partitions trouvées
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26
Kommos (Lamentation) / "When the World Moved On" - Extracted Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723...
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Full Orchestra - Level 4 - SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661...
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Full Orchestra - Level 4 - SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
That's The Way (i Like It)
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Orchestre
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INTERMÉDIAIRE
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K
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Kevin Riley
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That's The Way
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.546779 By K.C. And The Sunshine Band. By Harry Wayne Casey and Richard Finch. Arranged by Kevin Riley. 20th Century,P...
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Full Orchestra - Level 3 - SKU: A0.546779 By K.C. And The Sunshine Band. By Harry Wayne Casey and Richard Finch. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 35 pages. Kevin Riley #156712. Published by Kevin Riley (A0.546779). That's the Way (I Like It) is a song by the American group KC and the Sunshine Band from their self-titled second studio album. The single became the band's second No. 1 hit in the Billboard Hot 100, and it is one of the few chart-toppers in history to hit No. 1 on more than one occasion during a one-month period, as it did between November and December 1975. It topped the American pop chart for one week, and then was replaced by another disco song, Fly, Robin, Fly by Silver Convention. That's the Way (I Like It) returned to No. 1 for one more week after Fly, Robin, Fly completed three weeks at the top. That's the Way (I Like It) also spent one week at No. 1 in the soul singles chart. The song is in natural minor. The song was also an international chart hit, reaching No. 1 in Canada[4] and the Netherlands and charting in Australia (No. 5), Belgium (No. 2), Germany (No. 20), Ireland (No. 17), New Zealand (No. 12), Norway (No. 5) and the United Kingdom (No. 4). For release as a single and radio airplay, the song was toned down from the original recording, which would have jeopardized it receiving getting radio airplay at the time. However the sexual overtones may have improved the record's reception at discos, increasing its overall popularity in the charts.
$50.00
(you Make Me Feel Like) A Natural Woman
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Orchestre
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INTERMÉDIAIRE
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Aretha Franklin
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Sam Shoup
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(you Make Me Feel Like) A Natu
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Sam Shoup
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1270386 By Aretha Franklin. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by Sam Shoup. Hip-Hop,Pop,R & B,...
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Full Orchestra - Level 3 - SKU: A0.1270386 By Aretha Franklin. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by Sam Shoup. Hip-Hop,Pop,R & B,Rock,Soul. Score and Parts. 93 pages. Sam Shoup #862778. Published by Sam Shoup (A0.1270386). The soulful ballad sung by Aretha Franklin and others, arranged for full orchestra with rhythm section, solo vocal, two background vocals, and optional sax section. Instrumentation is 2-2-2-2, 2 alto saxes (opt.), 2 tenor saxes (opt.), bari sax (opt.), 4-3-3-1, T, electric guitar (solo), electric bass, piano, drumset, harp, and strings. there is a guitar solo also. Intermediate difficulty. Score is 11 x 17, parts are 8 1/2 x 11.
$90.00
The Quiet
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Orchestre
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Chaya Czernowin
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The Quiet
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Schott Music - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q48716 For large orchestra divided into three groups. Composed by Chaya Czernowin. This edition: study score. Music Of Our Ti...
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Orchestra - SKU: S9.Q48716 For large orchestra divided into three groups. Composed by Chaya Czernowin. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 11 minutes. Schott Music - Digital #Q48716. Published by Schott Music - Digital (S9.Q48716). The Quiet originated from watching a snowstorm from my window at night as the flakes danced in the weak light of the lamp outside. The desire to make the storm audible was the starting point for a journey which morphed into many different other strange, close, and distant storms. These storms constantly evolved from natural occurances into far away atmospheres surrounding human activity, before returning to natural realms. (Chaya Czernowin)4 · 4 · 2 · 2 Bassklar. · 2 · 2 Kfg. - 6 · 4 · 2 Tenorpos · 2 Basspos. · 1 - P. (D-A/f-c') S. (3 P. [D-A] · Cel. · Crot. · Vibr. · Marimba · 3 Tamt. · 3 Buckelgongs · 3 Bong. · 3 kl. Tr. [h.] · 3 kl. Tr. [m.] · 3 gr. Tr. · 3 Peitschen · 3 Donnerbleche od. rain sticks · 3 Papiere) (3 Spieler) - Str. (14 · 12 · 10 · 8 · 6).
