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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Reason
Non classifié
545
Piano & claviers
Piano grosses notes
3 303
Orgue
1 535
Piano seul
392
Piano, Voix
167
Piano Facile
156
Piano, Voix et Guitare
102
Clavier
59
Instruments en Do
39
1 Piano, 4 mains
9
Piano Trio: piano, violon, violoncelle
4
Piano (partie séparée)
4
Accompagnement Piano
4
Accordéon
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
75
Guitare
44
Ligne De Mélodie, (Paroles) et Accords
33
Ukulele
16
Paroles et Accords
11
2 Guitares (duo)
6
Basse electrique
4
Ensemble de guitares
2
Banjo
1
Piano, Guitare (duo)
1
Mandoline, Piano (duo)
1
Guitare (partie séparée)
1
Guitare, Orchestre
1
Dulcimer
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
160
Chorale 2 parties
79
Chorale 3 parties
51
Voix Soprano, Piano
19
Voix seule
16
Chorale SSAA
15
Chorale Unison
15
Chorale TTBB
13
Voix duo
11
Pack Instrumental pour Chorale
10
Voix duo, Piano
9
Chorale
5
Voix haute
3
Voix basse, Piano
2
Chorale SSAATTBB
2
Voix moyenne, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSATTB
1
+ 13 instrumentations
Retracter
Vents
Saxophone Alto
53
Saxophone Alto et Piano
45
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
39
Flûte traversière et Piano
37
Flûte, Hautbois, Clarinette, Basson
31
Saxophone (partie séparée)
31
Flûte traversière
31
Clarinette et Piano
27
Clarinette
26
Hautbois, Piano (duo)
25
Quatuor de Saxophones: 4 saxophones
25
Saxophone Soprano et Piano
25
Saxophone Tenor et Piano
24
Saxophone Tenor
20
Saxophone Baryton, Piano
16
Hautbois (partie séparée)
14
Quatuor de Clarinettes: 4 clarinettes
14
Quintette de Saxophone: 5 saxophones
13
Cor anglais, Piano
10
2 Flûtes traversières (duo)
7
2 Saxophones (duo)
7
Quatuor de Flûtes : 4 flûtes
6
Saxophone Soprano
5
2 Clarinettes (duo)
5
Ensemble de Flûtes
4
Flute (partie séparée)
4
Flûte et Guitare
4
Clarinette Basse, Piano
3
Instruments en Mib
3
Flûte, Violon, Piano
3
Flûte, Clarinette, Piano (trio)
2
Clarinette, Trompette (duo)
2
3 Clarinettes (trio)
2
Quintette de Clarinettes: 5 clarinettes
2
Ensemble de Clarinettes
2
Saxophone, Clarinette (duo)
2
Clarinette, Violon (duo)
2
Clarinette (partie séparée)
2
Flûte à bec Tenor
2
Flûte à bec Soprano
2
Flûte, Clarinette (duo)
2
2 Flûtes traversières, Piano
1
Cornemuse
1
Flûte, Violon
1
Hautbois, Guitare (duo)
1
Piccolo, Piano
1
Flûte, Alto et Piano
1
Flûte, Alto (duo)
1
2 Clarinettes, Piano
1
Trio de Flûtes: 3 flûtes
1
Hautbois, Basson (duo)
1
3 Saxophones (trio)
1
Hautbois, violon (duo)
1
Flûte, Basson et Piano
1
Clarinette, Alto et Piano (trio)
1
Flûte, Saxophone (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Hautbois (duo)
1
Clarinette, Basson (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Clarinette et Alto
1
Hautbois, Clarinette (duo)
1
Flûte, Violon et Violoncelle
1
Flûte à bec Soprano, Piano
1
2 Hautbois (duo)
1
Flûte à Bec
1
+ 61 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
37
Trompette
29
Trombone et Piano
24
Cor et Piano
20
Trombone
19
Trombone (partie séparée)
15
Trompette (partie séparée)
15
Trompette, Piano
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Cor
10
Cor anglais, Piano
10
Quatuor de Cuivres
9
Tuba et Piano
8
Tuba
7
Euphonium, Piano (duo)
6
2 Trompettes (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
2 Trombones (duo)
4
Bass Clef Instruments
4
Cor (partie séparée)
3
Instruments en Sib
3
Tuba (partie séparée)
2
Euphonium
2
3 Trombones (trio)
1
3 Cors (trio)
1
Quatuor de cuivres: 4 trombones
1
Trompette, Saxophone (duo)
1
Ensemble de Trombones
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Trombones, Piano
1
Trompette, Trombone (duo)
1
Trio de Cuivres
1
Trombone basse
1
Quatuor de cuivres: 4 trompettes
1
+ 29 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
107
Violon et Piano
47
Violon
37
Violoncelle, Piano
37
Alto, Piano
30
Violoncelle
22
Alto seul
20
Violon, Violoncelle (duo)
