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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Power Of Yet
Non classifié
143
Piano & claviers
Piano seul
85
Piano Facile
28
Piano, Voix
22
Instruments en Do
7
Orgue
5
Piano, Voix et Guitare
3
1 Piano, 4 mains
2
2 Pianos, 4 mains
2
Orgue, Piano (duo)
1
Accompagnement Piano
1
Piano Trio: piano, violon, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
2 Guitares (duo)
3
Guitare
3
Basse electrique
3
Guitare (partie séparée)
1
Guitare notes et tablatures
1
Piano, Guitare (duo)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
65
Chorale 3 parties
21
Chorale TTBB
11
Chorale 2 parties
7
Chorale SSAA
7
Voix duo
4
Voix duo, Piano
3
Chorale Unison
2
Voix Alto, Piano
1
Chorale SSATTB
1
+ 5 instrumentations
Retracter
Vents
Clarinette et Piano
17
Hautbois, Piano (duo)
17
Flûte traversière et Piano
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Flûte traversière
10
Clarinette
10
Hautbois
8
Quatuor de Saxophones: 4 saxophones
7
Quintette de Saxophone: 5 saxophones
6
2 Flûtes traversières (duo)
6
Saxophone (partie séparée)
5
Flûte, Hautbois, Clarinette, Basson
4
2 Hautbois (duo)
4
2 Clarinettes (duo)
4
Saxophone Alto et Piano
3
Flûte, Clarinette (duo)
3
Saxophone Tenor et Piano
3
Ensemble de saxophones
2
Clarinette Basse, Piano
2
Saxophone Tenor
2
Hautbois (partie séparée)
2
Saxophone Alto
2
2 Saxophones (duo)
2
Quatuor de Clarinettes: 4 clarinettes
1
Saxophone Soprano et Piano
1
Cornemuse
1
Ensemble de Clarinettes
1
Clarinette (partie séparée)
1
Quintette de Flûte : 5 flûtes
1
Saxophone Baryton, Piano
1
3 Clarinettes (trio)
1
Flute (partie séparée)
1
Quintette de Clarinettes: 5 clarinettes
1
Piccolo, Piano
1
+ 29 instrumentations
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Cuivres
Trompette, Piano
17
Cor et Piano
15
Tuba et Piano
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trompette
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Tuba
10
Cor
10
Trombone
8
Trombone et Piano
8
2 Trompettes (duo)
4
2 Trombones (duo)
4
Trombone (partie séparée)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Cors (duo)
2
Trompette (partie séparée)
2
Tuba (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
Cor (partie séparée)
1
Quatuor de Cuivres
1
+ 15 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
23
Violon et Piano
19
Alto, Piano
17
Violoncelle, Piano
16
Contrebasse, Piano (duo)
14
Violon
12
Violoncelle
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Contre Basse
10
Alto seul
10
2 Violons (duo)
4
Violon, Violoncelle (duo)
4
2 Violoncelles (duo)
4
2 Altos (duo)
4
Alto (partie séparée)
3
Harpe, Voix
3
Violon (partie séparée)
3
Violon, Alto (duo)
2
2 Contrebasses (duo)
2
Contrebasse (partie séparée)
2
Harpe
1
Violoncelle (partie séparée)
1
2 Altos, Piano
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
57
Orchestre à Cordes
24
Orchestre
20
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Cloches
3
Ensemble Jazz
3
Ensemble de cuivres
3
Batterie
2
Fanfare
1
Batterie (partie séparée)
1
Jazz combo
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
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MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
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OPERA
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POP ROCK - POP MUSIC
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Vous avez sélectionné:
The Power Of Yet
Orchestre
Partitions à imprimer
20 partitions trouvées
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I Sing the Mighty Power of God/Joyful Joyful We Adore Thee
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Orchestre
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INTERMÉDIAIRE
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Isaac Watts, Ludwig van Beetho
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Beka Wilson
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I Sing the Mighty Power of God
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Beka Wilson
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.786373 Composed by Isaac Watts, Ludwig van Beethoven. Arranged by Beka Wilson. Christian,Classical,Gospel,Sacred. Sco...