$21.99
(you Make Me Feel Like) A Natural Woman
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Aretha Franklin
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Daryl McKenzie
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(you Make Me Feel Like) A Natu
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1232976 By Aretha Franklin. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by Daryl McKenzie. Broadway,Musi...
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Full Orchestra - Level 4 - SKU: A0.1232976 By Aretha Franklin. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by Daryl McKenzie. Broadway,Musical/Show,Pop,Soul. Score and Parts. 48 pages. Daryl McKenzie #828611. Published by Daryl McKenzie (A0.1232976). Arranged in the style of Aretha Franklin for Vocal with Pops Orchestra (Voice, Backing Vocals, 2Fl, 2 Ob, 2Cl, 2Bsn, 5 Saxes, 4Hn, 4Trpt, 4Trb, Tba, Timp, 3 Perc, Pno, Gtr, Bass, Drums, Hp, Vln1, Vln2, Vla, Vcl, CB) Key of C (Key as Aretha)Note: Playable without SaxesAudio demo (Sibelius sounds): Click hereSame arrangement in Key of A also available: Search HereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: http://www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
Symphony No.1
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Han-Ki Kim
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#
Symphony No.1
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Han-Ki Kim
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.511812 Composed by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Score and parts. 186 pages. Han-...
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Full Orchestra - Level 4 - SKU: A0.511812 Composed by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Score and parts. 186 pages. Han-Ki Kim #6440929. Published by Han-Ki Kim (A0.511812). Symphony No.1 “KangKangSullae†Symphony No. 1 has the name “KangKangSullaeâ€, and the composer is like any other korean composer. “What does it mean to be Korean?†With the question, he is trying to compose such works. A Korean work means a work that contains Korean emotions and spirit, and the melody of “KangKangSullae†has been handed down through a long history to this day, so it can be said that it is a keepsake containing the soul of Korea. With this in mind, the theme of “KangKangSullae†was cited in the 4th movement, and it was named as a representative name for the Symphony as an element that forms the basic character of this movement.For reference, the origin of “KangKangSullae†is from women's circular dance. It was because they valued the relationship between each other. They held hands, sang and danced, and it was a representative event to commemorate the full moon and the harvest.The first movement is in 6/8 time, and two contrasting themes, masculine and feminine, appear in normal sonata form.The second movement crosses the natural harmonics of the violin and the normal playing method in 4/4 time, expressing oriental excellence and emotion.The third movement is composed in a short ABA form with a humorous lightness and weight in 3/8 time.The fourth movement quoted the theme of “Ganggangsullae†in 8/12 time, and was composed in the form of variations that change with various personalities, sometimes majestic, sometimes sobbing, calmly, etc.Attached Music file is only 1st. movement, it's just for a reference.
$45.00
Symphony No 22 "Galaxymbion" Opus 33-36 - 1st Movement Opus 33 - (1 of 7) - Score Only
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Orchestre
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AVANCÉ
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Grahame Gordon Innes
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Symphony No 22 "Galaxymbi
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Grahame Gordon Innes
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1425941 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 43 pages. Grahame Gordon Innes...
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Full Orchestra - Level 5 - SKU: A0.1425941 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 43 pages. Grahame Gordon Innes #1006730. Published by Grahame Gordon Innes (A0.1425941). Symphony No 22 Galaxymbion is a 7-movement symphonic setting of scenes from my novel The Galaxymbion Odyssey MOVEMENT 1 – The Kytonian Expanse TOTAL NUMBER OF BARS = 2670 TOTAL DURATION = 125 minutes General methodology of composition;1. No fixed tonal centre2. Each movement inherits material from its predecessor3. The work is modular. This means that the 1st, 4th and 7th movements can be presented together as the symphony proper if full staging is not possible. The movements that double as concertos can be presented separately in their own right, hence their individual opus numbers.1. The work has developed from a highly individualized harmonic language that establishes its own laws independent from and additional to conventional harmonic practice. The same is true of the work’s unusual tonality. Central to this approach is the use of dodecaphonic principles in both the melodic and harmonic content. The intent here is to incorporate Schoenberg’s theoretical model of tone rows in an inclusive way, so that it is part of the work’s musical language and an additional tool in structuring and developing ideas. As a result the work remains tonal, albeit inhabiting a distinct and exotic aural landscape.There is no rigid adherence to conventional forms or methods of symphonic development, rather the work takes an entirely eccentric and highly individual approach. Whilst this is the ‘spark’ or heart of the work there is still an intention to create music instead of noise. Discords are therefore used as elsewhere in my more conventionally tonal works; as a natural consequence of the work itself instead of a forced snub at tonal music.