17
Harpe
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Trio à Cordes: violon, alto, violoncelle
10
Contrebasse, Piano (duo)
9
Contre Basse
9
Alto (partie séparée)
9
Violon (partie séparée)
6
2 Violoncelles (duo)
5
2 Violons (duo)
5
Contrebasse (partie séparée)
5
Violon, Alto (duo)
5
Piano Trio: Violon, Alto, Piano
4
Violoncelle (partie séparée)
3
2 Altos (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
Violoncelle, Contrebasse (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Trompette et Piano
1
2 Contrebasses (duo)
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
69
Orchestre d'harmonie
54
Orchestre à Cordes
37
Orchestre
24
Batterie
16
Orchestre de chambre
15
Ensemble de cuivres
14
Cloches
12
Jazz combo
6
Fanfare
4
Ensemble de Percussions
2
Percussion (partie séparée)
2
Batterie (partie séparée)
1
Orchestre, Violon
1
+ 9 instrumentations
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Autres
Formation musicale - Solfège
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Instruments
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BASSON
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CHANT - CHO…
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CLAIRON
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CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
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VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
The Reason
Orchestre
Partitions à imprimer
24 partitions trouvées
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1
Greater Is He (Anthem) - Orchestration
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Christopher R
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greater
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Greater Is He
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Christopher Brown
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.747202 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 101 pages. Christ...
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Full Orchestra - Level 3 - SKU: A0.747202 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 101 pages. Christopher Brown #4725429. Published by Christopher Brown (A0.747202). About the song: Satan has been decisively defeated. In every battle with the devil, 1 John 4:4 assures us that God is greater. When we feel trapped in sin, God is greater. When we are tempted to doubt, God is greater. When we face trials, God is greater. When we experience great loss or disappointment, God is greater still. He is able to strengthen, help, comfort, and uphold our souls by His power and might regardless of the circumstances in which we find ourselves. This is reason for hope, joy, and praise even in the darkest valley.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1When it seems there’s no way out,He can make a way.In the darkness of my doubt,He’s the light of day.Ev’ry trial that I face,Comes with His mercy and His grace.Pre-Chorus 1Greater is He Who lives in me.Stronger than the plans of ev’ry enemy.From sin and death I’ve been set free.He set me free!Chorus 1This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He that is in me.Verse 2When my world begins to shake,He’s unshakable.When my circumstances change,He’s unchangeable.In ev’ry storm and crashing wave,My God is powerful to save.Pre-Chorus 2Greater is He Who lives in me.Stronger than the plans of ev’ry enemy.From sin and death I’ve been set free.He set me free!Chorus 2This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He that is in me.Bridge 1There isn’t any other,Who has the power, power.The King of Kings, and Lord of Lords,We lift Him higher, higher.Bridge 2We raise our voices louder,Our God is stronger, stronger.The King of Kings, and Lord of Lords,We lift Him higher, higher.Chorus 3This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He,Greater is He,Greater is He that is in me.