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Full Orchestra - Level 3 - SKU: A0.786373 Composed by Isaac Watts, Ludwig van Beethoven. Arranged by Beka Wilson. Christian,Classical,Gospel,Sacred. Score and parts. 56 pages. Beka Wilson #4354833. Published by Beka Wilson (A0.786373). An old favorite hymn is mixed with a theme from the 4th movement of Beethoven's 9th Symphony for a powerful prelude or stunning offertory for your church service. It is simple enough for younger musicians, yet contains enough depth to interest seasoned musicians as well. 56 pages (includes score and set of parts), approximately 3 1/2 minutes in length (at 120 bpm).
$59.99
Yetzer Hara, for orchestra - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Daniel Despins
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Yetzer Hara, for orchestra - S
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Daniel Despins
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1454805 Composed by Daniel Despins. 21st Century,Classical,Contemporary,Jewish. 20 pages. Daniel Despins #1033873. Pu...
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Full Orchestra - Level 4 - SKU: A0.1454805 Composed by Daniel Despins. 21st Century,Classical,Contemporary,Jewish. 20 pages. Daniel Despins #1033873. Published by Daniel Despins (A0.1454805). Powerful, moving, and dramatic, Yetzer Hara by Daniel Despins is a perfect concert opener for any program!A note from the composer:In Jewish mysticism, the “yetzer hara” refers to one’s “evil inclination,” or the desire to commit acts that are considered evil or immoral. The yetzer hara is controlled and restrained by the “yetzer hatov,” or the inclination to do good things and commit acts of kindness. Rabbinic teachings emphasize the importance of both inclinations – without the yetzer hara, people would have no sense of motivation or purpose to their actions, but the yetzer hatov is necessary to ensure that those actions do not harm others. Thus, the two inclinations depend on each other for balance.This teaching resonates with me very personally, as someone who was prone to fits of anger while I was growing up. My adolescent years tested me as I struggled to keep my yetzer hara in check. Even at the time of this piece’s creation, I was struggling with the evil inclination, which was feeding feelings of animosity I had towards people that I believed had wronged me. This is a battle I will fight for the rest of my life, but I believe that balance will come with time and patience. We must all fight to keep our inclinations balanced, so that we are able to mature emotionally as human beings..
$20.00
Yetzer Hara, for orchestra - Full Score and Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Daniel Despins
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Yetzer Hara, for orchestra - F
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Daniel Despins
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1454803 Composed by Daniel Despins. 21st Century,Classical,Contemporary,Jewish. 65 pages. Daniel Despins #1031955. Pu...
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Full Orchestra - Level 4 - SKU: A0.1454803 Composed by Daniel Despins. 21st Century,Classical,Contemporary,Jewish. 65 pages. Daniel Despins #1031955. Published by Daniel Despins (A0.1454803). Powerful, moving, and dramatic, Yetzer Hara by Daniel Despins is a perfect concert opener for any program!A note from the composer:In Jewish mysticism, the “yetzer hara” refers to one’s “evil inclination,” or the desire to commit acts that are considered evil or immoral. The yetzer hara is controlled and restrained by the “yetzer hatov,” or the inclination to do good things and commit acts of kindness. Rabbinic teachings emphasize the importance of both inclinations – without the yetzer hara, people would have no sense of motivation or purpose to their actions, but the yetzer hatov is necessary to ensure that those actions do not harm others. Thus, the two inclinations depend on each other for balance.This teaching resonates with me very personally, as someone who was prone to fits of anger while I was growing up. My adolescent years tested me as I struggled to keep my yetzer hara in check. Even at the time of this piece’s creation, I was struggling with the evil inclination, which was feeding feelings of animosity I had towards people that I believed had wronged me. This is a battle I will fight for the rest of my life, but I believe that balance will come with time and patience. We must all fight to keep our inclinations balanced, so that we are able to mature emotionally as human beings..