$45.00
Symphony No 22 "Galaxymbion" Opus 33-36 - 4th Movement (4 of 7) - Score Only
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Orchestre
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AVANCÉ
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Grahame Gordon Innes
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Symphony No 22 "Galaxymbi
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Grahame Gordon Innes
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1425953 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 37 pages. Grahame Gordon Innes...
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Full Orchestra - Level 5 - SKU: A0.1425953 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 37 pages. Grahame Gordon Innes #1006742. Published by Grahame Gordon Innes (A0.1425953). Symphony No 22 Galaxymbion is a 7-movement symphonic setting of scenes from my novel The Galaxymbion Odyssey MOVEMENTS 4 – The Sirantiga Disaster TOTAL NUMBER OF BARS = 2670 TOTAL DURATION = 125 minutes General methodology of composition;1. No fixed tonal centre2. Each movement inherits material from its predecessor3. The work is modular. This means that the 1st, 4th and 7th movements can be presented together as the symphony proper if full staging is not possible. The movements that double as concertos can be presented separately in their own right, hence their individual opus numbers.4. The work has developed from a highly individualized harmonic language that establishes its own laws independent from and additional to conventional harmonic practice. The same is true of the work’s unusual tonality. Central to this approach is the use of dodecaphonic principles in both the melodic and harmonic content. The intent here is to incorporate Schoenberg’s theoretical model of tone rows in an inclusive way, so that it is part of the work’s musical language and an additional tool in structuring and developing ideas. As a result the work remains tonal, albeit inhabiting a distinct and exotic aural landscape.There is no rigid adherence to conventional forms or methods of symphonic development, rather the work takes an entirely eccentric and highly individual approach. Whilst this is the ‘spark’ or heart of the work there is still an intention to create music instead of noise. Discords are therefore used as elsewhere in my more conventionally tonal works; as a natural consequence of the work itself instead of a forced snub at tonal music.
$45.00
The Natural - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Randy Newman
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Omni Music Publishing
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The Natural - Score Only
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SheetMusicPlus
Full Orchestra - Level 4 - Composed by Randy Newman. Arranged by Omni Music Publishing. Film/TV. Score and parts. 28 pages. Omni Music Publishing #704626....
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Full Orchestra - Level 4 - Composed by Randy Newman. Arranged by Omni Music Publishing. Film/TV. Score and parts. 28 pages. Omni Music Publishing #704626. Published by Omni Music Publishing
$25.00
The Natural
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Randy Newman
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Omni Music Publishing
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The Natural
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SheetMusicPlus
Composed by Randy Newman. Arranged by Omni Music Publishing. Film/TV. Score and parts. 111 pages. Omni Music Publishing #704631. Published by Omni Mus...
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Composed by Randy Newman. Arranged by Omni Music Publishing. Film/TV. Score and parts. 111 pages. Omni Music Publishing #704631. Published by Omni Music Publishing
$260.00
NAUTILUS
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Orchestre
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AVANCÉ
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Antonello Rizzella
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NAUTILUS
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Antonello Rizzella
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1377811 By Antonello Rizzella. By Antonello Rizzella. 21st Century,Contemporary,Instructional,New Age,Video Game. 68 ...