$49.99
When the Saints Go Marching In - Vocal with Orchestra Key of D
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Daryl McKenzie
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When the Saints Go Marching In
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.718075 Composed by Traditional. Arranged by Daryl McKenzie. Folk,Patriotic,Traditional. Score and parts. 70 pages. Da...
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Full Orchestra - Level 4 - SKU: A0.718075 Composed by Traditional. Arranged by Daryl McKenzie. Folk,Patriotic,Traditional. Score and parts. 70 pages. Daryl McKenzie #4641671. Published by Daryl McKenzie (A0.718075). When the Saints Go Marching In - St.Kilda Football Club theme song. Arranged for the Melbourne Symphony Orchestra for the Australian Rules Football League (AFL) Grand Final 2010.Voice, Picc, Fl, 2OB, 2Cl, 2Bsn, 4 FHns, 3 Trpts, 3 Trbs, Tba, Timp, 2 Perc, Drum Kit, Bass Guitar, Harp, Vln1, Vln2, Vla, Vcl, CB.Note: St.Kilda Football Club lyrics not included due to copyright reasons (Google them if needed)Version for Marching Band key of F (singalong key) also available on SMPMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$59.99
CC093ORC, CC094ORC, CC095ORC - The Experimental Suite - Arranged for Orchestra
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Orchestre
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AVANCÉ
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Carl Van Pevenage
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CC093ORC, CC094ORC, CC095ORC -
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Carl Van Pevenage
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.921282 Composed by Carl Van Pevenage. Holiday,Romantic Period,World. Score and parts. 71 pages. Carl Van Pevenage #66...
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Full Orchestra - Level 5 - SKU: A0.921282 Composed by Carl Van Pevenage. Holiday,Romantic Period,World. Score and parts. 71 pages. Carl Van Pevenage #6625445. Published by Carl Van Pevenage (A0.921282). A romantic suite with 3 beautiful songs for the birth of Heleen arranged for Orchestra. The introduction is difficult, the others are reasonable. 1. Introduction to a birth. 2. Celebrating the birth of Heleen 3. Wonderful world.
$19.99
F. Liszt - “Mephisto-Waltz #4 & Mephisto-Polka”, Orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Franz Liszt
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A
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S217
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F. Liszt - “Mephisto-Wal
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1464017 Composed by Franz Liszt. Arranged by A. Leytush. 19th Century. 61 pages. Arkady Leytush #1042728. Published b...
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Full Orchestra - Level 4 - SKU: A0.1464017 Composed by Franz Liszt. Arranged by A. Leytush. 19th Century. 61 pages. Arkady Leytush #1042728. Published by Arkady Leytush (A0.1464017). This doublet seems to have been conceived by the author himself. Their opus numbers are S 216b & S217. But the main thing, of course, is the theme that unites them. “Devil’s Intrigues” is the second name I could give to these works. During the instrumentation, I came up with the idea of performing these two pieces without interruption, and another reason for their connection was the technical element - the Tam-Tam beat, which stretches from one piece to another and is, as it were, a connecting bridge.
$60.00
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik...
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Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik ...
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Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
Ikarus - Score Only
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Orchestre
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AVANCÉ
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Contemporain
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Benedikt Brydern
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Ikarus - Score Only
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ConSordino Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.751143 Composed by Benedikt Brydern. 20th Century,Contemporary. Score and parts. 25 pages. ConSordino Music Publishin...