$80.00
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
The Passion and Glory of the Risen Christ
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Orchestre
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Musique Sacrée
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Jack Schrader
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The Passion and Glory of the R
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Hope Publishing - Digital
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SheetMusicPlus
(Orchestra) - SKU: H1.8464DP Arranged by Jack Schrader. Lent and Easter Musicals. Lent and Easter Musicals. Lent, Easter Sunday. Set of Instrumental Par...
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(Orchestra) - SKU: H1.8464DP Arranged by Jack Schrader. Lent and Easter Musicals. Lent and Easter Musicals. Lent, Easter Sunday. Set of Instrumental Parts. 452 pages. Hope Publishing - Digital #8464DP. Published by Hope Publishing - Digital (H1.8464DP). Lent and Easter Musical This new 45-minute, Easter musical from Jack Schrader utilizes three powerful devices to dramatically portray Christ's passion and glory: well-conceived choral music, scintillating orchestral accompaniment, and passionate narrations, with much detail drawn from the gospels. The story begins before the Triumphal Entry of Christ, and ends, by implication, beyond his Ascension. Chorally you will find many poignant and powerful moments. Talented orchestrator, Mark Kellner, has provided exquisite instrumental mosaics to underscore and support both choir and narration. Yet the simple use of piano accompaniment would also be very satisfying. At the most high and holy time of the Christian year, this musical presentation powerfully proclaims the truth of the Gospel, and confronts listener and performer alike with the claims of Jesus Christ, the Son of God. The Orchestration contains a Conductor's Score and parts for: Flute, Oboe, Clarinet, 3 Trumpets, 2 Horns, 2 Trombones, Tuba, Percussion, Timpani, Harp, Violin 1 and 2, Viola, Cello, Bass, Piano, and Electric Bass.
$325.00
The Star Spangled Banner (Orchestra)
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Orchestre
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DÉBUTANT
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Americana
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Patriotique
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Anonymous, Francis Scott Key
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Henrique F Mangoni
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The Star Spangled Banner
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Henrique Franke Mangoni
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SheetMusicPlus
Full Orchestra - Level 1 - SKU: A0.949602 Composed by Anonymous, Francis Scott Key. Arranged by Henrique F Mangoni. Holiday,Patriotic,Traditional. Score...
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Full Orchestra - Level 1 - SKU: A0.949602 Composed by Anonymous, Francis Scott Key. Arranged by Henrique F Mangoni. Holiday,Patriotic,Traditional. Score and parts. 2 pages. Henrique Franke Mangoni #6455755. Published by Henrique Franke Mangoni (A0.949602). Orchestration for The Star Spangled Banner. This edition offers an easy yet powerful version for this emblematic anthem. Celebrate the 4th of July with music!Join my mailing list and receive weekly updates on my latest products at Sheet Music Plus using this link (https://forms.gle/s5vf9insU9fSdVLQ7).
$5.99
You Raise Me Up
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Orchestre
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FACILE
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Musique Sacrée
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Josh Groban
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Paul Lorenz
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You Raise Me Up
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Paul Lorenz
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1413785 By Josh Groban. By Brendan Graham and Rolf Lovland. Arranged by Paul Lorenz. Broadway,Celtic,Christian,Irish,...