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Full Orchestra - Level 5 - SKU: A0.1377811 By Antonello Rizzella. By Antonello Rizzella. 21st Century,Contemporary,Instructional,New Age,Video Game. 68 pages. Antonello Rizzella #962412. Published by Antonello Rizzella (A0.1377811). The author's intent was to work on melodic-harmonic-rhythmic materials always attributable to the Fibonacci numerical series, hence, as a consequence, the choice of the title, Nautilus, finding the natural expression in the artistic perfection of said shell of the logarithmic spiral to which the golden section is applied.The form of symphonic movement that emerged has a rhapsodic flowThe choice of the sounds of the harmonic field of the first part (bar 0-50) is therefore based on the numerical series (based on a scale of 10 sounds), tracing each sound of the scale to a number from 0 to 9 and making them correspond to the numbers of the series of Fibonacci from 1 to 267,914,296.The second part (bars 51-64) is based on a harmonic field of 9 sounds which, when superimposed, generate 9 triads formed by superimposed 4ths which are used at a distance of 2, 3 or 5 beats (series of F. , from the 3rd to the 6th number). In this section, isorhythmy is used according to groupings of values ​​that can be numerically traced back to the series.A short third part (bars 65-80) is inserted as an expressive moment: it is based on a scale of 7 sounds (spaced proportionally from each other according to the logarithmic spiral: from the 1/4 tone to the major 3rd).In the next and final section the isorhythmic part is resumed with small changes in the closing coda.
$70.00
Ebb and Flow
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Orchestre
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AVANCÉ
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Contemporain
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Daniel Burwasser
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Ebb and Flow
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Head and Stem
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1090023 By Daniel Burwasser. By Daniel Burwasser. Contemporary. Score and Parts. 326 pages. Head and Stem #694221. Pu...
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Full Orchestra - Level 5 - SKU: A0.1090023 By Daniel Burwasser. By Daniel Burwasser. Contemporary. Score and Parts. 326 pages. Head and Stem #694221. Published by Head and Stem (A0.1090023). Ebb and Flow harks back to the composer’s years at the City University of New York. The work was completed in 1990 and revised in 2022 for this video score. A colorful and dramatic work, Ebb and Flow is based on two main themes: the first of which is heard at the very onset in the lower strings, and later, a more subdued and lyrical theme is presented. Transitions between these sections are fluid and contain moments of tension and resolution, highlighting the contrasts and interplay between the two states. Ultimately, Ebb and Flow as a musical composition aims to evoke a sense of movement, contemplation, and emotional resonance, capturing the essence of the natural ebb and flow phenomenon through the music. The piece also displays the composer’s stylistic tendencies for episodic writing, tender lyricism, frequently shifting textures and rhythmic drive . For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$70.00
Horizons
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Orchestre
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INTERMÉDIAIRE
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Nick Elliott
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Horizons
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Nick Elliott
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1418381 By Nick Elliott. By Nick Elliott. 21st Century,Classical,Contemporary. 117 pages. Nick Elliott #999942. Publi...
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Full Orchestra - Level 3 - SKU: A0.1418381 By Nick Elliott. By Nick Elliott. 21st Century,Classical,Contemporary. 117 pages. Nick Elliott #999942. Published by Nick Elliott (A0.1418381). “Horizons†intends to demonstrate through music the beautiful imagery of nature in Atlantic Canada. The musical imagery expressed in this tone poem is largely inspired by the Acadian forest, Fundy National Park and other geographical features of Atlantic Canada. This tone poem is split into two movements: Sunrise and Sunset. “Horizons aims to reveal what a sunrise and a sunset on the horizon would sound like in Atlantic Canada. In essence “Horizons†aims to create that picture in the listener mind through music. Horizons is a tone poem that seeks to encapsulate the breathtaking nature found in Atlantic Canada. Drawing its inspiration from the lush Acadian forest,  majestic Fundy National Park, and the diverse geographical landscapes that define Atlantic Canada, this piece vividly translates the essence of these natural wonders into sound. The composition is divided into two movements, Sunrise and Sunset, each crafted to convey the unique ambiance and colors of the Atlantic horizon at these times of the day.In Horizons, orchestral textures are pivotal in painting the auditory landscape. The intricate layering of instrumental timbres and dynamics is akin to the interplay of light and shadow across the landscape. The delicate whispers of the woodwinds evoke the gentle rustle of leaves in the Acadian forest at dawn, while the bold, resonant brass mirrors the dramatic hues that streak the sky at dusk. Strings weave throughout, like the constant ebb and flow of the tides at Fundy Bay. Through Horizons, listeners are invited to embark on an auditory journey that mirrors the experience of witnessing a sunrise and sunset on the Atlantic horizon. The orchestral textures serve as dynamic and integral components of the narrative, bringing to life the serene beauty and the vibrant tapestry of Atlantic Canada's natural landscapes through music.
