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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
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HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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SAXOPHONE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
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ENFANTS : EVEIL - IN…
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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33
PIANO & CLAVIERS
Piano seul
40
Piano Facile
6
Piano, Voix
5
Piano grosses notes
3
1 Piano, 4 mains
2
Piano, Voix et Guitare
1
Orgue
1
Piano (partie séparée)
1
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GUITARES
Guitare notes et tablatures
7
Guitare
6
Guitare (partie séparée)
2
Ensemble de Ukulélés
1
3 Guitares (trio)
1
Ligne De Mélodie, (Paroles) et Accords
1
Ensemble de guitares
1
Paroles et Accords
1
Ukulele
1
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VOIX
Chorale TTBB
2
Chorale SATB
2
Chorale 3 parties
1
Chorale SSAA
1
VENTS
Clarinette
12
Clarinette et Piano
8
Quintette de Saxophone: 5 saxophones
6
Saxophone (partie séparée)
6
Flûte traversière
6
Quatuor de Saxophones: 4 saxophones
5
Ensemble de Clarinettes
4
Saxophone Alto
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Saxophone Tenor
3
Clarinette (partie séparée)
3
Flûte traversière et Piano
3
Quintette de Flûte : 5 flûtes
2
Ensemble de saxophones
2
Flute (partie séparée)
2
Hautbois (partie séparée)
1
Flûte à bec Soprano
1
2 Clarinettes (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte à bec Alto
1
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CUIVRES
Trombone (partie séparée)
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette (partie séparée)
5
Cor (partie séparée)
4
Trompette
4
Ensemble de Trombones
3
Trombone
3
Cor
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Tuba (partie séparée)
2
Ensemble de Trompettes
2
Trompette, Piano
2
Tuba
1
Trombone et Piano
1
Ensemble de Tubas
1
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CORDES
Violon
7
Quatuor à cordes: 2 violons, alto, violoncelle
6
Violon (partie séparée)
5
Violoncelle
3
Violon et Piano
3
Alto seul
3
Trio à Cordes: 2 violons, violoncelle
2
Ensemble de Violons
2
Trio à Cordes: violon, alto, violoncelle
2
Violoncelle, Piano
2
Contrebasse (partie séparée)
2
Violon, Violoncelle (duo)
1
Alto (partie séparée)
1
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Orchestre d'harmonie
44
Orchestre
13
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4
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3
Cloches
1
Ensemble de cuivres
1
Percussion (partie séparée)
1
Orchestre de chambre
1
Batterie
1
Batterie (partie séparée)
1
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AUTRES
Vous avez sélectionné:
Theme From E.T.
Orchestre
Partitions à imprimer
13 partitions trouvées
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1
My Heart Will Go On (Love Theme From 'titanic')
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1434577 By Celine Dion. By Jame…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1434577 By Celine Dion. By James Horner and Will Jennings. Arranged by Georg Wiesinger. Film/TV,Pop. 67 pages. Georg Wiesinger #1014702. Published by Georg Wiesinger (A0.1434577). A full orchestra arrangement of James Horner's classic love song from the film Titanic performed by Celine Dion. Instrumentation:Picc., Fl. 1, Fl. 2, Ob., BbCl. 1, BbCl. 2, B.Cl., A.Sx. (ad lib.), T.Sx. (ad lib.), Bsn. 1, Bsn. 2Hn. 1, Hn. 2, BbTpt. 1, BbTpt. 2, Tbn. 1, Tbn. 2, Euph. (ad lib.), TubaPerc., D.S., Sh., Harp, E-PianoE.Gtr., BassSolo VoiceStrings.
$100.00
89.88 €
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Orchestre
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Celine Dion
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Georg Wiesinger
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My Heart Will Go On
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Georg Wiesinger
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SheetMusicPlus
Pan: Highlights from the Warner Bros. Pictures Motion Picture Soundtrack: Score
Orchestre
Full Orchestra - Digital Download Score. Composed by John Powell. Arranged by Douglas…
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Full Orchestra - Digital Download Score. Composed by John Powell. Arranged by Douglas E. Wagner. Movie. Score. 21 pages. Alfred Music - Digital Sheet Music #00-PR-0005603. Published by Alfred Music - Digital Sheet Music
Experience the swashbuckling action and tender emotional moments of the original story of Peter Pan with a new twist. Heroic themes and soaring melodies amplify the drama, and provide musical satisfaction well beyond the scope of the screenplay. As a prequel to the classic story, the movie Pan includes characters we all know and love, but who aren't all they necessarily appear to be in later life. The dynamic score is by British composer, John Powell (Shrek, Chicken Run, Happy Feet, How to Train Your Dragon), and arranged by Douglas E. Wagner. (3:45).