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Full Orchestra - Level 2 - SKU: A0.1413785 By Josh Groban. By Brendan Graham and Rolf Lovland. Arranged by Paul Lorenz. Broadway,Celtic,Christian,Irish,Musical/Show,Pop,Praise & Worship. 35 pages. Paul Lorenz #995571. Published by Paul Lorenz (A0.1413785). Elevate Your Performance with Josh Groban You Raise Me Up Sheet Music Discover the Ultimate Musical Experience At Paul Lorenz Music, we understand the power of a single piece to transform your musical journey. That's why we are thrilled to present the Josh Groban You Raise Me Up Sheet Music, a testament to our commitment to quality, innovation, and connection. This piece, a beacon of inspiration and emotion, is designed to meet the diverse needs of musicians, ensembles, orchestras, choirs, and creatives seeking to elevate their performances and resonate with audiences worldwide. Masterful Arrangements for Every Performer Our Josh Groban You Raise Me Up Sheet Music collection spans various arrangements, ensuring that every musician finds their perfect match. Whether you're searching for the piano sheet You Raise Me Up, longing for the stirring You Raise Me Up music score, or in need of the You Raise Me Up sheet music PDF, we've meticulously crafted each piece to cater to your artistic demands.For soloists and educators, the You Raise Me Up lead sheet PDF and You Raise Me Up easy piano sheet music provide accessible yet rich renditions. Meanwhile, ensembles and larger groups will find the You Raise Me Up choir sheet music arrangement, You Raise Me Up orchestra sheet music, and You Raise Me Up SATB to offer a comprehensive and immersive musical experience. Immerse Yourself in the Music Each note of the Josh Groban You Raise Me Up Sheet Music invites you into a world where melodies soar and emotions run deep. From the PDF You Raise Me Up to the finely detailed You Raise Me Up notes, every element of our sheet music is produced with the highest quality, echoing our collaboration with renowned musicians and world-class studios like Abbey Road in London. Transform Your Musical Expression Paul Lorenz Music stands at the intersection of tradition and innovation, bringing together top-trained talent and strong industry connections to offer the best quality worldwide. Our Josh Groban You Raise Me Up Sheet Music is not just notes on a page; it's an opportunity to connect with your audience on a profound level, appealing to both classical aficionados and the modern listener.Elevate your performance with Paul Lorenz Music. Experience the unparalleled beauty of Josh Groban You Raise Me Up Sheet Music and let it lift you and your audience to new heights of musical expression.
$149.99
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
A. Rubinstein - Concert Suite from “Bal costume”, Op. 103 - Score Only
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Orchestre
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INTERMÉDIAIRE
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Anton Rubinstein
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Arkady Leytush
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A. Rubinstein - Concert Suite
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1130199 Composed by Anton Rubinstein. Arranged by Arkady Leytush. 19th Century. 107 pages. Arkady Leytush #730561. Pu...
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Full Orchestra - Level 3 - SKU: A0.1130199 Composed by Anton Rubinstein. Arranged by Arkady Leytush. 19th Century. 107 pages. Arkady Leytush #730561. Published by Arkady Leytush (A0.1130199). Anton Rubinstein Concert Suite from “Bal costumeâ€, Op. 103 1. Polonais et polonaise 2. Toréador et andalouse 3. Pacha et almée 4. Pêcheur napolitain et napolitaine This concert suite was composed and orchestrated by me from 4 bright numbers “Bal costumeâ€, op. 103. Their strong contrasting imagery, theatricality and ingenuity provided an excellent opportunity for development in the orchestra and served as the impetus for this orchestral transcription. In addition to popularizing the work of A. Rubinstein as a composer, this music itself can become an adornment of many symphonic programs. The role and significance of Anton Rubinstein for the development of academic music in Russia is invaluable. His powerful and versatile talent manifested itself in everything he did. He remained in the history of music as an unsurpassed pianist and conductor, and as a great composer, and as the founder of the Russian Musical Society, and as the organizer of the First Russian Conservatory in St. Petersburg. Unfortunately, this all-encompassing contribution to Russian musical culture and his place in it have not yet been sufficiently appreciated by his descendants, and there are traditionally painful reasons for this. He still cannot be forgiven for his origin and some critical statements about his colleagues, which hang like a stone over the memory of this great maestro and man!
$100.00
SCHUBERT SYMPHONY NO. 8 IN B MINOR COMPLETED BY NEIL CROSSLAND - 3rd & 4th MOVEMENT - SCORES + PARTS
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Classique
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Schubert/Crossland
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SCHUBERT SYMPHONY NO. 8 IN B M
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Neil Crossland
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SheetMusicPlus
Full Orchestra - SKU: A0.1503603 Composed by Schubert/Crossland. Classical,Romantic Period. 410 pages. Neil Crossland #1079059. Published by Neil Crossl...
