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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Ringing Bell
Non classifié
200
Piano & claviers
Piano seul
36
Piano Facile
20
Piano, Voix
11
Accompagnement Piano
11
Piano, Voix et Guitare
7
1 Piano, 4 mains
4
Orgue
3
Instruments en Do
1
1 Piano, 6 mains
1
2 Pianos, 4 mains
1
+ 5 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
3
Guitare notes et tablatures
2
Guitare
1
Voix
Chorale SATB
43
Chorale Unison
30
Chorale 3 parties
14
Chorale 2 parties
13
Chorale TTBB
10
Voix duo, Piano
2
Voix haute
1
Voix duo
1
Voix Soprano, Piano
1
Voix, Guitare
1
+ 5 instrumentations
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Vents
Ensemble de saxophones
27
2 Saxophones (duo)
18
Quintette de Saxophone: 5 saxophones
15
Clarinette et Piano
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Quatuor de Saxophones: 4 saxophones
5
Flûte traversière et Piano
5
Flûte, Hautbois, Clarinette, Basson
5
Flûte traversière
5
Hautbois, Piano (duo)
5
2 Flûtes traversières (duo)
4
2 Clarinettes (duo)
4
Saxophone Alto et Piano
4
Saxophone (partie séparée)
4
2 Hautbois (duo)
4
Clarinette
2
Saxophone Baryton, Piano
2
Saxophone Alto
2
Saxophone Tenor
2
Saxophone Tenor et Piano
2
Hautbois (partie séparée)
2
Saxophone Soprano et Piano
2
Ensemble de Clarinettes
2
Quatuor de Clarinettes: 4 clarinettes
2
Ensemble de Flûtes
1
Hautbois, Guitare (duo)
1
Clarinette Basse, Piano
1
Quatuor de Flûtes à bec
1
Flûte à Bec, Piano
1
+ 24 instrumentations
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Cuivres
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Cor et Piano
12
2 Trompettes (duo)
6
Quatuor de Cuivres
5
2 Cors (duo)
4
2 Trombones (duo)
4
Tuba et Piano
4
Trompette
4
Trompette, Piano
3
Tuba
2
2 Tubas (duo)
2
Trombone et Piano
2
Trombone
2
Cor
2
Ensemble de Trombones
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 trombones
1
+ 14 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
15
Trio à Cordes: violon, alto, violoncelle
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
2 Harpes (duo)
6
Violoncelle, Piano
6
2 Violoncelles (duo)
6
Violoncelle
5
2 Violons (duo)
4
2 Altos (duo)
4
Violon, Violoncelle (duo)
4
Violon, Alto (duo)
3
Violon et Piano
3
Trio à Cordes: 2 violons, violoncelle
2
Contre Basse
2
Contrebasse, Piano (duo)
2
Harpe
2
Alto, Piano
2
2 Contrebasses (duo)
2
Violon
2
Alto, Violoncelle (duo)
2
Alto (partie séparée)
1
Violoncelle , Guitare (duo)
1
Alto seul
1
Ensemble de Violons
1
Ensemble d'Altos
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Cloches
295
Orchestre d'harmonie
57
Orchestre
11
Ensemble de cuivres
2
Ensemble de Percussions
1
Orchestre à Cordes
1
+ 1 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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Vous avez sélectionné:
The Ringing Bell
Orchestre
Partitions à imprimer
11 partitions trouvées
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1
Lily Park - I. Wind Bell
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Orchestre
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INTERMÉDIAIRE
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Yoonjee Kim
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Lily Park - I. Wind Bell
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Yoonjee Kim
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1022807 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 4 pages. Yoonjee Kim #3417623. Published by Yoo...
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Full Orchestra - Level 3 - SKU: A0.1022807 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 4 pages. Yoonjee Kim #3417623. Published by Yoonjee Kim (A0.1022807). Lily Park consists of three movements entitled Wind Bell, Goblin Lights, and Rock of Ages. The three movements are based on my personal impression of the cemetery, Lily Park, where all my grandparents are buried. The first movement, the shortest in duration, is slow and calm. It is introductory in quality, and expresses the pictorial impression of the cemetery by using various tone colors. This movement utilizes mixed instrumental consorts to project the concept of moderation and serenity. There is a close connection between the first movement and the last movement, as both features a wind-bell sound, a variety of percussion instruments, and slow tempi. The first movement focuses on the external appearance of the cemetery such as the quiet atmosphere, the wind, and the sound of bell ringing. The third movement represents the mental and emotional aspects of grief, memory of the funerals and reminiscent of my grandparents. The second movement is an imaginary night scene. For thousands of years, Korean have believed that goblins roam the tombs at night and are visible as blue and red lights. The movement is fast, busy and somewhat bizarre and whimsical, depicting the motion of the goblin lights. This contrasts with other two movements, thus the overall form becomes an arch shape. In addition, only the second movement is sectionalized by three different musical ideas while the first and the last movements are through composed with a single idea.I. Wind BellThe first movement expresses the general images of the cemetery; calm atmosphere, blowing wind, clean air, and a wide green field. The place is so quiet that the only the wind-bell ringing as the wind blows can be heard. In order to depict the wind-bell sound along with other optic and aural images, I create various tone colors by using various instrumental combinations in different transpositions and registrations.