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Full Orchestra - Level 5 - SKU: A0.751143 Composed by Benedikt Brydern. 20th Century,Contemporary. Score and parts. 25 pages. ConSordino Music Publishing #4633239. Published by ConSordino Music Publishing (A0.751143). Ikarus started life as a composition for 9 solo string instruments but soon grew into a fully orchestrated piece. On one hand it tells the classic story of Ikarus who, ignoring the warnings of his father, flew too close to the sun and died. On the other hand it pays homage to the inventiveness of the human spirit and embraces mankind’s ability, through the creation of complicated machines, to achieve more than our mortal bodies would allow.The music starts softly with Ikarus preparing for his take-off. Slowly the huge wings unfold and the piece lifts off with a majestic theme/motif. The nervous sixteen notes in the string section symbolize the constant flow of air and motion needed by Ikarus to fly.The joy of movement is mirrored by the cellos and bassoons, gliding in and out of the orchestra. Sounds of birds, clouds and impressions of earth from above are represented by various short melodic or rhythmic fragments throughout the first phase of his flight.Slowly the intensity and excitement builds until we are completely swept away and have lost all sense of reason or danger. Then, in the climax of the composition, Ikarus and his wings crash to the ground and the orchestra brakes down with him, loosing feather after feather until all has been destroyed. After this violent moment, the compositions quiets down gradually and reflects on the failure of Ikarus.Performed and recorded by Robert Ian Winstin and the Kiev Philharmonicon July 14, 2005Orchestral Material for Performance available as Rental Only.
$17.99
S. Prokofiev: Fleetingness, op. 22, (1915-17), orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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S
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A
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Comfort 2
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S. Prokofiev: Fleetingness, op
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published ...
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Full Orchestra - Level 3 - SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published by Arkady Leytush (A0.1344002). 1. Fear & Comfort 2. Slumber 3. Under & Above Water 4. Manipulate Magician 5. Bird Commotion 6. Tree of Us 7. Harp (original name) 8. Melancholy 9. In the Park 10. Grimaces 11. Jester 12. Lame Grasshopper & Dragonfly 13. Laziness 14. Tin Soldiers & Ballerina 15. Premonition of Impending Disaster 16. Unrealistic Hopes 17. Tears & Calm 18. Reverie 19. Overturn 20. Dreams About the FutureThe reason for writing was the poems of K. D. Balmont, two lines of which Prokofiev chose as an epigraph: “In every fleeting moment I see worlds, full of changing rainbow playâ€. In 1940-42, the famous avant-garde artist Alexander Rodchenko created a series of drawings illustrating “Fleetingnessâ€.
$100.00
EP!C!!!
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Au...
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Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
Heather Sorenson: 10,000 Reasons (Bless The Lord) (complete set of parts) - orchestra/band (Orchestra)
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Orchestre
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INTERMÉDIAIRE
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Christian contemporain
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Heather Sorenson
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Virtualsheetmusic
Instantly printable sheet music by Heather Sorenson for orchestra/band (Orchestra) of MEDIUM skill level. / christian,concert,sacred,praise & worship...
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Instantly printable sheet music by Heather Sorenson for orchestra/band (Orchestra) of MEDIUM skill level. / christian,concert,sacred,praise & worship
$79.99
Concert Piece for 4 instruments and orchestra (Robert Schumann)
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Orchestre
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Contemporain
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Robert Schumann
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Brock Lupton
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Concert Piece for 4 instrument
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Brock Lupton
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SheetMusicPlus
Full Orchestra - SKU: A0.942412 Composed by Robert Schumann (1810-1856). Arranged by Brock Lupton. Contemporary. Score and parts. 189 pages. Brock Lupto...
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Full Orchestra - SKU: A0.942412 Composed by Robert Schumann (1810-1856). Arranged by Brock Lupton. Contemporary. Score and parts. 189 pages. Brock Lupton #4616367. Published by Brock Lupton (A0.942412). This is one of the lesser-known works of composer Robert Schumann. It was composed in 1849 and introduced in Leipzig on February 25, 1850. There are several possible reasons for the comparative unfamiliarity of this work which, despite its modest title, is a full-fledged 3-movement concerto for four very accomplished French horn players with orchestra. In its original configuration, the work exploits the newly-invented valved French horn. (The horn and trumpet were natural instruments – like today’s bugles, with no valves – until about 1835.) The concerto establishes a festive character at the outset, and becomes almost feverish as the excitement expands. The slow movement (Romanze) typifies another side of the composer, expansive and tender. It leads directly into the third (final) movement which brings together the various elements in an outburst of sheer joy.The title to which this note is attached is my re-orchestration of the accompaniment (score and all orchestral parts). Three different ensemble versions are also available from SMP. Any of these is compatible with the orchestral score and parts.