$50.00
Homage to O'Keeffe for Orchestra
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Orchestre
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AVANCÉ
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Sy Brandon
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Homage to O'Keeffe for Orchest
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Publi...
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Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
Sounds of Winter
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Orchestre
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AVANCÉ
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Classique
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David M
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Sounds of Winter
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David Sterrett Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1039844 Composed by David M. Sterrett. Classical. Score and parts. 125 pages. David Sterrett Music #644691. Published...
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Full Orchestra - Level 5 - SKU: A0.1039844 Composed by David M. Sterrett. Classical. Score and parts. 125 pages. David Sterrett Music #644691. Published by David Sterrett Music (A0.1039844). Sounds of Winter is an impressionistic tone-painting depicting the natural beauty of the outdoors in Winter. In writing this piece, I envisioned landscapes covered in snow and ice – a meadow, a dark forest, a frozen lake, and a majestic mountain range. I sought to capture other elements of sound and imagery as well, such as whistling and whirling of frosty wind, glittering sunlight reflected off of shards of ice, snow falling, and joyous sounds of people ice skating. I was largely inspired by an experience I had of standing outside one wintery evening in Colorado – one of my favorite places to be in Winter – captivated by the beauty of all I saw, heard, and felt around me. Since then, I have always experienced a thrill of wonder, beauty, and mystery about the outdoors in Winter.
$74.99
Sounds of Winter - Score Only
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Orchestre
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AVANCÉ
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Classique
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David M
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Sounds of Winter - Score Only
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David Sterrett Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1039845 Composed by David M. Sterrett. Classical. Score and parts. 29 pages. David Sterrett Music #644692. Published ...
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Full Orchestra - Level 5 - SKU: A0.1039845 Composed by David M. Sterrett. Classical. Score and parts. 29 pages. David Sterrett Music #644692. Published by David Sterrett Music (A0.1039845). Sounds of Winter is an impressionistic tone-painting depicting the natural beauty of the outdoors in Winter. In writing this piece, I envisioned landscapes covered in snow and ice – a meadow, a dark forest, a frozen lake, and a majestic mountain range. I sought to capture other elements of sound and imagery as well, such as whistling and whirling of frosty wind, glittering sunlight reflected off of shards of ice, snow falling, and joyous sounds of people ice skating. I was largely inspired by an experience I had of standing outside one wintery evening in Colorado – one of my favorite places to be in Winter – captivated by the beauty of all I saw, heard, and felt around me. Since then, I have always experienced a thrill of wonder, beauty, and mystery about the outdoors in Winter.
$24.99
Crystal Clear - Orchestra Score and Parts PDF.
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Brendan Elliget MAGA 537
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Crystal Clear - Orchestra Scor
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.750884 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 31 pages. BJE Music #4351263. Published b...
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Full Orchestra - Level 3 - SKU: A0.750884 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 31 pages. BJE Music #4351263. Published by BJE Music (A0.750884). Crystal Clear is an original composition for Orchestra with a theme of clear and simple lines reflecting the nature and symmetry of crystals found in the natural world – The original short tune was written in 2001 – Expanded into a full orchestra piece in 2019. It is scored for full orchestra with only two Trumpets and Horn parts. There is a 3rd Violin part – a sub for the Viola part with minor changes in written ranges. The only percussion parts are for Glockenspiel and Timpani. The MP3 was recorded with NotePerformer 3. Grade = 3 Duration = 4:00 mins.
$20.00
Silent Night For Full Orchestra And Chorus
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Orchestre
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INTERMÉDIAIRE
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Noël
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Christian Paulson
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Christian Paulson
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Silent Night For Full Orchestr
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Christian Paulson
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1153104 By Christian Paulson. By Franz Xaver Gruber. Arranged by Christian Paulson. 19th Century,Christmas,Holiday. S...