$17.00
The Way to Bethlehem (FULL ORCHESTRATION & PARTS)
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Orchestre
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FACILE
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Michael Myrick
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Michael Myrick
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The Way to Bethlehem
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MICHAEL MYRICK
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1485669 By Michael Myrick. By Michael Myrick. Arranged by Michael Myrick. Christian,Christmas,Holiday,Religious,Sacre...
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Full Orchestra - Level 2 - SKU: A0.1485669 By Michael Myrick. By Michael Myrick. Arranged by Michael Myrick. Christian,Christmas,Holiday,Religious,Sacred. 424 pages. MICHAEL MYRICK #1062737. Published by MICHAEL MYRICK (A0.1485669). Capture the magic of the holiday season with this exquisite Christmas cantata! From enchanting carols to majestic anthems, this carefully curated selection is perfect for bringing the joy of Christmas to life through music. Featuring beautiful arrangements for choirs of all sizes, this cantata will inspire and delight both performers and audiences alike. Involve your entire music ministry with parts for orchestra, bell and chime choir, children’s choir and soloist! Get ready to spread the warmth and wonder of the season with this beautifully narrated and arranged cantata of timeless treasures! Choral Octavo also available!Sinfonietta (Copyright limitations)1 – Flute / Piccolo1 - Oboe 1 – Clarinet1 - Bassoon1 - Horn 2 - Trumpet 1 – Trombone and Bass Trombone4 - Percussion: Tympani, Cymbals, Chimes, Tubular Bells, Wood Blocks12 – Handbells / Handchimes 3 - Violin I 3 - Violin II 2 - Viola 2 - Cello 2 - Double Bass (Separate: SATB Octavo, Piano / Celeste).
$299.95
Concerto No. 4 for Piano and Orchestra "The Bells" Full Score and Parts
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Orchestre
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AVANCÉ
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Contemporain
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James Nathaniel Holland
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Concerto No. 4 for Piano and O
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730521 Composed by James Nathaniel Holland. Contemporary. Score and parts. 224 pages. James Nathaniel Holland #619885...
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Full Orchestra - Level 5 - SKU: A0.730521 Composed by James Nathaniel Holland. Contemporary. Score and parts. 224 pages. James Nathaniel Holland #6198859. Published by James Nathaniel Holland (A0.730521). Full Score (in concert pitch) and individual parts including the solo piano part. American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire. YouTube video demo: https://youtu.be/WbK8Mc7N-sc.
$25.95
Bell Carol Fantasy for Orchestra (Score)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Mykola Leontovych
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Kim Diehnelt
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Bell Carol Fantasy for Orchest
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Kim Diehnelt
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.809060 Composed by Mykola Leontovych. Arranged by Kim Diehnelt. Christmas,Contemporary,Holiday. 14 pages. Kim Diehnel...
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Full Orchestra - Level 4 - SKU: A0.809060 Composed by Mykola Leontovych. Arranged by Kim Diehnelt. Christmas,Contemporary,Holiday. 14 pages. Kim Diehnelt #5294071. Published by Kim Diehnelt (A0.809060). Based on the choral piece Shchedryk (Carol of the Bells) by MykolaLeontovych, this full orchestra version brings to life the spirit of this favorite carol. Perfect holiday concert closer! When an orchestra player expressed interest in playing Carol of the Bells as part of a fun December rehearsal, I checked out what arrangements already existed. To me, they all seemed too simple and repetitive, so I set about writing my own. I discovered that the familiar carol has its roots in a traditional folk chant about a swallow bringing a New Year’s message of a plentiful new year, and the title comes from the Ukrainian word for bountiful.
$7.00
Carson Cooman: Remembering Tomorrow: Trombone Concerto (2004) for trombone and orchestra), score plu
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Remembering Tom
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #3035627. Pu...
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Full Orchestra - Level 5 - SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #3035627. Published by Musik Fabrik Music Publishing (A0.533655). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$29.95
Carson Cooman: Remembering Tomorrow: Trombone Concerto - Score Only
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Remembering Tom
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533654 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3035625. Pu...
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Full Orchestra - Level 5 - SKU: A0.533654 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3035625. Published by Musik Fabrik Music Publishing (A0.533654). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$25.95
Ten Thousand Bells - SATB with Full Orchestra Accompaniment - A Joyful Inspiring Song!!! Easy to sin
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Orchestre
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DÉBUTANT
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Clyde Grabski
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Ten Thousand Bells - SATB with
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Diamond Forest Publishing
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SheetMusicPlus
Full Orchestra - Level 1 - SKU: A0.943949 Composed by Clyde Grabski. Christian,Christmas,Pop,Spiritual. Score and parts. 50 pages. Diamond Forest Publis...
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Full Orchestra - Level 1 - SKU: A0.943949 Composed by Clyde Grabski. Christian,Christmas,Pop,Spiritual. Score and parts. 50 pages. Diamond Forest Publishing #4834687. Published by Diamond Forest Publishing (A0.943949). The words and music of Ten Thousand Bells will inspire and uplift you. It will reach a hidden yearning in your heart, bringing joy and peace. Successful performances have been done by both school and community choirs. See youtube performance.A separate SATB choir with piano accompaniment package is available. Check SMP listings under Clyde Grabski.