$15.00
10,000 Reasons (Bless The Lord)
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Orchestre
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FACILE
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Musique Sacrée
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Matt Redman
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Tony Toppi
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10,000 Reasons
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Tony Toppi
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1398106 By Matt Redman. By Jonas Myrin and Matt Redman. Arranged by Tony Toppi. Christian,Praise and Worship,Religiou...
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Full Orchestra - Level 2 - SKU: A0.1398106 By Matt Redman. By Jonas Myrin and Matt Redman. Arranged by Tony Toppi. Christian,Praise and Worship,Religious,Sacred,Spiritual. 41 pages. Tony Toppi #981431. Published by Tony Toppi (A0.1398106). This is an arrangement for Symphony Orchestra and voice. It can work as a standalone instrumental work, or to accompany a singer, or group of singers.
$65.00
10,000 Reasons (bless The Lord)
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Orchestre
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Musique Sacrée
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Matt Redman
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James Gilbert
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10,000 Reasons
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James Gilbert Music
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SheetMusicPlus
By Matt Redman. By Jonas Myrin and Matt Redman. Arranged by James Gilbert. Christian. Score and parts. 22 pages. James Gilbert Music #6591469. Publish...
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By Matt Redman. By Jonas Myrin and Matt Redman. Arranged by James Gilbert. Christian. Score and parts. 22 pages. James Gilbert Music #6591469. Published by James Gilbert Music
$49.99
Legacy
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Legacy
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published ...
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Full Orchestra - Level 4 - SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published by Sy Brandon (A0.755203). Legacy is a three movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity.The score prints on legal size paper and the parts on letter.
$49.95
A. Rubinstein - Concert Suite from “Bal costume”, Op. 103 - Score Only
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Orchestre
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INTERMÉDIAIRE
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Anton Rubinstein
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Arkady Leytush
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A. Rubinstein - Concert Suite
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1130199 Composed by Anton Rubinstein. Arranged by Arkady Leytush. 19th Century. 107 pages. Arkady Leytush #730561. Pu...
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Full Orchestra - Level 3 - SKU: A0.1130199 Composed by Anton Rubinstein. Arranged by Arkady Leytush. 19th Century. 107 pages. Arkady Leytush #730561. Published by Arkady Leytush (A0.1130199). Anton Rubinstein Concert Suite from “Bal costumeâ€, Op. 103 1. Polonais et polonaise 2. Toréador et andalouse 3. Pacha et almée 4. Pêcheur napolitain et napolitaine This concert suite was composed and orchestrated by me from 4 bright numbers “Bal costumeâ€, op. 103. Their strong contrasting imagery, theatricality and ingenuity provided an excellent opportunity for development in the orchestra and served as the impetus for this orchestral transcription. In addition to popularizing the work of A. Rubinstein as a composer, this music itself can become an adornment of many symphonic programs. The role and significance of Anton Rubinstein for the development of academic music in Russia is invaluable. His powerful and versatile talent manifested itself in everything he did. He remained in the history of music as an unsurpassed pianist and conductor, and as a great composer, and as the founder of the Russian Musical Society, and as the organizer of the First Russian Conservatory in St. Petersburg. Unfortunately, this all-encompassing contribution to Russian musical culture and his place in it have not yet been sufficiently appreciated by his descendants, and there are traditionally painful reasons for this. He still cannot be forgiven for his origin and some critical statements about his colleagues, which hang like a stone over the memory of this great maestro and man!
$100.00
A Train Through Yorkshire - for Symphony Orchestra
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Britt Andrew Burns
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A Train Through Yorkshire - fo
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Indie Classical Publications
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.971821 Composed by Britt Andrew Burns. Contemporary. Score and parts. 72 pages. Indie Classical Publications #3668479...