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Full Orchestra - Level 3 - SKU: A0.1153104 By Christian Paulson. By Franz Xaver Gruber. Arranged by Christian Paulson. 19th Century,Christmas,Holiday. Score and Parts. 28 pages. Christian Paulson #753348. Published by Christian Paulson (A0.1153104). This arrangement began as a piece I arranged as a finale for our first combined band, orchestra, and choir concert. It was a big hit! Silent Night has always been a piece that everyone seems to hold dearly. The chorus has a traditional harmony right out of the green hymnal. This piece can also be done with a small group of singers or as a solo. The instruments parts are very accessible and the scoring makes every group sound full. One of the theatrical moments happens right after the climax of the second verse. Choke the cymbal and chimes on beat one of measure 55 and let the natural reverberance of the hall ring on. Slow the tempo, lower the volume and invite the audience to hum along to the last verse. Nothing brings musicians and audiences together like Silent Night.
$45.00
Tanah Airku - Keroncong version
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Orchestre
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AVANCÉ
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Mrs
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Zellev
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Tanah Airku - Keroncong versio
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Zellev Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.910921 Composed by Mrs. Sud / Ibu Sud. Arranged by Zellev. Concert,Contemporary,Folk. Score and parts. 8 pages. Zelle...
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Full Orchestra - Level 5 - SKU: A0.910921 Composed by Mrs. Sud / Ibu Sud. Arranged by Zellev. Concert,Contemporary,Folk. Score and parts. 8 pages. Zellev Music #6326583. Published by Zellev Music (A0.910921). Tanah Airku is an Indonesian national song composed by Ibu Sud and sung by Rita Effendy . This song describes the natural beauty of Indonesia . this particular piece has been rearranged with Keroncong style (pronounced ‘kronchong’). {is the name of a small ukulele-like instrument and an Indonesian musical style. The word keroncong comes from the chrong-chrong-chrong sound made by strumming the instrument and from the kron and chong sound that occurs when a pair of these instruments interlocks}A keroncong ensemble consists of an orchestra and a vocalist. The core orchestra consists of flute, violin, two ukuleles, cello, double bass and guitar. The vocalist sings the melody with slow sustained notes, often in vibrato style;
$6.50
Legend of 10,000 Lakes for Orchestra
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Orchestre
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FACILE
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Contemporain
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Sy Brandon
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Legend of 10,000 Lakes for Orc
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.755142 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 72 pages. Sy Brandon #3406019. Published b...
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Full Orchestra - Level 2 - SKU: A0.755142 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 72 pages. Sy Brandon #3406019. Published by Sy Brandon (A0.755142). Legend of 10,000 Lakes musically depicts the history of Minnesota. The piece opens with a broad theme in the low instruments that represents the natural landscape. This soon develops into a hymn-like section representing the majesty of this great land. The Allegro section represents the struggles between native and outside cultures for control of this land. The Moderato section is a folk dance that leads into a religious hymn of thanks. The Allegro section returns at the end to remind us that no one controls the land, as the land belongs to everyone and should be revered, respected, and protected for future generations. The score prints on legal size paper and the parts on letter.
$29.99
Concert Piece for 4 instruments and orchestra (Robert Schumann)
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Orchestre
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Contemporain
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Robert Schumann
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Brock Lupton
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Concert Piece for 4 instrument
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Brock Lupton
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SheetMusicPlus
Full Orchestra - SKU: A0.942412 Composed by Robert Schumann (1810-1856). Arranged by Brock Lupton. Contemporary. Score and parts. 189 pages. Brock Lupto...
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Full Orchestra - SKU: A0.942412 Composed by Robert Schumann (1810-1856). Arranged by Brock Lupton. Contemporary. Score and parts. 189 pages. Brock Lupton #4616367. Published by Brock Lupton (A0.942412). This is one of the lesser-known works of composer Robert Schumann. It was composed in 1849 and introduced in Leipzig on February 25, 1850. There are several possible reasons for the comparative unfamiliarity of this work which, despite its modest title, is a full-fledged 3-movement concerto for four very accomplished French horn players with orchestra. In its original configuration, the work exploits the newly-invented valved French horn. (The horn and trumpet were natural instruments – like today’s bugles, with no valves – until about 1835.) The concerto establishes a festive character at the outset, and becomes almost feverish as the excitement expands. The slow movement (Romanze) typifies another side of the composer, expansive and tender. It leads directly into the third (final) movement which brings together the various elements in an outburst of sheer joy.The title to which this note is attached is my re-orchestration of the accompaniment (score and all orchestral parts). Three different ensemble versions are also available from SMP. Any of these is compatible with the orchestral score and parts.