$60.00
Come, Thou Long-Expected Jesus - Full Orchestra
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Orchestre
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INTERMÉDIAIRE
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Noël
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Rowland H Prichard
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Mark R Lewis
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Come, Thou Long-Expected Jesus
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Mark R Lewis
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1148784 Composed by Rowland H Prichard. Arranged by Mark R Lewis. Christmas,Holiday,Religious. Score and Parts. 35 pa...
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Full Orchestra - Level 3 - SKU: A0.1148784 Composed by Rowland H Prichard. Arranged by Mark R Lewis. Christmas,Holiday,Religious. Score and Parts. 35 pages. Mark R Lewis #748921. Published by Mark R Lewis (A0.1148784). Come, Thou Long-Expected Jesus is a lovely Advent hymn. The text was written by Charles Wesley and has been used in Advent services regularly since it was written in the 1740s. The text has been set to many tunes but the one used in this version is Hyfrydol, This tune was written by Rowland Prichard about 100 years after Wesley's text and is used extensively in many hymnals but especially for this particular text. This arrangement is for orchestra with optional 3-5 octave handbell choir. The handbell arrangement unusual in that the 4 octave version does require the use of the F3 bell. Other than that this is a relatively simple, if thickly orchestrated, arrangement. There are three sections using different methods of music making, the first is a fairly straightforward setting, the second focuses on short sounds in the melody which is also in the lower voices, and the third explores musical canon before bringing back a more traditional musical setting. There are two distinct parts for most instruments with a few splitting more. Flutes, trumpets, and trombones have three parts. The trombone 3 part is intended to be bass trombone but should be playable on regular trombone and if any section only has two divisions, the lower voice should have more players unless otherwise notated. That applies to flutes and trumpets as well. There are four horn parts that do not split. The timpani part should be playable on two drums with active pedaling to change notes mid-piece, although four drums is perfectly acceptable.
$34.99
Lily Park - II. Goblin Lights
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Orchestre
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Yoonjee Kim
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Lily Park - II. Goblin Lights
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Yoonjee Kim
#
SheetMusicPlus
Full Orchestra - SKU: A0.1022809 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 16 pages. Yoonjee Kim #3417625. Published by Yoonjee Kim ...
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Full Orchestra - SKU: A0.1022809 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 16 pages. Yoonjee Kim #3417625. Published by Yoonjee Kim (A0.1022809). Lily Park consists of three movements entitled Wind Bell, Goblin Lights, and Rock of Ages. The three movements are based on my personal impression of the cemetery, Lily Park, where all my grandparents are buried. The first movement, the shortest in duration, is slow and calm. It is introductory in quality, and expresses the pictorial impression of the cemetery by using various tone colors. This movement utilizes mixed instrumental consorts to project the concept of moderation and serenity. There is a close connection between the first movement and the last movement, as both features a wind-bell sound, a variety of percussion instruments, and slow tempi. The first movement focuses on the external appearance of the cemetery such as the quiet atmosphere, the wind, and the sound of bell ringing. The third movement represents the mental and emotional aspects of grief, memory of the funerals and reminiscent of my grandparents. The second movement is an imaginary night scene. For thousands of years, Korean have believed that goblins roam the tombs at night and are visible as blue and red lights. The movement is fast, busy and somewhat bizarre and whimsical, depicting the motion of the goblin lights. This contrasts with other two movements, thus the overall form becomes an arch shape. In addition, only the second movement is sectionalized by three different musical ideas while the first and the last movements are through composed with a single idea.II. Goblin Lights
$17.00
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Pittsburgh Conc
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Pu...
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Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
Equilidelirium in D Minor
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Orchestre
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Contemporain
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Michael Creider
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Equilidelirium in D Minor
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Full Orchestra - SKU: A0.733013 Composed by Michael Creider. Contemporary. Score and parts. 64 pages. Ayotte Custom Musical Engravings #2347091. Publish...
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Full Orchestra - SKU: A0.733013 Composed by Michael Creider. Contemporary. Score and parts. 64 pages. Ayotte Custom Musical Engravings #2347091. Published by Ayotte Custom Musical Engravings (A0.733013). Equilidelirium, the title and its concept, came to me in a dream. Bringing it to life has come in the light of day and in the twilight of evening. This composition is a short story about a foreboding journey into the deep recesses of a mind. Instrumentation:Piccolo 2 Flutes Alto Flute 2 Oboes Cor Anglais (English Horn) 2 Clarinets in Bb Bass Clarinet Contrabass Clarinet Contralto Clarinet in Eb Bassoon Contrabassoon 4 Horns in F Piccolo Trumpet in Bb 4 Trumpets in C 2 Trombones Bass Trombone Tuba Timpani Bass Drum Tam-tam Tubular Bells Glockenspiel Celesta (Orchestra Bells optional) Violin I, II Viola Violoncello Double Bass
$59.99
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The Ringing Bell