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Full Orchestra - SKU: A0.1503603 Composed by Schubert/Crossland. Classical,Romantic Period. 410 pages. Neil Crossland #1079059. Published by Neil Crossland (A0.1503603). My completion of Schubert’s Symphony No. 8 (Unfinished) brings to life the tantalizing fragments he left for the third and fourth movements. The third movement follows closely Schubert's surviving short score, where his intricate melodic ideas are expanded with a full orchestration that honors his harmonic language. This movement, true to Schubert’s symphonic style, carries a lively yet graceful energy, interspersed with contrasting themes that reflect both joy and contemplation.The fourth movement begins with a nod to Schubert’s Rosamunde Overture, seamlessly transitioning from the grandeur of the third movement. Drawing from the overture’s distinctive opening, I introduce a bold and majestic theme that acts as a foundation for the final movement. From here, the symphony unfolds into a dramatic and richly textured conclusion. My aim in this movement was to capture Schubert’s gift for lyrical, expansive melody while incorporating the dynamic tension and rhythmic drive that characterizes his symphonic writing.Throughout the fourth movement, I intertwine moments of serene beauty with powerful orchestral climaxes, echoing the drama of the symphony’s first movement. The use of Schubert’s melodic genius is central to this completion, with soaring strings and resonant winds building to a thrilling finale. The symphony concludes with a recapitulation of the opening theme from the first movement, bringing a sense of unity and closure to the entire work.The entire symphony, now lasting 50 minutes, forms a cohesive continuation of Schubert's original vision. This completion fills the second half of the concert program, offering a balanced and dramatic conclusion to the work Schubert began but never had the chance to finish.
$69.99
May you Flourish
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INTERMÉDIAIRE
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Contemporain
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P
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May you Flourish
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Kondo Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.980082 Composed by P. Mellbrand. 20th Century. Score and parts. 52 pages. Kondo Music #2917285. Published by Kondo Mu...
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Full Orchestra - Level 3 - SKU: A0.980082 Composed by P. Mellbrand. 20th Century. Score and parts. 52 pages. Kondo Music #2917285. Published by Kondo Music (A0.980082). Music with beautiful themes and a lot of power and fanfares. Challenging the musicians in just the right places yet fun to play and easy to fit into a concert, perhaps as a start or a finish. Score and parts is included in the download pdf.www.mellbrand.com
$40.00
River's Tale
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INTERMÉDIAIRE/AVANCÉ
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Jacob Arispe
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River's Tale
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Jacob Arispe
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1432431 Composed by Jacob Arispe. Broadway,Musical/Show,Spiritual. 34 pages. Jacob Arispe #1012924. Published by Jaco...
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Full Orchestra - Level 4 - SKU: A0.1432431 Composed by Jacob Arispe. Broadway,Musical/Show,Spiritual. 34 pages. Jacob Arispe #1012924. Published by Jacob Arispe (A0.1432431). River's Tale begins with a triumphant and adventurous overture, evoking the spirited journey along the river's currents. As the melody flows, the mood shifts, delving into darker waters, where the currents of uncertainty and challenge surge. Yet, amidst the shadows, a poignant ballad emerges, carrying the listener through an emotional narrative of longing and introspection. Through ebbs and flows, River's Tale navigates the complexities of the human experience, ultimately emerging as a testament to resilience and the transformative power of the soul's journey.
$35.00
O Canada (Score and Parts)
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Orchestre
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INTERMÉDIAIRE
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Classique
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Calixa Lavallee
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O Canada
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Composer Lab Music
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SheetMusicPlus
Full Orchestra - Intermediate - Composed by Calixa Lavallee (1842-1891). Arranged by George Alfred Grant-Schaefer, Samuel Labrecque. Contemporary Cl...