$15.00
What Child We Sing?
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Orchestre
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INTERMÉDIAIRE
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Robert Myers
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What Child We Sing?
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976706 Composed by Robert Myers. 20th Century,Christian,Christmas,Contemporary,Sacred. Score and parts. 46 pages. Whe...
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Full Orchestra - Level 3 - SKU: A0.976706 Composed by Robert Myers. 20th Century,Christian,Christmas,Contemporary,Sacred. Score and parts. 46 pages. WheatMyer Music #4604745. Published by WheatMyer Music (A0.976706). The title,What Child We Sing, is a play on two traditional Christmas carols, What Child Is This and Sing We Now of Christmas, which are the basis of this new work. What Child Is This is almost always paired wth the 16th Century English tune, Greensleeves, a ballad of unrequited love. Both the text and tune of Sing We Now of Christmas come from a traditional French Christmas carol, Noel Nouvelet, believed to be even older than Greensleeves. These two traditional Christmas carols blend together in several ways so as to make the compilation into one work a natural result. Both tunes are set in a minor mode with a very similar narrow melodic range that effortlessly flow together. The question of what child lies in the manger is answered in the refrain of Sing We Now of Christmas with the proclamation, Sing We Noel, the King is born, Noel. The result turns out not to be a medley but a melding of two distincts into one union, What Child We Sing?What Child We Sing best works in the Advent or Christmas seasons with its strong exposition of traditional Christmas carols and would be suitable in a sacred concert or as a prelude, offertory, or reflective music in either liturgical or unstructured service. It has sufficient artistic metric to be suitable for the concert stage as well, although it is not at all difficult, being suitable for intermediate or higher level musicians.
$75.00
Totality
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Joshua A
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Totality
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Joshua A Idio
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.999294 Composed by Joshua A. Idio. 20th Century,Contemporary,Standards. Score and parts. 121 pages. Joshua A Idio #57...
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Full Orchestra - Level 4 - SKU: A0.999294 Composed by Joshua A. Idio. 20th Century,Contemporary,Standards. Score and parts. 121 pages. Joshua A Idio #5779515. Published by Joshua A Idio (A0.999294). Composed by Joshua A. Idio. (ASCAP Licensed) Orchestra Music. Concert Festival music. Full score and parts.Grade 4 Symphony OrchestraAncient civilizations made up stories to try to explain why the sun suddenly disappears. Whether it’s devouring demons, or anger of the gods, none can contest the majesty of this rare phenomena. And to this day, we still acknowledge solar eclipses as one of the closest occurrences to the unnatural. Composed for the August 2017 Solar Eclipse in the United States, Totality depicts the full celestial event in music; from beginning to end.
$95.00
Sunrise Calls. First Movement of Orchestral Suite 'Heliodorus'.
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Orchestre
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INTERMÉDIAIRE
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Marcus Mota
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Sunrise Calls. First Movement
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Marcus Mota
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1028487 Composed by Marcus Mota. 20th Century,Contemporary,World. Score and parts. 13 pages. Marcus Mota #3539039. Pu...
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Full Orchestra - Level 3 - SKU: A0.1028487 Composed by Marcus Mota. 20th Century,Contemporary,World. Score and parts. 13 pages. Marcus Mota #3539039. Published by Marcus Mota (A0.1028487). Orchestral Suite in seven movements. Here the first movement.The Suite was composed based on Heliodorus'Aithiopika. Aithiopika is an ancient greek novel that mixes love and adventure. This novel was so influent in Post-Renascence: Cervantes, Shakespeare, Racine loved it. Verdi's Aida argument is in part based on Aithiopika. In this first movement, we follow the first scenario of the novel: we are presented to the natural setting that opens the novel: we are facing on preliminary doubts and omens after the impact of the sunrise upon the creatures on stage. .
$5.00
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The Natural