$9.00
8.09 €
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Orchestre
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John Powell
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Douglas E
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Pan: Highlights from the Warner Bros. Pictures Motion Picture Soundtrack: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Pan: Highlights from the Warner Bros. Pictures Motion Picture Soundtrack: Bassoon
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017324_B1 Bassoon. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017324_B1 Bassoon. Composed by John Powell. Arranged by Douglas E. Wagner. Movie. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017324_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017324_B1). UPC: 038081518701.Experience the swashbuckling action and tender emotional moments of the original story of Peter Pan with a new twist. Heroic themes and soaring melodies amplify the drama, and provide musical satisfaction well beyond the scope of the screenplay. As a prequel to the classic story, the movie Pan includes characters we all know and love, but who aren't all they necessarily appear to be in later life. The dynamic score is by British composer, John Powell (Shrek, Chicken Run, Happy Feet, How to Train Your Dragon), and arranged by Douglas E. Wagner. (3:45).
$3.00
2.7 €
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Orchestre
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John Powell
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Douglas E
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Pan: Highlights from the Warner Bros. Pictures Motion Picture Soundtrack: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Pan: Highlights from the Warner Bros. Pictures Motion Picture Soundtrack: 2nd Oboe
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017324_O2 2nd Oboe. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017324_O2 2nd Oboe. Composed by John Powell. Arranged by Douglas E. Wagner. Movie. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017324_O2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017324_O2). UPC: 038081518701.Experience the swashbuckling action and tender emotional moments of the original story of Peter Pan with a new twist. Heroic themes and soaring melodies amplify the drama, and provide musical satisfaction well beyond the scope of the screenplay. As a prequel to the classic story, the movie Pan includes characters we all know and love, but who aren't all they necessarily appear to be in later life. The dynamic score is by British composer, John Powell (Shrek, Chicken Run, Happy Feet, How to Train Your Dragon), and arranged by Douglas E. Wagner. (3:45).
$3.00
2.7 €
#
Orchestre
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John Powell
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Douglas E
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Pan: Highlights from the Warner Bros. Pictures Motion Picture Soundtrack: 2nd Oboe
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Pan: Highlights from the Warner Bros. Pictures Motion Picture Soundtrack: Flute
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017324_F1 Flute. Composed b…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017324_F1 Flute. Composed by John Powell. Arranged by Douglas E. Wagner. Movie. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017324_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017324_F1). UPC: 038081518701.Experience the swashbuckling action and tender emotional moments of the original story of Peter Pan with a new twist. Heroic themes and soaring melodies amplify the drama, and provide musical satisfaction well beyond the scope of the screenplay. As a prequel to the classic story, the movie Pan includes characters we all know and love, but who aren't all they necessarily appear to be in later life. The dynamic score is by British composer, John Powell (Shrek, Chicken Run, Happy Feet, How to Train Your Dragon), and arranged by Douglas E. Wagner. (3:45).
$3.00
2.7 €
#
Orchestre
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John Powell
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Douglas E
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Pan: Highlights from the Warner Bros. Pictures Motion Picture Soundtrack: Flute
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Alfred Music - Digital Sheet Music
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Pan: Highlights from the Warner Bros. Pictures Motion Picture Soundtrack: Mallets
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017324_M1 Mallets. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017324_M1 Mallets. Composed by John Powell. Arranged by Douglas E. Wagner. Movie. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017324_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017324_M1). UPC: 038081518701.Experience the swashbuckling action and tender emotional moments of the original story of Peter Pan with a new twist. Heroic themes and soaring melodies amplify the drama, and provide musical satisfaction well beyond the scope of the screenplay. As a prequel to the classic story, the movie Pan includes characters we all know and love, but who aren't all they necessarily appear to be in later life. The dynamic score is by British composer, John Powell (Shrek, Chicken Run, Happy Feet, How to Train Your Dragon), and arranged by Douglas E. Wagner. (3:45).