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Full Orchestra - Level 3 - SKU: A0.971821 Composed by Britt Andrew Burns. Contemporary. Score and parts. 72 pages. Indie Classical Publications #3668479. Published by Indie Classical Publications (A0.971821). A TRAIN THROUGH YORKSHIRE was one of my earliest works for band. Composed in 2007, it was inspired by the train rides I took while studying abroad in Great Britain. The Yorkshire area is especially beautiful, and the music was inspired by my memory of sitting on a train with a tea in hand on a drizzly day. However, I was never fully satisfied with the work, as it felt incomplete. One reason was that I was rushed to meet a short deadline when composing this piece. It wasn't until the summer of 2018 that I decided to do it justice and revise it. I also felt like it deserved an orchestral version. This new and final version is a little shorter than the original and offers a better balanced orchestration. Level: grade 3+ (intermediate) ; Duration: About 5 minutes, 15 seconds
$30.00
Mac Huff: You Are the Reason (arr. Mac Huff) (complete set of parts) - orchestra/band
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Orchestre
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INTERMÉDIAIRE
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Mariage/Ballade
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Pop musique
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Mac Huff
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Virtualsheetmusic
Instantly printable sheet music by Mac Huff for orchestra/band of MEDIUM skill level. / love,pop
Instantly printable sheet music by Mac Huff for orchestra/band of MEDIUM skill level. / love,pop
$19.99
10,000 Reasons (Bless The Lord) - Full Score
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Orchestre
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Matt Redman
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Heather Sorenson
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Concert
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10,000 Reasons
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Matt Redman. By Matt Redman and Jonas Myrin. Arranged by Heather Sorenson. Orchestra. Christian; Concert; Praise & Worship; Sacred. EPak. 8 pages. Durati...
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By Matt Redman. By Matt Redman and Jonas Myrin. Arranged by Heather Sorenson. Orchestra. Christian; Concert; Praise & Worship; Sacred. EPak. 8 pages. Duration 4:45. Published by Hal Leonard - Digital Sheet Music
$7.00
Kirby Shaw: Reason For The Season (complete set of parts) - orchestra/band (Orchestra)
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Orchestre
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INTERMÉDIAIRE
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Noël
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Kirby Shaw
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Virtualsheetmusic
Instantly printable sheet music by Kirby Shaw for orchestra/band (Orchestra) of MEDIUM skill level. / christmas,holiday,concert,winter,advent,carol,festival...
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Instantly printable sheet music by Kirby Shaw for orchestra/band (Orchestra) of MEDIUM skill level. / christmas,holiday,concert,winter,advent,carol,festival
$64.99
Martika Shaw: Reason For The Season (COMPLETE) for orchestra
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Orchestre
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INTERMÉDIAIRE
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Martika Shaw
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Virtualsheetmusic
Instantly downloadable sheet music by Martika Shaw for orchestra of MEDIUM skill level.
Instantly downloadable sheet music by Martika Shaw for orchestra of MEDIUM skill level.
$148.99
Martika Shaw: Reason For The Season, Full Score for orchestra (Orchestra)
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Orchestre
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INTERMÉDIAIRE
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Martika Shaw
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Virtualsheetmusic
Instantly downloadable sheet music by Martika Shaw for orchestra (Orchestra) of MEDIUM skill level.
Instantly downloadable sheet music by Martika Shaw for orchestra (Orchestra) of MEDIUM skill level.
$10.99
Reason For The Season - Full Score
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Orchestre
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Noël
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Kirby Shaw and Martika Shaw
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Concert
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Reason For The Season - Full S
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Kirby Shaw and Martika Shaw. Orchestra. Christmas; Concert; Holiday; Winter. EPak. 8 pages. Duration 3:25. Published by Hal Leonard - Digital Sheet Music...
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By Kirby Shaw and Martika Shaw. Orchestra. Christmas; Concert; Holiday; Winter. EPak. 8 pages. Duration 3:25. Published by Hal Leonard - Digital Sheet Music
$7.00
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