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Full Orchestra - Intermediate - Composed by Calixa Lavallee (1842-1891). Arranged by George Alfred Grant-Schaefer, Samuel Labrecque. Contemporary Classical. Score, Set of Parts. 35 pages. Published by Composer Lab Music
The majestic national anthem of Canada, in a brand new fully orchestrated arrangement for orchestra and SATB chorus by Samuel Labrecque based on George Alfred Grant-Shaefer's version for SATB and piano. This orchestration was done to be performable both with and without the choir. It's a simple yet powerful arrangement that's within reach of every ensemble and is certain to reach the patriotic Canadian within you!
Note: This is the full performance package containing both the conductor's full score and the complete set of parts. The full score and the vocal score can each be purchased on their own as well.
A word of caution: The full score is in A3 format while the parts are in A4. Make sure to rescale the full score if you don't want to print it in A3.
$49.99
Symphony no. 2 - Score Only
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AVANCÉ
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Contemporain
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Classique
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Robert Dusek
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Symphony no. 2 - Score Only
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DaCapo, LLC
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1492038 Composed by Robert Dusek. Classical,Contemporary. 65 pages. DaCapo, LLC #1068712. Published by DaCapo, LLC (A...
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Full Orchestra - Level 5 - SKU: A0.1492038 Composed by Robert Dusek. Classical,Contemporary. 65 pages. DaCapo, LLC #1068712. Published by DaCapo, LLC (A0.1492038). PLEASE NOTE: this download contains the score only. To buy or rent parts, please contact Robert Dusek directly: bob@robertdusek.com. THe PDF is formatted to 11x17 (ledger) size.A think and virtuosic symphony for orchestra. SUbtitles Hymnody, it uses hymn-tunes as the basis of its melodic material, similarly to the compositions of Charles Ives. Quite atonal, and yet powerful and even driving in sections, this work is quite original. Scored for large orchestra, it is a defiant work, one that loooks the unknown squre in the face and asks, what of it?
$15.00
Fantasia in D Minor
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Joshua A
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Fantasia in D Minor
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Joshua A Idio
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.999302 Composed by Joshua A. Idio. 20th Century,Classical,Romantic Period,Standards. Score and parts. 91 pages. Joshu...
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Full Orchestra - Level 4 - SKU: A0.999302 Composed by Joshua A. Idio. 20th Century,Classical,Romantic Period,Standards. Score and parts. 91 pages. Joshua A Idio #6214169. Published by Joshua A Idio (A0.999302). Composed by Joshua A. Idio. (ASCAP Licensed) Symphonic Orchestra Music. Full score and parts.Grade 4 Symphonic OrchestraEmotional, yet powerful! This dramatic work for symphonic orchestra travels through the depths of the human heart that stirs to cry, love, and see a better humanity. The desire to have our voice heard, in a chaotic and changing world, is embodied within this heartfelt and serious fantasy.
$150.00
O Canada (Full score only)
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Orchestre
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INTERMÉDIAIRE
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Classique
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Calixa Lavallee
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O Canada
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Composer Lab Music
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SheetMusicPlus
Full Orchestra - Intermediate - Composed by Calixa Lavallee (1842-1891). Arranged by George Alfred Grant-Schaefer, Samuel Labrecque. Contemporary Cl...
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Full Orchestra - Intermediate - Composed by Calixa Lavallee (1842-1891). Arranged by George Alfred Grant-Schaefer, Samuel Labrecque. Contemporary Classical. Score. 9 pages. Published by Composer Lab Music
The majestic national anthem of Canada, in a brand new fullyorchestrated arrangement for orchestra and SATB chorus by Samuel Labrecquebased on George Alfred Grant-Shaefer's version for SATB and piano. Thisorchestration was done to be performable both with and without the choir. It'sa simple yet powerful arrangement that's within reach of every ensemble and iscertain to reach the patriotic Canadian within you!
Note: This item contains only the conductor's full score, for study purposes. The vocal score (piano reduction) and the full performance package (full score and parts) can each be purchased on theirown as well.
$8.99
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