$3.00
2.7 €
#
Orchestre
#
John Powell
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Douglas E
#
Pan: Highlights from the Warner Bros. Pictures Motion Picture Soundtrack: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Pan: Highlights from the Warner Bros. Pictures Motion Picture Soundtrack: Timpani
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017324_TMP Timpani. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017324_TMP Timpani. Composed by John Powell. Arranged by Douglas E. Wagner. Movie. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017324_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017324_TMP). UPC: 038081518701.Experience the swashbuckling action and tender emotional moments of the original story of Peter Pan with a new twist. Heroic themes and soaring melodies amplify the drama, and provide musical satisfaction well beyond the scope of the screenplay. As a prequel to the classic story, the movie Pan includes characters we all know and love, but who aren't all they necessarily appear to be in later life. The dynamic score is by British composer, John Powell (Shrek, Chicken Run, Happy Feet, How to Train Your Dragon), and arranged by Douglas E. Wagner. (3:45).
$3.00
2.7 €
#
Orchestre
#
John Powell
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Douglas E
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Pan: Highlights from the Warner Bros. Pictures Motion Picture Soundtrack: Timpani
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Alfred Music - Digital Sheet Music
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Pan: Highlights from the Warner Bros. Pictures Motion Picture Soundtrack: Cello
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017324_VC1 Cello. Composed …
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Full Orchestra - Digital Download SKU: AX.00-PC-0017324_VC1 Cello. Composed by John Powell. Arranged by Douglas E. Wagner. Movie. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017324_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017324_VC1). UPC: 038081518701.Experience the swashbuckling action and tender emotional moments of the original story of Peter Pan with a new twist. Heroic themes and soaring melodies amplify the drama, and provide musical satisfaction well beyond the scope of the screenplay. As a prequel to the classic story, the movie Pan includes characters we all know and love, but who aren't all they necessarily appear to be in later life. The dynamic score is by British composer, John Powell (Shrek, Chicken Run, Happy Feet, How to Train Your Dragon), and arranged by Douglas E. Wagner. (3:45).
$3.00
2.7 €
#
Orchestre
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John Powell
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Douglas E
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Pan: Highlights from the Warner Bros. Pictures Motion Picture Soundtrack: Cello
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Pan: Highlights from the Warner Bros. Pictures Motion Picture Soundtrack: 3rd F Horn
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017324_H3 3rd F Horn. Compo…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017324_H3 3rd F Horn. Composed by John Powell. Arranged by Douglas E. Wagner. Movie. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017324_H3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017324_H3). UPC: 038081518701.Experience the swashbuckling action and tender emotional moments of the original story of Peter Pan with a new twist. Heroic themes and soaring melodies amplify the drama, and provide musical satisfaction well beyond the scope of the screenplay. As a prequel to the classic story, the movie Pan includes characters we all know and love, but who aren't all they necessarily appear to be in later life. The dynamic score is by British composer, John Powell (Shrek, Chicken Run, Happy Feet, How to Train Your Dragon), and arranged by Douglas E. Wagner. (3:45).
$3.00
2.7 €
#
Orchestre
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John Powell
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Douglas E
#
Pan: Highlights from the Warner Bros. Pictures Motion Picture Soundtrack: 3rd F Horn
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.47 €
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Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.47 €
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Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.47 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Be Thou My Vision
Orchestre
(Orchestra) - Digital Download SKU: H1.C5985ODP Composed by Mary McDonald. Piano Ac…
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(Orchestra) - Digital Download SKU: H1.C5985ODP Composed by Mary McDonald. Piano Accompaniment with Optional Orchestra. General Worship, Sacred. Set of Instrumental Parts. 63 pages. Hope Publishing - Digital #C5985ODP. Published by Hope Publishing - Digital (H1.C5985ODP). Words Tr. by Mary E. Byrne. Proverbs 29:18 - Matthew 17:8; Tr. Mary E. Byrne alt.Old Irsh hymn with words Tr. by Mary E. Byrne This old Irish hymn dates from the 8th century though the theme couldn't be more relevant to the culture in which we live. It is only fitting that Mary McDonald found the inspiration to craft her own melody for this beloved hymn text. The words unfold in a stirring, new way with melody and harmonies that lift and transport them to new heights. The dynamic orchestration by Ed Hogan soars. Orchestrations: Conductor's Score, 2 Flutes, Oboe, 2 Clarinets in B-Flat, Bassoon, 2 Horns in F, 3 Trumpets in B-Flat, 2 Trombones, Tuba, Percussion 1 & 2, Harp, Piano, 2 Violins, Viola, Cello, Double Bass.
$89.95
80.85 €
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Orchestre
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Mary McDonald
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Tr
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Be Thou My Vision
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Hope Publishing - Digital
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SheetMusicPlus
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